Doctors Inlet, FL Music Theory Lessons

s work in 2003 when I began teaching music.

I've taught hundreds of different students since 2003 with great success, from 5-year-olds with special needs to middle-aged professional opera singers, from a professor in Saudi Arabia to a 65-year-old doctor of music, from kids of Radio Disney to students of the famed Actors Studio in New York, from busy stay-at-home parents to retirees with bucket lists, from CEOs to touring singer-songwriters.

I've created and led a workshop about singing called, "The Whole Body Singer". I've written dozens of articles about music and music education for the blog at TakeLessons.com.

My extensive knowledge of the voice has encouraged and empowered hundreds of singers and prepared many of them to win competitions, pageants and auditions, as well as roles in operas and musicals. When a student comes to me in need of voice coaching, my job is to get to the root of mental blocks, to reveal why and how she's not singing at her optimum.

Both teaching myself piano and receiving formal training at a conservatory has prepared me to teach almost anyone how to play.

The intensive training and education that I received at Westminster Choir College in songwriting, music theory and sight reading has benefited my students at every level.

My current work as singer and keyboardist in the acoustic rock duo, Timberwood, has strengthened my knowledge of a broad range of styles and genres. As a lifelong learner, I have a strong commitment to continuing my education. That's why I studied songwriting online with the Berklee College of Music in Boston in 2014.

In the lessons that I teach, I'm flexible, positive and encouraging. While I want my students to have fun and love music, not dread it, I expect hard work and persistence. I am caring, patient, nurturing, and compassionate. In piano lessons, I usually allow the student to choose a piece with which to warm up and then move on to technique and repertoire. In voice lessons, I usually warm up the singer and discuss technique and sight singing before focusing on song choices. Joan Frey Boytim wrote a book for voice that I like to use, and I like the Estelle Liebling exercises for the more advanced singer. Hanon exercises are a big part of my piano curriculum, and I enjoy the Bastien and Alfred books for young and old. I have used completely random songs pulled out of a piano bench and a karaoke CD for kids. I will use almost anything I can get my hands on if it means effectively teaching music.

Acting lessons consist of exercises and games that apply learned concepts, with an emphasis on stage acting and Meisner technique, as well as monologue and audition coaching.

Parents, siblings and spouses are always welcome to observe lessons quietly.

anslated from Papiamentu into English.
Although my music background is classical, I play and teach popular music, which I appreciate.
Just to mention a few famous guitarists who's styles appeal to me: Carlos Santana, George Benson, Paco de Lucia, Julian Bream.
I also teach electrical and acoustic guitar, bass-guitar, piano/keyboard, ukulele, Venezuelan & PR cuatro, songwriting and music theory.
Music is an International language; a way to express inner feelings!
And Teaching it, is my passion!

*** Lesson Details ***
Studying with me will be more than moments of instruction and learning.
In addition to acquiring musical knowledge and technical skills, each class is really a musical experience.
The dynamic during class is focused on making music and in having fun, developing new technical skills and reaching your goals!
The Students will be constantly experimenting with various aspects of music: the Melody, Harmony, and Rhythm. I will be at all moments musically accompanying the student, developing his or her musical hearing pitch, musical aesthetic values, creativity, and artistic expression.
I offer quality Music Lessons!

*** Studio Equipment ***
A Studio equipped with comfortable chairs, desk, keyboards, guitars, white board, music stands, amplifier,
Parents can sit in on lessons

*** Specialties ***
Classial, Popular and Latin Music

**Cancellations**
All lessons must be cancelled with at least 24 hours notice, without exception

goal.

Every student has a different motivation for taking lessons. Whether you simply want to show off for that special someone or you're trying to get into an elite music school, it is my objective to get you there with a smile on your face.

Want to learn the top ten guitar solos of all time? And nothing else? Just say so!
Want to learn piano theory until you're dizzy? We can do that too!
Always wanted to play drums but think you're too uncoordinated? No such thing!

Or, maybe you're already a polished musician lacking the theory to get another degree - no matter what your motivation may be, together we can make it happen.

You don't have to listen to a specific type of music to be a real musician. Yes, believe it or not, Britney Spears is a musician too! We'll work on the types of music YOU enjoy, not the stuff your parents, friends, or coworkers consider 'good' music.

Whether you want to learn Justin Bieber or Rachmaninoff, it's cool with me - believe it or not, the two have something in common...don't believe me? I'll prove it!

*** Specialties ***
I specialize in online music lessons. I have an extensive background in computers and technology, and incorporate a lot of unique tools to my online lessons to greatly improve the user's experience, such as multiple camera angles; picture-in-picture views; displaying sheet music on your screen and being able to highlight, point, and change pages for you; as well as interactive games similar to Rock Band that I control on my end as the student participates on their end.

I teach all styles, though my interests are mainly in pop, electronic, rock/hard rock/classic rock, metal, and classical.

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PLEASE READ BEFORE BOOKING LESSONS:

- All students must meet at least once a week.
- Cancellations are allowed once every three months.
- Rescheduling is always allowed and requires at least 24 hours notice.
- Rescheduled lesson must occur within two weeks.

years. Students who have studied with him come from a wide range of backgrounds with different goals. Those who have continued with musical studies in college have consistently placed out of at least the first two semesters of music theory and achieved advanced placement in their chosen fields of study. Those who chose a different path continue to benefit from the education and training they received from taking music lessons.

*** Lesson Details ***
There is no "standard formula" to lessons. Each student has their own unique background, needs, and goals. Lessons tend to be somewhat casual but are structured in such a way as to meet the unique requirements of the student.

To accomplish your goals, there are a few requirements and basic expectations that the student and parent must meet.
The first is practice. Students are expected to practice daily for at least the length of their lesson time. This, above all else, is essential to progress. It is also expected that a parent will attend lessons for students who are too young to drive themselves here. It's important for a parent to guide the student's practice time (particularly for younger students) to ensure that the most is gained from it. This is why I ask that a parent observe lessons.
Each student or parent should bring to each lesson a notebook, pencils (with erasers). The notebook will be used to record notes about each lesson, homework, practice advice, etc. Pencils (not pens...nobody's perfect!) are used by composers to record their creations and performers to mark their music. Both of these essential practices are subject to changing thought and must be open to change. So no ink, please!

Performers: It is not necessary to know how to read music at the first lesson for beginners. However, learning to read is required for subsequent lessons and will be a large focus for all non-readers. Lessons are not learned "by ear." A certain amount of theory will be a part of every lesson just as technique and repertoire. Concerning repertoire, it will be selected based on the student's learning needs but also with their input. The main emphasis on performance lessons, however, will be technique and reading. Students should come to the first lesson prepared to discuss their background & goals and the plan of their course of study.
Note: Voice students must be at least 16 years of age.

Composers: Just as with performers, it is not necessary to know how to read music at the first lesson. However, learning to read is required for subsequent lessons. Many young composers have great ideas but can only hear them in their heads or play them on an instrument. Lessons will allow you to obtain the skills to write them down with greater speed, accuracy, and clarity. More advance students will also include exploring a wider range of harmonic languages, advanced notation, instrumentation, orchestration, and aural skills. Students should come to the first lesson with examples of their work, either written, notated, or recorded in a digital format. They should be prepared to discuss their background & goals and the plan of their course of study.

IMPORTANT NOTES:
• To reschedule a lesson, more than one day notice is required.

• Make up lessons must be scheduled before the next regular lesson.

• A make up lesson cannot be scheduled in place of a regular lesson.

• If, for any reason, two 30-minute lessons are scheduled one right after the other, they will be charged as two 30-minute lessons, not one 60 minute lesson which is a different rate.

• If, for any reason, two 45-minute lessons are scheduled one right after the other, they will be charged as two 45-minute lessons, not one 90 minute lesson which is a different rate.

• the studio space is also inhabited by two lovely cats. Do consider this when signing up for lessons.

*** Studio Equipment ***
Yamaha DGX-650 weighted 88 keys full sized keyboard
area for parents to sit and observe lessons.

*** Specialties ***
Main area is in classical music and media scoring with secondary focus on musical theatre vocal performance and composing/arranging.

a of Saint Augustine, Florida and at the Jacksonville School of Music in Jacksonville, Florida.

My teaching philosophy is simple - teach how to play the guitar, not just how to play the songs. I pride myself on being a positive and patient teacher, dedicated to his craft and to each student's success.

performed 223 shows and in 2017, the group perform 258 shows.