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Unionville, IN Music Theory Lessons

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Popular Music Theory Teachers near Unionville, IN

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About Rene T.

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Miami, FL

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I've been teaching Music Theory for over 6 yrs.
the basics are expanded into easy to understand steps to help any walk of student grasp the ideas behind Music Theory.
It is best to cater to the student and to introduce in sequence ideas that will help bring a greater understanding of theory.

About Rene
Knowing at the age of 5 that music was my life, by being brought up surrounded by praise music and gospel, my early exposure to music helped me to find every Instrument and style just my thing! I wanted to play everything and learn all aspects of music. I started with singing in the children's choir and then developed into piano and music theory. At the age of 12 I began to learn classical guitar, and at 15 took on various styles like Flamenco, Jazz and Rock. I graduated from High School having played in the school band achieving recognition In national Institutions Like IAJE (International Association for Jazz Education) and state band finals. I was also composing from a very early age, and at 18 released my first album (self-titled) which can still be heard and purchased today through various music outlets, since i have released over 15
albums with various ensembles and bands. In college I already knew from my previous experience that I wanted to teach and pass on the joy that music brought to my life. I studied Music Theory and Jazz and finished my degree in Music Education. I have been teaching all in all for about 14 yrs. And I have enjoyed every minute I have spent with my students learning as much from them, as them from me. I am looking forward to meeting new and eager students who really want to bring their inner music out to share with the rest of us music aficionados! and develop their skills to the peak of their abilities.

*** Lesson Details ***
My teaching method ranges depending on the student. I believe in my experience that everyone learns differently, therefore everyone develops at their own pace. I try to find key strengths in each student and expose this to their advantage, using their abilities to further develop their skills, this method has shown the most promising results and students usually find themselves playing and performing just a couple of months after their first lessons. Part of my method involves a lot of performance and recital opportunities to help break any fears and inhibitions a student may bring with them. Music is about sharing, so an early exposure to this method helps to strengthen and stabilize a core acceptance of a students style and path, giving them and those close to them a very clear picture of their development and achievements.

*** Studio Equipment ***
Has all instruments at both his home and college studio

*** Travel Equipment ***
I provide lesson material, song charts and a progression scale. I require student to have an Instrument and recommended technique literature.

*** Specialties ***
My classical training began in High School with Influences in Segovia, and Romero I studied classical for 4 yrs. and trained in Jazz and Improvisation with performances In Big Band and group ensemble. Also sang and played in the school gospel choir.

****Personal Statement*****

If you needed a reason

There is no question that music touches us instantly and activates images, emotions and memories that linger with us throughout our lives. As a casual listener or an obsessive music elitist, there are times in our lives when we get blown away by a sound so unique our entire body vibrates and resonates with the touch of something out of this world. I can honestly say when this happens to me I feel as close to a spiritual connection than anything I have experienced otherwise. I believe it is these exact events that have triggered my need to be completely involved in the making, performing and consuming of music. The creative process, to me, is the single obvious reason we exist in this world. We create and share, learn and interpret, build on previous ideas and inspire others to perfect upon this process. It is no doubt a very humbling experience to realize you are part of it all. During this process you come to realize how important you are as an Individual, how there is no other vessel like you in this world, nor has there ever been or ever will. You are here now and your voice, your talent, your gift is an instrument to the great choir of the human spirit. No one but you can relate this, a reason to be, to create, to give.
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Roxy T. April 30, 2017
· Drum · Online
Rene is a fantastic teacher! Always patient and great with my 9 year old. He understands my child and always goes the extra mile. Rene is an excellent teacher.
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Jose R. April 1, 2017
· Flamenco Guitar · In studio
Very Knowledgeable about the guitar... Shows great interest in what I want to learn.
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Miguel J. November 14, 2016
· Guitar · Online
Very good.
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Rene T.

Rene T.

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(30)
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$20 / 30-min

About Damien S.

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Orlando, FL
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With degrees in composition and musicology, my students learn from the basics to advanced theory and how it work in composition and performance

About Damien
Orlando-based composer and guitarist Damien has made a name for himself as a writer of scores for film, theater and dance productions.;A graduate of Music Composition at SUNY Purchase (New York) and Musicology at the University College of Dublin (Ireland). Years of touring internationally and score writing has given Damien the experience and work ethic to share his musical knowledge and abilities with others. Producing 4 cds and appearing on countless others' cds and compilations; Damien can share not only his musical/theoretical talents, but his experience in producing, recording, writing, and performing live.

*** Lesson Details ***
Damien is a very patient and moderately, laid back teacher. He will teach what you want to learn, yet give you suggestions on other avenues to approach. Basics lead to complete knowledge of any subject. S
tarting from the beginning of what a student knows and moving forward step by step will only lead to perfection in their lessons. Having fun doing this, is the only way to keep a student focused and progressing. Enjoyment is the number one focus of Damien's lessons. If a student isn't enjoying and having fun with their lessons then they will not progress.
Damien teaches ages of 5-99. You are never too young or old to learn. Damien's main focus is guitar and music theory

*** Travel Equipment ***
I would expect the student to provide their own guitar (if necessary) and a notebook
I have private parking for my students, so they don't have to worry about parking, ever !
*** Specialties ***
I have been taught, on a college level, of classical, jazz, ethnic musics. I specialize in guitar, theory, composition.
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Eryn June 12, 2017
· Banjo · In studio
So patient and funny! Just had my first lesson and can't wait to come back.
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Jaime de paz May 21, 2017
· Acoustic Guitar · In studio
I liked it very well
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Jolymar March 16, 2017
· Ukulele · In studio
Damien is an excellent teacher! I would recommend him 100%. He is very professional and enthusiastic about music. Overall a great experience.
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Damien S.

Damien S.

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$33 / 30-min

About Alexandra P.

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San Mateo, CA

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I have been teaching music theory for ten years in my private studios and in classrooms.

I focus on beginning theory from note reading and rhythm recognition through to the ABRSM theory exams.

I also teach and tutor theory from the Laitz and Kastka Payne theory textbooks.

My desire is to help people understand music theory in an easy and fun way.

About Alexandra
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years. She has served as the President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.

Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.

*** Lesson Details ***

As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.

PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
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christina March 9, 2016
· Harp · Online
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Carol M. September 30, 2015
· Harp · In home
Alexandra was the most patient and caring teacher. She is very interested in going at the student's pace. She excelled my expatiations! Thank you Alexandra!
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Yana T. June 13, 2015
· Harp · In studio
Alexandra Perdew is a one of a kind instructor. She not only pushes her students to excel, but I truly believe that she inspires greatness. She treats her students with the utmost respect and works diligently to provide them with every possible resource needed for learning. She is not a teacher who will let anyone get by with putting in half the effort. She motivates me to work and perform at the highest level possible.
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Alexandra P.

Alexandra P.

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$80 / 60-min

About Rebecca N.

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El Cajon, CA

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I've studied music for over 21 years. I specialize in teaching classical music, but also teach pop/Broadway/Sacred styles. I earned my Bachelor of Music degree in Professional Studies: Piano and have been teaching professionally since February 2008 when MuzikAdict Piano Studio was established. I have experience teaching ages 3-84. I include theory in all my lessons and also love to dwell solely on music theory without emphasis on an instrument. Looking forward to meeting you!

About Rebecca
I began playing piano at age six and I received my early training from Jeanne Pennino and later studied with J. Mitzi Kolar, Krzysztof Brzuza, and Karen Follingstad. I earned my Bachelor of Music degree in Piano, Professional Studies from San Diego State University. I plan to pursue a Master of Arts degree in Piano Pedagogy and/or Music Theory in the near future.

I have been professionally teaching piano since February 2008 when MuzikAdict Piano Studio was established. I am a believer in balanced musical training. I currently reside in San Diego and keep busy teaching piano and practicing my own repertoire. I am an active member of the Music Teachers Association of California, San Diego Branch.

My 65+ students participate in various programs which include but are not limited to Certificate of Merit through the Music Teachers' Associ
ation of California (MTAC), Southern California Junior Bach Festival, The Carnegie Hall Royal Conservatory Achievement Program, and AP Music Theory.

*** Lesson Details ***
I am an extremely patient teacher with experience teaching students ages 3-84 at various levels. I use a variety of curricula since each lesson is tailored specifically to each student.

*** Studio Equipment ***
1) Yamaha Clavinova CLP-555 fully-weighted 88-key Digital Mini-Grand Piano, 3) Gemeinhardt Flute, 4) Studio copies of all method books used, sheet music and materials used during lessons,

*** Travel Equipment ***
Gemeinhardt Flute, method books and materials needed during lessons,

*** Specialties ***
I specialize in teaching classical music, but also teach jazz/pop/Broadway/Sacred styles. I am familiar with and use various different methods including but not limited to Faber: Piano Adventures, Keys for the Kingdom, Bastien Basics, and Suzuki. Each lesson is tailored toward the individual student's needs.
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Riley G. March 8, 2017
· Piano · In home
Rebecca has such an easy personality. My daughter leaves motivated to learn more and can't wait for next lesson.
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Ninfa C. January 31, 2017
· Flute · In home
Our daughter had a great time with Rebecca for the 18 months she took flute lessons from her. We saw her level improve very quickly and she was able to jump ahead in her school orchestra after only 2 months with Rebecca as a new flute student. Rebecca is a professional but also a lot of fun. We highly recommend her.
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Maya H. September 14, 2016
· Flute · In studio
Rebecca taught may daughter new techniques that helped her improve after just one lesson!
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Rebecca N.

Rebecca N.

Online
(15)
starting at
$33 / 30-min

About Olivier H.

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Bloomington, IN

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I have worked with students at all levels so whether you would like to learn how to read music notation or how to write a fugue I will be able to help.

About Olivier
My name is Olivier H. I am a horn player who received my MM in Horn Performance from Indiana University and am currently working on my DM. I have performed with American Youth Symphony, Redlands Symphony Orchestra and Columbus Philharmonic as well as being a finalist for Macau Symphony and semi-finalist for New World Symphony. I have also performed in sections with Dale Clevenger, Jeff Nelsen and Elizabeth Freimuth. My teaching style relies on simplifying breathing and focusing on achieving the best possible musical results. I take into account each student's goals and desires and tailor lessons to get the end result they want. I have worked with many beginning students as well so whether your goal is an upcoming school or ensemble audition or just trying to sound as beautiful as possible I will help you achieve your goals.
I also have
a minor in music theory as well as years of theory tutor experience ranging from teaching how to read music notation to Schenkerian analysis.
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Diya July 25, 2017
· French Horn · Online
My daughter is enjoying her lessons with Olivier.
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Cassidy December 2, 2016
· French Horn · Online
Olivier is a great teacher! He helped me build confidence and tailors the lessons to your needs. He is easy to communicate with and exceeds expectations.
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Zachary October 9, 2016
· French Horn · Online
Mr. Olivier was very professional and well prepared. He gave my son great advice and took time to make sure he was comfortable. Very Knowledgeable.
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Olivier H.

Olivier H.

Bloomington, IN 47401
(6)
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About Dyce K.

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Hollywood, FL
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Learn the answers to all those questions like modes and scales and voicing of chords and keys and the caged system!

About Dyce
Dyce’s action-packed lessons get aspiring students learning real songs in no time—all while teaching them music theory and scales that connects the music to relatable, practical theory. His custom-tailored lessons are based on this realization. “I know that all of my students are unique, both as people, and as musicians,” Dyce states, “so I realized that my lessons should celebrate these differences.” Instead of following a rigid, “cookie-cutter” approach to teaching, he makes allowances for these differences, and custom tailors a lesson plan that enriches their musical tastes, goals, and strengths. Dyce has learned, over two decades of playing and teaching professionally, when to push students—and when to stay out of the way. This sort of expert guidance helps students flourish, because they learn music on their own terms.
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Tim K. January 15, 2016
· Guitar · In studio
Dyce is very professional and accomplished. He takes you at your own speed, so you never feel pressure. He's also very encouraging. I would definitely recommend him to other students.
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Helbert R. December 3, 2015
· Guitar · In home
I've been taking guitar lessons with Dyce for 4 months now and it has been great. He really knows what he is doing and is very skilled at teaching his craft. Highly recommend him.
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Helbert R. July 11, 2015
· Guitar · In studio
Dyce is a really nice guy and communicates very well, making his lessons very enjoyable. Having several past experiences with other instructors, I can say he really knows his craft and has tons of valuable experience to offer. I definitely recommend him!
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Dyce K.

Dyce K.

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$60 / 60-min

About Arron K.

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New York, NY
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Theory is IMPORTANT for...

- Your Music classes in school.

- Any instruments you are learning.

- Singing in a choir.

- Making your own song.

Learn Music Theory and change your life!

About Arron
Jeonghun Arron K. is a composer, arranger and singer.

He started his career in music by performing in many local bands and also working for game companies and movie OST in South Korea, after he got a degree in Music Composition and Education from Baekseok Arts University in Seoul in 2005. He found ‘Let Us Music Inc.’ and had worked as a studio engineer and a co-producer from 2003 to 2008.

He is a scholarship winner of Nyack College School of Music in NYC, where he studied music composition and singing. He performed as a choir member in many classical concerts; New York Philharmonic: PHILHARMONIC 360 at Park Avenue Armory, Requiem (Bradley Ellingboe) at Carnegie Hall and Nyack College Concert at Avery Fisher Hall, Lincoln Center.

His band 'Almost an Orchestra', released an EP album in 2012. The band arranged performed music for Oc
cupy Olympus, performed by Magis Theatre Company at Flamboyan Theatre, New York International Fringe Festival in 2013.
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Liam July 5, 2017
· Guitar · In studio
I have had one lesson with Mr. Arron and it is enough to tell that he is a great teacher. He clearly knows how to play guitar. He is both encouraging and firm. He explained to me the expectations for my practice and what he wants me to learn by next week, I am very happy to have him as my guitar teacher.He is an amazing talent and provides me with much needed inspiration.
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Adora J. June 5, 2017
· Korean · Online
Very patient and kind. I recommend him to anyone wishing to learn Korean!
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Isaac April 28, 2017
· Korean · Online
Great instructor! He was very patient and approachable in the first lesson. He also uses dad jokes to help you remember vocabulary. I would definitely recommend him to anyone interested in learning Korean.
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Arron K.

Arron K.

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$40 / 60-min

About Trevor P.

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Austin, TX
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Learn the theory behind the sounds you hear and how to better understand chords, scales, rhythms, keys, progressions, substitutions, harmonizations, part-writing, counterpoint, modulation and more!

About Trevor
Learn to play the music that you love!

My goal as a teacher is to create lessons that are fun, challenging and directly related to your goals.

I graduated with a Bachelor of Music in classical guitar from Webster University St. Louis and have experience playing pop, rock, metal, jazz, latin and folk styles. Upon graduating, I spent two years teaching high school music and directing rock bands at NYOS Charter School in Austin, TX. Additionally, I spent the last three and a half years traveling and performing with top 40 show bands.

*** Lesson Details ***

During the first lesson, we will identify your goals and musical interests. This will allow me to design a program specifically for you!

Whether you are gearing up for music school auditions or just looking to have fun in your spare time, I look forward to helping you!

*** Areas of Study ***

Performance
Songwriting & Composition
Recording
Ear Training & Transcribing
Music Theory
Technique
Improvising
Reading (notation, TAB and charts)

*** Studio Equipment ***

Mac
Pro Tools
Logic
Band in a Box
Sibelius
Superior Drummer
KRK
Focusrite
M-Audio
East West Quantum Leap
Fractal Audio Axe-Fx II
Mesa Boogie & ENGL Amps
PRS, Fender, Taylor & Gitane guitars/basses
TC Electronics, Wampler, Dunlop, Xotic & Ernie Ball effects
MXL, Shure & Sennheiser microphones
GoPro and Canon Cameras
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Will April 3, 2017
· Guitar · In home
I've taken a couple of lessons from Trevor so far and they have been awesome. I've taken lessons from about 7 or 8 instructors in my lifetime and he is definitely one of, if not the best.
The thing that makes Trevor stand out to me is that he took the time to get to know what I wanted to learn and to figure out how I like to learn. He comes prepared to the lessons with material, answers any questions I have during the week by email and has worked with me to develop a specific education plan to meet my goals.
I suggest taking a trial lesson with this guy to see if you're on the same page. I am definitely not going anywhere else while I live in Austin.
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Reed Coleman March 28, 2017
· Guitar · In home
Trevor has been a great teacher! He is extremely knowledgeable and patient. He makes learning fun and is very flexible based on each individual students needs. I would highly recommend him to anyone whether they are a beginner or advanced player. He has the skill set to apply to all students.
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April February 10, 2017
· ·
Trevor is an awesome teacher and mentor to my boys. He has been teaching them since they had him as a teacher in Middle School, when the first picked up the guitar. I consider him a friend and would highly recommend him as an instructor for any person who wishes to pursue music. He's awesome!!
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Trevor P.

Trevor P.

Online
(12)
starting at
$25 / 30-min

About Hayden M.

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Miami, FL

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The goal of my music theory lessons is to help students understand the mechanics of music. From the basics of reading music, to analyzing Bach chorales, and the Lydian Chromatic Concept, I can take students through a range of topics. Lessons will be tailored to each student's interests and needs.

About Hayden
I am a professional trombonist, composer, arranger, and teacher in South Florida. I graduated from the University of Miami with a Masters Degree in Studio Music and Jazz Trombone Performance and received a Bachelor of Music from the University of North Texas in Jazz Trombone Performance.

The goal of my lessons is to help students enjoy music. Through listening, singing, clapping, and playing, I take students through material that we both like and help them expand their abilities and understanding. I cater my material to each person's needs while including techniques to improve fundamentals.

As a professional musician, I perform a huge variety of styles for many occasions. As a college student, I studied traditional and modern jazz styles as well as Afro-Cuban and Brazilain genres. Between degrees, I performed on the cruise ships
of Royal Caribbean and Celebrity Cruise Lines around the world for thousands of guests. During this time, I developed an understanding of classic Motown, Pop, R&B, Broadway Musical, and Rock styles. I was a member of the award-winning Bad Cactus Brass Band in my hometown of Phoenix, AZ and a member of the Los Wedos Salsa band in Denton, TX. I use all this experience to expose students to a wide variety of musical possibilities and techniques to further their musical journey.
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Daniela June 11, 2017
· Trombone · In home
Hayden has been teaching private Trombone lessons to my 13th year old son for over a year now. Hayden is organized and reliable; he is always on time, and has helped my son sound great. Hayden is passionate about Jazz, and knowledgeable. My son enjoys having a teacher that is as passionate as he is, and younger that the usual Trombone teachers we have found. :-)
Hayden has prepared my son for All State competitions, and for many concerts with his school and/or the jazz band my son performs outside of school. I recommend Hayden 100%!!!
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Tracy June 10, 2017
· Trombone · In home
Very friendly and talented! A great teacher with years and years of experience! Learned a ton! Thank you, Hayden!
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Hayden M.

Hayden M.

Online
(2)
starting at
$30 / 30-min

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Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help

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