The difference between knowing how to play something and performing live begins with how you practice and prepare.
As a younger brother at the age of five, I began studying the piano because my older sister did. After my foundation in music strengthened I fell in love with the trumpet. At first, each note took time to develop and I enjoyed the challenge. The trumpet allowed me to travel all over the Southeast later in life and even to China with a 1940's Radio Show. I enjoyed many top-level bands the kindled my love and passion for good music. I want to share that kindling with my students in a nurturing and guiding situation, just like my teachers gave me. I used to go to lessons and become so motivated and inspired that I thought I could change the world. I always knew that I would want to give back exactly that. As my performance opportunities grew into venues like Churchill ...
I have many years of performance experience and have used this teach prepare students for auditions.
I started playing guitar seriously at the age of 12 and have been a guitar teacher for 22 years. My first influences were rock and metal. In my later teens, I became very interested in other music genres such as jazz, fusion and classical. I began my formal music education as a Classical Guitar performance major, ultimately obtaining a Masters Degree in Music Composition from the Queens College Aaron Copland School of Music. The road I have taken with music has been paved with many unexpected twists and turns. Throughout my many years of learning and making new discoveries, I have now arrived at a point where I am able to productively incorporate knowledge from various experiences with music and education into my own creativity and teaching. I never expect to stop learning or ...
-cover various music performance techniques
Professor Nick R. (guitar, banjo, mandolin, ukulele, dobro/resonator/slide, tenor guitar, baritone resonator, bass, drums, composition) is currently the adjunct professor at Essex College, Jazz clinician for over 16 years via Kupferberg Center (Queens College) and has been on the staff at Great Neck Music Conservatory. Nick has given lectures at Manhattanville College, at Queens College and at schools, nationally. -Just Jazz Guitar magazine interview [February 2015 issue] -Vanity Fair magazine (August 2013) interview "Summer of 2013, Nick R. performed at Gwyneth Paltrow and Chris Martin's home. It was an honor to meet Paul McCartney and jam with him while he played toy harmonica. Carnegie Hall, Lincoln Center, Iridium, Bluenote, Birdland, U.N., IAJE, Cape Cod Jazz Festival, ...
Live performance has been my bread and butter for the better part of my life. Learn stage presence, conquer stage fright, performance etiquette, how to work an audience and more.
"a masterful guitarist -- really, a total whiz of a rare order." --Hudson Valley Almanac Weekly "a force to be reckoned with... sophisticated chord voicings, complex finger picking patterns, and a flurry of blues, jazz, and folk inflected riffs performed with a ringing acoustic tone and an undeniable rhythmic drive." --Wired.com Scott is a an internationally touring guitarist and songwriter based in New York. In addition to his work as an in demand sideman for various artists and bands around the country, Scott is also an accomplished bandleader and composer with four acclaimed releases under his belt over the last ten years. As a guitarist, Scott brings a modern, technical approach to traditional american styles - jazz, bluegrass, country blues, western swing and chick'n ...
I would not be the person I am today if music wasn't the focal point in my life as it is. Not only do I absolutely love performing and studying music myself, but I adore teaching as well. Part of the musical experience is taking what you hear and what you learn from others and building on it to create your own musical contributions. I take the gifts other teachers and musicians have given me very seriously and subsequently feel the great importance of imparting my knowledge unto others. Whether you want to be a professional, or just be competent enough to enjoy yourself, we all practice, study technique and gain knowledge about music with really only one goal in mind: To have all the tools necessary to express ourselves adeptly through music. All the technique in the world will not ...
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