I design, build and perform with the Folk Harp (ie: Celtic Harp), which is a smaller harp, usually with no pedals.
I am a professional musician who can give instruction on many musical styles ranging from Classical to Folk Music from several different countries. All ages are welcome! As a student, I was involved for many years as a violist with The Louisville Youth Orchestra, I became a graduate of the Youth Performing Arts School in Louisville, Ky. in 1981 majoring in music and theater. I have since performed in a a broad spectrum of musical involvements including accompanying international folk dance troupes, performing Celtic and traditional music at events in several countries, composing music for, and directing several theatrical productions. At the same time I have been involved in educating children in music in several Community Schools throughout the Eastern U.S.. I now reside in Crestwood, Ky, where where I teach and operate a repair shop
out of my home called 'Hewn from the Mountain Music Cafe''. I also perform in the viola section of the Louisville Philharmonia, and have served as as Public Relations Director on the Board of Directors.
*** Lesson Details *** My objective is to encourage enthusiasm and diligence in my students towards Music and the Performing Arts, focusing on self-esteem, presentation, and public performance. For strings, I incorporate sight reading with ear training using various acclaimed methods modeled after the Suzuki method, which I am in the process of obtaining certification. I value the importance of ensemble playing, and will orchestrate many such activities.
The TakeLessons.com program has many advantages because it is a completely interactive data sharing system for Teachers, Students and Parents. I believe it will be well worth your investment.
*** Specialties *** classical, traditional folk, international folk, Israeli folk dance music, popular dance music, others
Very accommodating to my scheduling needs when conflicts arose.
April 19, 2019
Tom is very patient with younger students that get distracted easily. One of my children is very interested in learning Irish folk music and Tom is great about helping him explore his interests in music. I love having lessons in home. It's very convient and allows me to keep my toddler entertained while my other children are doing lessons. Lessons are also affordable. I would definitely recommend Tom!
April 12, 2019
Tom is an excellent harp teacher! He’s guided me in the right directions on my harp journey, expanded my knowledge of folk music, and helped me with my technical skills.
Harp: A stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps have been known since antiquity in Asia, Africa and Europe, dating back at least as early as 3500 BC. The instrument had great popularity in Europe during the Middle Ages and Renaissance, where it evolved into a wide range of variants with new technologies, and was disseminated to Europe's colonies, finding particular popularity in Latin America. We will start by learning how to tune, seating and hand/plucking placement. I have an easy to follow technique where you will learn the strings, notes, how to read music, rhythms, plucking techniques, and songs. As the student advances theory and soloing will be incorporated.
Anyone Can Learn To Sing or Play Any Instrument With My Method! No End To How Good You Can Get! Become Better Than Anyone Out There! Vocal Therapist-Can Cure ALL Vocal Damage!
Karen D. -Certified Teacher of the World Famous Dante Pavone Vocal Method -Honor Graduate of Berklee School of Music! -Winner of International World Contest for Meridan Records from over 300 Countries -Runner up in Ticketmaster Contest -Twenty Original Songs Placed in Movies -Written and Recorded Hundreds of Original Songs -Performer, Producer, Actress, Poet, Writer, Dancer, Entrepreneur -Teaches Song Writing, Ear Training, Theory, Arranging -Teaches Video Production and Editing -Teaches Audio Engineering
It is completely untrue that some people are "born to sing or play an instrument" while others are not. Using my method, the most "tone de
af" can learn to sing perfectly in tune, the most nasal or unappealing sound can be transformed into the most beautiful resonant tone, and someone with "no talent" can become better than anyone out there. With this superb method when you finish singing your voice will feel better than when you started! All it takes is desire, patience, perseverance, and above all, practice. I also have a unique and very patient teaching style that can make learning any instrument seem easy. Anyone can learn with my method of teaching.
It all started out in a small town called Chatham, NJ where I spent the first thirteen years of my life. I remember loving music as early as I could walk and talk. I started taking guitar lessons when I was seven years old. Along with the guitar, came a love for singing and writing my own songs. When we moved to Pennsylvania the guitar came with me. Throughout my high school years, I spent hours playing with teachers, fellow students and at parties.
When I was sixteen every week for three years I would drive an hour into Philadelphia, by myself, to study with world famous Artie Singer. His students include such names as Chubby Checker, Frankie Avalon, Al Martino, and Bobby Rydel. Artie co-wrote and produced two massive hit records “At the Hop” and “Rock ‘n Roll is Here to Stay,” both recorded by Danny and the Juniors. Artie was personal friends with Dick Clark and would bring him acts for his show.
While going to a Community College in Philadelphia the music teacher there took notice of me, pulled me aside, and told me about a great music school I should attend. He then sent away for the application and helped me fill it out. The next thing I knew I was in Boston attending Berklee School of Music! I graduated Magna Cum Laude with a degree in Jazz and Rock Composition, Arranging, and Guitar.
I had originally gone to Berklee intending to major in voice, however I had no luck with the vocal department there and ended up with nodules on my vocal cords. The damage was so significant that I had to stop singing during my four years at Berklee and turned to studying Guitar and Composition.
I tried every vocal teacher in town wanting more than anything to be a singer. What I found was no teacher could help me and it seemed obvious that even though they had the “big name” they didn't know what they wt. I was losing hope. The combination of this roadblock and my persistence led me to the greatest thing that ever happened in my life....... I met Dante Pavone!
I kept hearing about a singing teacher named Dante Pavone. Since I had already tried everyone else, I decided to give him a shot. On my first lesson with Dante I noticed a big difference. My throat didn't hurt at all and a real voice was coming out of me. I was cured!
Dante’s studies were extensive and he had doctorates in voice, music history, psychology and many other subjects. He was the most intelligent; insightful person I have ever met in my life and not only taught me about voice but taught me many things about life. He one time told me that he had a more profound knowledge of all the fine singing muscles than anyone else.
Dante was the first; a “pioneer” in popular singing, breaking from the traditional operatic style. He taught, or was contacted by, such singers as John Lennon and Paul McCartney (Beatles), Mick Jagger (Rolling Stones), Aretha Franklin, Grace Slick (Jefferson Airplane), Steve Tyler (Aerosmith), Peter Wolf (JGiles Band), James and Livingston Taylor, Faye Dunaway, Tom Jones, Donna Summers, Jonathan Richman, Julianna Hatfield, Andy Pratt, at their prime and the list goes on and on. Once John Lennon and Paul McCartney showed up unannounced at his door handing him a blank check! Singers from New York City Opera Company used to sneak away from their teachers and come to Boston to study with Dante who would cure their wrecked voices from their famous opera teachers they had in NY. Best Singing Teacher in the World!
I studied with Dante every day for the first couple of years and then two or three times a week after that for fifteen years until his demise in 1998. I never missed a lesson! He gave me over a four-octave range where I started with only a five-note one. Not only did he improve my pitch and tone, but I can now sing and scream all night, if I want to, and never have a single vocal problem. In fact the more I sing the better my voice feels!
One day at my lesson Dante asked if he could pass his method down to me. This has been a great honor to me and although many teachers try to emulate his method I am the only one with a certificate as seen above. Not only was Dante my mentor, but still to this day he is the most important person I ever encountered in my life and was my best friend. We were very close and he would spend hours talking to me at lessons not only about music but about many fascinating subjects and opened my eyes to many incredible things.
Thirteen of my songs were chosen to be in one movie called Getting Personal and other songs in the movies Fillbilly and Dykeotomies. My band has won world contests.
I have also studied piano, guitar, and drums extensively and teach all instruments. I studied for years with late great world renowned Charlie Banacos and John Horrigan. Besides teaching I am a songwriter, dancer, actress, film maker, audio engineer and producer as well. I can help you record your songs!
Since 1982 I have written hundreds of songs and have been performing and recording my own music in major New England and New York venues. I've also won awards for my band "Girl on Top."
Breathing If a teacher tells you breathing is not important you should be concerned. Let me help you to develop solid breathing and correct singing posture. An instrument only sounds as good as it's built. As we build your instrument your range, strength, resonance and stamina all improve. There is no end to how good you can get.
All Styles The greatest thing about this method is it does not give you a style. You develop your own style! The student brings in songs they want to work on. Pop, rock, hip-hop, alternative, country, progressive, blues, jazz, swing, broadway, folk, rap, r+b, gospel, hardcore, screaming at the top of your lungs (if you want to).
All Levels I teach all ages and presently have students from three years old to students in their seventies. Beginners to advanced, adults to elderly, children, kids, and pre-school. Dante taught me that I can improve a person’s life by teaching them music. He’s certainly improved mine. I hope you will let me help to improve yours.
Vocal Therapist My method is guaranteed to cure any and all vocal problems or damage you may have from singing or talking: nodules, pitch, range, tone, endurance, etc.
Sing with no break Have a smooth, multi-octave range. Sing any note the way you like: high or low, hard or soft.
No end to how you can improve As long as you practice using this method, there is no limit as to how you can improve your range, tone, strength, flexibility, vibrato, phrasing, etc. Let me help you transcend fear, anxiety, and stage fright and replace it with technical ability and self-confidence.
Coaching and Stage Presence We work on songs that the student brings with them to lessons. Using acting techniques, I help them understand the true meaning of the song and how to convey it to an audience.
Guitar Lesson Learn easily the basics of rhythm, notes and chords. Start with the basics and move into learning to play songs that you love. Incorporate learning to sing and play guitar on your favorite tunes. As the student becomes more confident the lessons move into learning advanced voicing, improvisational techniques and chord solos. All styles, all levels, all ages.
Piano Lessons Whether you are a beginner or an advanced professional, any age is welcomed. Learning to play the piano can be lots of fun and very rewarding with practice, persistence and the proper instruction. Learn easily the basics of rhythm, notes and chords. In the first lesson you will be able to play with both hands. As you continue lessons it will be fun and exciting to learn to play popular piano pieces. The more advanced student will have fun learning to improvise and play chord solos.
Drum Lessons Learning to play the drums is really easy and fun with my method! Start by learning how to hold the sticks and position yourself at a full drum set. At the end of the first lesson you will be able to play beats. With each lesson new beats, styles and exercises will be added. As you get more advanced the student can bring in songs they want to learn. This method is perfect and easy for any beginner or more advanced student.
Bass Lessons The bass is what holds the rhythm of the band together and provides the foundation and bottom for the chord structure. The student is taken in a step by step method that is easy to understand starting with learning basic notes, rhythms and finger exercises. As the student becomes more advanced they can bring in songs that they would like to learn. All styles, ages and levels.
Ear Training Developing your ear is essential for any serious musician. We start by learning to sing simple melodies and rhythms and as the student progresses move to more challenging ones. Also incorporated will be learning notation and chord and pitch recognition. Song Writing Learn to write songs like the pros. Karen D. has written over two hundred and fifty song. Let her expertise help you learn the secrets fast. We will work on song structure, theory and lyric writing.
Theory and Arranging Karen D. is an honorary graduate of Berklee School of Music in Boston. There she acquired a degree in Jazz Composition and Arranging. She will teach you about notes, intervals, scales, chord structures and how chords work together. Also, you will learn how to arrange a song by adding drums, bass, guitar, horns, strings and whatever your heart desires.
Woodwinds Accordion Bass Clarinet Bassoon Clarinet Contrabassoon Double Reed English Flute English Horn Flute Flutes Harmonica Melodica Oboe Piccolo Pitch Pipes Recorder Saxophone Single Reed
Brasswinds French Horn Pan Flute Piccolo Recorder Saxophone Trombone Trumpet Tuba
Karen D is the numero uno female singer in Boston.
Karen made the lesson fun and highly personalized. Karen wanted to know about my current skills and what I wanted to achieve. She then based our lesson play on this information. Excellent!
I don't know how much you remember of me, but you were my favorite voice teacher! I adore/d you and hope all the best for you! I used to walk across Copley Square to your studio for my classes. I remember vividly and I also remember my homework. I will always recommend you highly. Next to my band director you were always my best teacher. Know what? Love you Karen! You are the best! I wish every great thing for you.
Karen is an amazing teacher. She's patient, hard-working and dedicated. She has a lot of musical background experience and knowledge. She's also a cool person!
In American Idol, Haley did great on her solo, clearly the best. I was really impressed I hope you are doing well…we will see you at the next lesson.
Karen is a great teacher. She is extremely patient and encouraging. She also has a great method in building up strong muscles for singing. When I first met her, I could barely match the notes. She encourages me all the time and guides me through the tough period. Now I can match up to High C. She is also very great at Guitar, and has a very good way teaching. I really love her.
Thank you so much for the encouragement. I didn't get much of it when I was growing up that's probably why I never put any effort in pursuing my dream of becoming a musician. I am going to use your time for deeper understanding. I wasted a lot of time in the past I could of been much more educated by now if only i would of had focused and pushed myself. Our time together made me realize many things about myself what i should have done in the past and that I'm very impatient that's probably the main cause of why i never bothered learning anything worth learning... I admire people like yourself who encourage artists to do what they love. Thanks again.
Karen is an awesome teacher with patience and excellent methods to help people sing. She taught me the singing techniques and mostly importantly gave me confidence to face my weakness and sing once more. Patient, nice, and remarkable capability.
Thank you for being such a great teacher and friend!
Thanks for all your help. It has been a revelation.
I finally took your advice and have been doing my practicing every day. As a result, my choir director, Wendy, came up to me after the service and said, "you might become the lead soprano singer if you keep working with that singing teacher of yours, Karen.
Back from a week in New England...great trip...both reunion shows went very well...the audiences loved them. Thanks for your help in getting my voice ready. We had five hour rehearsals last Monday and Tuesday, and then shows on Wednesday and Thursday. My voice was stronger Thursday night than any of the three previous nights. That's a tribute to you and Dante, and I am grateful. Take care, and let's stay in touch...
Thank you for all you’ve taught me. I know your way is the real way. I hope to have the opportunity to learn more from you in the future. You’re the best!
Hey Karen! How are you? I'm over that horrible sickness. I went to rehearsal tonight and what's coming out of me keeps getting better. Just the look on everyone's face was awesome. More importantly I can finally express everything inside me. Thank you so much! The only problem I have is when my back get's tired. After an hour it get's tough. There's so much I want to go over with you. I'm your biggest fan! Thanks is not enough.
I know with the voice and lessons it can be like anything else one needs to improve, two steps forward one step back. However, I have to tell you, I have really made a breakthrough in the last week, starting last Thursday. For some reason "all of a sudden" my voice is stronger, clearer, I don't get hoarse as quickly, I can sing longer and "harder"/higher, my voice isn't so raspy the next morning, on and on. Yeah -- the lessons are really working, as I believed they would. Bless you and the spirit of Dante.
I threw Dante's name into the search engine and found you. My sister, Tina Sanderson, quit high school in 1967 and moved from long island to Boston and found Dante. I was at Berklee at the time for flute. I was amazed what he did to her already fabulous voice! When Grace Slick (Jefferson Airplane/Starship) went to prison, they asked Tina to fill in, but decided not to do anything until Grace was out. Unfortunately, two days before recording for Irwin Levine (tie a yellow ribbon....) she died in a car accident. Anyway, I am very happy to see that Dante's message is not lost with the Master. i will keep you in mind for anyone wanting the best techniques.
Hello Karen, I found your site through a google search of Dante. I was thinking about him and thought I’d see what I could find. Yours was the first site that turned up and I was very happy to have found it. Even back in 1981 and 1982, when I was with him, Dante was looking for a successor. I’m very glad to have found you. I am also a bit envious that you were wise enough to stay with him until the end. It was my every intention to do that, however, as a teen at the time on my own living in Boston, I let certain emotional issues cloud my judgment and left Dante in 1982 and came back to New Jersey. I must say that I was filled with sadness to find that Dante passed in 1997 and that I made no effort to contact him or study further before that time. What an opportunity it was ever to have met the man! I was with him for a year and applied his method for many years after. I’ve recently gotten back more into singing, I am a guitarist as well, and probably would want to start lessons with you. I was a voice major at Rowan University for a year and half, but actually would rather study by Dante method. Dante was very dear to me. I loved him very much. The year with him was one of the best times of my life with some of the fondest memories.
Hi Karen glad you had a great gig. Nothing was touching the pain, but when I sing it is so intense it doesn't matter. I didn't sleep at all last night, and I felt like crying! I went to my second project today and I think there is an ungodly potential there. I did a little recording last night (just me) so you could hear what you never hear in lessons. I am the singer I always wanted to be thanks to you and I know it's only going to get better! Oh well for now it's ice hot bath and rest.
Karen, even though it was sort lived, coming to you for lessons was one of the best things I've done. It's really gotten me back on track. Dante's scales are so balanced. I was getting into really bad habits especially with the e vowel. With those exercises I'm now placing the e vowel where it should be. I can sing all night again and feel nothing in my throat. When I went to university, the vocal scales weren't balanced. Dante's balances the e's with the ah's and when you got that, you've got it all. This is how I remember it as it used to be. As I said before, I'll be back.
Thank you so much for your wonderful lesson with great encouragement. You are the best music teacher I could ever imagine. How I wish I had met you earlier.
Karen is a wonderful, sensitive, teacher, who will work with you no matter what style of singing you prefer. For over 6 years I have taken voice from her and my range and confidence increased by leaps and bounds!
Karen is a committed, dedicated and extremely talented teacher. The unique techniques I learned in studying with her have greatly improved my singing, the quality of my voice, and my range is far greater. I am able to sing notes I would not have thought possible. Karen loves what she does and every lesson has been an extremely enjoyable learning experience.
Dear Karen, I wanted to thank you for teaching me. I'm very happy that I decided to take lessons with you and I was able to achieve my goal. Before I came to you I was not happy with my singing when I hit Bb above middle C and up, but I feel more comfortable with those notes after the lessons with you, and of course, doing the exercises and scales does wonders. You even got me to vocalize an octave above that Bb and beyond in less than six weeks. What I learned was so precious because it's not something you can learn by reading, but it's something I could only learn by actually having someone coach me in physical coordination. It was a very interesting experience and a hard work. I sing almost everyday, so I do notice the difference in my voice from day to day. Thank you so much.
Karen has been an amazing teacher. I have taken piano, guitar and voice lessons from her for over the past year. I had no prior musical knowledge (or native ability) but yet within 4 months she coached me through preparation for a show singing and accompanying on guitar. While I have much to learn I feel that Karen, with her dedication to her students and wonderful teaching ability, has truly helped me to succeed beyond my wildest expectations.
Dear Karen, So happy to see you're still doing great..I could never in words express my gratitude towards you for teaching me about music, life, and piano..(as well as the wonderful course for drums and everything else) Thank you.
HI Karen, Thank you so much for being such a great mentor and friend of mine:) Thanks for inspiring and encouraging me all the time. Love you.
Thank you so much for your wonderful lessons with great encouragement. You are the best music teacher I could ever imagine. How I wish I had met you earlier.
Hey, "Coach" -- hope this finds you well. We played two shows in Vermont two weekends ago, and my voice was excellent. I've been diligently doing my scales, my stretching exercises, and singing rock songs about 45 minutes a day since the book launch party last August, and it really paid off. I sang lead on two songs I couldn't even reach last summer. And I sang our "signature" song, "All Along The Watchtower" probably better than I ever sang it back in the 60s and 70s. My voice held up through two rehearsals, two sound checks, and two shows, and was stronger at the end than at the start. In fact, we had a jam session after the second gig and I sang "Superstition" by Stevie Wonder and I have never been able to do that one. So, thanks to you and our dear, departed Dante.
Just wanted you to know that I have continued to work on what you taught me with excellent results. This past August, at the book launch party, I sang lead on a song which I could not do in 2010 (and I could hardly have done any of my leads in 2010 without your help). In the six months since the book launch party I have done all my breathing exercises every day, except one single day, without fail. The result has been that as I sing along with records (which I do about 4-5 days a week) I can now do about a dozen leads on songs I sing with regularly, which I couldn't do six months ago in August. All this stuff re the voice is only to say a HUGE THANK YOU for your help and your teaching. Clearly, the Dante method works for geezers, also. I am amazed at what I can sing that I couldn't get to a year ago, or even 6 months ago. Plus, a couple of weeks ago I sang 11 days in a row (45 to 60 minutes each day) with no problems at all. It's so much fun to be able to really sing again...:-)
I'm not sure if you remember me but I took web lessons with you about a year an half ago. Life, however got in the way, and I had to stop. My schedule is now much freer, and I happen to once again be on the same time zone that you are on. I was hoping to begin taking vocal lessons with you again. You are by far the best vocal teacher I have ever had, and my voice really misses your training.
i am happy to tell you about my experience and opinion of Karen. i have been taking voice with her since 1996. I starting to sing in a choir as a soprano at my old church. i struggled to hit the notes and in doing so was straining my vocal chords. i went online to read about strained vocal chords and got scared when i read that they sometimes get nodules a need surgery. i decided i wanted to learn proper technique and searched for a vocal teacher. i read Karen’s bio and discovered that she too had suffered strained vocal chords and got relief through Dante Pavone’s method of teaching, and now she is certified to teach the same method. Since i started with her i have no problem in my throat and i sing way better. Even my body looks better because the exercises that the student does strengthen the lower back so that it can support the ribs properly and has given me a better figure. i still sing in a choir at my new church and i have gotten many compliments on my voice from many people. At this point i will tell you that i do not practice all of the breathing and scales as often as i am supposed to due to my being a wife and mother of two teenagers, which keeps me very busy and running. That said, i still have made great progress with Karen. Another more personal note is that a person would be hard-pressed to find another human being as loving as Karen. She’s very caring beyond just voice lessons. My husband has been taking drum lessons from her for three years now and he feels the same way about her, and he doesn’t usually trust people easily. Karen is very well educated and very intelligent. She is a tough but kind teacher. She watches her student like a hawk and doesn’t miss a trick. She corrects gently and never makes you feel badly about yourself. She’s very encouraging. i try never to miss a lesson, because i always leave there in a better mood than when i arrive. i hope this helps you to decide. You may think...whats with all of this breathing and posture? Trust the technique. it really works without pain or strain of the vocal chords, which means you can sing for the rest of her life and not just a couple years and have to quit due to nodules.
Forty years ago I was a lead singer in a New England rock band and I was tearing my throat up. I was hoarse after every gig and regularly lost my voice entirely after two or three nights. Then I became a pupil of Dante Pavone in Boston and a remarkable transformation occurred. Dante’s method was hard work, and it depended on following his advice precisely. But working with Dante I was able to correct my bad habits, improve the clarity, quality and range of my voice. I could go seven nights in a row and not lose my voice. Forty years later my band is getting back together for several reunion shows, but I have not sung professionally since 1971. Fortunately, I found Karen, a protégé of Dante’s, and took webcam internet lessons (she is in Boston, I in Virginia). All the benefits of the Pavone method re-appeared. I gained back three octaves on my range and my clarity, strength and pitch all greatly improved. The Dante Pavone method is still as great as ever and Karen is the ideal voice coach to teach it – a perfect blend of encouragement and pushing.
Saturday, for the first time after studying with you for over three years and not practicing, i forced myself to do what you have been telling me all along: to practice. The next day my husband came to the early church service with me and told me that when the choir sang the "anthem", which is our main piece in the service, that he could really hear me and that i sounded really good. Then i had another small rehearsal afterwards with the choir for a new piece for future. After that i was walking down the hall to leave and my choir director caught up to me and said, "You are sounding really good!" i said, “Really?” She affirmed, so i told her it was because my singing teacher is telling me i had better start doing my breathing exercise so i finally listened. She said it was paying off. Today i plan to do all 30 of each again. As much as i don’t understand why it makes so much of a difference, i now know it works and i know also that you are a very smart and driven person and that you would never steer me wrong. so thanks.
I called my brother (he used to back up Taj Mahal) to ask about when Grace Slick studied with Dante. When my sister was studying his method I met Dante once or twice. At the time I was making costumes for the New York City Opera Company and was one of Beverly Sill's dressers. Dante kept saying that Beverly was going to blow out her voice. I remember that several opera singers used to sneak away from their appointed vocal coaches in NYC to catch some time with Dante. Dante would have to cure all the vocal problems that their so called “famous” NY coaches were giving them.
I was thinking about Dante recently. I just got a gig in Switzerland coming up in April and even though I'm a sax player (Berklee alumnus) I will be singing a concert there. I pulled out all of my old hand written Dante notes and oddly I realized the system and its ease after twenty years. What I'm saying is "voila" now it all came back to me and I’m singing with a fair amount of ease up into my head, stretching my range and feeling really great. Anyway, I googled his name and your name came up associated with Dante's, and rightfully so. I was always amazed by him, but now I'm amazed at what he was always trying to tell me even though he saw me as a great student. I know that one website that came up under someone's name (associated with him) mentioned that he had passed away. I think he was 76 when he taught me. I remember he mentioned your name to me many times in the 80's. I moved to LA after Berklee and I talked about him with the highest respect and felt very lucky to have studied for a long time with a genius and true master of the human anatomy. Keep up the good work! I just wanted to say hello and let you know that I'm glad you're carrying on his legend.
Thanks for your help in getting my voice ready. We had five hour rehearsals last Monday and Tuesday, and then shows on Wednesday and Thursday. My voice was stronger Thursday night than any of the three previous nights. That's a tribute to you and Dante. I am grateful.
Karen I have to tell you I have really made a breakthrough since I started studying with you. My voice is stronger, clearer, I don't get hoarse as quickly, I can sing longer and "harder"/higher, my voice isn't so raspy the next morning, on and on. Yeah -- the lessons are really working, as I believed they would. Bless you and the spirit of Dante.
Every day, since studying with you, after I sing my voice is clearer and stronger when I am finished. You’re a great teacher!
Thank you for all you’ve taught me. I know your way is the real way. I hope to have the opportunity to learn more from you in the future. You’re the best!
I studied with one of the supposed most famous vocal teachers in America. After a year of studying this particular method I couldn’t even get through one rehearsal or four songs at a gig with out vocal blow out. When I came to Karen I had severe vocal damage from studying with this supposed other “famous” teacher”. On the first lesson with Karen my voice was cured and after four lessons I played a gig and my voice felt better than before I started singing and the next day I was not hoarse at all. This is the best vocal method I have ever studied in my life as I have studied with many other teachers before Karen that also damaged my voice. If it weren’t for Karen and the Dante Pavone method I surely would not ever be able to sing.
My daughter did great on her solo, clearly the best.! I was really impressed. I hope you are doing well…we will see you at the next lesson.
Had a great lesson with Karen today. I expected the usual tongue and lip rolls and of course the long lectures on what to avoid to keep a good voice, but i got something much better. :)
I went to rehearsal tonight and what's coming out of me keeps getting better and better. Just the look on everyone's face when I sang was awesome. More importantly I can finally express everything inside me. Thank you so much! I'm your biggest fan! Thanks is not enough.
I just wanted to let you know that my gig on Saturday went GREAT!!! My voice felt really good and I didn't feel strained at all. I'm so glad I took the breathing exercises that you showed very seriously. I don't know where I'd be without you.
Once again you have my deepest thanks for what you've opened to me vocally. I still can't believe it. Every time I open my mouth to sing I get better and better! Also, thank you very much for the great encouragement.
I just wanted to say again how happy I am that I met you. My progress is more than I dreamed of and I know I'm not all the way yet. I also have come to regard you as a friend. I truly wish you all the success you dream of.
Before studying with you I always felt like crying because I could never get my voice to work properly. You have showed me the potential there. I did a little recording last night so I could really hear the huge difference and in just a few lessons. I am becoming the singer I always wanted to be thanks to you. I know it's only going to get better!
My voice keeps getting better and better every day. I would say that you have 100% given me all the ability and more than I could have dreamed of. You definitely delivered the goods. I've grown from skeptic to true believer. The last two weeks, but especially the last couple of days, I have transformed into an altogether more dynamic singer with a pitch increase of at least an octave. Every note becoming as soft or as loud as I want it to without strain or effort! God bless you. I know that it's going to only get better from here! Did you ever see the matrix we're the guy says why oh why didn't I swallow the blue pill. That's how i feel about my choice some twenty years ago or more, when I saw your add. Also the changes in my physique are truly unbelievable too. Anyway thanks so much and I look forward to seeing you next week.
Hello Karen, Life is stranger than fiction!! I played an outdoor gig today! I sang for hours and had no problems. Afterward everybody was all over me. Makes all the sacrifice worth it. I learned a lot today. I sure hope it will continue. I live for this. Don't mean to sound like a broken record, but thanks so much for all you've given me the ability to do. I'm everything and more that I always wanted to be.
I so much value everything I've learned from you and I always looked forward to my lesson. You are a very gifted teacher and your technique has really made a difference in my voice. I never thought I could hit high C so effortlessly. Thank you, Karen.
It was great getting the first lesson from you. Saw how you rock from Dante's point of view.
Karen, You are wonderful. I love your personality and your lessons. I talked about you and your method to all my friends and co-workers and will always recommend you to anyone who’s interested in lessons.
Hi Karen, we're moving to New Hampshire tomorrow :-) We're going to miss you a lot! You have played a very positive role in Brendan's life and for that I will always be grateful. I wish you nothing but happiness. Warm Regards, Rob
You have been such a blessing. I believe people don't just come into your life by accident.
Karen, coming to you for lessons was one of the best things I've ever done. It's really gotten me back on track. Dante's scales are so balanced. I was getting into really bad habits. With those exercises I can sing all night again and feel nothing in my throat. When I went to university, the vocal scales weren't balanced and I had vocal issues. Dante's balances the e's with the ah's and when you got that, you've got it all. This is how I remember it as it used to be when I studied with Dante.
I enjoy the music instruction and guidance which shows progress in a short amount of time. I have explored rhythm, melody, and harmony with various instruments for resemblance. Her personal studio at home is great for this.
I thought I wanted to take viola lessons. Then I read her website and I realized that she might be able to help me get my voice back! I thought there was no hope ever. She has been extremely generous with her time, and I haven't seen her yet, but I'm not buying the viola I was planning on buying. I play cello, and piano still, but I am going to see if she can help me with my voice. She sounds incredible. I never dreamed that I could even have HOPE like this!
As a harp teacher, all of my students play scales, arpeggios, and technical exercises in their lessons. I believe having a strong technical base is the foundation for every part of playing and you can't learn without it. I will set the repertoire for students according to their technical progress and although I may take into consideration a student's desires to learn a certain piece, there has to be time and they have to be ready for it. I have both short term and long term goals for each student that involve theory, technical ability, and repertoire both orchestral and solo. Adult students still have to learn technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before.
I require all students make at least an hour a day commitment to practice. I teach mostly the ...
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.
A strong supporter of the American Harp Society, she served as Vice President of the American Harp Society Foundation. Alexandra was also co-cha
irman of the distinguished Anne Adams Awards Harp Competition where she was a main Director for almost twenty years. She also served as the Vice President and President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.
Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.
Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.
Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).
In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.
Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.
*** Lesson Details ***
As a HARP teacher, all of my students play scales, arpeggios, and technical exercises in their lessons. I believe having a strong technical base is the foundation for every part of playing and you can't learn without it. I will set the repertoire for students according to their technical progress and although I may take into consideration a student's desires to learn a certain piece, there has to be time and they have to be ready for it. I have both short term and long term goals for each student that involve theory, technical ability, and repertoire: fun, orchestral and solo. Adult students still have to learn technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before.
I require all students make at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I have studied all techniques throughout my education and I find them all beneficial for different reasons. I do, however, believe everyone is built differently and the technique should help the harpist play and not hinder them from achieving their goals. Everyone learns at a different speed, but as a brand new musician, after six months practicing regularly, you should be able to read music fluently, understand basic theory concepts, be able to play with both hands and four fingers on each hand, play all of the basic scales and arpeggios musically and be able to play at least one piece memorized. Curriculum is based on the student's technical ability and issues and is individually created – if you learn slower than someone else, don’t worry about your pace. In the end, lessons are about you personally and not someone else.
As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.
*** Studio Equipment *** I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources.
*** Specialties *** HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.
PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
Alexandra has met all my expectations. She is very patient. I feel like we are moving along at a good pace. I had zero musical experience and after only 3 lessons can read basic sheet music and actually have music come out of the piano!! I am enjoying the whole process.
January 23, 2018
Great first lesson! Looking forward to next week.
March 9, 2016
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
I am a soloist, chamber music artist, and music teacher based in Las Vegas, and I currently have openings in my studio for private harp students! I would love to share my love of music and of the harp with you.
Kristie is a professional musician based in Las Vegas, with a strong background in both teaching and performing music. She has over ten years of experience teaching music lessons to students of all ages and levels. Kristie is accepting new students for weekly 40-minute lessons.
*** Kristie's Teaching Background *** Kristie graduated summa cum laude and with Honors with a Bachelor of Music in harp and piano performance from the University of Arizona in 2004, where she studied with Dr. Paula Fan, Regents Professor of Piano and principal pianist of the Tucson Symphony Orchestra. Kristie was honored as the Outstanding Senior of her undergraduate class. She is now a doctoral candidate at the Jacobs School of Music at Indiana University.
As a doctoral candidate at Indiana University, Kristie has the background and capability to teach beg
inning to advanced students. With a doctoral minor field in music theory, Kristie provides students with a thorough understanding of how music actually works.
Kristie also teaches improvisation and playing from lead sheets.
*** Ten Great Reasons to Join Kristie's Music Studio *** 1. Kristie loves to really get to know her students, so that she can tailor lessons to fit each student's particular goals and interests. 2. One of Kristie's foremost priorities as a teacher is to help her students learn to teach themselves. Independent learning skills are valuable in all areas of life, particularly schoolwork. 3. Kristie seeks a balance between challenging her students and cultivating creativity. 4. As a professional musician with over fifteen years of experience, Kristie has the capability to take those students who are serious about playing music from the absolute beginning to the advanced collegiate level. 5. Kristie is a nationally award-winning musician known for her impeccable technique, beautiful tone, and precise rhythm. She is committed to imparting these qualities to her students. 6. Kristie uses her strong background in music theory to help her students understand how music is put together, from the simplest concepts of key and meter to complex theories of phrasing. 7. Kristie teaches a range of musical skills, including improvisation and composition. 8. Kristie has been privileged to study with wonderful, internationally respected teachers. She loves to learn and is active in the musical community, both online and locally. This allows her to continually add to her knowledge of the piano and her teaching skills. 9. Kristie encourages all her students to have fun playing music! 10. Kristie's piano studio is a nurturing environment where students of all ages and all levels feel safe, welcome and supported in their musical journey.
*** Getting Started *** At the first lesson, Kristie will get to know you and ask questions about your goals and interests, so that she can tailor the lessons to fit your needs.
If you are a brand-new beginner, Kristie will start with an introduction to music and get you going with several fun pieces to go home and practice.
If you are a transfer student or if you already play another instrument or sing, it is helpful to bring any previous or current music books and to be prepared to play a couple of pieces. These pieces do not necessarily need to be memorized or performance-ready; the idea is to give Kristie an idea of what you already know and where you would like to grow.
*** Lesson Details *** For beginning piano students, Kristie uses the Faber method.
Lessons typically include music theory. Students will be given clear assignments to practice and complete.
Depending on the student's level, background, and interests, piano lessons may also include: Scales, arpeggios, or études (technical development) Improvisation and playing from lead sheets (for pop or jazz music) Composition (learning how to create and notate your own music)
*** Studio Equipment *** Kawai baby grand piano Lyon and Healy harps
*** Special Needs *** Please inquire, as this is on a case by case basis.
Kristie taught my son harp for 1.5 years before he left for college. He absolutely loved Kristie. She is patient, and makes the lessons interesting and engaging. She allows students to choose from a selection of music so that they learn how to play something they like. She encourages experimentation and engagement. My son wanted to learn the harp because it was interesting, not because he wanted to be a world class performer. Kristie really got that and made the lessons something he looked forward to every week. And she herself was a world class performer so if that's what you're looking for in a teacher, she can deliver that to. Kristie is a super teacher; my son still keeps in touch with her and says lessons with Kristie were one of the highlights of high school.
July 22, 2019
I was nervous walking into my first piano lesson, as I was COMPLETELY out of my element, though I knew that I had a passion to start learning. Kristie made me feel at home and reassured me that this was normal. She is extremely informative, and not only teaches you what you need to know, but explains WHY things are the way they are- which further developed my love for the music. Also, I have noticed that she is good at knowing where to start. She saw that I was picking it up quickly, so advanced quickly to challenge me more. Loved every lesson so far, and look forward to the future ones as well!!!!
October 17, 2014
We've had the best first time lessons experience with Kristie. She is knowledgeable, patient and extremely flexible. I especially appreciate the way she is able to reign in my seven year old's often wandering attention span. I look forward to continuing to work with Kristie in the future.
I have been teaching harp for 10 years and absolutely love sharing my knowledge of this wonderful instrument! I have a Master's in Music, Harp Performance from USC Thornton School of Music where I was the Assistant Harp Instructor for the duration of my studies. I teach both Pedal and Lever Harp and incorporate classical technique and repertoire as well as jazz and world music into my lessons.
Liza W. is a professional singer, harpist, and composer. As a soloist and ensemble musician, Liza brings a new dimension to the harp’s role in contemporary music, striving to expand the possibilities for this unique instrument in Jazz, Classical, Folk, Latin, and World music. She grew up immersed in the vibrant musical culture of the San Francisco Bay Area and now is based in Los Angeles. Liza began teaching in high school and loves to share her passion for music with her students. She teaches voice, harp, music theory and history, music composition and arranging, and world music genres including Celtic and Latin music. Liza hold a Master's in Music from USC Thornton School of Music and a Bachelor's in Music from IU Jacobs School of Music.
Liza is extremely flexible and patient. She has tailored each lesson to my specific needs and has given me tools I needed to make me a better harp player. She chooses pieces that challenge me and has allowed me to chose from several different pieces/styles that I would enjoy learning, too. If I had to miss a lesson for some reason she went above-and-beyond to accommodate a make-up lesson. She has always been very encouraging and I have loved having her has my harp teacher! --Olivia (14 years old)
September 27, 2016
Liza is a wonderful and dedicated teacher. She his young, smart, patient and it is abvious to us that she cares and loves teaching harp. In the last few years, my daughter have had several teachers through out her piano and harp lessons, and I never seen her so excited before and after the her music lesson. She has been inspired and highly motivated from the first moment that she met Liza.
I've been involved with harp for over half of my life, and can't wait to share the magic of harp lessons with you. I love working with students of all experience levels and ages. Reach out today to get started with your lessons!
Hi, there! My name is Liann and I've been teaching private lessons since 2014. I love sharing the joy of playing the harp with others. I received my Master of Music degree from Shenandoah Conservatory in 2015, and my Bachelor of Music degree from Ball State University in 2012. I'm a very warm and enthusiastic person and my teaching style is structured and supportive. It's important to me to create a safe place for you to learn and express yourself musically!
As a music teacher of over 10 years I take a fun but structured approach to learning the harp. I've taught all ages and I individually work with each student to help them learn the music that they want to and reach the goals that they set for themselves. I also have a large emphasis on hand position and help my students have the very best technique so they can play their very best. We will typically start with exercises and technique and then move to music. I will then send written individual feedback after the lesson to help remind the student of what we are working on. I hope to have the chance to share my love of music with you!
I am a harpist, pianist, arranger, composer, performer and lover of music. With over 12 years of experience teaching both piano and harp lessons. Although I graduated from Brigham Young University in Idaho with a Bachelors in visual communication, I have continued to stretch my skills as musician and teacher.
I perform frequently and love sharing my passion for the harp and piano through teaching so others can also experience having these beautiful instruments in their lives.
I teach piano and harp students of all different ages and experience levels, although I have an especially great love for teaching children and youth. I studied classical piano for over 12 years, and classic harp for over 11 years. A huge part of my music education was focused on theory and as a result I have a great love of having a strong foundation in musica
I strive to help my students develop a love music that can last throughout their entire life while still learning proper technique and theory. I try to help students set individual goals and then structure lessons to help these students reach each of their dreams.
Practicing can be hard for any student, but playing music you enjoy can help you stick with it. To inspire my students, I find or arrange music they both enjoy and that will help them progress. I've found that this not only motivates students but also adds an extra fun aspect to our lessons and practices.
My passion is sharing my love of music with those around me. Schedule your first harp lesson with me today!
Jill was very helpful as we searched for a harp and also is an amazing teacher! We are thrilled to have our daughter taking lessons from her and her first lesson was amazing!!! Thank you
December 4, 2018
This is exactly what I wanted for a first lesson....get to know each other, review basics of hand and instrument placement and how to tune the Harp. That is alot for a 30 min. lesson....Perfect!
October 19, 2018
I highly reccommend Jill! She has taught my seven year old daughter online for the past 4 months. My daughter is an absolute beginner, however, is quickly progressing through the curriculum. Jill keeps the lessons & activities fun, and engaing. She is a fantastic teacher, encouraging and oozing with positivity. Choosing Jill as our harp instructor has been the best decision for us. Give her a try; you won't regret it!
I’ll work with you to get the best out of your potential.
Eleonora is a professional harpist based in the Bay Area. She was born in Florence (Italy), where at the age of nine began studying the harp. Eleonora went on to earn a Bachelors in harp from the Conservatory of music in Florence and a Masters in harp from Conservatory of music in Parma. From 2011 to 2017 she performed with the Orchestra of the Royal Northern College of Music of Manchester.
For the past ten years Eleonora has been teaching classical and celtic harp to children and adults.
In 2015 Eleonora completed her training to become a certified Music learning theory teacher. This approach focuses on the belief that music is like a language and therefore in order to become fluent children should be immersed in it early on.
Eleonora teaches private harp lessons to beginners, intermediate and advanced students in her studio
in Berkeley; she's also available for house calls (depending on location). All ages are welcome.
I’ve been one of Eleonora’s first students and I’ve studied harp with her for 4 years. It has been very rewarding.
I was always looking forward to her lessons: she inspired us to practice for competitions and she always encouraged me to play in front of an audience, giving the very best of my self.
Playing the harp has always been a great joy for me thanks to her lessons.
March 20, 2019
Eleonora Pellegrini is a great professional!
She has been my daughter’s harp teacher for two years: she’s very talented! She’s a special person, she is very skilled both playing and teaching the harp.
She changed my daughter’s life, who know has an excellent knowledge of music basics.
March 18, 2019
Eleonora's professionalism and her passion for music have had a great influence on my harp learning experience. Eleonora has been my teacher for four years.I have beautiful memories of the competitions and harp congress i joined together with Eleonora and my classmates.
I'm truly grateful for all the support you showed me day by day and for having shared your passion with me.
"First lesson went FAR better than I would have predicted. I needed help accessing Lydia, on line. She was helpful and patient. It worked! I look forward
to being a harp candidate for a chair at the Boston Symphony Orchestra. There may be one open during my harp tutelage with Lydia."
"We met Eleonora because my daughter wanted to learn how to play the harp. As a mother, I was pretty curious to see how Eleonora could manage to teach to a
4 years old how to read music notes and learn how to play the harp. With lots of patience and passion Eleonora created different solutions and succeeded in her goal. I was very surprised to see that after only two lessons my daughter was able to recognize several notes, after her third class she was able to play a short tune. It is thanks to Eleonora 's skills and passion that today my daughter plays the harp with great joy and is always excited about learning new things. Thank you Eleonora for making Carlotta' s dream come true!"
"She was excellent! She explains everything very clearly.
I'm looking forward to practicing and our next lesson."
"My daughter, Harper, had her very first lesson tonight! She loved it and Miss Adrienne was very patient with her. She can’t wait to come back :-)"
"Sonja’s enthusiasm for the harp and for music, in general, is contagious! Sonja has a lot of patience for beginning harp players. She offers a good mix of
“performance” pieces and exercises to keep the practices (and lessons!) both fun and moving in the right direction! After watching me play for only a few minutes, Sonja has the distinct ability of being able to determine where and how I can instantly improve, which she always offers in a positive, constructive format. Sonja makes me feel like I can conquer any piece. I would highly recommend Sonja to anyone considering harp lessons!!"
"Very good lesson! My first with skype. Pam was very clear, precise and helpful and made clear, good assignments for next week. SO glad I signed up for l
essons with her. This is great!"
"I have known Pam Irwin for the past 14 years. I remember praying to find instrumental music teachers for my daughters when they were in the first and thir
d grades. I was looking to find flute and harp teachers and was thrilled to find an extremely qualified and caring teacher for both of them! Pam is a multitalented, skilled musician who has many years of experience in teaching private music lessons. She was the only teacher for my girls for harp and flute and took them from the beginning to the advanced levels. She was especially gifted in working with my daughters to play duets together. Pam utilized recitals as well as numerous other opportunities to perform at churches, orchestras, weddings, and other social events of which they have continued on their own. Pam instilled a lifelong love of music in my daughters and their music education has continued to the present while they are in college. I highly recommend Pam Irwin as a top choice music instructor for children, youth, and adults of any age."
"Love my harp lessons and my teacher!"
"Anne is a marvelous teacher! She is wonderful and PROMPT in her communication, follow up and lesson sessions. She genuinely exudes joy in her teaching met
hods, is clear in her instruction and seems to honestly love my kids. We couldn't be happier with our choice in instructors."