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Palisade, CO Music Theory Lessons

Looking for private in-home or in-studio Music Theory lessons? Our Palisade teachers are ready to get you started. Find your teacher today!

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Popular Music Theory Teachers near Palisade, CO

Check out some of our most popular teachers near Palisade, CO including Grand Junction, Clifton, Whitewater and Fruita.

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About Alexander A.

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Tacoma, WA

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As a composer and performer, I always encourage players to understand the fundamentals of music…music theory. There are many misconceptions about music theory: it’s too hard, it’s no fun, no one needs it - all wrong! The principals of music are simple, fascinating, and incredibly useful. Whether you took music classes in college or are just getting started with your first instrument, I can help you change the way you look at music. At first, the language of music seems strange and unfamiliar. That’s because it is! But when you take it one step at a time – one foot in front of the other – the meaning behind all the chords and scales becomes clear.

The first thing to learn about music theory is that your ear already knows it. Theory simply describes and gives definition to what your ear already hears. It’s like studying a language. By studying how nouns and verbs work we have a more powerful command of our language. The same is true for music.

Talk to you soon!
Alex

About Alexander
My name is Alex, and my passion is teaching music. I offer clients a unique learning experience with customized lesson plans and personalized attention to fit your exact goals and needs. These aren’t just words to me…they are a commitment I make to everyone that I have the pleasure of working with.

Here’s who I am…

I earned a Bachelor's of Music from Berklee College of Music where I studied Bass Performance and Composition. I have years of experience playing upright and electric bass in many styles such as rock, jazz, orchestral, and big band. I’ve studied a variety of instruments over the last 20 years including guitar, bass, drums, ukulele, and piano.

Here’s what I can do for you…

I will give you my full attention and unyielding patience with each and every lesson. Together we will explore the principals of music that
will enable you to learn to play in any style you choose to study. Ultimately my job is not to teach you to play, but to show you how to teach yourself. I will arm you with a thorough understanding of technique and theory.

I love working with kids and adults. I love brand new players with no experience as well as seasoned players who just want to fill in some gaps in their knowledge. Whatever your age, and wherever you’re at with your playing, I hope you will give me the chance to help you have more fun and confidence in music.

Every player I work with gets access to a personal online Lesson Journal where you can see my notes from our lessons, do homework from your “Stuff to work on” lists, and access my entire digital library! Every lesson is designed just for you.

Let’s get started…

You can take lessons at my studio, in your home, or online via Skype.

For lessons in my studio, I can provide instruments and amplifiers for both of us.

There is ample seating for parents to sit in on lessons. Parking is available in the driveway.

You’re going to love your lessons!
-Alex
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Reviews
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Sandy F. June 14, 2017
· Ukulele · In studio
Very knowledgeable, tailored the lesson to my level and very open to anything that I want to learn.
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Lisa June 9, 2017
· Upright Bass · Online
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Jake June 2, 2017
· Upright Bass · Online
Alex was great! We had problems with the website audio but were able to continue via phone.
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Alexander A.

Alexander A.

Online
(23)
starting at
$35 / 30-min

About Jina S.

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Grand Junction, CO
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Private Piano Lessons are offered weekly on 30, 45, or 60 minute sessions, depending on the student's age/level. Students are expected to practice daily on a well-maintained piano. As part of taking private lessons, students are provided with a variety of performance and ensemble opportunities, including recitals, competitions, 'piano parties', and other engaging music-related events. Depending on your level and interests, we can create a personalized lesson curriculum to suit you. Please contact me for current studio rates. jinasilvapiano.com

I make sure all new students feel welcome. During your first lesson, we will play, sing, clap, and have fun! If you are a newcomer, please fill out the form located at the bottom of this page. I look forward to meeting you!

About Jina
Having recently completed her masters degree in Piano Performance at the University of Redlands, pianist Jina S. holds her private studio in Grand Junction, CO. During the past six years she has been the recipient of the prestigious LeHigh Endowed Piano scholarship, an award based on exceptional talent and pianistic promise, and has held a Graduate Assistantship in Accompanying. She began her musical training at an early age with piano and clarinet and continued through high school, where she participated in marching band playing clarinet, concert band playing French horn, and playing piano in jazz band, while taking piano lessons. She has traveled to Europe, studying with renowned pianists, Cordelia Hoffer, Alfons Kontarsky, and Francios Germain at the Mozarteum, Salzburg. She recently held the position of secretary of the Music Teac
her's National Association Redlands Chapter and participates yearly in Music Teachers' National Association student events.

*** Lesson Details ***
I am interested in the needs of each individual student. I aim to prepare each student to be able to fluently read and understand musical concepts during the course of study. Students can explore classical and popular genres, as well as participate in recitals to help improve their understanding and appreciation of music.

*** Specialties ***
For beginning students, I emphasize the importance of rhythmic comprehension, correct technique and theoretical understanding as an important musical foundation. Depending on the students' level and interests, I then customize my lesson plan and assignments to their specific needs.
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Reviews
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Karen J. May 8, 2014
· Music Performance ·
Singing lessons

Jina made Kylie feel comfortable during lessons and allowed her to participate in one of her recitals. I feel the lessons taught her how to vocalize and breathe properly and help bring her out of her shell as she is normally kinda shy in a crowd and new people in general.
Thank you Jina, it was a pleasure. :) We look forward to seeing you after Summer.
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Jina S.

Jina S.

Grand Junction, CO 81501
(1)
starting at
$30 / 30-min

About Luke P.

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Winston Salem, NC

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All musicians benefit enormously from an understanding of how it all works. I love teaching theory from the ground up, mastering the simplest concepts in order to understand the most sophisticated effects and applications. Theory is painless and fun, and understanding it will enhance your listening, your playing, and your composing.

About Luke
I majored in music at Berea College, then went on to The University of North Carolina School of the Arts, where I completed a Masters degree in guitar performance and served as the graduate assistant to the guitar department.

For the past ten years I have earned a living performing and teaching guitar. I am a certified Suzuki instructor, and I've held teaching positions at Winston Salem State University and the University of North Carolina School of the Arts, along with at least half a dozen other schools and institutions. I've been featured on other artists' records, and received a grant to release an album of my own songs. I regularly perform in a wide variety of bands and ensembles.

I love to teach, and over the years I have taught hundreds, maybe even thousands of lessons. Having learned something from each and every one
of my students, I am now at a point where I excel at honing in on the individual interests and learning styles of whoever comes to me for help. There are many ways to learn guitar. The best one is the one that engages and inspires you the most. That said, there are also music fundamentals that we all need to know. My joy as a teacher lies in finding a way for you to master the fundamentals while at the same time following your personal bliss and intuition. We plot the course together, combining your curiosity and enthusiasm with my years of experience.

I also love working with kids. While they are having fun jamming, I discretely provide them with the technique and musicianship they'll need to excel in any musical environment, whether it's conservatory study or playing in a great band.

*** Lesson Details ***
Your enthusiasm is the key to your success, so my lessons are tailored to the interests and abilities of each student. That said, my classical background and dedication to effective teaching inform everything I do.

All of my students learn Music Fundamentals:
-Technique (habits of movement)
-Theory (how music works)
-Aural skills (hearing pitches, chords and rhythms clearly)

Many of my students use books. There are hundreds of great books these days, and I will work with students from any book they choose. Listed here are the books I regularly use. They all deliver great results:

-Aaron Shearer "Leaning The Classic Guitar"
-Will Schmidt and Greg Koch "The Hal Leonard Method"
-Joe Pecoraro "Read This First"
-David Oaks "Music Reading For Guitar"
-William Leavitt "A Modern Method For Guitar"
-Mateo Carcassi "Melodic and Progressive Studies, Opus 60"
-Leo Brouwer "Simple Studies"

Many of my students prefer to work without a book, and that is a great option too. These students learn scales, chords and theory and develop a repertoire of songs. I will show you how to play any song you'd like to learn. You can also work on writing your own songs or compositions, or improvising in any context, be it jazz, blues, Indian raga or flamenco.

Singing is also encouraged!

*** Studio Equipment ***
Home studio: music stands, extensive library of all kinds of music, great sound system and ability to stream any song, several guitars, recording equipment, footstools, keyboard and percussion instruments.

*** Travel Equipment ***
I'll bring my guitar and books, accessories as needed.

*** Specialties ***
I specialize in versatility. I regularly play gigs doing classical, jazz, blues, rock, pop, and world music. All of these genres have a place in my heart, and I've devoted years to learning to play and teach them well.

I am equally polyamorous when it comes to the various things musicians do. I love to sing pop songs, dissect jazz lines, delve into expressive groupings with classical pieces, drill scales and arpeggios, you name it. Reading, improvising, composing and notating, transcribing and playing by ear, memorization, classical technique, blues technique, bluegrass technique, theoretical analysis... hit me up for any of that, or whatever else interests you.
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Reviews
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matthew J. November 21, 2016
· Ukulele · Online
What a great teacher. Very kind and patient. Definitely knows his stuff. Highly recommend to all.
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Casey October 28, 2016
· Guitar · In studio
I've learned a lot through my lessons with Luke. He's a great teacher, incredibly talented and an all-around good guy. Very highly recommended.
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Casey September 11, 2016
· Guitar · In studio
Luke is incredibly knowledgeable and a wonderful teacher. I'm only a few lessons in so far but I'm already understanding concepts that eluded me for the last 12 months of teaching myself. Highly recommended.
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Luke P.

Luke P.

Online
(18)
starting at
$25 / 30-min

About Julia V.

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Portland, OR

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Have you wondered how music is notated and what all those sharps and flats mean? Would you like to be able to look at a piece of music and know how it sounds and whether it would work for your voice? I can help you with that. With step by step workbooks and 15 minutes of practice a day, you can learn to read music within a few months and know the basics before that.
I recommend adults take from 45 minutes to 1 hour lessons weekly for skill building. The price of lessons DECREASES by 10% after each 5 lesson purchased for the first 15 lessons. Studio policy is located at VaaraMusic.com.

About Julia
I have a Master’s in Opera Performance from the Boston and New England Conservatories as well as graduating from Vocal Performance programs at Boston University and Western Washington University. I have sung professionally with Boston Lyric Opera, Children’s Theater Companies, churches and synagogue and have toured on the east coast as well as Athens, Greece. Premiering new music is a specialty. I can help you prepare your pieces for auditions.  My students have successful auditions for college opera and music theater programs, and as choir soloists.

Students gain a larger vocal range and an easy, natural way of singing whether it is in a rock band, choir or as a soloist. Together we find the joy of singing while building a solid technique.

I have worked with small children as a Musikgarten teacher and have toured artist residency
programs which introduce children to music and theater in schools.   I was adjunct faculty at the College of St. Benedict/St. John’s University and local music studios as well as maintaining my private teaching practice.

*** Lesson Details ***
I am persistent and positive! Working and performing with singers and master teachers has helped me to be a resourceful teacher who understands the process of becoming a singer. I believe that a sense of fun and play helps you to accomplish your goals quickly.  For beginners you will learn how the voice works and how to care for and develop your instrument, I recommend adults take 45" - 1 hour lessons weekly for skill building. The price of lessons DECREASES by 10% after each 5 lesson purchased for the first 15 lessons. Studio policy is located at VaaraMusic.com. We will choose music that interests you and helps to build your voice starting with basics before moving to more complex and challenging music. Understanding music theory and sight-reading will help you get the most out of your singing. After 3 - 6 months you should have a good command of breathing and an understanding of how to sing with an expressive tone.For the advanced student, I can help you work on trouble spots and give you tools to help with the changes that voices naturally go through.  I look forward to giving you my full focus and celebrating your growth and accomplishments!

*** Studio Equipment ***
Condo w/ open area with piano. Visitor's parking lot w/ seating in studio for parents to listen. Parents with younger siblings can use play areas outside.
Basic library of vocal music, giving the student a way to sample different kinds of songs before purchasing books or downloading songs on their own. Music stand, iPhone plug-in/Amp for accompaniments and examples you want me to hear.

*** Travel Equipment ***
I provide a basic library of vocal music at my home studio and will bring targeted books with me. Students should print out their favorite popular songs from such services as Music Notes website.
I expect my students to provide a keyboard, music stand and notebook as well as a low distraction environment.

*** Specialties ***
As an opera and musical theater, Oratorio and church singer, I help singers of all levels improve within their genre from popular music to opera. A good singing technique will help performers in any style stay healthy and enjoy an expressive singing instrument.
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Reviews
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Stephanie June 20, 2017
· Opera Voice · In studio
Julia is a joy and wonder to work with. She teaches with phenomenal skill and great heart, which makes each lesson easy, productive and fun while really working hard. I look forward to every session and to seeing her as well.
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Anne Marie January 3, 2017
· Speaking Voice · In studio
Warm welcome led into warm lesson. Already have 3 key things to work on!
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Neely M. October 14, 2016
· Singing · In home
Thanks for the great lessons for Neely!
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Julia V.

Julia V.

Online
(16)
starting at
$45 / 45-min

About Benjamin M.

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Ypsilanti, MI

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As a Composer, I have been schooled in Music Theory and 12-tone Theory. I have also developed an Interval Method that is uniquely mine. I currently teach all three theories.

About Benjamin
Hello Future Students!

I recently moved from NYC to Ypsilanti - very close to Ann Arbor where I was born. 10 years on the East Coast and another 10 before that in Chicago has helped me develop Networking, Performance and Teaching. Whether you want to pursue a Musical Career or simply learn how to Play your Favorite Tunes for friends and family, I am here as your Teacher and Guide. I teach at my own home or through the use of Skype. I hope to get my Car fixed soon!

As a Father of four, I have had the joy in teaching my children Guitar, Saxophone, Songwriting, Composition and Keyboard. As a parent I have found that Patience and Encouragement is sometimes the best form of support. It has been proven that learning Music helps develop intuition, self-awareness, and social skills as well as improve in other subjects not directly related
to the arts such as Mathematics and Science.

One of the most important aspects of playing Music is being able to Play by Ear. This has been a priceless gift that I have developed throughout my life and I encourage all musicians, young and old, to do the same. The use of simple Rhythmic Dictation and Ear Training exercises can do wonders for "picking out" Beats and Harmonies no matter what Genre we are interested in.

I attended music courses at The Boston School of Contemporary Music, Thomas Jefferson College (MI), and have a BA double majoring in Music Composition and English at Columbia College Chicago.

Besides touring internationally as a Guitarist and Saxophonist, I am a Songwriter. THIRD BORDER's "Sun of Water; Sea of Light" was selected to be nominated for the Grammy's as The Best Alternative Album of the Year in 2006. On this record, I played Guitar, Saxophone, sang Lead Vocal and wrote all Songs. So, if you are a songwriter, we can polish up your approach!

If you would like to learn how to compose a Solo, a Duet or Ensemble, I can get you started in a low-stress, one-step-at-a-time procedure. As a Composer, I have done Sound Design for Film, Dance, Spoken Word and Multi-media Performance - most notably with renowned poet Anne Carson and former members of The Merce Cunningham Dance Co. I am Composer and Conductor for New York City's first full-on Saxophone Orchestra; a 13-member ensemble.

I hope to talk to you soon!
Benjamin

*** Lesson Details ***
My teaching style is relaxed with a forte on Patience and Encouragement. Though I have specific expectations on what needs to be learned, I gear each lesson towards the student's wishes and their personal direction in Creativity. Whether you are a beginner or an advanced student, I can guide you wherever you are headed!

For Guitar (acoustic or electric), you will learn the fundamentals of Music Theory, Chord Structure, varied Strumming and Picking Techniques, and Scale Positions to travel from one part of the neck to the other. Any song you wish to learn, I can teach!

For Saxophone, you will learn proper Embouchure technique, Notation, Music Theory, and Scale Patterns for improvisation. Whether you are interested in a Classical, Blues, Funk or Jazz approach, I can help you find your own sound that is both personal and professional.

I teach 2nd year Piano and Drums/Percussion directing you into Intermediate level.

For those leaning toward the experimental genres, I am well-versed in the use of Electronics. Much can be accomplished with my lessons on Sound-Scape Improvisation either as 1 on 1 or Group Workshops.

*** Studio Equipment ***
At Home Studio: music stands, metronome, guitar amps, electric and acoustic guitars, guitar tablature, staff music paper, a scanner for weekly homework. I can also record and send MP3s of our lessons to review at home if you wish.

*** Travel Equipment ***
Students will need their own instrument, a mutually chosen music book to learn from, a metronome, and hopefully easy access to a keyboard (very helpful!)

*** Specialties ***
I am fluent in Rock genres, Blues, Beginning Jazz, Beginning Classical technique, Prepared Guitar, Electronics/Sound Art.
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Reviews
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Cathy September 9, 2017
· Piano · In studio
I was very pleased with my granddaughters first lesson. Ben was patient, speaking to her positively and encouraging. Nora was very happy, showing her dad what she learned and is looking forward to her next lesson.
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Elizabeth S. April 26, 2017
· Piano · In home
Ben is a great teacher! He communicates very well. He is relaxed and very professional.
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saber February 8, 2017
· Guitar · In studio
Very down to earth and very knowledgeable in lots of aspects of music
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Benjamin M.

Benjamin M.

Online
(24)
starting at
$25 / 30-min
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About Alexandra P.

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San Mateo, CA
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I have been teaching music theory for ten years in my private studios and in classrooms.

I focus on beginning theory from note reading and rhythm recognition through to the ABRSM theory exams.

I also teach and tutor theory from the Laitz and Kastka Payne theory textbooks.

My desire is to help people understand music theory in an easy and fun way.

About Alexandra
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years. She has served as the President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.

Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.

*** Lesson Details ***

As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.

PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
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Reviews
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christina March 9, 2016
· Harp · Online
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Carol M. September 30, 2015
· Harp · In home
Alexandra was the most patient and caring teacher. She is very interested in going at the student's pace. She excelled my expatiations! Thank you Alexandra!
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Yana T. June 13, 2015
· Harp · In studio
Alexandra Perdew is a one of a kind instructor. She not only pushes her students to excel, but I truly believe that she inspires greatness. She treats her students with the utmost respect and works diligently to provide them with every possible resource needed for learning. She is not a teacher who will let anyone get by with putting in half the effort. She motivates me to work and perform at the highest level possible.
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Alexandra P.

Alexandra P.

Online
(12)
starting at
$80 / 60-min

About Anastasia S.

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Medford, MA
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Notation, theory for all levels and curious, music harmony, counterpoint, form and analysis

About Anastasia
After Anastasia’s Carnegie Hall Debut in 2006, the New York Concert Review wrote: "For a critic, hearing a new pianist with a truly warm, luscious tone is like breathing in the scent of jasmine blooming - a pleasure to be recalled again and again - and so I'm happy to report that from the first note she touched at her Weill Hall recital, Anastasia S. was a genuine pleasure to listen to. Every piece, every measure, every note - no matter how complex the texture, no matter how many strands of melody and accompaniment - was wrapped in a halo of golden tone..."

Born in Kiev, Ukraine, Anastasia S. gave her first solo recital at the age of eleven. Ms. S. is a graduate of the Hochschule für Musik Würzburg, Germany, and holds a Master’s and a Doctorate degrees from The Hartt School at the University of Hartford.

In 2003 Anastasia received
First Prize in the 14th International Piano Competition for Young Pianists in Rome, Italy, and was awarded a Special Prize. In year 2006 Ms. S. won the Puigcerda International Piano Competition in Spain. In the same year she recorded the complete works for piano and orchestra by Balakirev with the Russian Philharmonic Orchestra for NAXOS records. In 2008 Ms. S. received the “Outstanding Award”, which granted her a return engagement to give a second solo recital at Carnegie Hall in New York City. In 2010 Anastasia was awarded a Special Prize for the best interpretation of French composition at the International Piano Competition “Parnassos” in Mexico. Her solo recital in 2008 at the Myra Hess Concert Series in Chicago was broadcast live on WFMT Radio, in Internet, and on the TV-Station “Channel 25“; Anastasia was invited to play there again in 2011. Her career continues with numerous appearances as a soloist both in concertos with orchestra, in solo recitals, and in chamber music concerts in Ukraine, Germany, Macedonia, Italy, Switzerland, France, Russia, USA, and Japan. Anastasia’s recent engagements included a performance at the Bolshoi Hall of Moscow Conservatory as well as solo appearances with orchestras in the United States and Germany featuring concerti by Prokofieff, Mozart, Grieg, Beethoven, Tchaikovsky, Shostakovich, and Stravinsky. In 2014 her new CD "Music of Russian-Jewish composers for oboe and piano" was released. Currently, Anastasia is working on her two new solo CD's for Centaur Records.

In 2013, Anastasia was granted the Extraordinary Abilities in the Arts permanent US residence, as one of a small percentage of those who have risen to the top in their field of endeavor. Anastasia served as an Adjunct Faculty in Piano and Chamber Music at the Hartt School, and is currently on faculty of the New England Conservatory in Boston.

I offer scholarships for advanced level students upon request.

*** Studio Equipment ***
Yamaha Grand Piano. Piano books and theory material available if needed

*** Travel Equipment ***
Travel myself by car

*** Specialties ***
Traditional piano method. Classical music.
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Reviews
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Dmitry October 13, 2016
· Piano · In studio
Excellent
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Denny July 23, 2016
· Classical Piano · In studio
As an adult beginner, I chose Anastasia for more personalized instruction, especially in technique, after learning the basics through community center group lessons. I have not continued only because another equally well-qualified instructor who lives close by, within walking distance, has become available. I am very pleased with the lessons and pointers that I have received. Anastasia is professional, encouraging, and friendly. An especially helpful part of her instruction is the set of comments and suggestions that she writes down to guide practice between lessons. If the neighbor instructor does not work out, I’ll be back.
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Yara Shaban May 29, 2016
· Piano · In studio
excellent teacher, patient, and very professional
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Anastasia S.

Anastasia S.

Online
(7)
starting at
$38 / 30-min

About Ingrid M.

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Fort Lauderdale, FL

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Music Theory is vital to learning your craft and working with your fellow musicians!

I teach my students to how to read music as well as which keys work best for them and to sing their tunes in various keys!

This is vital for vocal health!

About Ingrid
Ingrid is a dedicated voice, piano musicianship, recording and live performance teacher for those who want to expand their musical knowledge, recording techniques, develop their own singing-artist style and performance skills. Students have had great success and fun learning numerous music genres while expanding their vocal range, resonance, ear training, confidence and musicianship skills as well as how to prepare for a career in music.

A native New Yorker, Ingrid has been involved in entertainment all of her life. As a child, on bi-lingual Sesame Street to a successful Hispanic jingle career, to veteran of over 25 years on the New York music scene, internationally as Eli & The Boys Jazz Quintet, Pedro & Eli Duet, and as a 2009, Latin Grammy Nominee for Volvo La Navidad.

Ingrid has managed, booked and/or performed with an impress
ive collection of artists; Nestor Torres, Henry Jimenez, Celia Cruz, Carlos Ponce, Tito Nieves, Johnny Ventura, Camilo Sextos, Claudia Acuna, Jerry Barnes, Katreese Barnes, Gap Band, Motor Head, Matt Bianco, Chaka Kahn, Roberta Flack, and Bradford Marsalis to name a few.
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Reviews
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Miguelanjel P. July 12, 2017
· Singing · In studio
First class was excellent. She made me feel welcome and got me to work right away. It was great.
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Jeff S. May 21, 2017
· Voice Acting · In studio
Ingrid is an outstanding instructor and is full of energy!! She enjoys what she's doing. I like her style of instruction and look forward to future lessons.
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Fritz R. April 3, 2017
· Voice Acting · In studio
My experience was amazing. I had the chance to learn some vocal exercises, practice on my music audition coming up soon, and improve on my voice. Overall it turned out perfectly.
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Ingrid M.

Ingrid M.

Online
(16)
starting at
$45 / 30-min

About Amber W.

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Schenectady, NY

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Experienced Music teacher of 8 years available for eager students of all experience levels and ages! I structure my lessons so students learn what they want to learn, while also building a strong foundation of their instrument and theory skills. I specialize in all styles. Typically, I use a variety of method books to pick from to meet the needs of the students. I also have many tools available to use during lessons.
My students have gone on to NYSSMA and on to college auditions successfully!

About Amber
I have been teaching private lessons since 2008, but have been studying music since I was only 4 with non stop private and in school lessons. I now have my Bachelor's degree in Music education and am working toward my Masters in Music performance and Instruction.
I love working with my students. Watching them succeed at what they do is what makes my day great. I always love to have a fun atmosphere around me and enjoy every minute it. Music is great for self expression a great Escape or an easy pass-time. It's nothing that should be stressful, but the opposite and that is what my lessons aim to do. Provide an educational, but fun and expressive learning experience to carry with you or your child throughout your lives.
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Reviews
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Kitty December 5, 2016
· Piano · In studio
So far, so good !!
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Greg H. December 1, 2016
· Violin · In studio
Amber is really patient with a new student. I'm glad to be her student.
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Tina September 12, 2016
· Piano · In studio
My son takes piano from Amber and I cannot say enough on how talented she is. She has so much patience and cares about her students. He responds well to her and is learning so quickly! She challenges him to continue to grow but does it in a way that is fun for a child his age. We think she is great!
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Amber W.

Amber W.

Online
(6)
starting at
$25 / 30-min

About Ari S.

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Brooklyn, NY

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Theory creates a foundation upon which all musical expression can be built. Whether you realize it or not, you might already know some! Dive deeper as we analyze and figure out why things "work" (or don't!).

About Ari
I am a guitarist, bassist, writer and composer based in South Brooklyn. With international touring experience, songs licensed to film and television, and a degree from The New School, I have an approach that is both holistic and comprehensive. I am easygoing, adaptable and excited to approach music education from an inclusive angle!

I teach students of all ages, and have given an average of 40 lessons per week in a variety of formats (private, group, after school programs, online). My tastes in music are as varied as my experiences - nothing is off limits and everything has the potential to teach us both something.

I own and operate an independent music collective/label with a focus on thoughtful rock, pop and R&B. We are adept at finding the right team for our artists, and have had success in music and video production, national tourin
g, marketing and branding, and licensing. I'm currently a member of 3 original bands and have continued to do an array of session work on both guitar and bass.

I am endorsed by Lakland basses and am a member of SESAC. I love coffee, chocolate, and like my eggs over medium.
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Reviews
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Jonathan July 11, 2017
· Guitar · In home
Fantastic and versatile teacher, able to cover all styles comfortably. Definitely recommended for in-home lessons for adults or kids. Relaxed & easygoing, Ari can also push when you need to get over that next practice hurdle. Super nice guy and great teacher.
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Carolyn July 11, 2017
· Acoustic Guitar · In home
Wonderful teacher. Creative patient and kind
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George July 11, 2017
· Guitar · In studio
Ari is very knowledgable but presents information in a relaxed, approachable way. It's obvious that he really enjoys teaching and his low key manner makes students feel at ease. Highly recommended!
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Ari S.

Ari S.

Online
(3)
starting at
$35 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou

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