Lebanon, GA Opera Voice Lessons

for greatness no matter what their strengths and weaknesses are. No matter your age or ability level I will help you set your goals and reach them. All students should want to learn. I expect my students to be prepared and have an open mind. Learning to sing is a process. I focus on building technique and a strong musical foundation and customize my lessons for every student and individual needs. I use breathing techniques and exercises that are challenging and work toward quick and accurate results. I implement a variety of exercises to improve pitch, intonation, placement, strength, and endurance. My main goal in teaching is to encourage each student to get to know their vocal strengths and weaknesses while using all their skills to their advantage producing their best sound consistently.

*** Lesson Details ***
Your lesson is customized to meet your individual needs.All students should want to learn. I expect my students to be prepared and have an open mind. Learning to sing is a process. I focus on building technique and a strong musical foundation and customize my lessons for every student and individual needs.I use breathing techniques and exercises that are challenging and work toward quick and accurate results. I implement a variety of exercises to improve pitch, intonation, placement, strength, and endurance. My main goal in teaching is to encourage each student to get to know their vocal strengths and weaknesses while using all their skills to their advantage producing their best sound consistently. It is a slow building process but a student should always be happy with what they do every day but never be satisfied and know that what they do today will be ever better tomorrow. We all grow and learn together and improve every time we try. I expect my students to do the best they can, practice regularly, be on time and have patience. I am excited about music and know it is also important to have fun and enjoy the process. So lets make some goals and get started!

*** Studio Equipment ***
Music room with keyboard, stereo system with iPod connection, CD player and computer, futon sofa, large mirror.

*** Specialties ***
I teach a wide variety of styles and specialize in audition and performance preparation. I do vocal coaching as well as voice lessons. I teach, Pop, R&B, Country, Musical theater, classical, folk, choral music, praise band and others. I also work with music in different languages such as Latin, Italian, French, Spanish, German and of course English.

of the National Association of Teachers of Singing, The Voice Workshop, and the Loudoun Fairfax Music Fellowship.

tudents can expect to have fun while still incorporating discipline. All students will learn different styles and techniques from various styles of music to expand their musical talents and knowledge. Even if your focus is classical music, you can still expect to learn some jazz, pop, etc. Students can also expect to work on breathing exercises, diction, basic piano, basic guitar, sight reading, ear training, proper singing techniques as well as the anatomy of the throat. After a few months students will see tremendous improvements in the areas mentioned above as well as gain more confidence, individuality, creativity, adoration for the art and be able to execute their vocal instrument efficiently and beautifully!

*** Travel Equipment ***
I have voice books for soprano singers, a piano, and a guitar. I require students to provide their own voice books (if I require them for your particular session), a notebook, and a recording device.

*** Specialties ***
Classical-Spirituals, Opera, Romantic, Baroque, etc.
Contemporary
R&B
Reggae
Gospel
Country
Rock
Pop

choirs, and operas. I look forward to exploring your voice with you!

I currently teach in Bloomington, IN and online, I have previously taught in the Atlanta area for four years, as well as New Jersey and Boston, MA. I enjoy working with my students to discover and develop their true voice and passion for music! After studying vocal pedagogy, vocal anatomy, Body Mapping, Alexander Technique, acting, dance, movement, and of course years of musical study, I have honed my skills as a teacher and wants to share them with you! Healthy breathing, physicality, phonation, and resonance techniques are crucial to any style of singing - opera, classical, Broadway, or pop.

I hold a Master's degree in Opera Performance from The Boston Conservatory and a Bachelor's degree cum laude in Vocal Performance from Montclair State University. I attended the summer training programs at the Aspen Music Festival in Aspen, CO and the Seagle Music Colony in the Adirondacks. I have studied acting for over 6 years and participated in straight theatre, as well as musical theatre. I have also worked with coaches from the Metropolitan Opera, Santa Fe Opera, Atlanta Opera, and many more!

My operatic roles include: Ariadne in Ariadne auf Naxos, Tosca in Tosca, Ellen Orford in Peter Grimes, Giorgetta in Il tabarro, Miss Jessel in Britten's, The Turn of the Screw, Mrs. Gobineau in Menotti's The Medium, The Female Chorus in Britten's The Rape of Lucretia, Clara Deluso in Pasatieri's Signor Deluso, Magda Sorel in Menotti's The Consul, Geraldine in Menotti's A Hand of Bridge, Ariadne in Strauss' Ariadne auf Naxos, Elisabetta in Donizetti's Maria Stuarda, Contessa d'Almaviva in Mozart's Le Nozze di Figaro, Alice Ford in Verdi's Falstaff, Rosalinde in Die Fledermaus, and the First Lady in Die Zauberflote.

My theatre roles include: The Witch in Sondheim's Into the Woods, Aunt Eller in Rodgers & Hammerstein's Oklahoma!, Marion Hollander in Woody Allen's Don't Drink the Water, Glinda in The Wizard of Oz, Lucy in You're A Good Man, Charlie Brown, and Bobby's Mother in Gershwin's Crazy For You.

I am also featured on Albany Records release of Signor Deluso in the role I performed with the Opera Company of Brooklyn. I have performed the soprano solos in Verdi's Requiem, Faure's Requiem, and Gounod's St Cecilia Mass. Recently I worked closely with Stephen Schwartz - creator of the hit Broadway musical Wicked to create the starring role, Myra Foster, in his first opera - Seance on a Wet Afternoon.

In 2010 I was a Metropolitan Opera National Council Semi-Finalist. I claimed third place and the Wagner award in the Orpheus National Vocal Competition. I was also recognized for excellence with the Benefactor's Award in the Saritelli DiPanni Bel Canto Vocal Scholarship Fund as well as being a semi-finalist in the 2009 Jensen Competition. I enjoyed participating in NATS (National Association of Teachers of Singing) for many years, placing every year in college, and taking home first prize senior year. In my junior year, I won my entire division for the Eastern Regional NATS competitions. I also participated in the All-State choirs for 3 years in high school, taking first chair soprano 1 in my senior year, and being awarded a solo.

like to be able to go online for some resources.

*** Travel Equipment ***
I regularly use the internet in lessons as well as standard published educational texts.

*** Specialties ***
I have been told that I am especially good at helping people make the jump from playing by rote to reading from the page. In vocal instruction, I am familiar with three schools of technique: the psycho-imagery school, the "anatomical" school, and the Italian "open throat" approach. My background in acting also contributes basic vocal projection techniques to vocal training. I am comfortable with all genres of music, including pop, rock, soul, R&B, gospel, jazz and opera. In instrumental studies, I am a woodwind doubler, reading fluently and transposing on-the-spot . As a jazz and gospel artist I improvise primarily on the flute and saxophone. My piano skills are equivalent to a second-year college piano major. I can improvise accompaniments as well as read piano scores. In addition to being a certified teacher in Georgia, I attained national certification through the National Board for Professional Teaching Standards in 2004.

in Georgia.

She also teaches PIANO. She has taught piano for about 10 years. She studied piano privately for 10 years and had further study at Indiana University.

Students wishing to have any COMBINATION of piano, music theory, sight reading and/or vocal development can receive a program of study that meets their individual needs.

PERFORMANCE EXPERIENCE:
Mary Frances has performed with the Southeastern Savoyards Light Opera Company, the Atlanta Opera Chorus and Studio, the Atlanta Symphony Chorus, Marietta Theater in the Square, and Neighborhood Playhouse. She has sung title roles in Patience, Little Red Riding Hood and Hansel and Gretel. Other roles include Josephine in HMS Pinafore, the Princess in The Student Prince, and Connie in The 1940's Radio Hour.

She has performed many roles with Capitol City Opera Company (CCOC) including Annina in The Saint of Bleecker Street, Bastienne in Mozart's Bastien and Bastienne, Nora in Vaughan Williams' Rider's to the Sea, and Gilda in Milton Granger's Talk Opera. She sang for many years in CCOC's school outreach program. She has sung many concerts for CCOC as well.

Mary Frances was a soloist in Handel's Messiah for Peachtree Presbyterian Church. She has worked as the soloist at The First Church of Christ Scientist in Roswell, Georgia and at The Second Church of Christ Scientist in Sandy Springs, Georgia ( This church has now closed). She occasionally directs and sings in the choir, and substitutes for the cantorial soloist at Congregation Dor Tamid in Alpharetta, Georgia.

EDUCATION:
Mary Frances holds a bachelors degree from Indiana University School of Music in both Voice and Theater. Mary Frances was a long time student of the late Elizabeth Nohe Colson of Atlanta, Georgia. She has attended Brevard Music Center, The Georgia State Opera Workshop and the American Institute of Musical Studies in Graz, Austria. While in Graz, Mary Frances was a finalist in the Meistersinger competition.

*LESSON DETAILS

RECOMMENDATIONS FOR LESSON LENGTH:
30-minutes for beginning adults and elementary students up to 5th grade. 45-minutes for intermediate adults and students 5th to 8th grade. 60-minute lessons for more advanced students high school and up.

TEACHING STYLE AND CURRICULUM:
ALL: My teaching style is relaxed and nurturing I use positive reinforcement to encourage progress with adults and children. Students are allowed to progress at their own pace.

PIANO: I prefer the Alfred's Basic Piano Library series for my piano students. I find that my students learn more music theory and music reading with this series. If the student has started lessons in a different series, I can work with that as well. I have a large music library that provides a wide selection of music in addition to the Alfred books. I expect most beginning students to learn basic music reading and theory in 3 to 6 months. They should also to be able to play simple tunes in that time. I am an active professional singer, so I have a large library of vocal material at my disposal.

All piano students are REQUIRED to have an instrument to practice on at home. The piano MUST HAVE AT MINIMUM:
IF Digital - 88 full sized, weighted keys with polyphonic sound ( at least 10 keys should be able to sound at at the same time) and a sustain pedal,
OR - If Accoustic - maintained and properly tuned.

VOICE: I begin my voice lessons with breathing techniques and vocal placement using widely accepted exercises coming from a large body of sources such as:
Vaccai, professional level vocal teachers, coaches and directors that I have worked with and learned from over the last 30 years, and the writings of highly acclaimed authors in the vocal field. I also have a wide selection of art song books, oratorio, musical theatre, and opera. My background is classical and musical theatre, but I believe all styles of singing need the basic skills of breathing and vocal placement. I strive to keep voices healthy as well as find each student's most beautiful sound. Most students will see progress in breath control, range, projection and diction in 3 to 6 months.

Repertoire is chosen on an individual basis. Younger students and beginners will be encouraged to not push their voices with material that is too difficult for their individual abilities because singing requires a certain amount of physical endurance. My goal is to find each student's natural sound for whatever style he or she sings.

Voice students are encouraged to bring a recording device to lessons to use for later practice and study.

STUDIO EQUIPMENT AND LIBRARY:
Piano, Computer with Internet Access, Library of Music and Reference Materials (Sample Listing): Alfred's Basic Piano Library Books Twenty-Four Italian Songs and Arias, Medium High and Medium Low Voice; Schirmer Sing at First Sight; Alfred Basics of Singing by Jan Schmidt; Schirmer Many Soprano Collections of Arias, Oratorio, Sacred, and Art Songs from Schirmer Several Broadway Music Collections from Hal Leonard Discover Your Voice by Oren Brown Training the Speaking Voice by Virgil Anderson International Phonetic Alphabet for Singers by Wall Dynamics of the Singing Voice by Meribeth Bunch Classical Singer Magazine Subscription Journal of Singing, The Official Journal of the National Association of Teachers of Singing,Inc.Subscription

SPECIALTIES:
I am classically trained bel canto voice teacher, but I can work with broadway and pop styles. I teach sight singing for students pursuing auditions for All State Chorus and College entrance, etc. I use the Alfred Basic Piano Series for Piano students

w music thoroughly, not just to “play.” I desire my students to comprehend elements of the score, to use their bodies effectively to make good sound, and to interpret music creatively and according to historical performance practices across all genres of music. Thus, I give students a purposeful education in technique, quality literature, performance and artistry, music theory, and music history.

Although students differ in ability and development, I maintain high expectations for our students. I expect attention and respect in lessons, faithful and diligent practice, careful adherence to instructions, and an “I’ll-do-my-best” attitude. If students regularly meet these expectations, then they will excel to the level that they are able. It is my joy to help students master their music, to do the best they can, and to strive for and achieve excellence.

Lastly, I want students to enjoy and appreciate their instrument, music, and music-making; and I know as as a teacher, I am very influential in making this happen. Students develop enjoyment of music by understanding music, experiencing success in music, being exposed to good and varied genres of music, and receiving instruction from a teacher who is enthusiastic and encouraging. It is my goal to provide all of these opportunities for students, and as a result their lives will be enriched as they enjoy their instrument.

ialize in classical voice, opera, choral music, vocal technique, breath control, pop, jazz, and offer basic Music Theory and Piano lessons to those interested.
I can also assist with prepping for college pre-screens, as well as resume and repertoire building. I have experience teaching and singing with several professional orchestras and choruses, including the Grammy-nominated Buffalo Philharmonic.
If you are looking to understand how your voice works, and heighten your musical experience, contact me today!
I offer in-home lessons, or you can visit my in-home studio.