Seffner, FL Film Acting Lessons

I have performed on 6 Broadway National Tours and have a Masters in Music Education! Please check out my website jenniferwilcove.weebly.com for a full bio and resume!

Learn how to develop a character, score a monologue, work in auditions with cold readings and preparation. All aspects to help you grow as a performer.

Studying techniques (such as the Meisner technique), analyzing monologues and scripts, creating characters and learning how to step into character are just a few of the many things we'll focus on in this class.

On camera, Kim has been a spokeswoman for clients including AT&T, IBM and DuPont, as well as being a featured on-camera principal commercial performer for OsCal, Nutrasweet, USF&G Insurance and many fine Fortune 500 companies. In film and television she was featured with Richard Harris (The Ravagers), Burt Reynolds (Stroker Ace) and James MacArthur (Superboy) and played Lurleen in Life's a Drag (When You're a Man in a Dress), Claire in Drowning, Susan in the short film, The Couch, and Kim in the soon-to-be-released short Bird-Dog. She recently founded an Advanced Acting for the Camera Master Class, team actor

Beginners will learn the fundamentals of film acting. Intermediate and Advanced students will work with sample materials or preparation for upcoming auditions. Self-taping auditions is also available for those needing to electronically submit to productions.

Emmy Award Winner David T. has over 33 years of acting experience in Film, TV and Stage. He is best known World-wide for his role on “The Young and the Restless” where he received 3 Emmy nominations and won his first Emmy for Outstanding Younger Actor in a Drama Series for his role as Billy Abbott. He has the experience and training to coach actors who are either beginning their journey with acting or are well experienced actors who are looking to bring more color and light to their work. so they will stand out in front of the casting director & make their tape unique from the rest. Acting is my passion, and I love to share that passion with others so they may reach their dreams of becoming a working actor.

Walking into an audition room can be intimidating-- but it doesn't have to be! I have learned to love auditioning for stage and screen by uncovering discoveries in the text, embracing spontaneity in the room, and giving myself permission to breathe (it's a lot of breathing). I can't wait to help you find the same tools and help you gain the confidence to kill it every time. Auditioning is really just another chance to perform, after all!

My philosophy is that an actor must learn how to respond believably to imaginary circumstances as themselves before they can respond believably as someone else. I strip the actor of "acting" and make them just respond honestly. We do this with improvisation exercises first. Later we will add scripts and make them develop characters outside of themselves. Slowly, we will expand the range of the actor with movement and vocal techniques. As we get more advanced the more we delve into psychology.

Students often report that acting helps them identify and express their own feelings in everyday life. After all, acting out stories is nothing but rehearsing for life.

Hello, my name is Ricky. I have studied acting for 10 years and I've been working professionally for 5 years. I have my BFA in Acting from Cal State Fullerton, where I was taught by Russian Master Acting Teacher Svetlana Efremova. I am trained in Stanislavski, Uta Hagen, Michael Chekhov, Meisner and Shakespeare. I'm also well trained in voice & movement, comedy and script analysis.

I frequently work in regional theatre including: South Coast Repertory, MainStreet Theatre Company, Coeurage Theatre and Rogue Artists Ensemble.

As a teacher, I make personal growth my main focus. I find that so many actors try to revolve their life around acting that they forget acting revolves around life. So much of what we know in acting all stems from personal experiences and our individual truth. I believe as you discover more about yourself, you discover more about the art of acting. I teach the Stanislavski method - "living truthfully in imaginary circumstances." However, I also use Uta Hagen as ...

Character development through text. The screenwriter has all there for you to discover. We will work on objective, tactics, beats, and motivation. Also the fun stuff of back story and relationships between the characters.
Of course the text wont have all the answers to helping you connect to your character. Together we can work on how to join the two.