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Banjo with Linda L.

Lemont, Pennsylvania

5.0
(12)
Background check
Teaches online
Enseña Beginner, Intermediate
Age: 18+
Enseñando desde 2013
MBA (Master of Business Administration)
  • Student Favorite
  • 3 Repeated Students

Clawhammer / old-time banjo with a sense of humor

The banjo always makes me smile, and I'd love to share my love of banjo with you! I love that within clawhammer banjo technique, you play melody, rhythm, and backup all at the same time. This is what makes clawhammer banjo so versatile, the possibilities so broad, and the creation of banjo arrangements so creative and fun. Clawhammer banjo uses a small set of tools, and once you've learned them, there's a whole world of tunes you'll be able to learn and play. I first teach the basic right-hand bum-ditty of frailing, and then expand to teach you double thumbing and a variety of interesting drop thumbing patterns, moving from there to incorporating syncopation into your playing. I also include left-hand techniques of hammer-ons, pull-offs, slides, bends, and chord efficiency. I believe in playing exercises and scales, especially in the beginning, but some of my students want to just learn tunes, and I'm a softy that goes along with that. :-) Clawhammer banjo is best-suited to playing old-time tunes, but I'm broader in my own playing, incorporating Irish, Swedish, bluegrass, gospel, French Canadian, Eastern European and more along with old time. I also sing with the banjo and use it to back up other singers and instruments. I use three tunings in my teaching and playing: standard G, double C, and modal minor (also called sawmill). Some banjo players use more tunings, but I find that these three, along with a capo, pretty much cover everything I've wanted to play. I also play fiddle, and this gives my students the advantage of learning to play banjo along with a fiddler, learning the fiddle/banjo combination that is so common in old time music. I have a website with over 400 clawhammer banjo tabs that I've created, and I'll share these with you once your lessons start. Even though I regularly create and share banjo tabs, my ultimate goal for you is that you learn to create your own version of any tune you want to play, without needing to look at my or anyone else's tab. If you have questions, scroll to the top of this page and click "Ask a question". I'm looking forward to hearing from you!

Detalles del instructor

Location:
Estudio del profesor
Estudio del profesor
VER MAPA
Mt Nittany Road
Enseña en línea
Enseña en línea

Teaching Hours

Lunes
9 AM-5 PM
Martes
10:30 AM-4 PM
Miércoles
9 AM-5 PM
Jueves
8 AM-3 PM
Horarios en la hora local de (UTC-08:00) Pacific Time (US & Canada)
Precios
30 minutos
50 US$
45 minutos
65 US$
60 minutos
75 US$

Acerca de Linda L.

5.0
(12)
I'm a professional touring musician who's played music since age 7, led musicians' workshops and camps since 1998, and has taught private lessons for 10 years. My teaching is focused on helping adult musicians improve and enjoy their playing. My basic philosophy is that music is not a competition, that music is best when played with others, and that you're never too old to start. We'll aim for both good technique and enjoyment of playing, but if we had to choose one, enjoying your instrument is the top priority. I try to make your lessons fun, to challenge you without giving you more than you can handle, and to be absolutely responsive to what you want to learn. Years ago, I had an amazing voice teacher. She never asked me to do anything I found difficult, and my singing kept improving anyhow. That's the kind of teacher I aspire to be. I want you to get better on your instrument without it being difficult or frustrating. MY BAND: When I'm not teaching, I tour professionally with the folk/world music duo, Simple Gifts, where I play fiddle, hammered dulcimer, old-time banjo, bowed psaltery, and recorders. Before Covid, we toured in a 10-state area, played about 100 concerts per year, and performed at major venues such as the Smithsonian, National Theater, Regina Quick Center, and Riviera Theater. Our repertoire includes a huge variety of genres: old time, bluegrass, country, Irish, Scottish, French Canadian, Klezmer, Greek, Romanian, Bulgarian, Ukrainian, Scandinavian, and more. You can see a video sampler of our concerts below. MY MUSIC CAMPS: About 25 years ago, I established two weekend-long musicians' camps: Folk College and Greenwood Furnace Folk Gathering. These events, programmed and overseen by me, have included internationally-known musicians such as John McCutcheon, Rory Block, April Verch, and Bruce Molsky. I've taught workshops such as How to Jam, Hearing Chord Changes, Klezmer Tunes, Simplified Versions of Common Tunes, Tunes That are Cooler Than Hard, Backing Up a Singer, and How to Play Tunes You Don't Know. My reason for starting these music camps is the amount of competitiveness I've seen at other events. I wanted to create events that would be friendly, nurturing, and encouraging, with all instruments playing together. MY RECORDINGS: I've recorded six CDs with my band, Simple Gifts. The most recent, "Journeys: Music of Many Lands" won a Global Music Award. Our previous album, "Crossing Borders," won an award from Indie Acoustic, and the one before that, "Time and Again," won a Crossroads Music Award. MY TEACHING STYLE: I'm very open to teaching you whatever you want to learn, but am also ready to guide you if you aren't sure. I don't follow a specific teaching method. Everyone gets taught differently, a combination of what you need and what you want. I only teach adults, so my teaching style is focused on the way adults learn. I especially enjoy teaching older adults. I believe in learning by ear, rather than reading sheet music, because that way you use your ears, rather than your eyes, to learn. But I understand some people need sheet music, and I'm ok with it. I think everyone that plays should understand the music theory behind it, but I've seen many eyes glaze over when I've started talking about theory, so I'm sensitive to that and introduce it in small bites that relate directly to whatever you're playing. And again, above all, my top priority is that you learn to love your instrument and get great joy and satisfaction from playing it.
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5.0
12 Reviews
Sheri
En línea
I cannot praise Linda Littleton highly enough. I have been taking lessons on the hammered dulcimer with her since June 2020 and I was a complete beginner when we started. She is thoroughly knowledgeable, an incredible musician on many instruments, and always supportive and patient. She is a fantastic teacher and a wonderful role model. Strongly recommended!
Posteado 16 mar 2024
Alexandra
En línea
An inspiring, informative first lesson!
Posteado 30 ene 2024
Peggy
En línea
Only my first lesson, but I already feel like I have gained so much! Linda did a wonderful job of assessing my needs and figuring out the next steps.
Posteado 23 nov 2023
11223344Próximo >Próximo >

Experiencia

Folk College

May, 2000 - Present

Founder, Artistic Director

I founded and coordinate Folk College, a fun, friendly weekend of workshops and jamming for all folk instruments and levels.

Greenwood Furnace Folk Gathering

Sep, 1998 - Present

Co-Founder, Artistic Director

I founded and coordinate Greenwood Furnace Folk Gathering, a fun, friendly weekend of workshops and jamming for all folk instruments and levels. This event has a particular focus on Pennsylvania's music heritage.

Simple Gifts

Nov, 1989 - Present

Professional Touring Musician

I play fiddle, hammered dulcimer, banjo, bowed psaltery, and recorders in a professional touring folk/world music ensemble. Take a look at our videos for samples of our playing.

Nittany Valley Symphony

Sep, 1988 - May, 2005

Principal Second Violin

Before I switched over to playing just fiddle styles, I was a serious classical violinist and have played in many orchestras.

Educación

B.A. Philosophy, music minor

Sep, 1971 - May, 1975

Princeton University

MBA (Master of Business Administration)

Jul, 1981 - Dec, 1982

Wharton School, University of Pennsylvania

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