Waleska, GA Music Performance Lessons

for greatness no matter what their strengths and weaknesses are. No matter your age or ability level I will help you set your goals and reach them. All students should want to learn. I expect my students to be prepared and have an open mind. Learning to sing is a process. I focus on building technique and a strong musical foundation and customize my lessons for every student and individual needs. I use breathing techniques and exercises that are challenging and work toward quick and accurate results. I implement a variety of exercises to improve pitch, intonation, placement, strength, and endurance. My main goal in teaching is to encourage each student to get to know their vocal strengths and weaknesses while using all their skills to their advantage producing their best sound consistently.

*** Lesson Details ***
Your lesson is customized to meet your individual needs.All students should want to learn. I expect my students to be prepared and have an open mind. Learning to sing is a process. I focus on building technique and a strong musical foundation and customize my lessons for every student and individual needs.I use breathing techniques and exercises that are challenging and work toward quick and accurate results. I implement a variety of exercises to improve pitch, intonation, placement, strength, and endurance. My main goal in teaching is to encourage each student to get to know their vocal strengths and weaknesses while using all their skills to their advantage producing their best sound consistently. It is a slow building process but a student should always be happy with what they do every day but never be satisfied and know that what they do today will be ever better tomorrow. We all grow and learn together and improve every time we try. I expect my students to do the best they can, practice regularly, be on time and have patience. I am excited about music and know it is also important to have fun and enjoy the process. So lets make some goals and get started!

*** Studio Equipment ***
Music room with keyboard, stereo system with iPod connection, CD player and computer, futon sofa, large mirror.

*** Specialties ***
I teach a wide variety of styles and specialize in audition and performance preparation. I do vocal coaching as well as voice lessons. I teach, Pop, R&B, Country, Musical theater, classical, folk, choral music, praise band and others. I also work with music in different languages such as Latin, Italian, French, Spanish, German and of course English.

n their musical journey.

*** Lesson Details ***
You will receive personal instruction to give you positive encouragement to be the best musician or singer. Lessons will include some of the following, but not limited to. For example: Comprehensive Music Theory, how to play and or sing scales, commonly used musical terms, uses of different clefs, notation, dynamic markings, tempo, time signatures, sight-singing and reading, ear-training, and much much more!!! After 3 or 6 months you will have mastered principle elements to make wonderful music! He prefer to use two different types of curriculum. They are Bastien's and Alfred's. He provide a stress-free learning environment to help you to reach your musical goals.

*** Studio Equipment ***
Computer and Keyboard

*** Travel Equipment ***
Portable 67 key Yamaha Keyboard

*** Specialties ***
Jazz, Gospel, Classical, R & B

ad and hear the progress you or your child has made! I am a very patient person and in my teaching I try to keep the atmosphere positive and encouraging. I have taught in person and online all across the country including Hawaii and even as far away as Italy to all ages and levels, beginning to advanced. You never know what talent is hidden inside that could be brought out with proper instruction. After I had graduated college with my music degrees, I remember my first flute teacher finally sharing with me that I was the only student she ever had that could not make a sound in their first lesson! So you truly never know until you try!

Lesson Length Recommendations:
Beginner - 30 minute lesson
Intermediate - 45 minute lesson
Advanced - 60 minute lesson

Biography

I was born and raised in Sarasota, Florida and began studying the flute at the age of 12. My interest in music was sparked after weeks of gazing longingly through the window as my twin sister crossed the street to her French horn lessons. I was determined to play an instrument too, so I asked my mom if I could take music lessons. It turned out that there was a fantastic flute teacher who happened to live down the street, so I began walking to my flute lessons. That flute teacher was Betsy Hudson-Traba, principal flutist of what is now the Sarasota Orchestra. Meeting her and starting flute lessons set my life down an incredible journey through music that would eventually take me halfway across the world.

With Betsy's instruction and encouragement, I had much success as a young musician. Throughout high school I played principal flute in Sarasota’s youth orchestra program and was a winner of the Young Artist Competition. I attended Interlochen Arts Camp where I was exposed to many wonderful artists and teachers. With a lot of hard work, I was able to win first chair flute in the FMEA All-State multiple times and also participated every year in the Solo & Ensemble Festival. I loved playing classical music, but fell in love with marching band too and became drum major which ignited my passion for teaching.

Wanting to pursue music as a career, I went on to study with Eva Amsler at Florida State University where I earned my Bachelor of Music in flute performance. Her teaching gave me a greater understanding of tone development, movement, and body awareness. I had a lot of wonderful playing opportunities here and as an undergraduate was playing in the top orchestra. During my time at FSU I was a proud member of the “world renown” Marching CHIEFS, where I served as section leader to 50+ flutes! It was truly incredible having a weekly audience of 80,000 football fans cheering us on. One of my favorite and more unique ensembles I participated in at FSU was the Andean ensemble, Aconcagua. I played the zampona (panpipes) and the quena (Andean flute). I loved it because it gave me the chance to play flutes still, but in a different capacity that was much more free than the classical music setting I was accustomed to.

After undergrad, I decided to go abroad for graduate school earning my Master’s at a small conservatory in beautiful Lugano, Switzerland called the Conservatorio della Svizzera Italiana. I studied under Italian flutists, Mario Ancillotti, Stefano Parrino, and Giovanni Crola. Through their help I was able to refine and demonstrate greater musicality in my playing. Performance was emphasized greatly in lessons and in our school curriculum. I also had many opportunities to pursue my love of travelling and work on my foreign language skills!

After heading home to the States I began my freelance career substituting in various orchestras in Florida including the Sarasota Orchestra, Sarasota Ballet Orchestra, and the Southwest Florida Symphony Orchestra. I now live in Acworth, Georgia where I teach private flute lessons and play in the Alpharetta Symphony Orchestra as well as serve on the orchestra board as the Personnel Manager. In addition to music, I love spending time with my family, friends, my husband, Vance, and our adorable kitties (Ron & Harry) and sweet dog (Leia). I also enjoy volunteering at church where I work with the elementary age kids, reading, hiking, trying to bake, organizing, and cleaning!

*** Specialties ***
I specialize in flute and piccolo solo, orchestral, band, and chamber ensemble playing and also audition prep.

n of the voice for singing and speaking. Her goal is to help singers gain fulfillment and joy while improving their art. She believes music should be fun and rewarding.

VOICE STUDENTS of hers have won university placement and scholarships and have been accepted into Allstate Chorus for High School in Georgia.

She also teaches PIANO. She has taught piano for about 10 years. She studied piano privately for 10 years and had further study at Indiana University.

Students wishing to have any COMBINATION of piano, music theory, sight reading and/or vocal development can receive a program of study that meets their individual needs.

PERFORMANCE EXPERIENCE:
Mary Frances has performed with the Southeastern Savoyards Light Opera Company, the Atlanta Opera Chorus and Studio, the Atlanta Symphony Chorus, Marietta Theater in the Square, and Neighborhood Playhouse. She has sung title roles in Patience, Little Red Riding Hood and Hansel and Gretel. Other roles include Josephine in HMS Pinafore, the Princess in The Student Prince, and Connie in The 1940'™s Radio Hour.

She has performed many roles with Capitol City Opera Company (CCOC) including Annina in The Saint of Bleecker Street, Bastienne in Mozart's Bastien and Bastienne, Nora in Vaughan Williams' Rider's to the Sea, and Gilda in Milton Granger'™s Talk Opera. She sang for many years in CCOC's school outreach program. She has sung many concerts for CCOC as well.

Mary Frances was a soloist in Handel's Messiah for Peachtree Presbyterian Church. She has worked as the soloist at The First Church of Christ Scientist in Roswell, Georgia and at The Second Church of Christ Scientist in Sandy Springs, Georgia ( This church has now closed). She occasionally directs and sings in the choir, and substitutes for the cantorial soloist at Congregation Dor Tamid in Alpharetta, Georgia.

EDUCATION:
Mary Frances holds a bachelors degree from Indiana University School of Music in both Voice and Theater. Mary Frances was a long time student of Elizabeth Colson (now deceased) of Atlanta, Georgia. She has attended Brevard Music Center, The Georgia State Opera Workshop and the American Institute of Musical Studies in Graz, Austria. While in Graz, Mary Frances was a finalist in the Meistersinger competition.

*LESSON DETAILS

RECOMMENDATIONS FOR LESSON LENGTH:
Voice students: 30 minutes for young students up to 5th grade. 45 minutes for young students in Middle School and some 5th graders. 45 or 60 minutes preferred for high school students and adults. Piano students: 30 minutes for most beginners of any age. 45 minutes for young intermediate level and adult students.

TEACHING STYLE AND CURRICULUM:
ALL: My teaching style is relaxed yet progressive. I use positive reinforcement to encourage progress with adults and children. Students are allowed to progress at their own pace which varies with age, coordination, processing speed and previous exposure to musical education.

PIANO: I prefer the Alfred'™s Basic Piano Library series for my piano students. I find that my students learn more music theory and music reading with this series. If the student has started lessons in a different series, I can work with that as well. I have a large music library that provides a wide selection of music in addition to the Alfred books. I expect most beginning students to learn basic music reading and theory in 3 to 6 months. They should also to be able to play simple tunes in that time. I am an active professional singer, so I have a large library of vocal material at my disposal.

All piano students are REQUIRED to have an instrument to practice on at home. The piano MUST HAVE AT MINIMUM:
IF Digital - 88 full sized, weighted keys with polyphonic sound ( at least 10 keys should be able to sound at at the same time) and a sustain pedal,
OR - If Accoustic - maintained and properly tuned.

VOICE: I begin my voice lessons with breathing techniques and vocal placement using widely accepted exercises coming from a large body of sources such as:
Vaccai, professional level vocal teachers, coaches and directors that I have worked with and learned from over the last 30 years, and the writings of highly acclaimed authors in the vocal field. I also have a wide selection of art song books, oratorio, musical theatre, and opera. My background is classical and musical theatre, but I believe all styles of singing need the basic skills of breathing and vocal placement. I strive to keep voices healthy as well as find each student's most beautiful sound. Most students will see progress in breath control, range, projection and diction in 3 to 6 months.

Repertoire is chosen on an individual basis depending both physical and musical ability. Younger students and beginners will be encouraged to not push their voices with material that is too difficult for their individual abilities because singing requires a certain amount of physical endurance. My goal is to find each student's natural sound without strain for whatever style he or she
sings.

Voice students are encouraged to bring a recording device to lessons to use for later practice and study.

STUDIO EQUIPMENT AND LIBRARY:
Piano, Computer with Internet Access, Library of Music and Reference Materials (Sample Listing): Alfred's Basic Piano Library Books Twenty-Four Italian Songs and Arias, Medium High and Medium Low Voice; Schirmer Sing at First Sight; Alfred Basics of Singing by Jan Schmidt; Schirmer Many Soprano Collections of Arias, Oratorio, Sacred, and Art Songs from Schirmer Several Broadway Music Collections from Hal Leonard Discover Your Voice by Oren Brown Training the Speaking Voice by Virgil Anderson International Phonetic Alphabet for Singers by Wall Dynamics of the Singing Voice by Meribeth Bunch Classical Singer Magazine Subscription Journal of Singing, The Official Journal of the National Association of Teachers of Singing,Inc.Subscription

SPECIALTIES:
I am classically trained bel canto voice teacher, but I can work with broadway and pop styles. I teach sight singing for students pursuing auditions for All State Chorus and College entrance, etc. I use the Alfred Basic Piano Series for Piano students

w music thoroughly, not just to “play.” I desire my students to comprehend elements of the score, to use their bodies effectively to make good sound, and to interpret music creatively and according to historical performance practices across all genres of music. Thus, I give students a purposeful education in technique, quality literature, performance and artistry, music theory, and music history.

Although students differ in ability and development, I maintain high expectations for our students. I expect attention and respect in lessons, faithful and diligent practice, careful adherence to instructions, and an “I’ll-do-my-best” attitude. If students regularly meet these expectations, then they will excel to the level that they are able. It is my joy to help students master their music, to do the best they can, and to strive for and achieve excellence.

Lastly, I want students to enjoy and appreciate their instrument, music, and music-making; and I know as as a teacher, I am very influential in making this happen. Students develop enjoyment of music by understanding music, experiencing success in music, being exposed to good and varied genres of music, and receiving instruction from a teacher who is enthusiastic and encouraging. It is my goal to provide all of these opportunities for students, and as a result their lives will be enriched as they enjoy their instrument.

ful instruction, I will work with you to achieve your goals in a relaxed, and encouraging environment with positivity and praise.