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Roseland, FL Music Theory Lessons

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About Alfred S.

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Fox Lake, IL
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How to read the music notes on a staff, key signatures, identifying the 7 modes of scales implemented in various solo techniques.

About Alfred
I play professionally, I have over 43 years of music experience I started at a very early age enjoying music, i have played recitals at the high school level on cello. I have been a featured soloist on the 4,5,6,string electric bass as well as the acoustic double bass, I have a CD out that show cases the genres of music that i have experience in. I am very passionate about teaching and instructing my students to acquire a love for music that will inspire them on to greater achievements in life.

*** Lesson Details ***
Basic Alfred music publications that are well suited for beginners to advance students details in music theory ,chord progressions,modal,progressions,circle of 5ths,inversion of piano chords,intervals,triads, sight reading on the treble,and bass clef finger positioning on the fret board correct posture and hand place
ment when seated at the piano.etc

*** Studio Equipment ***
basement studio: music stands, chairs, basses, keyboard (88 keys and weighted), tenor saxophone,guitars, 24 track recording console additional seating for parents. ,

wellness center: private room, music stands, keyboard (88 keys and weighted). waiting area for parents.

*** Travel Equipment ***
I expect the student to have a piano/keyboard or whatever instrument that is needed for that lesson.
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Reviews
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Darren S. October 8, 2015
· Bass Guitar · In studio
Today was my first lesson with Alfred. I am very impress with his knowledge and skill set. We work on some hand and finger exercises and ended the lesson with playing some bass groves. I am looking forward to my next lesson with him.
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Chris H. November 18, 2014
· Bass Guitar · In studio
Alfred has an infectious enthusiasm for the bass guitar that carries over in his lessons. I wanted to learn the slap and pop techniques of my favorite bass players including Marcus Miller and others. Alfred is a skilled percussive bass player who is fluent in these techniques. He is a patient teacher who will introduce new techniques and concepts at your own pace, whether you are a beginner or more advanced player. The lessons always go over the time allotment and we often have to force ourselves to “call it a night” and put down our bass guitars. The bottom line is that I’m having fun and making good progress. Online lessons have their place, but you don’t get the feedback and accountability that comes from taking in-person lessons. I can highly recommend Alfred to anyone who is serious about learning how to properly play bass guitar.
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Steven S. July 15, 2014
· Bass Guitar · In studio
Alfred is a phenomenal teacher. There are a lot of wonderful musicians that are expert at their crafts but does not have the expertise of teaching it to others. Alfred not only he is a wonderful bass player but his teaching skills is amazing. I've been taking leasing for about a month and a half and it is amazing the amount of things I've learned. Furthermore, I signed up for 30 minutes lessons, I can't recall once so far where our lessons only last 30 minutes. we almost always go over an hour. This is what I call true passion for music. I couldn't ask for a better teacher. I've enjoyed every lessons and can't wait till the next one. With Alfred help, I know i'll reach my goals in no time.
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Alfred S.

Alfred S.

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$45 / 30-min

About Azuri M.

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Los Angeles, CA

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Starting off Diatonically we will move through the classical and modern structures of music all the way through jazz and rock music providing a comprehensive and well rounded understanding of our art form.

About Azuri
Learning is one of my main pursuits. My name is Azuri and I have studied music for over a decade and have my degree in guitar performance from musicians institute. I've had the gift of studying many artistic crafts and spend my time today trying to further my own study, while sharing what I've learned with my students.

Art is one of the most important tools we have as a culture and contains in it a shared history, tradition and the keys to future ones. Whether it be through the primal qualities of music or the impulses of dance, the records of drawing or descriptions of writing, these are the tools for our expression. I have had the great fortune to study, in many different settings, a small piece of these traditions and sharing them is paramount in respect to receiving them. I love sharing knowledge and I hope to elevate yours as a st
udent.

Teaching Philosophy -

My teaching philosophy is built on well rounded communication, explanation and examples. So, that a student can truly understand and learn a topic, surrounded in a very humorous, light and supportive environment.
Along with being provided good information, a student learns better and feels more motivated to learn when there is a balance of positive support and confidence building accompanied by constructive criticism and examples/information that can help a student assess what ever walls they may be meeting in their musical growth.

I understand that all students/artists have different goals they wish to achieve. So it is very important to me to accommodate each individuals needs and wants to help them grow in the fields they wish too; However, In that I have played music for a long time, I understand there are certain things that a student may not have been exposed to yet; It is important that while focusing on a students artistic goals they respect and are open to the suggestion and guidance of their teacher.

I truly believe music has an amazing influence on the world and has the ability to change peoples way of thinking. Therefore, I try and keep an open awareness to all music, so that I can understand all different musical languages utilized to communicate to people, and I don't believe I will ever know them all. I hold it to attention to influence my students somewhat similarly so that they can shape the landscape of how we communicate musically in the future.

I also try and be very patient with my students. Knowing that when I feel rushed, it makes information more difficult to comprehend, remember and allocate. I love watching the gears run in my students head, so I try and provide information that pushes a student but is within their abilities.

HUMOR is very important. I like to break people out of their shell by telling a joke and hopefully getting one back, so they feel more comfortable and free. One of a Artists worst enemies are nerves. Keeping things light-hearted and maybe even a little small talk can be very helpful to a students development and growth on a topic. After all, Art is meant to be fun and we should enjoy every moment of it, in fact we should enjoy every moment in life period.

I understand music requires focus and discipline and I have certain expectation of a student to understand that and practice. You can't buy chops, you can't buy music theory etc. you can get help but eventually your the one who must understand it and play it.

I am here to help you. Based on what I know and what I have extensively studied, I will do all that I can to help you achieve your musical goals. I am here to answer your questions and help you grow. I love teaching because I love sharing knowledge; As long as your seek it, it is here for you. Otherwise, I'd still love to hear some jokes.

Education -

MUSIC
_Bachelors in Music - 2016 - Guitar Performance (Musicians Institute, CA)
_Associates in Music - 2011 - Guitar Performance (Musicians Institute, CA)
_Major in Music - (Academy for Visual and Performing Arts) - 2008
_Garden of Angels - 2003 - Performance Academy

DANCE
_Krump, Pop-n-Lock - 2012 - (Xtreme)
_Break Dancing - 2011 - (Fun.Krew)
_Traditional Brazilian Dance & Samba - 2014

MARTIAL ARTS
_Capoeira - Current - (Capoeira Batuque with Mestre Amen)
_Wing Tsun - 2013 - (Johnny from the Emin Boztepe School)

ART
_Graffiti - 2011 - (Fun.Krew)
_General Art - 2008 - (AVPA)
_Painting - 2003 - (Garden of Angels)

Much Love,
Azuri Zen M.

*** Lesson Details ***
I'm very disciplined but am also very light hearted. It's important for me to assess things seriously, so that one can understand a topic or piece of information.

I generate my lessons based on the individuals needs and therefore draw from various curriculums, sources and examples, such as : MI curriculum for ear training, Theory, Single string Technique, Reading, Rhythm guitar, Ted Greenes Chord Chemistry, Berklee Guitar Method, as well as The Real Book, other artist books(Eric Clapton, etc.) The Guitar Players Hand Book, Bach pieces and self developed curriculums, relative to the topic at hand and students personal goals, amongst many others.

-Beginning students within three months of consistent lessons should have the ability to solo and playing chords to songs that they are interested in and songs provided in the lesson along with a basic understanding of the major scale and its relationship to all of the diatonic music.

-intermediate students should have an elevated understanding of scale and chord patters along with the theory that explains modal relationships and use of these concepts.

-Advanced students should learn all of diatonic scale shapes and modes assuming they don't already know them in which case their specifically situation will be assessed

-Professional students I expect to have specific questions therefore where they grow should be largely subjective.

Overall, in a short amount of time on a scale of 1 - 10 I expect to in three months at-least elevate a students musical abilities one full point if not more.

*** Studio Equipment ***
Studio in home in private room with guitars, amps, piano, and seating.
Em's studio is family owned cafe with studio in finished basement with an office, recording equipment, and teaching space for acting and guitar.

*** Specialties ***
As a Musician I try and play as many styles and be proficient in as many as possible and therefore can play most. However, in the fields of blues, jazz, funk, flamenco and Latin I excel.
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Reviews
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Dylan September 19, 2017
· Graffiti · Online
Very patient and gave a nice introduction to the basics for my 9 year old.
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Juan G. April 4, 2016
· Singing · In home
Azuri is great, l recommend it to anybody. THANK YOU!!!
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Juan G. April 4, 2016
· Singing · In home
You not will be disappointment. He is very professional. My first lesson and l like the way he teach.thank you azuri.
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Azuri M.

Azuri M.

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About Helena G.

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San Jose, CA
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About Helena
Classically trained at prestigious Mussorgsky school of music in St. Petersburg, Russia, with over 20 years of teaching experience. I teach Violin, Viola and Piano Performance, Music Theory, Music History, Sight Reading and Ear Training to children and adults of beginning to advanced level. I utilize several teaching methods to best suit the needs of a student and make lessons enjoyable and productive. I introduce my students to a variety of styles while teaching classical techniques for lifetime skills. When not teaching, I play with Nova Vista Symphony (First Violin) ,Campbell String Chamber Orchestra (Concertmeistress), Winchester Symphony Orchestra, and a variety of instrumental Ensembles featuring Klezmer Music, Russian Tangos and Brazilian Choros.

*** Lesson Details ***
My lessons are a balance of fun and focus. My students qu
ickly learn the basics and start playing familiar melodies. I teach memorization techniques to develop a performing repertoire.
In addition, my students develop abilities in rhythm, melody, harmony, understanding of theory, and improvisation. I also help with school orchestra practice and audition preparation.

*** Studio Equipment ***
Dedicated Music Space, desk, piano, recording equipment, music stands, couch for parents to observe and wait or participate.

*** Travel Equipment ***
I expect the student to provide their own violin and bow, music stand and a notebook. Students may also need to purchase sheet music/music books. I will provide basic recording equipment (audio and video), and pre-recorded piano or orchestra accompaniment. A live piano accompanist is available for recitals and pre-recital rehearsals.

*** Specialties ***
Classical Violin, Viola
Fiddle - Klezmer, American, Celtic
Piano - beginning and intermediate levels
Music Theory, Ear Training, Sight Reading, Improvisation.
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Reviews
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Ayse K. November 14, 2017
· Violin · In studio
she loves her job alot .and she makes you love it as well.
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Elsa March 3, 2017
· Violin · In home
My daughter has had multiple instructors over the past 4 years and Helena is her favorite. Her technique and personality make her a joy to work with and Elsa is eager to practice and looks forward to her lesson each week.
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Jill March 2, 2017
· Violin · In home
Helena has great insight and can spot areas that need improvement quickly! She is kind and patient, and a wonderful violin teacher/player.
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Helena G.

Helena G.

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$45 / 30-min

About Olga C.

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San Mateo, CA

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I prepare students for CM examination.

About Olga
I am very excited to share great news: 2 of my students took Certificate of Merit exam this spring. Both passed with honors. They also did 99% and 100% in their Music Theory tests.

You can see Olga perform role of Cio Cio San in Madama Butterfly by Puccini with West Bay Opera (Palo Alto) in May 2016.
Described by critics as "flawless in her singing" (Cultural World Bilingual ), "natural singer with beautiful colors...sings wonderfully, communicating the excesses of passion and emotion, the quick contrasts of mood , with grace and conviction" (San Jose Mercury News); possessing “a pure, strong soprano with phrasing of sumptuous elegance” (San Francisco Chronicle), " dazzling high notes are piercing without being ugly" (San Francisco Classical Voice), "beauty of her voice is outstanding...it has power to set the theater ringing, but it
also has a wealth of color... Her stage presence...is magnetic" (Peninsula Reviews), "Her mezzo tones...evoked memories of Maria Callas' spell-binding rendition" (San Jose Mercury News),
Olga was announced the Best Leading Female Singer in North East in season 2006-2007 by Opera Online.
A native of Russia, she appeared on the stages of the Bolshoi Opera (Maria in Mazeppa, Prilepa in Pique Dame, Brigitta in Iolanta, Anne Trulove in The Rake’s Progress, Musetta in La Boheme, to name a few), Kazan Opera Theater (Mimi in La Boheme), Stanislavsky Opera Theater (Micaela in Carmen), and Malmo Opera Theater in Sweden (Musetta) before emigrating to the U.S.A., where she appeared with Hawaii Opera Teater as Mimi in La Boheme, San Francisco Lyric Opera in title role of Aida, West Bay Opera and DiCapo Opera in New York in the title role of Manon Lescaut, Opera San Jose and Illinois Opera Theater as Tosca, and with Cedar Rapids Opera, Gold Coast Opera,Golden Gate Opera and Opera North as Cio-Cio-San in Madama Butterfly, with San Francisco Opera Merola Program and Tampa Opera as Musetta in La Boheme. In autumn of 2009 she appeared in Cairo as Tosca and, in spring of 2010 debuted it Italy at the Teatro Massimo in Palermo as Carlotta in Schreker’s Die Gezeichneten, where she returned following summer in the title role of Aida. From 2006 till 2010 Olga performed with touring company Teatro Lirico d’Europa all over United States in multiple performances of Madama Butterfly, Tosca, Aida, Carmen,La Boheme, Turandot, Le Nozze di Figaro, I Pagliacci, Cavalleria Rusticana. Olga appeared in title roles with local opera companies like Opera San Jose (Tosca),;; West Bay Opera (Manon Lescaut, La Forza del Destino), Livermore Opera (I Pagliacci), Martinez Opera (Madama Butterfly), Golden Gate Opera (Madama Butterfly, Suor Angelica, I Pagliacci, Cavalleria Rusticana), San Francisco Opera Company (Aida)
Olga appeared with Orchestra Sinfonica Romana at the concert stage of Santa Cecilia in Rome and Washington Center for the Performing Arts in Verdi Requiem, Quatar with Gala concerts, Opera Santa Barbara in an evening of music by Giocomo Puccini, DiCapo Opera (Rachmaninoff’s Francesca da Rimini), in Russia at the Nizhny Novgorod Concert Hall for Bach’s Mass in B-minor, at the Grand Hall of the Moscow State Conservatory for Mahler’s Sympony No. 4 and for Orff’s Carmina Burana, Moscow’s Cathedral Catholic Church for Bach’s Easter Oratorio, as a featured soloist for both the Notti Musicali Modenesi Festival and Costa Rica’s XIII Festival de Musica Credomatic; and as a featured soloist for the political-cultural event entitled “Days of Russian Culture in Bulgaria, jointly sponsored by the Russian and Bulgarian Ministries of Culture and attended by the presidents of both countries.
In 2002 Olga participated in San Francisco Opera Center Merola Opera Program for young singers and sang Musetta with Western Opera on tour.

Currently Olga devotes herself to voice teaching and performs locally."
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Reviews
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Yachen August 29, 2017
· Singing · In home
The lesson was very helpful! I look forward to more!
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Jim F. May 27, 2017
· Singing · In studio
Too early to tell how it will go.
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Jason September 3, 2016
· Singing · In studio
Olga is a kind, patient instructor. We are glad to have her as our singing teacher.
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Olga C.

Olga C.

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About Aaron S.

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Palm Bay, FL

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Whether you sing, play piano, guitar, woodwinds, brass, percussion, or any other instrument, or whether you write, compose, arrange, or direct, an understanding of music theory can help your practice, technique, and performance be easier and more effective. Both classical and popular music follow the same traditional patterns. I will teach you the basics of notes, keys, scales, chords, harmonies, and the other mysteries of musical tradition, not as rules to follow, but as guidelines for how to examine, deconstruct, and make sense of the music you hear, and help you apply it to your own musical work.

About Aaron
Hi, I'm Aaron, and I'm here to help you achieve your personal musical goals. In 1999 I received a degree in music composition, and I've been composing, performing, directing, producing, and of course teaching ever since. I believe every student is unique, with individual strengths and challenges, and with quality instruction and perseverance every student can use their strengths to perform the music they desire. I look forward to helping you get started!
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Jeanne August 2, 2017
· Piano · In home
Very patient and professional. Relaxed atmosphere. Instills confidence. Very nice person.
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Renee October 4, 2016
· Piano · In studio
We are thrilled with the piano skills my daughter has learned from Aaron. He is so patient, kind,flexible and encouraging with his students. He gets to know your student then custom designs a plan for each student. For us he is hands down the best piano teacher on the planet!
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Bethany September 26, 2016
· Piano · Online
My three sons have been taking piano lessons from Aaron for years. We highly recommend him! Aaron teaches them at their individual level, to their own interests, moving each of them forward at their own pace. His patience knows no bounds. Taking lessons online has been great for our schedule! We haven't missed a beat since moving from in-person to online lessons.
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Aaron S.

Aaron S.

Palm Bay, FL 32909
(5)
starting at
$30 / 30-min
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About Uncle Dave T.

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Palm Bay, FL

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The student will be taught to understand Music Theory from the approach of using association and ear training techniques. This method allow the student to slowly absorb the relationships of relative music as they are learning how to play the instrument of choice.

About Uncle Dave
ABOUT

I teach guitar, piano and voice lessons professionally to all ages and skill levels. In addition, I have recording services available for on-site and remote locations. Production music demos can be recorded for all interested students. I provide audio consulting and coaching if requested. A very positive approach is taken to achieve maximum satisfaction with music teaching, composing, songwriting and production. I have a full background in music theory. Music is the universal language of all times!
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Art C. April 28, 2017
· Singing · In home
Dave has a broad musical talent which will bring together my singing and ukulele playing.
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Jac B. January 27, 2017
· Bass Guitar · In home
Uncle Dave T. Taught me how to play bass guitar as well as piano when I had no prior musical background. He is currently helping me with acoustic guitar and I hope to play as well as he does one day! He is patient, kind, and elaborate when he teaches. Highly recommended for anyone at any age with any skill level!
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Ann January 10, 2017
· Acoustic Guitar · In studio
Dave is excellent, enthusiastic, and very knowledgeable! Great fun. He is teaching me guitar, singing, and about the music world and equipment. I highly recommend him whether it is for the short-term or for on-going lessons. Brightens my weeks. Ann
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Uncle Dave T.

Uncle Dave T.

Palm Bay, FL 32905
(19)
starting at
$30 / 30-min

About Ray C.

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Bethlehem, PA
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I offer a method that gets you learning your favorite songs fast and at the same time learning what makes up those particular tunes so you can then take that knowledge and expand on it.

About Ray
This teacher is professional guitarist playing many genres including jazz, blues, rock, pop, and funk. He performs solo guitar and with jazz groups in venues and events all over his area. He studied guitar under many reputable teachers and has a bachelor of music degree. He has had the privilege of playing with trombonist Robin Eubanks and pianist/composer Bob Dorough. He also has a clean background check and clearances necessary to teach privately.
...
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Ray C.

Ray C.

Online
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$25 / 30-min

About Lucas B.

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Winter Park, FL

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With learning any musical instrument comes the theory behind the music. This can be a daunting task, but the payoff is invaluable and extremely beneficial to a musician's understanding of their craft.

About Lucas
Hi! My name is Lucas and I love to teach! I've been playing violin since I was 11 years old and currently hold two degrees. A Bachelor's degree from Florida State University and a Master's degree from DePaul University in Chicago - both are degrees in Violin Performance. I began violin in the public school system in Tallahassee, FL and eventually began taking lessons privately with an emphasis in the Suzuki Method.

I love coffee, cats, Meryl Streep, and basset hounds <3
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Christine D. November 17, 2017
· Violin · In home
Lucas is a wonderful teacher. He is polite, patient, friendly, very knowledgeable in violin techniques and intuitive to the student's need. I am very lucky to have him as a teacher and I am sure you will feel just as well if you have the opportunity of having him as a teacher. You will have fun while learning the violin.
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Luther October 11, 2017
· Violin · In home
Lucas is an awesome instructor, he's very detailed and very patient with questions from beginners.
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Kullen M. August 6, 2017
· Violin · In home
Lucas is fantastic! My daughters thought he was very kind and they are motivated to practice and do their best for him!
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Lucas B.

Lucas B.

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(5)
starting at
$22 / 30-min

About Trevor R.

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Brooklyn, NY

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An understanding of music theory is at the core of any advanced musician's artistry. I have six years' professional experience teaching privately, and I specialize in Classical, Jazz, and Popular styles. I use a patient approach to accommodate each student's unique learning styles, challenges, and interests. While each student will have a personalized experience, all the fundamental topics of music theory will be covered, including note reading, scale, mode, and chord spelling, harmonic progressions, and score study. Send me a message letting me know what your goals are. I can't wait to make music with you!

About Trevor
I am a professional bassist and teacher living in Park Slope, Brooklyn. In 2017 I earned a Bachelors of Music with a concentration in Instrumental Music Education from Wayne State University in Detroit, MI. I have experience teaching students from age 5 up through adulthood, and I have taught several students with special needs. I am proud to say that students of mine have won concerto competitions, earned first-degree ratings at solo and ensemble festivals, and have gone on to continue their study at the collegiate level.

As a bassist, I am fluent in Classical, Jazz, and Popular styles. Before moving to New York, I played with multiple orchestras and chamber groups around the Detroit area, including the Dearborn Symphony Orchestra, Detroit Jazz Festival Brass and Percussion Ensemble, and others. I have been fortunate to share the stag
e with the likes of Sean Jones, Joshua Redman, Jason Moran, as well as Leonard Slatkin.

I would love to get to know what you or your student's learning goals are! Please feel free to contact me at your convenience so we can start making great music!
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Kim October 10, 2017
· Upright Bass · In studio
Trevor is great with giving useful and constructive feedback for all levels of skill!
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Trevor R.

Trevor R.

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$40 / 30-min

About Anna A.

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Brentwood, TN

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Having trouble with music theory? I love music theory and am here to help! I'll show you how music is it's own language and have lots of tricks

About Anna
My name is Anna Arata and I would love to be your new voice teacher! I am a professional singer, songwriter, and recording artist here in Nashville.

I started studying the voice when I was 11 years old. This included taking private voice lessons (classical primarily) and participating in several musical theater shows, a middle school jazz choir, and was a member of the Boston Children’s Choir. Through high school and part of college, I participated in musicals, co-lead a girl’s a capella group, performed in a show choirs, and was selected for the All States choir in Massachusetts in 2010. On college breaks, I also volunteered as a teaching assistant (TA) for my former middle school jazz choir. In May 2015, I graduated from Belmont University with a Bachelor of Music, specifically in Commercial Voice. Through my music studies, I have
taken several music theory classes, which have contributed to my ability to analyze music in a technical way. Until now, I have accumulated over 10 years of voice lessons for myself, ranging from classical/opera studies to commercial styles.

Since moving to Nashville in 2012, I have worked tirelessly to confidently hold the title of a “working musician.” While in college, I started and managed my own swing band, specializing in 30’s-40’s jazz. In our time, we were a part of several radio shows (including Music City Roots), opened for large acts, recorded EP’s and records, and organized tours in the greater Midwest area. Post college and disbanding, I have had many performance-based professional singing opportunities. For the past two years, I have served as the lead singer for the Grand Hotel Orchestra on Mackinac Island, MI. There, I was contracted for two 2.5 month stays during which I performed a variety of jazz and pop classics 7 nights a week. In Nashville, I have successfully gathered my own jazz band. I am a regular performer at Rudy’s Jazz Room in the heart of Nashville. I am capable of leading my own groups and all of the organizing that entails – creating charts/books, calling players, leading rehearsals. Additionally, I am in my first semester of volunteering for W.O. Smith School as a music theory instructor.
...
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Anna A.

Anna A.

Online
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$25 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts... &nbsp; Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts... &nbsp; Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
6 Fun and Unique Ways to Learn Music Theory
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Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D... &nbsp; “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started... &nbsp; Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started... &nbsp; Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory

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