Dracut Music Lessons

Looking for private in-home or in-studio lessons? Our Dracut teachers are ready to get you started. Find your teacher today!

Featured On

How it Works

From finding the perfect teacher to managing payments, scheduling and tracking your progress, we take care of all the details, so you can focus on learning. Learn More

Search for a teacher

Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.

Schedule your lessons

When you've found the perfect match, schedule your lessons online using the teacher's real-time availability.

Connect with your teacher

Your teacher will welcome you with a personalized curriculum to meet your specific goals and you'll be able to manage your entire schedule through our free online account.

Can't find a teacher in Dracut?

No problem. Our online lesson platform connects you with any teacher, anywhere. All you need is a reliable Internet connection, a webcam and a microphone.

Convenient

Zero travel time is great for a busy schedule.

Affordable

Typically priced lower than local lessons.

Effective

Online students stick with lessons as long as local students.

Learn More

Music Lesson Reviews from Students

Students are raving about their Music instructors on TakeLessons. Check out some of these recent reviews.

And they're not alone!

Our teachers have taught

2 , 0 6 7 , 6 3 0

lessons and counting!

Popular Music Teachers near Dracut

Check out some of our most popular teachers near Dracut including Methuen, North Chelmsford, Lowell, Pelham and Tyngsboro.

Showing 10 of 200+ results View More

About Bil M.

Close
221290_372319_39399
Dorchester Center, MA
View Full Profile
About Bil
I am one of those individuals for whom teaching is just something that I have to do. I started giving music lessons sometime in the 80's and have loved working with all levels of skill and experience. My students say that I am patient, adaptive and encouraging, committed to making music fun.

I have a Masters of Music from New England Conservatory in Jazz Piano and am comfortable and fluent in a number of musical styles, including pop, rock, gospel, traditional hymnody, jazz, and R&B. Although I love and study classical music, it is not something I teach at this point.

In addition to private lessons and performing, I do music transcription, workshops, and all forms of vocal and instrumental arranging. Bil Mooney-McCoy is a life-long Boston resident who has been playing music all his life. Having served as a church musician for more
than 30 years, I am currently the Director of Worship for the chapel at Gordon College, a small Christian school north of Boston. I'm often involved in city-wide music events in Boston’s faith-based community and in demand as a featured musician for church services, parties, concerts and other events.

I hold a Masters of Music from New England Conservatory in Jazz Piano and am comfortable and fluent in a number of musical styles. In addition to private lessons and performing, I do music transcription, workshops, and all forms of vocal and instrumental arranging. My passions include morning coffee, finding new guitar chords, creating killer PowerPoint presentations, and trying to figure out how to use my smart phone.

*** Lesson Details ***
My priority as a teacher is to make the learning process fun, life-giving, and productive. I teach with patience and humor, at a challenging but not frustrating pace.

Some quotes from my students:
"I absolutely love learning from Bil! I've watched my playing and the playing of others at church vastly improve as a result of his training."

"[Bil] is filled with a large amount of knowledge, so while sitting under him you not only learn about how to play but you learn about music history and theory. Beyond being a good teacher he is genuine and friendly and cares about others."

"I have really enjoyed working with Bil. His patience and wealth of knowledge has helped me come out of my musical shell and has encouraged me to discover my musical voice."

"Bil makes learning theory fun! His deep understanding of music is complemented by his contagious enthusiasm."

"Bil has taken me to a different level. I went from tab and basic guitar chords, to building jazz chords and a far greater understanding of music theory."

There are at least two ways that might set me apart from other teachers.

Firstly, I have honed and developed "people skills". I am an ordained minister and have held positions where I was formally and informally in a mentoring/pastoring role. I bring that sensitivity to my music lessons, understanding that personal and emotional issues can be triggered by the engagement with the music and skills being worked on.

Secondly, I've had a remarkable broad base of experience. My coursework has exposed me to a wide breadth of ideas and tools; my work life has been long and varied; I have had extensive experience in many different cultural contexts, both musically and otherwise; and I work well with many age groups and skill levels.

Regarding my teaching approach:
For beginners, I have a fairly consistent set of topics and skill sets to cover. Generally, in a few months, piano students (particularly those in middle school through adulthood) should know how to play major, minor and seventh chords, how to read simple chord charts and some very basic accompanying skills. Guitar students should know a dozen open chords and have been introduced to barre chords, and to have learned several styles of finger picking as well as strumming. Bass students should know how to find notes on the board and will have begun to learn how to fill out a song with an expressive but non-obtrusive bass line.

For intermediate students, the pace, direction and focus on lessons depends upon the goals and passions of the student along with the amount of time he or she has to practice. My goals for students at this level and beyond is to learn how to learn. I will use outstanding recorded examples of particular skills or stylistic idioms to help my students understand and master each new concept. I often will check in with my student to make sure that we are on track with what they are hoping for.

For advanced students, we will generally target very specific objectives. I also try to add elements of theory, history, culture, and even life lessons to apply to the topics we address. Because of my background in pastoral ministry, I can serve as a mentor addressing the emotional and relational issues of playing music as well as its technical aspects.

*** Studio Equipment ***
upstairs music room: fender Rhodes piano, keyboards, amps, drum set, seating for parents

*** Travel Equipment ***
if for guitar or bass, that instrument; I expect piano students to have an available keyboard and for other students to have their own instrument(s).

*** Specialties ***
strong in jazz, rock, pop, gospel, sacred, R&B.
...
Reviews
Thumb_103312_pi_VLK_6596
Hardy C. June 23, 2017
· Songwriting · In home
Bill is a great instructor. I haven't been taught something I wasn't going to need to elevate my understanding.
Silhouette-80
suzanne November 5, 2016
· Piano · In studio
great first lesson! bill was a great choice for me!
Silhouette-80
Patricia R. April 2, 2016
· Piano · In studio
He's the best. Will totally understand if I haven't had a chance to practice and still manages to make the lesson productive. He gives options on how I want to be taught and is willing to adjust. Have learned so much in so little time.
View Details
View Profile
Bil M.

Bil M.

Beverly, MA 01915
(6)
starting at
$30 / 30-min

About Anastasia S.

Close
312857_3ksym7rvp6sq6wp3vqsb
Medford, MA
View Full Profile
About Anastasia
After Anastasia’s Carnegie Hall Debut in 2006, the New York Concert Review wrote: "For a critic, hearing a new pianist with a truly warm, luscious tone is like breathing in the scent of jasmine blooming - a pleasure to be recalled again and again - and so I'm happy to report that from the first note she touched at her Weill Hall recital, Anastasia S. was a genuine pleasure to listen to. Every piece, every measure, every note - no matter how complex the texture, no matter how many strands of melody and accompaniment - was wrapped in a halo of golden tone..."

Born in Kiev, Ukraine, Anastasia S. gave her first solo recital at the age of eleven. Ms. S. is a graduate of the Hochschule für Musik Würzburg, Germany, and holds a Master’s and a Doctorate degrees from The Hartt School at the University of Hartford.

In 2003 Anastasia received
First Prize in the 14th International Piano Competition for Young Pianists in Rome, Italy, and was awarded a Special Prize. In year 2006 Ms. S. won the Puigcerda International Piano Competition in Spain. In the same year she recorded the complete works for piano and orchestra by Balakirev with the Russian Philharmonic Orchestra for NAXOS records. In 2008 Ms. S. received the “Outstanding Award”, which granted her a return engagement to give a second solo recital at Carnegie Hall in New York City. In 2010 Anastasia was awarded a Special Prize for the best interpretation of French composition at the International Piano Competition “Parnassos” in Mexico. Her solo recital in 2008 at the Myra Hess Concert Series in Chicago was broadcast live on WFMT Radio, in Internet, and on the TV-Station “Channel 25“; Anastasia was invited to play there again in 2011. Her career continues with numerous appearances as a soloist both in concertos with orchestra, in solo recitals, and in chamber music concerts in Ukraine, Germany, Macedonia, Italy, Switzerland, France, Russia, USA, and Japan. Anastasia’s recent engagements included a performance at the Bolshoi Hall of Moscow Conservatory as well as solo appearances with orchestras in the United States and Germany featuring concerti by Prokofieff, Mozart, Grieg, Beethoven, Tchaikovsky, Shostakovich, and Stravinsky. In 2014 her new CD "Music of Russian-Jewish composers for oboe and piano" was released. Currently, Anastasia is working on her two new solo CD's for Centaur Records.

In 2013, Anastasia was granted the Extraordinary Abilities in the Arts permanent US residence, as one of a small percentage of those who have risen to the top in their field of endeavor. Anastasia served as an Adjunct Faculty in Piano and Chamber Music at the Hartt School, and is currently on faculty of the New England Conservatory in Boston.

I offer scholarships for advanced level students upon request.

*** Studio Equipment ***
Yamaha Grand Piano. Piano books and theory material available if needed

*** Travel Equipment ***
Travel myself by car

*** Specialties ***
Traditional piano method. Classical music.
...
Reviews
Silhouette-80
Dmitry October 13, 2016
· Piano · In studio
Excellent
Thumb_57937342299dc_review_ADEPhoto3
Denny July 23, 2016
· Classical Piano · In studio
As an adult beginner, I chose Anastasia for more personalized instruction, especially in technique, after learning the basics through community center group lessons. I have not continued only because another equally well-qualified instructor who lives close by, within walking distance, has become available. I am very pleased with the lessons and pointers that I have received. Anastasia is professional, encouraging, and friendly. An especially helpful part of her instruction is the set of comments and suggestions that she writes down to guide practice between lessons. If the neighbor instructor does not work out, I’ll be back.
Silhouette-80
Yara Shaban May 29, 2016
· Piano · In studio
excellent teacher, patient, and very professional
View Details
View Profile
Anastasia S.

Anastasia S.

Medford, MA 02155
(7)
starting at
$38 / 30-min

About Stephanie M.

Close
Profile_87648_pi_IMG_6557
Boston, MA

View Full Profile
About Stephanie
Hello, and thank you for your interest!

My name is Stephanie, I am a teaching-artist from El Paso, Texas. I currently reside, perform and teach in the Boston and greater Boston area.

I am a recent graduate of The New England Conservatory of Music with my Masters in Saxophone Performance. I received my Bacherlors in Music Education from New Mexico State University.

“A teaching artist, by definition, is a two-career professional: a working artist and a working educator. As a working artist is they are involved in an ongoing process of discovery, problem solving, discipline and refinement of skills in their discipline. As a working educator, it is essential that the artist is also developing a knowledge base and skills to be an effective partner in education. Achieving a meaningful balance between these two professions, whereby one
feeds the other, is an ongoing process that requires a deepening awareness for the teaching artist of what their teaching brings to their art and what their art teaches them about learning.”

I am devoted and dedicated to helping find each of my students strengths, weaknesses and style of learning. Once I have identified these traits, I am able to develop lessons and repertoire that helps each students become the most efficient learner and best musician they can be.

I pride myself in creating a fun and safe learning environment in which I establish a firm musical foundation for my students. Lessons include: scales, etudes, articulation, dynamic and sight reading exercises, standard saxophone repertoire, recording and analyzing performances, saxophone/music history lessons, and exploration of the sounds, genres and artists of the saxophone.

Simultaneously, my students cultivate many other skills while learning how to play saxophone. Students enhance their fine motor skills and ability to memorize, students increase their overall self-confidence and become self-sufficient and creative problem solvers. I am passionate about educating and empowering my students and I enjoy connecting with a wide array of musicians of all ages, playing levels and backgrounds.

Feel free to contact me to inquire about lessons, I hope to hear from you soon!

Stephanie
...
Reviews
Silhouette-80
Paige June 19, 2017
· Saxophone · Online
My first lesson was great. Stephanie is patient and makes you feel comfortable.
Thumb_100720_pi_small
Billie May 7, 2017
· Saxophone · In studio
Stephanie is not only an incredible saxophonist, but a great teacher as well. She's cheerful and upbeat and really encouraging! I really enjoyed working with her over the course of a semester on a directed goal. I found her teaching methodology to be very flexible and she was open to finding different ways to help me learn to play a vibrato. I also learned many technical details about playing saxophone that surprised me and made me a better player. I would recommend her with enthusiasm.
Silhouette-80
Cynthia April 15, 2017
· Audition Prep · In studio
Very patient!!!!
View Details
View Profile
Stephanie M.

Stephanie M.

Boston, MA 02115
(8)
starting at
$40 / 30-min

About Eunhye J.

Close
Profile_68195_pi_azur%20mele-6925
Boston, MA
View Full Profile
About Eunhye
Dual Major in Piano Performance (Classical/Jazz Study) and Film Scoring at Berklee College of Music

Studied with professor
Ed Bedner (Doctoral Studies at BU)
Vadim Neselovskyi (International Pianist/Composer)

*** Lesson Details ***
1. Piano

- Relaxation Technique: Maximize your performance ability that you already have. (It takes a week to master it, and I will walk you through how you will be applying to the pieces you work on)

- Classical Repertoire: Bach, Mozart, Beethoven, and more! If you have a school recital, we can work on these masters' pieces. You will be not only memorize and play, but also express as if it were your own music.

- Jazz & Improvisation: Beginner to Intermediate level (pre-college level) Learning jazz gives you a great foundation to play any kinds of contemporary music; R&B, Dance, Folk, etc.
E
ach lesson will give you hands-on exercises along with insights to delve into your creativity. It is highly important to determine what each student's goal is in order to design the course. So, please consult with me!

- Recital Preparation, College Application Prep.

* * * * *

2. Singing

- Optimal Singing Body

Although the health of your body is crucial in performing any kinds of instruments, singing needs your body to be the most optimal condition because Your Body Is Your Instruments.

I will help you to keep up with taking care of your body in terms of singing. There are techniques that you can learn to maximize your singing ability. I will share them with you each session.

- Finding your Own Voice

We will work together to discover what styles that suit your voice most. And, we will get your unique voice emerge, so that you don't try to sing like someone, but you actually sing it.

- Basic Musicality - pith, rhythm, expressions!
Even when you are physically ready, if your brain doesn't understand what you are hearing and singing, you aren't going anywhere. Ear training with me will improve this area, for sure.

* * * * *

3. Composition

- Theory that prepares you to Compose:

To get you ready to compose, you need to know a bit about 'Harmony, Counterpoint', which has been a powerful tool for generations. If you are not going to master classical composition, however, it can be overwhelming. I will walk you through the most important materials that you need to know to start your composition.

- Your Actual Compositions Down!
We will work together to finish your compositions either on paper, recording or both at the end of the semester. You will be proud of yourself to have your portfolio!

* * * * *

4. Combinations
I also offer the combination of each area described above.
I recommend to spend at least 30 min for each area though.

Thank you so much for reading the introduction. I would be really happy to hear from you and to have a chance to improve our "music life" together eventually.

*** Studio Equipment ***
Upright Piano, Keyboard, Video/Audio Recording, Sequencing Device, Korean Percussions

*** Travel Equipment ***
Car

*** Specialties ***
Piano: Classical, Jazz, Pop and Technique

Voice Coaching in various style

Composition: Finding your own voice in writing

Korean Drumming: Janggu and Korean Rhythms
...
Reviews
Thumb_44966_pi_IMG_5170
Mark S. September 26, 2014
· Arrangement and Composition · In studio
Fun and friendly experience. Eunhye is also patient which is needed with me!
Silhouette-80
Ada R. March 5, 2014
· Vocal Training ·
I learn so much in my first lesson

Eunhye J. is a great vocal teacher, she has help me so much with technique and breathing. If you need a vocal teacher I recommend her, she is friendly professional and patient.

Thank you
View Details
View Profile
Eunhye J.

Eunhye J.

Boston, MA 02128
(2)
starting at
$40 / 30-min

About Lilla N.

Close
Profile_87372_pi_Explore%20pic
Boston, MA
View Full Profile
About Lilla
Lilla has been singing touring and recording professionally for over 10ys. She's been teaching private lessons since 2014 and is currently available to teach at a private classroom and online. Lilla has helped students with technique, belting, expanding their range, developing personal sound and style, strengthening the voice, songwriting, reading music, becoming more confident singing and performing, learning to play piano and more.

Lilla began singing in a Gospel Choir at age 11 and was trained at Berklee Collage of Music in Boston where she received a BA Degree in Professional Music. As an expert in her field, Lilla looks forward to helping new students achieve their goals. As a teacher Lilla focuses on what inspires her students to sing, their goals and musical growth. She is professional, fun to work with and makes lessons enjoya
ble as well as challenging.

Lilla has preformed and recorded internationally, working with impressive artists, including Ciara, Trombone Shorty, Esperanza Spalding, Annie Lennox, and Carole King. She had produced 2 solo albums and recorded on over 100 records.
...
Reviews
Thumb_103312_pi_VLK_6596
Hardy C. April 20, 2017
· Singing · In studio
I'm pleased with my results. She is a great teacher. She sings so well. Time just flys by.
Silhouette-80
Sam C. February 26, 2017
· Vocal Training · In studio
Very friendly and welcoming first lesson. I felt a lot at ease and encouraged towards future lessons!
Sam
Thumb_58a5b93c62816_review_grifsingbelt
Griffin Boynton February 16, 2017
· Vocal Training · In studio
Incredibly professional and a wealth of knowledge in vocal training! My son cannot wait for more lessons with Lilla!
View Details
View Profile
Lilla N.

Lilla N.

Boston, MA 02115
(10)
starting at
$50 / 30-min
View More
View Previous

About Benjamin Y.

Close
Profile_89195_pi_IMG_0384
Boston, MA

View Full Profile
About Benjamin
Benjamin is a musician in the Boston area. He has been studying music since the age of 3. His background includes Violin, Cello, Percussion, Drum Set, Voice, Electric Bass, and Upright Bass. He is currently a student at Berklee College of Music, majoring in Upright Bass Performance. He has studied with Dave Zinno, John Lockwood, Bruce Gertz, and Susan Hagen. He has performed with John Oates, New York Voices, and Kevin Mahogany.

Benjamin has been teaching privately for 4 years. In that time he has gotten students accepted into various competitions. Benjamin is a strong believer in fundamentals, and technique, but utilizes real musical examples to teach such aspects of music.

Benjamin is mainly a jazz/contemporary musician, but he is also well versed in classical bass. As well as traditional music theory. In his studies, Benjamin h
as also become very skilled at contemporary harmony, and ear training.
...
Reviews
Thumb_58ab332716b3e_review_WGeer-author
Walt February 20, 2017
· Upright Bass · In home
Great instructor. Focuses on the basics and provides a lot of encouragement which helps. Also, allows student to decide what they'd like to learn and allows you to select the type of music you are most interested in.

Highly recommended!
Silhouette-80
Allison January 23, 2017
· Upright Bass · Online
Benjamin is great. He has the task of teaching a 46 year old longtime electric bass player and a 12 year old electric bass player (father/daughter). He is teaching us both the fundamentals of the upright bass, which is such a different instrument. We look forward to continued lessons with Benjamin.
View Details
View Profile
Benjamin Y.

Benjamin Y.

Boston, MA 02115
(2)
starting at
$20 / 30-min

About Perry E.

Close
Profile_94936_pi_Perry%20Emerson%20%28low-res%29-2
Brighton, MA

View Full Profile
About Perry
Hi! My name is Perry and I have been playing flute for over twelve years. I recently graduated from the Eastman School of Music in Rochester, New York studying Flute Performance under the tutelage of Bonita Boyd. I have recently moved to Boston to begin my career freelancing and teaching before eventually pursuing Graduate studies. While at Eastman, I performed eight full solo recitals, demonstrating an eclectic range of repertoire from solo works, to unusual chamber pieces with interesting instrumentations, and concerti with full orchestral accompaniment.

From very early on in my time playing the flute, I pushed myself to compete festival auditions, competitions, and recitals. These experiences give me great insight for teaching younger students wishing to pursue flute competitively or more casually!

Over the course of my playing
career, I have experienced a variety of performance injuries involving my hands, arms, and torso. Through these experiences, I have gained experience in injury prevention and recovery relevant to flutists at all ages and levels. This has helped me develop more efficient and healthy approach to my own playing and greatly informed my teaching methods in the process.

My musical experiences make me well suited for teaching students of all ages to achieve individual goals. I loved the teaching I did as a part of the Eastman Community Music School and I love sharing all that I have learned with others! Being a very organized and structured person, I generally propose a steady practice regimen based on both long term goals and short term achievements! I also believe in letting students go at their own pace and constantly adjusting those milestones as required. I believe that the ultimate goal of any teacher is to give the student the means to teach themselves. This philosophy places great emphasis on practicing techniques to make students more self-aware and able to trust themselves in the practice room.
Thank you so much for reading and feel free to contact me with any questions!
...
View Details
View Profile
Perry E.

Perry E.

Brighton, MA 02135
starting at
$35 / 30-min

About Guilherme F.

Close
Profile_104057_pi_gui
Roslindale, MA

View Full Profile
About Guilherme
Hello! Let's make music! I am a recent graduate of Berklee, where I earned my degree in both Jazz Composition and Guitar Performance. Whether you've just picked up the guitar or you are looking to explore a new style, I enjoy motivating my students to learn. Growing up in Brazil, I have a strong background in Samba, Bossa nova and other Latin styles such as Flamenco. With the opportunity to study at Berklee, I took full advantage of studying under renown professors of Jazz and Blues. I enjoy transferring this enthusiasm for music to my students, guiding them toward their goals and having fun along the way. I look forward to hearing from you!
I also perform regularly with my duo www.pattenstreetduo.com
...
Reviews
Silhouette-80
Laura M. May 30, 2017
· Acoustic Guitar · In studio
Guilherme is awesome! He is really helping me. I'm so glad I chose him!
Silhouette-80
João May 6, 2017
· Guitar · In home
Great teacher. Really knows what he is talking about.
Silhouette-80
Frances March 18, 2017
· Acoustic Guitar · In studio
Guilherme is a wonderful teacher! He is patient, kind and knowledgeable. He helps me stay on task, stay motivated and learn! I highly recommend him!
View Details
View Profile
Guilherme F.

Guilherme F.

Roslindale, MA 02131
(3)
starting at
$25 / 30-min

About Nathaniel B.

Close
Profile_107148_pi_Nathaniel_Braddock_OTSFM_Kate_Joyce_MG_6704
Arlington, MA
View Full Profile
About Nathaniel
Musician and composer Nathaniel Braddock tours internationally and performs an array of different musical styles in venues as disparate as underground arts spaces and Lincoln Center. Based for years in Chicago, Braddock relocated to Sydney, Australia, in 2014, but continues to perform and lecture in the States.

Nathaniel leads the acclaimed Central African soukous group the Occidental Brothers Dance Band International, a collaboration between American, Ghanaian, Zambian, and Congolese musicians including the great Samba Mapangala. Nathaniel has performed and recorded with a number of indie rock bands, including Jenny Gillespie, Tobin Summerfield’s gigantic band “Never Enough Hope”, The Zincs (Thrill Jockey), Ancientgreeks (Flameshovel), and others. He also played for years in the Butcher Shop Quartet, performing electric guitar arrang
ements of Igor Stravinsky’s Rite of Spring and other 20th centurty classical works. Braddock leads an eight-piece electric guitar ensemble that plays his original compositions. He has twice been featured in Guitar Player Magazine.

Nathaniel teaches privately, at the Old Town School of Folk Music, and was head of the Chicago Waldorf School’s guitar program from 2005-12. OTS classes include African Guitar Styles, Fingerpicking Around The World, Fingerboard Theory, and British Folk Revival. He periodically offers more specialized fingerstyle guitar classes such as The Songs Of Leonard Cohen, Nick Drake, Iron & Wine, Sufjan Stevens, Davy Graham, John Fahey and Bert Jansch. His ensembles include Reggae, Afropop, Instrumental Rock, and “Kill Yr Idols”–a survey of influential punk and underground rock. Nathaniel also teaches fingerstyle, theory, songwriting, jazz, classical, and rock guitar privately. Braddock also offers workshops and masterclasses in Europe and N. America on African popular guitar styles and is a guest lecturer at Northwestern University. Braddock has co-presented workshops with Ghanaian Palm Wine guitarist Koo Nimo, and Tinariwen guitarist Ibrahim Ag Alhabib, and Malian sensation Sidi Toure.
...
View Details
View Profile
Nathaniel B.

Nathaniel B.

Arlington, MA 02476
starting at
$59 / 30-min

About Mahir Can K.

Close
Profile_108130_pi_Ekran%20Resmi%202017-07-17%2021.16.45
Boston, MA

View Full Profile
About Mahir Can
Hi everyone! First of all I would like to tell you that my experience, education, and accomplishments in Western Contemporary Music was humbling and I have full confidence in myself that I can guide you to become self sufficient musicians in Pop, Rock, Jazz, R&B, with additional/optional flavours from East Mediterranean, to develop your ornamentations! We will have fun to create our own backing tracks to sing over, and solidify your internalisation on your desired musical genres!

Mahir was born in Denizli, Turkey. His private teachers in Turkey were Timur Selçuk and Randy Esen. After receiving a degree in industrial design, he began his studies at Berklee, studying contemporary writing and production, and graduated with "Summa Cum Laude" honor.

Mahir has performed at and arranged for seven Berklee Performance Center concerts, with
both his Turkish and Western music background. Additionally, he has also performed on campus recitals with his organic world fusion and Turkish music band "The Çay Party". With different versions of The Çay Party he has represented Berklee and Turkish music
in several different Northeastern University festivals and Turkish Consulate of Boston's receptions since February 2015. He was the leader of "Music of Turkey" sections in Berklee International Folk Music Festival in 2016 and 2017.

Mahir won "Best Website Award" for his versatile portfolio and his presentation of it in 2017, and he received "Mediterranean Music Institute Achievement Award" in 2017 at the night of the Aynur Doğan concert which he arranged 3 of Aynur's songs.

In Berklee's Commencement Concert 2017, he was one of the 10 student arrangers and 3 male backing vocalists in front of 7.000 audience including honorary doctorate recipients such as Lionel Richie, and the Grammy President Neil Portnow. Additionally he had the honor to be chosen as the student to announce Lionel Richie.

Besides being a writer, arranger and producer, Mahir is a vocalist who features Western contemporary music, Turkish classical, traditional, and contemporary music in his repertoire. He is able to sing microtonally, with knowledge of Turkish and Egyptian microtonal tradition. He plays bağlama, bass guitar, piano, guitar, and hand percussion.
...
Reviews
Silhouette-80
Aylin July 19, 2017
· Singing · In studio
I've gained so much confidence and musicality with every advice Mahir gave and every exercise we worked on. He made so much for me to become more creative, sing with a stronger technique and represent any song I'm singing with a better expression. My achievements made him happy and I was happy to know him and work with him.
Silhouette-80
Abram July 17, 2017
· Vocal Training · In studio
Mahir taught me a lot of stuff! He really knows how to teach, every minutes that you spend with him, you will learn something new, not only you will learn how to sing, but also musical experience, theory, arrangements and all you need to be a better musician, recommended!
View Details
View Profile
Mahir Can K.

Mahir Can K.

Boston, MA 02215
(2)
starting at
$40 / 30-min

Recent Music Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music articles on our blog.

How to Select a Vocal Duet (+26 Duet Song Ideas)

How to Select a Vocal Duet (+26 Duet Song Ideas)

If you're new to singing, or if you're just trying to fine-tune your vocal skills, one fun and helpful exercise is to sing duet songs with your vocal instructor or a friend. Pick a style you both like and you'll find that the possibilities for both fun and music making are endless! Why Are They Helpful to Sing? When you sing with piano, or with a chorus or band, there's often someone else playing the same line you're singing. While this is great for learning to sing in tune and working on … Read More

How to Select a Vocal Duet (+26 Duet Song Ideas)
If you're new to singing, or if you're just trying to fine-tune your vocal skills, one fun and helpful exercise is to sing duet songs with your vocal instructor or a friend. Pick a style you both like and you'll find that the possibilities for both fun and music making are endless! Why Are They Helpful to Sing? When you sing with piano, or with a chorus or band, there's often someone else playing the same line you're singing. While this is great for learning to sing in tune and working on
Happy Mother's Day! Shout Out to 5 Amazing Rock and Roll Mamas
Being a mom is hard work, way harder than being  rockstar, yet somehow these amazing women do it all! In honor of moms everywhere, music teacher Jessica D. highlights a few amazing women in music who deserve a great big breakfast in bed this Mother's Day... Where did you get your love of music? Was your mom musical? Maybe she played an instrument, sang in church or in a band, or splurged (or currently splurges) so that you could take guitar lessons? Regardless, this Mother’s Day, we can’t
Five Easy Blues Guitar Licks You Will Love Playing
They say you have to have the blues to play the blues. But what if you're blue because you don't know how to play the blues to begin with? Guitar teacher Mike B. has you covered with these five fun, easy licks...  Presented here are 5 easy blues guitar licks that are essential building blocks of a larger blues vocabulary. Before we dig into these licks we need to cover a few basic principles. First, all five of these easy blues guitar licks come out of the minor pentatonic scale. If you do
Musicians' Checklist: 23 Little Things That Will Help You Nail Your Next Gig
Congrats on getting the big gig! Whether you're preparing for your band's first show or your album-release party, these tips will help you learn how to promote your band, make your best impression on stage, and get invited back to the venue to do it all again. Share this Image On Your Site <p><strong>Please include attribution to TakeLessons with this graphic.</strong></p><br /><br /><br /><br /> <p><a href='http://takelessons.c
Beginning Guitar Tips: How to Master the F Chord
You've already seen the best tips and tricks for learning guitar chords, but what about the playing the infamous F chord on guitar? Guitar teacher Kirk R. shows you how to approach the F chord and gives you some advice for making it easier... Three Misconceptions About the F Chord The six-string F chord is, in my opinion, the hardest standard chord shape to play on the guitar. Even similar shapes are often easier, such as the Bb minor, which is the same hand position, but one string higher

Get Started with Free Resources

Why TakeLessons?

Are You a Teacher?

Find out how TakeLessons can help you grow and manage your business

Learn More