Somersville, CT Singing Lessons

est soloist at the “Instituto Nacional de Bellas Artes” and the “Festival Internacional de Música Contemporánea M.Enríquez” in Mexico City, with the Boca del Rio Philharmonic Orchestra (Mexico), Oaxaca Symphony Orchestra, Aguascalientes Symphony Orchestra (Mexico), Puebla Symphony Orchestra (Mexico), Guanajuato Symphony Orchestra (Mexico), and Heredia Symphony Orchestra (Costa Rica).

As a soloist my most important recent activities include the American premiere of the chamber version of the opera DeCachetitoRaspado by Juan Trigos at the Rialto Center for the Arts in Atlanta with Bent Frequency Ensemble (2015). By the same composer, has been remarkable my participation as a guest soprano in the world premier and recording for iTinerant of the works Cantata Concertante No. 3 Phos Hilaron (2013), and Symphony N. 4 Nezahualcoyotl Icuicahuan (Songs of Nezahualcoyotl) for soprano and orchestra, with texts in Nahuatl by Nezahualcoyotl (2016), and also my participation as a guest soloist with the orchestra Carlos Chávez in Mexico City and at the Eastman School of Music of Rochester, NY. As a chorister I sing with the Houston Chamber Choir since August 2016 and occasionally with the Houston Grand Opera since January 2017.

I studied voice in Italy with M.Trombetta and specialized with Paolo Barbacini, C. Desderi, T.Krause and M.Sighele in opera repertoire, E.Battaglia and L.Gallo in German Lieder, and Dorothy Dorow in interpretation of first XXth Century repertoire.

the best way. My rule number one is to be open minded and patient. Every student is different and has specific needs that can be addressed with the right technique.

I love to teach any level, from beginners to professionals.

Together we will work on:

- vocal technique to open your possibilities as a singer in a healthy way
- breathing and posture through yoga and relaxation exercises to free your voice and body
- musicianship: ear training, sight reading
- improvisation
- composition
- recording: record your own song
- repertoire (build your own repertoire, chart writing, arranging, transposing tunes)
- electronic device (loops, samplers)
- music toys
- audition preparation
- performance and stage preparation

I love to teach as much as I love to perform and I am always very inspired to meet new students and to help them develop their creativity with their own voice and sound.

horale, with Hartford Opera Theater as Elise in Dawn Sonntag's Verlorene Heimat, Pythia in Nkeiru Okeye’s We’ve Got Our Eye on You, and as Miss Paige in Dan Shore’s An Embarrassing Position which was nominated for Best Featured Ensemble in a Musical through the 2015 Broadway World Connecticut Awards. She has also performed with Opera Theater of Connecticut, Connecticut Lyric Opera, Madison Lyric Stage, Greater Worcester Opera, Revolution Opera Alliance, the Simsbury Light Opera Company, and the Greater Meriden Concert Chorale.

Prior to moving to Connecticut, Rachel lived in St. Louis, Missouri, where she frequently performed with the St. Louis Symphony as a member of the St. Louis Symphony Chorus. She has also performed with Winter Opera St. Louis, Union Avenue Opera, and the Southern Illinois Music Festival. In 2012, Ms. Abrams had the opportunity to be a sponsored young artist with Winter Opera St. Louis where she performed the role of Echo in Ariadne auf Naxos, covered Musetta in La Bohème, and performed in the Rodgers and Hammerstein musical review: A Grand Night for Singing. Ms. Abrams has also performed with Opera Fort Collins, Loveland Opera Theater, Victorian Lyric Opera, and Opera Classica Europa in Bad Schwalbach, Germany as an apprentice artist. Additional operatic credits include Zweite Dame in Die Zauberflöte, Giannetta in L’Elisir d’Amore and Miss Pinkerton in The Old Maid and the Theif.

A passionate performer of Jewish music, Ms. Abrams was featured as a soloist in Martin Bresnick’s puppet opera, Der Signál, with the Hartford Independent Chamber Orchestra during the 10th Annual Celebration of Jewish Arts and Culture at Charter Oak Cultural Center in October of 2014. As an active performer of art song, Ms. Abrams has collaborated with various musicians throughout the New England region to create diverse and accessible art song recitals. In April of 2015, Ms. Abrams and pianist Michael Korman presented a recital featuring the works of Schönberg, Ruth Schönthal, Previn, and Weill with the Maurice Greenberg Center for Jewish Studies at the University of Hartford.

Since the winter of 2016, Rachel has been an active performer with Lollipop Opera Outreach. This touring opera company brings the joy of opera to thousands of school children throughout New England. This season, she will perform the roles of the Mother/Witch in Hansel and Gretel, Babe in The Three Pigs – A Pig Tale, and participate in the premiere of a new interactive “culinary” opera adventure: A Fairytale Kitchen.

In addition to being a passionate performer and collaborator, Rachel is a private music educator dedicated to the success of her students. Ms. Abrams maintains a private studio of voice students out of her home in West Hartford, Connecticut. In addition to her private teaching studio, she is the alto section leader at St. James Episcopal Church in Farmington. She has also taught at Farmington Valley Academy Montessori in Avon, Arts Place in Cheshire and Summit Studios in Manchester.

As a voice teacher, Ms. Abrams provides her students with a holistic, healthy, and age appropriate technique based on her studies of vocal pedagogy, years of lessons from master teachers, and her personal experiences as a performer. Through personalized vocal exercises and repertoire assignments, students will learn how to achieve a proper vocal onset, management of air pressure, increase vocal stamina, and maximize vocal freedom through balanced resonance. While Ms. Abrams teaches "classical" technique, her students apply her pedagogy to all styles of singing including, but certainly not limited to: musical theater, jazz, gospel, barber shop, and even rock!

Before opening her own private studio in Connecticut, Ms. Abrams lived in St. Louis, Missouri where she taught throughout the region. While in Missouri, she served as an Adjunct Voice Instructor/Lecture Professor at East Central College and a Private Voice and Music Instructor at St. John's School of the Arts.

In addition to her teaching experience in the Missouri area, Rachel was a Graduate Teaching Assistant at the University of Northern Colorado, where she was an assistant instructor for Music Survey and Music and World Cultures classes.

Ms. Abrams holds a Master of Music degree in Vocal Performance from the University of Northern Colorado and a Bachelor of Music degree from San José State University. She lives in West Hartford with her husband Ben and their anti-social diva cat, Bonnie. She is currently accepting new students!

*** Specialties ***
I teach classical technique, specifically focusing on proper resonance and breath control. This method can be highly useful to broadway, jazz, popular or any other style of singing.

n and engaging.

Music must be fun...always!

*** Lesson Details ***
My students see progress. I don't believe in cookie-cutter instruction. I take the time to learn a students individual comprehension of the musical language and their learning style. I also build a practice schedule that is realistic and creates growth. Music instruction should not feel like a burden, but should be joyful. It's a process I have respected. Whether you are 90 or 9, you can learn music, love music and feel its presence by playing an instrument or singing. My job is to communicate that joy and show you how you can do it for yourself.

Learning to master a musical instrument is a two way commitment and I will always give you my full effort as I love the results.

*** Studio Equipment ***
I have a digital upright piano for piano and vocal instruction.

*** Travel Equipment ***
I will provide the lesson material and help students with purchasing the right method books.

*** Specialties ***
For beginning Piano-Intermediate, I have embraced the James Bastien series, as I believe it paces the young student and builds a foundation on a musical and pedagogical level.
Vocally, I follow a classical technique, but use that foundation as a basis to meet the goals of the singer for the style they want to achieve.