Astatula, FL Flute Lessons
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Learn flute fingerings and discover the basics of playing in tune with good technique.
Since Jill is a vocal soloist, instrumentalist, accompanist and music director, she knows what it takes to prepare and rehearse and therefore she makes it clear which concept the student will be working on during
Jill has worked with children, teens and adults in many schools, churches and after school programs that she designed. Her success with students who are very young or students who come with disabilities or autistic spectrum diagnosis are moved by the music Jill creates. With the help of the ORFF-SCHULWERK certification, Jill has many ways of reaching children through the use of instruments, rhythm activities, games and other fun ways of learning. Breaking barriers is Jill's best asset, she will not quit until the student has an understanding of the instrument or his/her voice.
The young and the older adults find that taking lessons with Jill has brought them to a place of realizing their potential. Successful stories include pre-school age through students who are retired. The length of time one studies depends on the student's practice and diligence. Many students have started with Jill in preschool or elementary school and have continued through high school and college. Several college age students wanted to improve their singing or instrumental skills so goals were set and met through Jill's successful teaching ability. Several students learn music theory and many students have learned song-writing and creating arrangements.
Many of Jill's students have become better musicians and a considerable number of students have chosen music professions for their careers. Multiple students have won contests, auditioned for parts in musicals, started local bands and have become songwriters and performers after taking lessons with Jill. One student has recently auditioned for American Idol and has made it through several auditions. Teaching a myriad of students from various places in the world who have come to the United States has been a great experience. The cultural differences makes the teaching of these students exciting since Jill learns about music in their own home countries. Some of the students are from China, Norway, Dominican Republic, Brazil, Colombia, Puerto Rico and many who moved to Florida from some other state in the U.S.A. What a joy it has been to learn to communicate with these students and to verify that music is a universal language. By special request Jill is available for online lessons through internet and devices as well as traveling to student locations when her schedule allows. Students interest in online or in-home lessons should send a message to her to request certain days and times of availability.
"Jill was Steinway Pianos" Concert and Artist Director in Dallas Tx in the 80's, working with Steinway artists and Dallas Symphony, Opera, Ballet and other events like planning pianos for Prince Charles' visit and many other concerts and events. Jill also performed in many Dallas Venues as well as providing pianos for the Cowboys, the clubs, hotels, country clubs and museums including The Dallas Museum of Art.
Plans fail for lack of counsel, but with many advisers, plans succeed. " (Proverbs 15:22) It is Jill's belief that with her teaching qualifications and past record of success with student achievement and great experience studying with wonderful advisers, teaching YOU or YOUR CHILD will be one of success!
*** Lesson Details ***
Jill's teaching technique is flexible. Some students require a stern and strict approach while others seem to work best with more creative license. Jill is open to each student's needs. When booking lessons with Jill, one will find that the first thing she will do is find out more about the student's needs and desires to succeed in their chosen instrument. Meeting goals are important in music and in life!
Because of her flexible approach, method books vary depending on the student's need to succeed. Sometimes young students will need to review several beginning methods until their reading skills are achieved. For the young students, Jill teaches theory and gives the young students time during the lesson to explore musical symbols and try their hands at improvisation, rhythms, manuscripts and creativity.
Some students may desire to learn to play "by ear" or through improvisational skills. Jill is very good with improv and her song writing skills are strong. When a student desires to write music, Jill is there to help with questions about time signatures, note values, key signatures and transpositions.
Taking lessons with Jill is a journey that those who have tried have not had regrets. Several parents and past students would be happy to tell you how their talents and gifts improved after working with Jill for a few months. After three months of working together, Jill will know how to pursue the student's musical career. After 6 months the student will be able to play complete songs and have a sense of basic music theory. The hope is for the student to be confident of their instrument's abilities and to have a list of repertoire for upcoming events in the student's life.
Several of Jill's students have taken their skills, gifts and talents to the professional level. Students who have studied with Jill are professional music directors in high schools, middle schools, elementary schools, churches, soloists and some who are in school studying music as their major. Taking lessons with Jill will be something that will add value to the student's life forever because MUSIC is her life! Without music, the world would be a very dull place and individuals would be unhappy and depressed in every walk of life. Music brings out the beauty of creation and man's ability to skillfully play an instrument for pleasure or for one's occupation.
*** Studio Equipment ***
Yamaha Conservatory Grand
5 string bass guitar/amp
5 string banjo
small MACKIE mixer with mics
Digital audio recording
Gibson electric guitar with effects and amp
6 string Takamine e-coustic with amp
recorder (the instrument)
tambourines and many percussion instruments
soprano and baritone ukuleles
many amplifiers and sound system accessories
drum set (at the Lake Underhill Rd. Orlando location only)
various rhythm instruments
Mallets and tone blocks
*** Travel Equipment ***
I can provide my own equipment, but I expect the student to provide his/her own instruments and music stand.
*** Specialties ***
My specialty in voice comes from years of lessons and performance experience. Including Solo gigs, bands and service performances such as parties, weddings, funerals, organizational roles, skills, clubs, recordings, hotels, country clubs, churches, schools and much more. She uses many methods, handouts and books to bring out various ideas to learn to sing correctly. Jill takes each individual at his/her level and tries to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
Jill plays most instruments including piano, guitar, bass guitar, band instruments, ukulele, banjo, dulcimer, drums, percussion, harmonica, trumpet, clarinet, recorder, mandolin and violin. Jill enjoys many styles of music and she has played with many bands and groups throughout her musical career. She is a full time musician, music teacher and music director. Years of experience traveling the U.S. And Bahamas with bands, choirs and ensembles enables Jill to work well with many styles of music including contemporary, rock, Christian, Broadway, classical, country, bluegrass, jazz and her favorite, blues.
Sign up for five lessons today and you will not be disappointed.
Here's to your success!!!
· Banjo · In studio
Thank you 5🌟🌟🌟🌟🌟
· Violin · In home
· Guitar · In home
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I teach flutists of every age and level. In the beginning I like to ask each student what their goal is so that we can work towards that, whether it is to become first chair in band, make All-State or youth orchestra, play for Solo & Ensemble, perform with their church, or to just have fun and learn a new skill. In my lessons, I use positive reinforcement and encourage regular practice.
For beginners, I usually recommend doing a 30 minute lesson once per week and then increasing the lesson time and/or frequency as they become a stronger player. I use the Rubank Method for Flute as well as Pares Scales for beginning students. Once they have become more advanced I assign more challenging etude and scale books. When the student has a grasp of the instrument, I present solo repertoire and orchestral excerpts tailored for each level. I try to keep each student's goals, ability, age, and interests in mind when choosing music to keep the lessons engaging and fun!
My name is Kelly Meholic and I am a private flute lesson instructor. I have about 20 years playing experience and 12 years of experience teaching private flute lessons. In 2009 I graduated from the Conservatorio della Svizzera Italiana with my Master's in Flute Performance. Prior to that I attended Florida State University and earned my Bachelor of Music in Flute Performance.
I am very lucky to be able to share my passion for playing the flute with others for a living! It is so awesome to hear how students grow with each lesson and to see them reach their goals whether it is gaining confidence in their playing, making All-State, or winning an audition or competition. One thing that I try to do in lessons is to send a recording after we have finished working on a piece. It is always fun to listen back down the ro
*** Check out my Facebook page here ***
Lesson Length Recommendations:
Beginner - 30 minute lesson
Intermediate - 45 minute lesson
Advanced - 60 minute lesson
I was born and raised in Sarasota, Florida and began studying the flute at the age of 12. My interest in music was sparked after weeks of gazing longingly through the window as my twin sister crossed the street to her French horn lessons. I was determined to play an instrument too, so I asked my mom if I could take music lessons. It turned out that there was a fantastic flute teacher who happened to live down the street, so I began walking to my flute lessons. That flute teacher was Betsy Hudson-Traba, principal flutist of what is now the Sarasota Orchestra. Meeting her and starting flute lessons set my life down an incredible journey through music that would eventually take me halfway across the world.
With Betsy's instruction and encouragement, I had much success as a young musician. Throughout high school I played principal flute in Sarasota’s youth orchestra program and was a winner of the Young Artist Competition. I attended Interlochen Arts Camp where I was exposed to many wonderful artists and teachers. With a lot of hard work, I was able to win first chair flute in the FMEA All-State multiple times and also participated every year in the Solo & Ensemble Festival. I loved playing classical music, but fell in love with marching band too and became drum major which ignited my passion for teaching.
Wanting to pursue music as a career, I went on to study with Eva Amsler at Florida State University where I earned my Bachelor of Music in flute performance. Her teaching gave me a greater understanding of tone development, movement, and body awareness. I had a lot of wonderful playing opportunities here and as an undergraduate was playing in the top orchestra. During my time at FSU I was a proud member of the “world renown” Marching CHIEFS, where I served as section leader to 50+ flutes! It was truly incredible having a weekly audience of 80,000 football fans cheering us on. One of my favorite and more unique ensembles I participated in at FSU was the Andean ensemble, Aconcagua. I played the zampona (panpipes) and the quena (Andean flute). I loved it because it gave me the chance to play flutes still, but in a different capacity that was much more free than the classical music setting I was accustomed to.
After undergrad, I decided to go abroad for graduate school earning my Master’s at a small conservatory in beautiful Lugano, Switzerland called the Conservatorio della Svizzera Italiana. I studied under Italian flutists, Mario Ancillotti, Stefano Parrino, and Giovanni Crola. Through their help I was able to refine and demonstrate greater musicality in my playing. Performance was emphasized greatly in lessons and in our school curriculum. I also had many opportunities to pursue my love of travelling and work on my foreign language skills!
After heading home to the States I began my freelance career substituting in various orchestras in Florida including the Sarasota Orchestra, Sarasota Ballet Orchestra, and the Southwest Florida Symphony Orchestra. I now live in Acworth, Georgia where I teach private flute lessons and play in the Alpharetta Symphony Orchestra as well as serve on the orchestra board as the Personnel Manager. In addition to music, I love spending time with my family, friends, my husband, Vance, and our adorable kitties (Ron & Harry) and sweet dog (Leia). I also enjoy volunteering at church where I work with the elementary age kids, reading, hiking, trying to bake, organizing, and cleaning!
*** Specialties ***
I specialize in flute and piccolo solo, orchestral, band, and chamber ensemble playing and also audition prep.
· Flute · Online
· Flute · Online
· Flute · Online
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Strong instrumental playing begins with a solid understanding of the fundamentals of music and the simple act of making a sound from the instrument. Students learn to play music by ear first, and are later introduced to music notation. More advanced lessons emphasize sight-reading, expression, and improvisation.
A woodwind player since age 10, Thomas has experience as a performer and teacher. His previous education has included methodology classes on teaching specific instruments, and he is available to teach beginning flute lessons.
Or maybe YOU’RE the one that wishes to learn! It is never too late to begin learning an instrument. Yes, I'm trying to get you to sign up for lessons, and yes I sincerely mean that. Everybody has the ability, and if you’re determined and interested, there’s nothing stopping us from achieving this very special goal. (Interested in learning to compose? Scroll to the bottom to learn more.)
Everybody learns differently, and everybody likes different things. Whether it’s improvising or singing alongside a song you
Practice makes perfect! Learning an instrument helps build self-confidence and discipline. If your child’s bored, distracted, or just needs a constructive hobby, music is a great place to get them interested in something that will help them feel better about themselves, and the effects will be felt across everything else they do, through better studying habits to a more patient, diligent work ethic.
It’s also relaxing! Stressed about work? Need an escape? Maybe you want to sound like [insert piano player here]. Everybody has the power to learn an instrument. Seriously, there’s no such thing as “talent.” Just start lessons and get practicing! It really is that simple, and I’ll guide you through every step of the way.
I have a diverse background teaching students of all ages, from 3-year-olds to retirees alike, customizing what we learn to the individual student. We’ll learn how to read music just as easily as you read words; improvise and compose music of our own; and feel good playing any style: classical, jazz, rock, and all. My experience as a working musician in films, musical theater, and pop music, as well as classical concert music, allows me to appreciate and teach styles that many other instructors overlook, and I know full well that learning an instrument is not about becoming a professional; it’s about being able to connect to others or oneself through music… and also to just have fun! There’s no need to learn music we don’t like! It’s not about stuffing Beethoven into your kids’ ears… we just want to make music, be that Beethoven or Billy Joel.
Music lasts a lifetime. I know that’s a terrible cliché, but it’s true, and few other skills can claim that. I don’t want to sugarcoat it: it takes time to learn an instrument. It takes practice, and sometimes it’s frustrating. But the results are well worth it, and like a snowball rolling down a hill, the longer you do it, the faster you get… or something like that. There’s a legitimate analogy in there somewhere.
Now get out there and make some music! But start by signing up for lessons. I can’t wait to get started!
“What’s that chord?” “Why does all my music sound the same?” “How do I fix this voicing?” “I just can’t get it out of my head!” …sound familiar? You’ve probably hit a rut. Or maybe you’re just starting out. Either way, you want your music to sound new, exciting, and to come out exactly how you hear it in your head. Yes… you CAN learn to compose music, you CAN learn to be more creative, and you CAN learn to share your sound with the world.
Film music, classical, jazz… whatever your interest, all music comes from the same place, and by learning a handful of basic concepts, you can apply these to whatever style you’re trying to write. Learning to emulate another musician involves knowing what they’re doing. Learning to create a groundbreaking sound requires that you know what’s already been done, and how to achieve it. Step by step, we’ll work our way there.
We’ll learn how to write cool, interesting chord progressions, how to write beautiful melodies, and how to voice chords. We’ll learn how to control the mood of our music, from making it sound relaxed to adding tension wherever we want. Maybe you’re trying to write for an orchestra, or just a small band. By learning the basics, you can then easily break away from what’s been done and come up with something truly new… the goal of any aspiring composer!
· Flute · In home
· Saxophone · Online
· Piano · In home
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I have been teaching flute for 22 years. I have an earned Masters degree in music and enjoy teaching students of all ages. I am happily married with 5 children at home--4 of them are musicians as well (the youngest is 4).. Students will quickly learn not only the basics of music theory, but will be playing songs as early as their first lesson. It is extremely rewarding watching students have fun, excel, and fall in love with making music. I look forward to working with you.
· Clarinet · Online
· Harmonica · Online
· Violin · In studio
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I teach lessons with healthy quantities of ear training, theory, fundamentals, and repertoire to create a well-rounded student. My goal is to encourage a life-long love of the flute as well as develop each student to their full potential.
Learn more at evaskanseflute.com
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You will learn what it takes to blow into the flute and get a great sound! I will always have you working on a solo to prepare for performance and other pieces just for fun! One of my former students recently traveled to Europe with her college band!
· · In studio
· Percussion · In studio
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I was in the Marine Corp band as a piccolo and flute player! Over 20 yrs experience!
My years of education is too long to list here.
I have had formal training in Music, many forms of dance, swim and Aerobics certified! Fully insured and background checked through the City of San Jacinto and the park and recreation centers.
I Love what I do!
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I have played the flute since I was 11 years old. I can help with technique and sound, sight reading and flute repertoire.
London born, LA / NYC based vocalist, composer and multi-instrumentalist Joanna has emerged as a unique voice in the singer-songwriter world. With a classical and jazz background her music combines post-folk and art-song with a poetic lyricism which The New York Times described as "sensitive and deep”. She is a master in the art of live vocal looping and creates beguiling vocal soundscapes to accompany her songs. The Telegraph called her virtuosic performance as "sublime and unique".
Since 2011 Joanna has released three critically acclaimed albums, her fourth, "Blood and Bone" to be released later in 2017. “Gardens In My Mind”, (Sunnyside, 2016), features pianist Dan Tepfer and the award-winning Sacconi Quartet, showcasing Joanna’s “crystalline delivery” (Downbeat) and lush string quartet writing. Downbeat gave this album four
In addition to her work as a performer, she has worked on multiple film soundtracks—her song “Satellite” is featured in the movie Pressure, starring Danny Huston, while other credits include All the Beautiful Things (Sundance), Desert Dancer, Dear Wendy and Summer in February. She is also the featured voice of the national ad campaign for Hillshire Farms
Alongside her original material, Joanna commissioned to arrange a full length concert and lecture "Beyond Joni", focussing on the works of female songwriters of the 1960’s, including Joni Mitchell, Judy Sill and Joan Baez, to name a few. This is an ongoing project to be performed around the world.
Joanna has had the opportunity to work with such music luminaries as Wynton Marsalis and the Jazz at Lincoln Center Orchestra, Kenny Werner, Lee Konitz Quartet. She has toured her own projects internationally, including Europe, Australia, Japan and throughout the US. She is also a regular collaborator within the dance, circus and theatre worlds.
Joanna is a passionate educator, especially in the field of early music education. She teaches with Grammy Nominated clarinetist Oran Etkin, teaching for his children's music education program Timablooloo. In February of 2016 she ventured to Mumbai to direct a choir of 200 children with the UK charity Songbound, bringing music to impoverished children in India.
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I have played the flute for over 14 years now and have had many accomplishments as a musician. I have been in the top ensembles and top chairs for most of that time and have performed in various honor recitals with the top musicians in my university. I am working on completing my bachelor of science in music therapy with flute as my primary. I have had the opportunity to work and learn from outstanding flutist and musicians which have allowed me to become a well rounded musician and flutist. I love spreading the joy of music and the thrill of flute playing. I focus a lot of basics and bringing out the best in my students through their playing and musical expression. You can expect lessons with me to be effective, fun, and a breath of fresh air - literally.
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I enjoy teaching uniquely to the each student, rather than creating a master program that I apply to everyone in a blanket manner. All beginner students will learn specific scales, etudes, and techniques to get them to certain proficiency level, after which I begin tailoring the program to the student's musical tastes, abilities, and needs. One of my priorities with beginner and intermediate students is correctly developing tone from the beginning. I want to prevent students from forming the bad habits that come with forcing a merely passable tone, which is not only detrimental to long-term playing ability, but can lead to future injury. I also prioritize phrasing, which is just as important to musical success as tonguing, rhythm, and fingerings, even before students reach the advanced level.
I was Principal Flutist of the Wichita Symphony Orchestra for 4 years, and was the Piccoloist and 2nd Flutist in the Sarasota Opera Orchestra for 2 years. I am currently the Principal Flutist of ...
Jessica has been a finalist twice for the position of Principal Flute of the Seattle Symphony. She was a finalist for Principal Flute of the Oregon Symphony, a super-finalist for Piccolo of the Houston Symphony, and was most recently the runner-up for Principal Flute of the Knoxville Symphony. You can hear some of her performances on her website, JessicaPetrasek.com.
Jessica has a huge passion for teaching, which she began at age 18. She has had students of all ages and levels, and has honed her teaching techniques, tailoring them to the specific needs of students whose manners of learning vary greatly. She is consistently surprised at what she discovers through teaching, even after 22 years of playing the flute. In addition to keeping a private flute studio, Jessica has been a tutor of Latin and Ancient Greek for five years, and has substitute taught. Her main hobby is English-style horseback riding, specifically Eventing.
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