Flute Lessons

in Lake Worth.

Amazing Teachers.

um and Education; and Masters in Arts (2012) in Teaching English to speakers of other languages, and Bachelors in Music Education (2010), both from Florida Atlantic University, as well as a degree in violin performance from Chicago.
I studied piano in Chicago for 10 years & taught both piano & violin for over 20 years. I also teach flute & cello for the past 5 years, as I studied them during my Music Education program.
I have taught music for over 24 years using the traditional and Suzuki methods. I am fan of the Essential Elements method and I Can Read Music book for string instruments, and the Alfred's Piano Library for piano. Alfred's piano library can be used for any age as they also have books especially made for adult learners. I also like their music flash cards.
For teaching music theory I mostly used Fundamentals of Piano Theory (9 levels) combined with Master Theory (6 levels) books.

I personalize every lesson, and always set goals for my students. Most of my violin students are members of the Florida Youth Orchestra as well as the Gold Coast Youth Orchestra and my piano students participate in Pompano Beach Piano competition and the annual Piano Guild auditions.
I teach any age and any level, and always stress that learning a new instrument is very similar to learning a new language, it needs a lot of patience, persistence and repetitions. My lessons are customized to my students needs, and are work in progress as they needs may change over time. I always remind my students that music can give them instant gratification when they learn to play favorite songs.
I always encourage my students to tell me about their music preferences, so I can incorporate them in their music lessons.

*** Lesson Details ***
All my tutoring sessions include reviews of previously learned material and if possible the use of technology. I use students books but often bring extra study materials if necessary.
All my lessons include technique and reading music. I like to use the Finger Power for piano students and Essential Elements for my string students, and scales for both.
Music theory: I use Master Theory and Fundamentals of Piano Theory books for younger ages, Alfred's music flash cards to support learning notes and musical terminology, and of course the fun part performance.

Besides Essential Elements for strings I also use String Tunes and I Can Read Music to add more fun to the lessons as well as support reading music during the lesson. For piano students I use Holiday Treats book, which comes in 2 different levels: Beginner & Intermediate, so my students have a new songs for a specific holiday.

*** Studio Equipment ***
I always bring violin with me to be able to show what I teach.

*** Travel Equipment ***
The students need to have their books and assigned material ready for tutoring. Instrumental students needs to have their music books, flashcards & instrument available as well as a pencil. I always stress with my students to be organized and prepared for their lesson, this way they will be able to focus better during the lesson. I always bring my violin with me. I also ask that the room where the lesson takes place be free of any distractions, such other siblings or any other noise. The quiet environment helps in faster learning.

*** Specialties ***
I tutor most K-12 subjects and prepare students to take ACT, SAT, GRE tests.
Music genres: Classical, traditional, Suzuki, Popular, Celtic, fiddle, Blues

*** Travel Equipment ***
I can travel with a sax, flute, guitar, electric bass, and a didgeridoo....

*** Specialties ***
I'm a jazz musician! But I listen to and perform all styles of music. I have written string quartets, been the front man for a funk band, and recorded every style of music under the sun. I can teach Bach and the Beatles and explain how/ and why they intersect and are similar musically.

Details ***
All lessons are tailored to the students needs and goals. I like for all students to have serious music/etudes to work on as well as something fun that you enjoy playing. I teach everything from classical to pop music, beginner to advanced, age 4 to 99. Whatever your goals are, I can help you achieve them!

*** Studio Equipment ***
Music stand and chair

*** Travel Equipment ***
I provide nothing, students must have instrument, books and music stand.

*** Specialties ***
Contemporary flute techniques and performance.
Early childhood music and movement for young children.

gside a song you love or reading through a classical concerto, I’ll help prepare you or your child to tackle a wide variety of styles, without missing out on any of the basics that turn good players into phenomenal musicians. We all know it’s not about being the best. It’s about having fun, and playing music well is definitely fun. Music lessons include:

1. Building a really strong foundation so it's easy to interpret or understand any part, and to play it with the right amount of practice.

2. Learning to sight-read music, so you can play it well as soon as possible.

3. Learning how to improvise (make-up) music, learn music by ear, and to understand and create chords, which lets you play music in different ways.

4. Play different styles from classical to jazz to popular music.

5. Learning how to practice efficiently so you can learn music as fast as possible.

6. Composing our own original music.

Practice makes perfect! Learning an instrument helps build self-confidence and discipline. If your child’s bored, distracted, or just needs a constructive hobby, music is a great place to get them interested in something that will help them feel better about themselves, and the effects will be felt across everything else they do, through better studying habits to a more patient, diligent work ethic.

It’s also relaxing! Stressed about work? Need an escape? Everybody has the power to learn an instrument. Seriously, there’s no such thing as “talent.” Just start lessons and get practicing! It really is that simple, and I’ll guide you through every step of the way.

I have a diverse background teaching students of all ages, from 3-year-olds to retirees alike, customizing what we learn to the individual student. We’ll learn how to read music just as easily as you read words; improvise and compose music of our own; and feel good playing any style: classical, jazz, rock, and all. My experience as a working musician in films, musical theater, and pop music, as well as classical concert music, allows me to appreciate and teach styles that many other instructors overlook, and I know full well that learning an instrument is not about becoming a professional; it’s about being able to connect to others or oneself through music… and also to just have fun! There’s no need to learn music we don’t like! It’s not about stuffing Beethoven into your kids’ ears… we just want to make music, be that Beethoven or Billy Joel.

Learning an instrument is one of those few skills that will genuinely last you your whole life. I don’t want to sugarcoat it: it takes time to learn an instrument. It takes practice, and sometimes it’s frustrating. But the results are well worth it.

Now get out there and make some music! But start by signing up for lessons. I can’t wait to get started!

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“What’s that chord?” “Why does all my music sound the same?” “How do I fix this voicing?” “I just can’t get it out of my head!” …sound familiar? You’ve probably hit a rut. Or maybe you’re just starting out. Either way, you want your music to sound new, exciting, and to come out exactly how you hear it in your head. Yes… you CAN learn to compose music, you CAN learn to be more creative, and you CAN learn to share your sound with the world.

Film music, classical, jazz… whatever your interest, all music comes from the same place, and by learning a handful of basic concepts, you can apply these to whatever style you’re trying to write. Learning to emulate another musician involves knowing what they’re doing. Learning to create a groundbreaking sound requires that you know what’s already been done, and how to achieve it. Step by step, we’ll work our way there.

We’ll learn how to write cool, interesting chord progressions, how to write beautiful melodies, and how to voice chords. We’ll learn how to control the mood of our music, from making it sound relaxed to adding tension wherever we want. Maybe you’re trying to write for an orchestra, or just a small band. By learning the basics, you can then easily break away from what’s been done and come up with something truly new… the goal of any aspiring composer!

I have developed a teaching method that is efficient and creative, and is backed by over thirty years of professional performing experience.

tria, performing a tour in Spain, and soloing with the Karlovy Vary Symphony Orchestra at Smetana Hall in the Czech Republic. Sarah is an IMK Concert Series Artist.

As an educator, Sarah is Co-President of the New Jersey Flute Society and is on faculty at the Rutgers University Mason Gross School of the Arts Extension Division as flute instructor and chamber music coach. As a Co-President of the New Jersey Flute Society, she will be hosting world-known soloist, Marina Piccinini, at the 2019 New Jersey Flute Fair. She has given masterclasses and workshops at universities and conventions all over the US, such as Princeton University, University of Washington, Bridgewater College, University of Virginia Flute Forum, Utah Valley University, and The Mid-Atlantic Flute Convention. During the 2016-2017 school year, she was on the Flute Faculty at the Center for Musical Excellence in New Vernon, NJ. She also served as the Director of Admissions. This year, Sarah will be performing and giving masterclasses at schools such as University of North Carolina Greensboro, Lamar University, Ferrum College, Texas Christian University Flute Day, and more.

Along with a substantial teaching and performing schedule, Sarah is an active chamber musician and orchestral musician. This year, she has played with Amarillo Symphony Orchestra, Virginia Symphony Orchestra and Virginia Opera. She is the Principal Flute of Houston Serenade Project, a chamber series founded in Houston, TX. She is also a founding member of the Emissary Quartet (EQ), founded in 2009. In November 2016, the Emissary Quartet premiered a work by Annika Socolofsky, which was made possible by a grant from the Fromm Music Foundation at Harvard University. EQ was quarterfinalists in the 2016 Fischoff Chamber Music Competition and was the only flute quartet to have competed within the last seven years. They also performed at the National Flute Association's 44th Convention in San Diego, California and the 2018 BMI Classical Music Awards in New York City. EQ are recipients of grants from the Friends of Flutes Foundation, Inc. and NewMusic USA.

Sarah received her Bachelor of Fine Arts degree in Flute Performance from Carnegie Mellon University School of Music, Master of Music degree in Flute Performance from Indiana University Jacobs School of Music, as a Barbara and David Jacobs Scholar, and Doctor of Musical Arts degree from Rutgers University. She is greatly indebted to her teachers Jeanne Baxtresser, Bart Feller, Thomas Robertello, Judy Grant, and Alberto Almarza.