Sylmar, CA Percussion Lessons

und you and your goals......not mine!

*** Lesson Details ***
Ultimately, my goal is to make sure you enjoy yourself and want to keep coming back. In that process I will make sure you get results.

I am laid back and very patient. Two qualities I feel are necessary to be successful in this field.

I design my curriculum for each individual. This is because everyone has their own goals, there own level of ability, and their own needs as far as how to get there.

Locations:
1) Rehearsal Studio is my rehearsal studio. I have a full drumset, PA, guitars, and amps available at this location.
2) Apartment is my apartment in Hawthorne. Students are welcome to come here but we have limited options for instrumentation here. Practice Pads, hand drums, and acoustic guitars are the only options at this location.

*** Studio Equipment ***
5 piece Yamaha Drumset with Zildjian Cymbals. PA system. Amps, Guitars, and Keyboards.

*** Travel Equipment ***
I have acoustic guitars, a practice pad, and a djembe. I expect my students to have their own drumsticks and, ideally, their own guitar and practice pad or drumset.

*** Specialties ***
I specialize in rock/contemporary & marching band style percussion/drums. I also specialize in folk style guitar and bass.

udent.

Teaching Philosophy -

My teaching philosophy is built on well rounded communication, explanation and examples. So, that a student can truly understand and learn a topic, surrounded in a very humorous, light and supportive environment.
Along with being provided good information, a student learns better and feels more motivated to learn when there is a balance of positive support and confidence building accompanied by constructive criticism and examples/information that can help a student assess what ever walls they may be meeting in their musical growth.

I understand that all students/artists have different goals they wish to achieve. So it is very important to me to accommodate each individuals needs and wants to help them grow in the fields they wish too; However, In that I have played music for a long time, I understand there are certain things that a student may not have been exposed to yet; It is important that while focusing on a students artistic goals they respect and are open to the suggestion and guidance of their teacher.

I truly believe music has an amazing influence on the world and has the ability to change peoples way of thinking. Therefore, I try and keep an open awareness to all music, so that I can understand all different musical languages utilized to communicate to people, and I don't believe I will ever know them all. I hold it to attention to influence my students somewhat similarly so that they can shape the landscape of how we communicate musically in the future.

I also try and be very patient with my students. Knowing that when I feel rushed, it makes information more difficult to comprehend, remember and allocate. I love watching the gears run in my students head, so I try and provide information that pushes a student but is within their abilities.

HUMOR is very important. I like to break people out of their shell by telling a joke and hopefully getting one back, so they feel more comfortable and free. One of a Artists worst enemies are nerves. Keeping things light-hearted and maybe even a little small talk can be very helpful to a students development and growth on a topic. After all, Art is meant to be fun and we should enjoy every moment of it, in fact we should enjoy every moment in life period.

I understand music requires focus and discipline and I have certain expectation of a student to understand that and practice. You can't buy chops, you can't buy music theory etc. you can get help but eventually your the one who must understand it and play it.

I am here to help you. Based on what I know and what I have extensively studied, I will do all that I can to help you achieve your musical goals. I am here to answer your questions and help you grow. I love teaching because I love sharing knowledge; As long as your seek it, it is here for you. Otherwise, I'd still love to hear some jokes.

Education -

MUSIC
_Bachelors in Music - 2016 - Guitar Performance (Musicians Institute, CA)
_Associates in Music - 2011 - Guitar Performance (Musicians Institute, CA)
_Major in Music - (Academy for Visual and Performing Arts) - 2008
_Garden of Angels - 2003 - Performance Academy

DANCE
_Krump, Pop-n-Lock - 2012 - (Xtreme)
_Break Dancing - 2011 - (Fun.Krew)
_Traditional Brazilian Dance & Samba - 2014

MARTIAL ARTS
_Capoeira - Current - (Capoeira Batuque with Mestre Amen)
_Wing Tsun - 2013 - (Johnny from the Emin Boztepe School)

ART
_Graffiti - 2011 - (Fun.Krew)
_General Art - 2008 - (AVPA)
_Painting - 2003 - (Garden of Angels)

Much Love,
Azuri Zen M.

*** Lesson Details ***
I'm very disciplined but am also very light hearted. It's important for me to assess things seriously, so that one can understand a topic or piece of information.

I generate my lessons based on the individuals needs and therefore draw from various curriculums, sources and examples, such as : MI curriculum for ear training, Theory, Single string Technique, Reading, Rhythm guitar, Ted Greenes Chord Chemistry, Berklee Guitar Method, as well as The Real Book, other artist books(Eric Clapton, etc.) The Guitar Players Hand Book, Bach pieces and self developed curriculums, relative to the topic at hand and students personal goals, amongst many others.

-Beginning students within three months of consistent lessons should have the ability to solo and playing chords to songs that they are interested in and songs provided in the lesson along with a basic understanding of the major scale and its relationship to all of the diatonic music.

-intermediate students should have an elevated understanding of scale and chord patters along with the theory that explains modal relationships and use of these concepts.

-Advanced students should learn all of diatonic scale shapes and modes assuming they don't already know them in which case their specifically situation will be assessed

-Professional students I expect to have specific questions therefore where they grow should be largely subjective.

Overall, in a short amount of time on a scale of 1 - 10 I expect to in three months at-least elevate a students musical abilities one full point if not more.

*** Studio Equipment ***
Studio in home in private room with guitars, amps, piano, and seating.
Em's studio is family owned cafe with studio in finished basement with an office, recording equipment, and teaching space for acting and guitar.

*** Specialties ***
As a Musician I try and play as many styles and be proficient in as many as possible and therefore can play most. However, in the fields of blues, jazz, funk, flamenco and Latin I excel.

y to play percussion in the school symphony while at the same time developed an intense interest in the instrument that would become my true love, the guitar.

During 1996-98 I studied jazz guitar at the New World School of the Arts music program under the direction of J.B. Dyas and Dr. Roby George. Upon graduation, I was immediately accepted to the University of Miami jazz guitar program under the direction of Randall Dollahan. It was during this time that I also refined my skills as a classical guitarist and as a composer/arranger. In addition, I began passing my knowledge onto friends and eventually began working as a teacher.

My ability to play almost any genre of music is the fruit of past experience playing with an impressive variety of music groups, including jazz combos, symphony orchestras, Andean world music ensembles, and several rock and pop groups as well. As a studio guitarist I have recorded for various artists including Jaci Velasquez, Carlos Ponce, Alexandre Pires, and Noelia.

*** Lesson Details ***
Now also available to teach online video chat lessons through Skype.

Every one of you is unique and there are many possible paths to reach your goals in music.

With my background and music industry experience, I am able to customize my lessons for you so that you can reach your desired goals. We will take some time to find out where your passion lies in music and I will use my experience and knowledge to create a customized lesson-plan that will allow us to focus on reaching your desired goals and at the same time maintain a well rounded music education.

I find this to be key in making the lessons and your practice sessions very enjoyable, fun and laid back - knowing that everything we practice, play and talk about is in line with your goals as a student.

I will also be playing along with you and demonstrating everything that we're working on - music is meant to be shared and played with others and it is important to have that experience of interaction from early on in your lessons.

So whether it's learning to accompany yourself or others, write songs, read music, understand harmony, solo, or just jam out to your favorite songs, you will be well on your way to reaching your goals within 6 months of my lessons.

Look forward to making music with you!

Want to learn a quick exercise for mastering the fretboard on your guitar? Check out my article on the TakeLessons blog here: http://takelessons.com/blog/guitar-fretboard-chart

*** Studio Equipment ***
Living room w/ grand piano and seating for parents.
Room/studio with professional recording equipment - Logic Pro X recording software, Mackie HR824 Studio Monitors, Miktech C4 Tube Microphone, UA6176 Preamp/compressor, Apogee Duet D/A converter.

*** Travel Equipment ***
I provide my instrument and teaching materials.
Students provide their instrument, music folders.

*** Specialties ***
All styles - pop, rock, classical, jazz, blues, folk, ethnic, latin, soul

n performed on a variety of percussive instruments, in solo or featured pieces. He worked over two years as a percussionist with the Santa Barbara Youth Symphony, with a focus on timpani. Ryan also focused on the Indian Tabla drums, a discipline he also taught through the Ethnomusicology department at the University after his graduation.

Ryan has studied with percussionist Mike Faux, and Greg Goodall, Hollywood Bowl Principal Timpanist, as well as world-class percussionist and composer William Kraft. For three years, Ryan studied under John Magnussen, currently teaching percussion at CSUN, and Jon Nathan, director of Ethnomusicology Jazz UCSB, and Principal Timpanist for the Santa Barbara Civic Light Opera.

Ryan was hired (by Patrick Lindley, Principal Musician, UCSB Dance) for over a year to ultimately perform full time as one of only two music accompanists for the UCSB Dance dept. modern dance classes. As accompanist, he worked with modern studio and master classes for visiting dance companies and artists performing in-concert at UCSB including Paul Taylor, Larry Keigwin, Santa Barbara Summer Dance, White Oak and Pilobilus. In addition to his role as music accompanist, Ryan guest-lectured rhythm and percussion classes for the dance department on a number of occasions. After moving to San Francisco in the fall of 2002, Ryan expanded his involvement in the role of accompanist to include ODC, SFDC, Joe Goode, Stanford dance and Laney college in Oakland.

Other professional and teaching experience includes work with LA movie and mainstream film music composer Aaron Martin, Ride Productions, and Hands On. In the instructional realm, Ryan has worked with all ages and abilities, ranging from children aged four to adults at the college level and beyond, in both individualized and classroom or group environments. Additionally, Ryan has taught drumkit to a number of local students in the Santa Barbara as well as Los Angeles and San Francisco areas.

In the progressive Santa Barbara, LA and San Francisco scenes, Ryan has played percussion for bands that recorded a full-length and demo-length albums respectively, performing throughout the state of California with his band, The Prototype. His current band project, Excessive Acts, performs regularly in the Los Angeles area. They are currently in the post-production phase of their first EP-length album.

*** Lesson Details ***
Hello and welcome! The following paragraphs will provide you with an ample amount of information on my background, experience, and ability. I do, however, consider all of this information to be supplemental; the most important thing about any teacher of music is the ability to relate warmly with a student, to create an open and nurturing atmosphere in which the student is never made to feel uncomfortable or wrong. Everything is a process, and while there are always guidelines to be followed, music is ever in motion. Music is not absolute and rigid, but has a give and take. I always try to appeal to that same sense of flow in my own music exploration, as well as in my teachings to others.

Attributes and Services

Ryan is a professional drummer/percussionist with over 15 years experience performing and teaching to students of all ages in a wide variety of
styles ranging from orchestral and chamber percussion to jazz, funk,
rock, metal, as well as many ethnic musics such as those fund in Africa
and South America, the middle east and India.

Instrumental techniques offered include drumset as well as hand percussion including conga, bongo, darbukka, tabla, and assorted percussion--double pedal or brush technique also offered. Odd meters are something of a specialty for those interested. In addition to technique, Ryan also incorporates the
essential music theory, sight reading, ear training, associated with
the professional musician. As Ryan has perfect pitch, he is especially
suited to the latter, as well as specific tuning techniques for all
tunable percussion--particularly of use in timpani performance, as well
as drumming and singing instruction.

Ryan also provides mallet/keyboard instruction on a midi malletkat
which is quite portable and can operate between two studios, both located within a short distance of each other.

*** Specialties ***
music, drums, percussion
tabla, doumbek, latin percussion, djembe, etc., mallet/keyboard percussion (i.e. marimba, vibes),
piano

rock, pop, jazz, classical, funk, fusion, ethnic music (India and Middle East),

Neumann.

I attended the AVPA from 2006 to 2009 and have a degree in Psychology.

*** Lesson Details ***
In the lesson setting I want the student to become as comfortable with the drums as possible. I like to maintain a relaxed environment, allowing the student to move at his or her own pace. This in mind, I believe the fundamentals are the most important to learn.

Students will first learn the basic hand techniques needed for accomplished drum playing, before moving on to more complex ideas behind groove, and feel. Reading music and keeping effective time will be emphasized in early lessons.

I also like to teach students that drums are a musical instrument that is typically played with other musicians. A student will learn how to play and interact well with other musicians in a variety of musical settings.

I use a combination of books for teaching including:
Syncopation by Ted Reed
The All-American Drummer by Charley Wilcoxon
The Drummer's Bible by Mick Berry and Jason Gianni
Stick Control by George Lawrence Stone
I will also use various drum charts and exercises as well as the use of videos and recordings.

After 3 to 6 months a student will be able to read drum notation and rhythms at a competent level and will be able to play basic drum beats on the drum kit as well as have a basic understanding of how to play with other musicians in various styles of music.

*** Studio Equipment ***
Equipment includes two drumsets, drum pads, sticks, and instructional material.

*** Travel Equipment ***
Can bring drums if necessary, would prefer to bring a drum pad.
Expect the student to have drums.

*** Specialties ***
Rock, Jazz, Funk, Blues

ge, different techniques/approaches will be taught. I generally try to make each lesson true to an actual musical experience in which the student can take what they learned home or to the stage. Focusing on the fundamentals is key to growth and independence in music. I'll work with each student individually on what they need to, what they want to learn and enjoy.

After a few months of practice, students will be able to play complete songs and grooves, they will be able to keep solid time, and will have developed basic tools to improvise and solo.

*** Studio Equipment ***

Two drum sets, PA, recording equipment, upright piano, amps for guitar and bass, instruments and ear protection headphones.
The space is used for recording and rehearsals and is sound isolated.

*** Travel Equipment ***

I can provide all instruments I teach. But in most cases I prefer that each student has their own instrument/software. It's very difficult to practice without an instrument.

*** Specialties ***

My methods are to inspire students to play, perform, create, and more important practice. I try to make each lesson a fun experience as well as informative. I like to drill the fundamentals but work with each student individually on what they enjoy and want to learn.

a look back, put yourself in that time, and really study how things were to help understand why things are the way they are now.

Crocheting and knitting are a couple of good habits/hobbies I picked up about 8 years ago. I sell scarves online and I'm always working on some sort of project. I will have you knitting and pearling with the best of them!

Music, history, crochet, and knitting....I'm your girl!

ffer!

as in the LA area. Working as a freelance musician in Los Angeles, Jonathan has experience with both classical music and commercial music, playing in orchestras, musical pits, jazz ensembles, and pop groups. As an expert in his field, Jonathan looks forward to helping new students achieve their goals in a friendly and helpful environment.

For more information about Jonathan, visit the website below!

https://jonathanschlitt.com/