Stevenson Ranch, CA Music Theory Lessons

e instrument and playing the kind of music you love!

erformance savvy.
She relishes the chance to put her skills to the test in a wide variety of musical genres. In addition to writing and performing, Jen keeps busy as a private instructor to dozens of aspiring guitarists. She also has done over 1000 online instructional videos totaling up to more than 40 million views for YouTube and Mahalo website. Her various Mahalo website "Learn Guitar" apps have over 300,000 downloads and has had an itunes #1 ibook on how to play guitar.

*** Lesson Details ***
Students can expect a very patient supportive atmosphere. Lessons are catered to each students individual needs. The lessons are laid back but also with the understanding that if you work hard you can accomplish any goal that is set.

*** Studio Equipment ***
Apartment extra guitars, computers, music stands

*** Travel Equipment ***
I expect that the student has his/her own guitar. Any other specifics can be decided on after the first lesson.

*** Specialties ***
I specialize in teaching blues, rock, and folk.

is project as well, and open to music which student brings. (theme song from TV program or movie, pops, etc.)
I only travel (means I visit student's home for lessons, don't offer lessons at my home) and I expect student to have a acoustic piano or better quality electric keyboard at home.

*** Specialties ***
Classical and Jazz piano, theory, arranging and composition

e. I have a routine I do, that I will start students with, but am very open to modification based on student needs/desires.

I perform jazz professionally in Los Angeles, and have spent time touring in playing in the San Francisco Bay Area, New York, the Netherlands, Germany, Switzerland, Italy, Macedonia, Canada, and have performed or led groups internationally at the Umbria Jazz Festival, the North Sea Jazz Festival, the Montreux Jazz Festival, the Tuscia Jazz Festival, the Angel City Jazz Festival and the Monterey Jazz Festival. You can hear my original compositions and playing on bandcamp or soundcloud.

l as Amy Heidemann (lead singer from Karmin), Stephanie is a well-coached vocalist and songwriter. She has performed for the president of Costa Rica, the ambassador & Deputy Chief of Mission of the Unites States Embassy, as well as sung back up for the Grammy award winning Latin American band Maná. She has been giving voice lessons and songwriting workshops for around 5 years since she graduated. She teaches a full range of subjects, including ear training, music theory, beginning keyboarding & accompanying skills, vocal health, vocal technique, the Alexander Technique, choreography for performance, relaxation techniques, developing proporioception/interoception as well as an emotional and energetic awareness for a better interpretation of songs and optimal vocal quality. She also gives songwriting workshops and mentors/co-writes with her students so that they are able to master their songwriting skills and develop them as artists.

he highest level (and of course, have a blast doing it!) I have a passion for teaching, and would love to have you as my student!

*** In Studio or Online ***
Of course it is more enjoyable if you can have lessons in person. But with modern technology, live online lessons come in a close second. I've been teaching for 40 years and I've been doing online lessons for about 7 years. I'm located in West Hills, which is a suburb of Los Angeles. If you are not local, using skype with a webcam works out surprisingly well. I have students in Sydney, London, Hong Kong and many cities throughout the US.

*** Use a Piano or a Keyboard for Practicing ***
I am not fussy if you use a keyboard but it needs to be a "weighted action" keyboard, so that it feels similar to a real piano. Ideally, you should also have a pedal and a stand if you are using an electronic keyboard.

*** Unconventional Approach ***
Each student is taught with a customized approach. You get to tell me what areas you want to focus on. Sometimes there may be a block or something that is a weakness that you need to bolster. Sometimes it is a narrow niche within music that you want to give your attention to. One way that I'm unconventional is that I actually have found that it is NOT better if you practice every day. I recommend that you build in about three days of rest per week. Just like people who work out at the gym learn that the off days are when the muscles regenerate, the same is true for your brain. This allows your subconscious mind to do its job and your progress will actually be faster, not slower. Another example of my unique approach is how I treat beginners. Even though you may not yet read music very well or at all, it doesn't mean that you can't start working concurrently on a more advanced piece. This is because READING notation is a comparatively slow process, but why should we restrict your ability to play something that you love to your rate of reading music? Usually, our FINGER TECHNIQUE develops much faster than our READING so I'm happy to guide you on one or two more difficult pieces and help spoon-feed it to you, bit by bit, "by rote."

*** Areas of Focus ***
-Finger Technique. How to play fast with ultimate control.
-Sight-Reading How to Read Music at Sight
-Rhythm Training
-Music Theory
-Interpretation
-Injury-Retraining
-Relaxation, Removing Unnecessary Tension
-Pain-Reduction
-Practice-Optimization - How to learn more in less time. -How to memorize music.
-Biomechanical Efficiency - Maximum power with minimum effort.
-Time-Management
-Improvisation and creativity development techniques
-Composition & Songwriting.
-How to create melodies for your poems and lyrics.
-How to put chords on your melodies.
-How to create “song sheets,” lead sheets and how to write music down on paper.
-How to notate your song so others can play it, without knowing how to read music!
-Chord-Reading and How to Play Lead Sheets & Fake Book
-Musical Styles and Piano Arrangements (Pop, Country, Gospel, Blues, R&B, Rock, Reggae, Hip Hop, Worship, Church, Hymns, Techno, 50s, Jazz, New Age, Folk, Broadway, Pop Ballade, etc.)
-Ear-Training (How to Play by Ear, Playing by Ear)
-Singers’ Tools
-Pitch Control Training
-Self-Accompanying
-How to Sing Harmony
-Sight-Singing (How to Hear the Notes in Your Mind)
-Self-Accompanying techniques in every style - Learn how to accompany yourself or learn how to accompany singers. (see “Musical Styles” above.)
-Audition Preparation - I will record the melody of the song for you so you can learn it.
-How to put melody to lyrics
-College Preparation
-Performance Anxiety, Stage Fright, Fear
-Releasing Emotional Obstacles to Playing Emotional Blocks, Healing Piano Trauma and Previous Performance Disasters, Piano Therapy
-Learning Disabilities including ADD, ADHD, Dyslexia, Dysgraphia, Dyscalculia, Dyscalculea, Sensory Integration Disorder
-Motiviation Issues - Solving your procrastination and avoidance of your musical growth issues.
-How to Look Like You’ve Played Piano for Years (for Actors, Singers and Celebrities Who Have A Role Deadline and Need a Crash Course.)

*** Celebrity Piano Teacher ***
Over the years, I've taught many pro musicians and celebrities. These include: Vonda Shepard, David E. Kelley, Dick Gautier, Michelle Pfeiffer, Pray Harper, Peter Horton, Michael Goodrich, Brianna Haynes, Starr Parodi, Briana Evigan, Stuart Ross, Roger Burnley, Chris Hardin, Stu Simone and Ben Bram.

*** Howard's Teachers Go Back To Beethoven ***
I feel grateful that my own training included top teachers of both the “German School” and “Russian School” of piano technique. Generally, the German School teaches how to play with close-to-the-key hand placement preparation and fingering efficiency, and is known for great speed and accuracy. The Russian School teaches how to play with gravity and relaxation and is known for beautiful tone production. Each approach has its strengths and weaknesses. In my own playing and teaching, I have incorporated the good aspects of each and have discarded the bad. The result is a blueprint for biomechanical efficiency and beautiful sound, making it the best of both worlds. Please see the photo of the "piano lineage chart."

mediate pianist. Laura and her husband, Trent own and operate a Recording Studio & Writing Room in Santa Monica, CA.

t be orchestration, conducting, and even music production (from recording, mixing, etc). If you choose to study with me, you will have opportunities to get your pieces played by string quartets, bands, and possibly orchestras as well!

As for teaching experience, I have taught all levels of music theory, piano, and guitar for the last 5 years. In college, I was President and Founder of a highly active music teaching organization, that garnered over 30+ active members a week. We helped and tutored all students of all ages (from 9 to 65 years old), in musical theory and with instruments. I have helped all of my students achieve their goals, whether they have been: achieve higher grades, become proficient at an instrument, or even to just play as a hobby!

I can easily provide references and I am positively sure I can help you and your needs with music, as well as making it a fun learning experience! :) I'm a very open, kind, and patient person, and aim to teach in a way that is both engaging and efficient. I love what I do and I love what I teach, structuring complex information to be more easily understandable.

I'd love to work with you and your specific needs and am looking forward to an exciting time! Shoot me a message!

Thanks. :)