Leo Music Lessons

riginal rock bands formed with musicians from the local music scene.

Mark studied classical and rudimental snare drum performance at the Murray Spivack School for Snare Drum and funk, jazz, rock and Latin drumming under the tutelage of Irv Kluger, Chuck Silverman and Richie “Gajate” Garcia.

Mark’s first big break came in 1986 when he toured with the legendary Hollywood based hard-rock band Masque, which included the famous circuit clubs in Los Angeles supporting such artists as Warrant and Poison. Shortly after, Mark spent two years performing and recording with MTV favorites D.R. Starr and the M.D.’s, securing his place as one of Los Angeles’ “go to” drummers.

Drum lessons with Mark are informative, results-driven and loud at times! “Together, you and I will develop an ‘Individualized Learning Program’ designed just for you,” says Mark. “We’ll work at your level and at your pace – and we’ll have fun doing it!” Mark has been working successfully with students as young as 5 years of age. Beginning students will be playing basic drum beats during their first lesson and playing along to songs within several lessons. Experienced students will further develop reading chops, grooves, fills and rudiments.

To date, Mark has recorded and performed with numerous rock acts and is active in the local music scene. In addition, Mark is a two-time Las Vegas Rock Hall of Fame inductee.

odies and challenged me to SEE what I was playing. All at the speed of thought."

Scott Rogness
Singer/Songwriter/Keyboardist/Guitarist

David F. plays a custom built guitar with Bartoline electronics made by Jay Rhyne in Atlanta, GA. For live performances, David uses a Roland Guitar Synth and an Apple PowerBook with Logic audio for mixing his arsenal of software synthesizers and samplers, as well as Guitar Rig for guitar effects processing. When in Nashville contact David F. for private guitar lessons.

I am always looking for the band that will allow me to express myself, my influences include Hendrix, Page, Dimeola, Weather Report, Chick Corea, Emerson Lake and Palmer, and many others.

I read music and charts, and between practicing, teaching, playing, and recording, I have spent 80+ hours a week for the past 34 years with a guitar. I like to soar in the wind when I am playing."

*** Lesson Details ***
Almost all of my students learn bar chords and how to use them in song they want to play in the first hour of lesson time.

Almost all of my students begin in the first lesson with songs like Little Wing and Georgia On My Mind, and Stairway To Heaven, with the right chords in sheet music form. Once you learn how to do that you can begin to take yourself through songbooks, if you learn how to use the printed music, there is a vast amount of it available everywhere.

Almost all of my students are reading melodies using real notation by the 4th or 5th lesson. Reading melodies they like and want to play. Although my students know how to use tab, Notation is the best way and they all prefer it, once they know the difference. Like the Stairway To Heaven Solo, or any of the beautiful Spanish melodies from J.Rodrigo, or blues ,jazz,rock and roll, once you can read, you can read anything in print on your own.

All of my students learn rhythm skills playing scales and songs with a metronome, so you learn how to play in time, as you develop stronger rhythm skills you can play better alone or with other people.

All of my students learn the Music Theory. What Time Signatures are and mean, Scales and scale harmonization. Chord progressions and playing through the chord changes. All of these and more are the fundamentals you will begin to work on in the first 4-5 hours of lessons with me.
I just don't show you songs, I teach you to teach yourself and begin to become musically independent.
Work on picking and speed and most importantly touch and feel.
Work on Finger picking as well, learn to use all 5 fingers on your right hand. or use the pick and 3 fingers, with me you WILL use your pinky or little finger.
By 3-4 months we will have covered the fundamentals and be working on more advanced material, songs and technique.

*** Studio Equipment ***
separate room with seating for parents

*** Specialties ***
I use a Learn to play Guitar book that i wrote and self publish in full color. I also use several books by Jerry Coker with some jazz students,and I recommend the Harvard Dictionary of music to students
I teach the fundamentals of music applied to the guitar and bass, as well as metronome skills,sight reading and music theory.

f learning, musicianship and artistry. I have most recently taught in Jerry City, Ohio for Elmwood Jr./Sr. High School, and have also been active for the past six years as a master class instructor for St. Peter's Lutheran Church, located in Ft. Wayne, IN. I am very happy to be working with you!

*** Lesson Details ***
You will find my teaching methods rewarding, enriching and exciting as you grow and learn. Students will be encouraged to take their own individual journey in singing. You can expect to work on diction, theory, breathing, and developing a general healthy technique.

*** Studio Equipment ***
Piano and CD player. There is also seating for parents who wish to sit in on lessons.

*** Specialties ***
I am a classically trained singer and most of my training is in art song and opera. However, I do have a vast knowledge of musical theater literature and I would feel very comfortable in that genre. I am also well versed in choral literature and gospel.

te. The Post also celebrated him in Opera Theater of Northern Virginia’s The Barber of Seville as a “bright and bouncy” Figaro who delivered his lines with “aplomb.” He was a young artist in the studio programs of Portland Opera, Kentucky Opera, and El Paso Opera.

Dr. Collins has sung the roles of Sharpless in Madama Butterfly, Sid in Albert Herring, Figaro in The Marriage of Figaro and in The Barber of Seville, Papageno in Die Zauberflӧte, Belcore in L’elisir d’amore, Jupiter in Orphée aux enfers, Dr. Falke in Die Fledermaus, Bottom in A Midsummer Night’s Dream, Masetto in Don Giovanni, Schaunard in La Bohème, Clayton McAllister in Cold Sassy Tree, the Clock in L’Enfant et les Sortilèges, the Mandarin in Turandot, and Haushofmeister in the world premiere of Dorian Gray. Dr. Collins has had the pleasure of singing in the choruses of the Metropolitan Opera, Washington National Opera, and Fort Worth Opera. He has performed roles with the American Symphony Orchestra at Carnegie Hall, Kentucky Opera, El Paso Opera, Summer Opera Theater, Bel Cantanti Opera, Amarillo Opera, Crested Butte Opera, Portland Opera To Go, Opera Southwest, Opera Theater of Northern Virginia, Concert Royal, Ash Lawn Opera, Bay View Music Festival, and Seagle Music Colony.

Dr. Collins is currently on the voice faculty at the University of North Carolina at Chapel Hill and maintains a private voice studio at the National Opera Center in New York City where he teaches singers of all skill levels including those who perform on Broadway and at the Metropolitan Opera. He has a passion for vocal instruction and is dedicated to the success of each individual student. Dr. Collins keeps an active record of each student’s progress, vocal exercises, repertoire, performances, and personal goals. He is a member of the College Music Society, the American Guild of Musical Artists, the National Association of Teachers of Singing, Pi Kappa Lambda, and Opera America.

ystem
Recording capabilities for audio and video per student preference.
Logic Pro Studio for Audio

*** Specialties ***
Guitar, Songwriting, Music Theory

to spark a love and passion for music in each of my students.

I always encourage students to explore music on their own and bring me repertoire that they'd like to play (from their favorite movies, TV shows, video games, etc.). Those are a great and engaging supplement to the solo repertoire I choose!

Send me a message to get to know more about me and my teaching. I look forward to hearing from you!
Musically,
Danielle

years as college professor, where I taught classical composition, jazz piano, recording, film scoring and recording arts. Since leaving that world, I have been very happily and deeply engaged in gigging, teaching and writing the music that comes from deep in my soul and which expresses all my influences.

My approach to teaching also reflects all my skills, and starts with what you want to do with your music. If you want to develop your songwriting skills, we approach from any angle-harmony, development of basic ideas, or seeing what makes a Beatles or Beyonce tune work. If you want to develop your soloing chops, we can look at the deep traditions of jazz and blues. If you're an improvising player who wants to understand theory or develop your reading, I've got strong qualifications there. If you're a beginner, that's cool too! If you have a passion, then everything else follows with an experienced teacher. Bottom line-if you have an idea of where you want to go with your music, I probably have the experience to help you get there, no matter what the style!

I teach from my home studio, where I have a beautiful grand piano and many keyboards. I usually play bass with my students. I can provide customized backing tracks for you to practice with. I also teach on line. I can provide many testimonials from world-class professionals and former students who are now making a big splash.

at gave this album four stars, calling it "an exquisite singer-songwriter album”, while PopMatters called it “a truly beautiful listen from start to finish”.
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In addition to her work as a performer, she has worked on multiple film soundtracks—her song “Satellite” is featured in the movie Pressure, starring Danny Huston, while other credits include All the Beautiful Things (Sundance), Desert Dancer, Dear Wendy and Summer in February. She is also the featured voice of the national ad campaign for Hillshire Farms
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Alongside her original material, Joanna commissioned to arrange a full length concert and lecture "Beyond Joni", focussing on the works of female songwriters of the 1960’s, including Joni Mitchell, Judy Sill and Joan Baez, to name a few. This is an ongoing project to be performed around the world.

Joanna has had the opportunity to work with such music luminaries as Wynton Marsalis and the Jazz at Lincoln Center Orchestra, Kenny Werner, Lee Konitz Quartet. She has toured her own projects internationally, including Europe, Australia, Japan and throughout the US. She is also a regular collaborator within the dance, circus and theatre worlds.

Joanna is a passionate educator, especially in the field of early music education. She teaches with Grammy Nominated clarinetist Oran Etkin, teaching for his children's music education program Timablooloo. In February of 2016 she ventured to Mumbai to direct a choir of 200 children with the UK charity Songbound, bringing music to impoverished children in India.