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Boleslavsky and Strasburg techniques combined with British Classical School. -as the result of my own training. We begin with training of the body for the ability to be relaxed and ready for anything, working in a chair in the Lee Strasburg system, releasing tensions and assessing the difference and working week by week on the sense memory exercises to build up the strength of imagination and elemental response and creativity. We also work with theatre games as well as analytical techniques.
Acting with ease is mostly about really being relaxed and at peace while fulfilling a role. The best acting comes from having passion and confidence in the choices that you have made while you have prepared. The greatest obstacle? The inner critic, the inner skeptic, the inner dragon that works hard to put on the breaks and make us question ourselves and whether it is safe or not to let go. My job is to help you feel safe enough to be able to trust your creative instincts and your natural impulses. I'm more of a kind, compassionate, understanding and forgiving coach who nurtures the talent that is already in there. We all know you've got it -- who are we kidding?
All levels welcome.
Can work on both theatre sides/monologues and film scenes/cold reads.
Focus is on consistency, spontaneity, character work, emotional connection, and use of frame for tv/film work.
I teach actors, speakers and singers how to up their performance level by completely wiping out stage fright and performance anxiety. This is a learned skill that is guaranteed to bring your performances to the highest level. I teach audition and performance preparation. What needs to be practiced a head of time before you get to your audition or performance. These preparation skills will give you the confidence to be your absolute best for all of your performances and auditions!
Have been training actors in NYC for 15 years and many have gone on to films, TV, getting agents. Have been director and casting director in both NY and LA and know what auditions entail and what they want to see in order to cast you!
Director, Dialect Coach. Acting coach
New York THEATER
Red Noses by Peter Barnes – The Secret Theater - 2015
The Cherry Orchard (A Comedy in Four Acts) by Anton Chekhov– Access Theater (added ASL performances) – 2013/2014
How the Day Runs Down (World Premiere) by John Langdon– The Spoon Theatre (added ASL performances) – 2011
Bad Seed by Maxwell Anderson - The Spoon Theatre – 2010
23 Coins (World Premiere New Musical) by Mark Abrahamson– One of Theatreworlds 5 best of the year – The Spoon Theatre – 2009
See Us: Showcase for the ‘Abled’ actor – The Spoon Theatre – 2009
No Niggers, No Jews, No Dogs by John Redwood– The Spoon Theatre – 2008
kosher harry’s (US Premiere) by Nick Grosso - 2nd Creative Experiment ...
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