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New Canaan, CT Violin Lessons

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Popular Violin Teachers near New Canaan, CT

Check out some of our most popular teachers near New Canaan, CT including Norwalk, Darien, Wilton, South Salem and Pound Ridge.

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About Marvett H.

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New York, NY

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I currently teach students from beginner (pre-twinkle) to advanced levels.

About Marvett
I am a very encouraging and engaging teacher who focuses on proper form and technique, while maintaining the student's interest and encouraging creativity.

I incorporate both traditional and Suzuki methods and cater every lesson to the students individual needs and goals.

There is never a dull moment in my lessons, I keep the student motivated and excited about leaning to play the violin!

*** Lesson Details ***
The violin is my passion and I enjoy teaching all ages the violin!
Lessons are catered to every students personal goals and needs. Combining Suzuki and Traditional methods along with Etudes and scales will give the student a solid foundation on the violin.

*** Studio Equipment ***
Renting an instrument is simple, easy, and very cost effective. I will be more than happy to assist the student and parent with every
detail needed in deciding the appropriate violin and rental details!

*** Specialties ***
Suzuki, Traditional
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Reviews
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Sharon A. January 16, 2018
· Violin · In home
Marvet is the best teacher ever i just starterd few lesonss she Teach me so well , she is great !
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DInah July 24, 2017
· Violin · In home
So much patience for beginners like me! Great teacher to have!
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Viviana B. July 8, 2016
· Violin · In studio
Great first lesson!
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Marvett H.

Marvett H.

New York, NY 10024
(10)
starting at
$55 / 30-min

About Peter B.

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Trumbull, CT

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Instructions are based on custom curriculum for every student. The curriculum is based on student's desires and abilities and compiled from multiple sources.

About Peter
I am energetic, experienced and creative music teacher with a proven ability to get the very best out of pupils, an expert at identifying the appropriate resources required for a subject matter and ensuring that they are used efficiently and effectively Most of my students read and play simple music after 2-3 classes of active instruction.

I posses an extensive classical music and music pedagogy training. All my musical knowledge and expertise was attained in Eastern Europe. I play and teach piano, upright bass, bass guitar and a range of other instruments. Over the years I taught basic piano, the beginner violin, viola, cello and a variety of school instruments such as recorder and xylophone. I also teach advanced music theory, harmony and basics of composition and orchestral arranging required for music colleges. I especially
find it rewarding working with beginners and the opportunity to show them the amazing world of listening, playing and making music.

The teaching begins with identifying student's musical needs, goals and tastes. Students are taught a stimulating, thorough, and graduated course of recital solos, theory, technical studies, and classic repertoire. For those wishing to pursue more of a classical approach to music, there are proven methods to accomplish that goal established by European master teachers and pedagogues. Also, I can teach the know-how of Jazz and Blues though gradual lessons that cover basic theory, scales and chords up to melody and harmony development.

*** Lesson Details ***
The learning process should be, for the most part, fun and based upon a strong relationship between the teacher and the student. Curriculum and lesson plans are based on student's abilities and aspirations with appropriate balance between theoretical and practical work. The lesson material is always carefully chosen, and when necessary, adapted to specific learning needs.

With a proper approach, everyone can learn to play music. Whether you want to pursue a music career, or just play for fun and enjoyment I can help you attain your goals. From basic piano and stringed instruments, to advanced theory, harmony, composition and improvisation to jazz, pop and rock.

Classes are not based on a single source or book. I provide other exercises in printed form for students to keep and take home.

*** Studio Equipment ***
Two high end digital keyboards, two violins, viola, cello, upright bass, bass guitar and amplifier, music stands, stereo equipment with a large CD collection of just any conceivable music style.. Assorted school instruments: recorder (soprano and tenor), xylophone. Various music charts and a large library of music resources and other books; Extensive e-library and ability to print any required material on the spot. Instant access to many on-line sheet music resources.

*** Travel Equipment ***
Full size and a school grade digital keyboards , bass guitar, amplifier, staff paper and other printed resources, violin, viola, spare parts, maintenance tools and equipment.

*** Specialties ***
Pop, Classical, Jazz, Ethnic and Modal music, Composition, Arranging, Harmony, Counterpoint, Advanced Music Theory
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Reviews
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Callum ". August 19, 2017
· Piano · In home
Peter got right down to business and it is clear he knows what he is doing. My son is 5 and Peter kept his attention for the full 30 minutes, which is really saying something. At the end of the first lesson, my son was introduced to and could repeat note names; could play a five-note scale; and was learning his right hand from his left. I myself went to Juilliard and Yale for music and am so pleased Peter will be teaching our child(ren).
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glen April 20, 2017
· Upright Bass · Online
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Bekah S. October 7, 2016
· Upright Bass · Online
Peter provides great instruction and has a fantastic rapport with his students!
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Peter B.

Peter B.

Trumbull, CT 06611
(22)
starting at
$45 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Luther A. B.

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Bridgeport, CT

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The student will be instructed on the basics of proper playing techniques, music theory, and musicianship. They will learn to read music and also play by ear which will make them a well rounded player.

About Luther A.
Mr. Blackwell unique talents as educator, instrumentalist, conductor, vocal coach, cinematographer, composer and arranger make him a sought-after teacher. Currently, Luther is working with the Bridgeport Board of Education at Roosevelt Elementary School for President Obama's Arts and Humanities Turn-Around Arts Initiative he is the Executive Director and Program Director of Blackwell's School of Music and Film and Minister of Music Director for New Hope Missionary Baptist Youth Singers located at 1100 Park Ave. in Bridgeport, CT.
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Reviews
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Steven .. December 11, 2017
· Trumpet · Online
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Megan November 6, 2017
· Singing · In studio
Luther does a great job working with my 10 year old daughter. He’s teaching her everything she needs to know about reading and singing music.
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Allison September 30, 2017
· Clarinet · In home
Luther is an amazing teacher. He is very kind and knowledgeable. I look forward to our next lesson!
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Luther A. B.

Luther A. B.

Bridgeport, CT 06604
(19)
starting at
$40 / 30-min

About Monica B.

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New York, NY

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An organized, clear approach applicable to all levels. Develop a strong technical foundation, learn how to avoid injuries and tension while playing, create a beautiful sound and express yourself through music. Teaching tailored to your level and needs - learn repertoire and a variety of styles.

About Monica
Monica B., hailed as an “excellent violinist” by the Washington Post, performs extensively in chamber music, orchestral and solo settings. Monica has studied and worked both in the United States and Europe. A graduate of the Eastman School of Music and the Conservatoire de Geneve, she has held positions with L'Orchestre de la Suisse Romande in Geneva, Switzerland, and the Esbjerg Ensemble-the national chamber ensemble in Denmark. She is presently coaching and performing at Siena Summer Music in Siena, Italy, and has performed as soloist with orchestras in Scandinavia, Central Europe, and the New York region. Her recordings are under the Philips and Albany labels.
Monica is the founder of the Manhattan chamber music series “Concerts in the Heights”. This series brings together world-class musicians for performances and educational proje
cts. She is also a founder and Artistic Director of the conductor-less String Orchestra of New York City- SONYC.
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Kate January 11, 2018
· Violin · In studio
Monica has been an amazing, talented and patient teacher with my 5 year-old daughter. My daughter has excelled in only 5 classes thanks to Monica's attention to detail, technique, and orchestral etiquette. Monica has given my daughter the correct foundation to become a violinist one day. It is so important with a beginner student to learn the correct techniques early to avoid forming bad habits that prevent proper playing of the instrument. Monica has taught Clark the basics from how to properly hold the violin, stand and most importantly; how to properly play the violin. I highly recommend Monica for any level of violin player as she clearly loves the instrument, has a very pleasant demeanor and is distinguishably accomplished in her own right.
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Monica B.

Monica B.

New York, NY 10034
(1)
starting at
$50 / 30-min
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About Dr Joanna K.

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New York, NY
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I have 20 years of academic and private violin teaching experience. Finished two years college of violin pedagogy and methodology of teaching additionally to my double master degrees in violin performance as well as my doctorate in violin. I prepare students for college auditions as well as for national and international competitions, for NYSSMA, for All State, festivals, auditions and teach for the fun of learning how to play violin. I strongly believe that lessons should be fun yet effective

About Dr Joanna
Joanna has 20 years of experience teaching violin, viola and chamber music as well as educational and pedagogy two years degree that gave her many great educational skills. She teaches at all levels: from very skilled professionals, preparing them for competitions, auditions, college auditions, through high school students, helping them to excel in NYSSMA, ALL STATE, MTNA competitions and all kinds of auditions, competitions and exams designed for younger players, through adult amateurs who take violin and viola just for fun of learning how to play an instrument. She is a violin and chamber music professor in State University of New York at Stony Brook. Joanna is also a judge for MTNA: Music Teachers National Association Eastern Division.
Joanna has won many prestigious prizes and awards at international competitions and has performed
with such artists as Yo-Yo Ma, Itzhak Perlman, the Emerson String Quartet. She has appeared as recitalist, chamber musician, soloist with orchestra, and violin and music educator through the in many of the world’s greatest concert halls such as eg. Carnegie Hall. As an educator she was on faculty of Professional Training Workshops offered by Carnegie Hall as well as led lots of master classes all around the world. Her performing engagements have also included a two-year contract with Carnegie Hall and The Juilliard School.
Joanna is teaching all ages and levels from beginners to professional.
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Qixiao M. May 27, 2016
· Violin · In studio
Dr. Joanna is a very nice, patient and knowledgeable teacher. Her teaching is very effective, with her help, I am making progress steadily.

Violin learning is a very long process, and Dr. Joanna prepares students with solid foundation for further development.

I feel very lucky to have Dr. Joanna lead me to the world of string music.
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Heide April 13, 2016
· Violin · In studio
Dr. Joanna K. is an amazing violinist and teacher for my girls. She is a mentor and educator that builds their confidence and knowledge at every lesson.
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Brenda March 18, 2016
· Violin · In studio
My two kids ( 15 years old and 11 years old) really enjoy studying violin with Joanna. She is not only an excellent violinist, but also an educator, who understand how to communicate and motivate her students.
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Dr Joanna K.

Dr Joanna K.

Huntington Station, NY 11746
(13)
starting at
$70 / 30-min

About Gregor K.

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New York, NY
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I don't have much to add after what you've already read. I love teaching and hope my enthusiasm will be contagious. You are free to record a video your lessons to help you practice more efficiently at home and to tell me whatever else you need to help you learn. Every teacher wants their students to practice as much as possible but I focus on how to help you learn quickly because many of you have very busy lives. Whatever time you have I'll help you make the most of it.

About Gregor
I perform regularly at Carnegie Hall with Orchestra of St. Luke's, have performed and recorded with David Bowie (Heathen), play lots of chamber music and contemporary music concerts and have toured extensively but always lived in NYC. While I studied with Jascha Heifetz protege Erick Friedman to get my BM and MM from Manhattan School of Music,, Charlie Castleman at The Quartet Program and Chris Lee, concertmaster of NJ Symphony, my teaching is based on what I learned as a performing musician in NYC. Working with great players here showed me what they all had in common versus what were just my teacher's idiosyncrasies. Using your body efficiently to avoid injury is at the core of what I teach. Playing well in your 20's is entirely different than having learned how to avoid injury and play well in your 50's. I teach anyone from beginners o
f all ages to young professionals preparing for auditions to older people who always wanted to do this and just need someone to spark their curiosity.
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Lauren March 30, 2017
· Violin · In studio
Gregor was terrific to work with! He has had so much experience and teaches in a very personal and dynamic manner. He can really address the root of many issues in playing and take personal differences in consideration. I was very happy he had so much experience using the Alexander Method and adapting it to violin playing. This is what you need to set yourself up for a lifetime of playing! While I studied primarily classical music, he also has lots of experience in many other genres as well.
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Laura March 21, 2017
· Violin · In home
I briefly studied with Gregor when I lived in the NYC Metro area. He is one of the best teachers I've had the privilege of studying with over the years. My lessons were tailored to my goals, and Gregor was committed to helping me learn as much as possible, while being incredibly down to earth. He is simply a world-class teacher, and someone I was very fortunate to meet. It was a pleasure and privilege taking lessons from him, and I cannot recommend him enough to aspiring violinists and violists.
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Chala March 20, 2017
· Violin ·
Gregor is a wonderful violinist and a thoughtful musician. As someone who has worked with him on and off for years, I'm positive he'd bring the same qualities into his studio and pass his love of music on to his students.
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Gregor K.

Gregor K.

New York, NY 10031
(7)
starting at
$90 / 60-min

About Melissa F.

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New York, NY
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I've been playing violin for 20 years now, & I've been teaching music to children & adults at schools & privately for 5 years. Everyone has a different learning style, & I pride myself on being able to teach many different personalities & students. More than anything, I believe learning should be fun & bring you joy! So to that end, I work to make sure my students have a great time learning, & walk away with new information & skills every lesson. I'd be happy to help you on your musical journey!

About Melissa
Hello! I'm Melissa Folzenlogen, a New York City musician with 20 years of musical education, training & experience. I've studied at Hunter College, Mannes, Manhattan School of Music, ISO, & Fiorello H. Laguardia High School. Throughout my years in New York, I've been fortunate enough to play Lincoln Center, Carnegie Hall, The Westin, & many other private events and recital halls. I work with students of all ages & musical styles, & have been taught & can teach the Suzuki Method, as well as music theory, ear training, & vocal coaching, all comfortably and at your own pace in a style that works for you! As a vocalist, I've performed my own music at venues all around the city, such as David Geffen Hall and Highline Ballroom, & have lots of experience recording both violin and vocals for projects of all genres.
Whatever you need, I'll do m
y best to accommodate you.

Nice to meet you!
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Jennifer April 21, 2017
· Violin · In home
I enjoy learning from Melissa, she is very patient with a warm personality. She always has great techniques to teach me. I feel like I'm learning and making progress with her instructions.
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Celine N. February 21, 2017
· Violin · In home
From start to end my daughter felt comfortable and that's because the instructor set the stage.
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Giorgos P. January 6, 2017
· Violin · In home
Great teacher, patient, always encouraging in a very positive and friendly way
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Melissa F.

Melissa F.

New York, NY 10036
(5)
starting at
$35 / 30-min

About Beryl C.

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Wilton, CT
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From Beginners to Auditioners, I love to teach and help you grow! I use student friendly materials that include learning by playing duos and choosing pieces that help you move forward. If you have an audition coming up and need help preparing I am happy to work on any pieces with you. If you have holes in your technique I
will give you the answers to help fix them.

About Beryl
I have loved playing the violin since I started playing at age 5! I continue to learn and grow on the violin every day and love to share what I have learned. I studied at Juilliard and love to teach as well as play.
Whether starting a beginner, erasing technical "black holes"in a continuing players journey or rebuilding a returning adult player, it's always fun!
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Danette December 21, 2017
· Violin · In studio
Such a great talent with an intuitive ability to know what each student needs to succeed. So happy I found her.
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Beryl C.

Beryl C.

Wilton, CT 06897
(1)
starting at
$40 / 30-min

About Kyulee S.

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New York, NY
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Hello! I am a violinist based in NYC. I have earned my Master's degree in Classical Violin at the Manhattan School of Music and an advanced performance certificate from Brooklyn College Conservatory of Music. I have ten years of rigorous teaching experience and work with all ages. I am an alumnus of the NY All-State Festival and of course can prepare you for NYSSMA and ABRSM exams, All-County/City Prep, competitions, Pre-college auditions, and conservatory auditions.

About Kyulee
28 years young and fun-loving! I'm an energetic teacher with much performance and teaching experience that I can't wait to share with you!
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Kyulee S.

Kyulee S.

New York, NY 10019
starting at
$84 / 30-min

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How to Read Violin Notes: A Beginner's Guide

Learning how to read violin notes is a difficult, albeit, important task. Below, violin teacher Naomi Cherie S. shows you how to read violin notes in an easy and fun way... One of the best ways to build a strong foundation as a well-rounded musician is to learn how to read violin notes. Playing by ear is a wonderful and valuable skill and should not be discredited in the least, as it can come in handy in many situations. However, learning how to read violin sheet music can open you … Read More

How to Read Violin Notes: A Beginner's Guide
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