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San Mateo, CA Music Theory Lessons

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Popular Music Theory Teachers near San Mateo, CA

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About Jason J.

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Castro Valley, CA

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About Jason
I have been playing guitar for over 25 years and teaching for over 15. I have experience playing live including, classical guitar, acoustic popular songs, rock and jazz groups and most notably with The West Coast's Premier Tribute to Pearl Jam, Vitalogy. I have two music degrees (BA music and AA-O in Guitar Performance) and a California Music teaching credential which all has given me the training to assess your progress and differentiate your instruction based on YOUR specific needs as a student as well as your musical goals.
There are a couple of books I may suggest for you depending on the situation and of course I require you to provide your own guitar as you will need it to practice what you learn in each lesson.

*** Specialties ***
I take a balanced approach to teaching that includes equal attention to theory and technique w
hile helping a student accomplish his/her musical goals. I am comfortable teaching the following genres: rock, blues, classical, reggae, jazz and country
...
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Jason J.

Jason J.

Castro Valley, CA 94546
starting at
$40 / 30-min

About Mandy B.

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San Leandro, CA

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Student will learn not only basic Rhythmic tools, but also M/m scales and keys in addition to Ear training. I use a variety of tools and material including website interaction. More advanced concepts are available to more experienced students.

About Mandy
I have been singing for as long as I can remember and started studying voice at age 15. I sang in my first band when I was in high school, then 2 others while in college. Professionally, I was a back-up vocalist and percussionist with the Sam Morrison Band from 2006-2012, where I traveled all over the country. This premiere Bob Seger tribute band is signed by Titan Tribute Media and has recorded 3 albums that can be found on iTunes.

I left home to study music at Cal State, Long Beach. There, I was challenged with more difficult genres, like opera and Lieder. My appetite continued to grow as I immersed myself in performances, competitions, and traveling the world with college choirs.

I have worked in opera companies based in southern California, including Lyric Opera of Los Angeles, Long Beach Opera, and Celestial Opera. I have
also been hired as a soloist at various local churches.

I was a faculty member at Orange County School of the Arts, for almost a decade, where I taught Music Theory, Music History, and Musicianship.

As a member of Belle Musique, a hand bell trio, I played and sung for weddings, funerals, and private parties.

I got to wail as the lead singer of Pine Street Band singing classic covers from CCR to Blondie to Tom Petty.

In addition, I sing and play in a band, Wheel House, where we create a unique blend of rock, blues, and funk.

It is my belief that it is never too late to follow your passion, but you have to find what really makes you happy and fulfilled!

*** Lesson Details ***
I teach students according to their own goals and interests. However, I must include elements that are vital in the musical world whether the student is a hobbyist or leaning toward a professional career. My instrumentalists will learn all aspects of theory including rhythm, basic theory, and musicianship. My singers will learn about breath, anatomy, alignment, and performance. This is in addition to learning fundamental repertoire.

I have very high expectations for my students and do my best to motivate and challenge them, bringing out the natural musician. I am goofy but demanding and always develop a strong and trusting relationship with each and every student.

*** Studio Equipment ***
In home music studio with upright piano, electric piano, recording equipment, drum set, amps, guitars, bass, and seating for parents.

*** Specialties ***
Specialize vocally in opera, rock, funk, musical theater.
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Reviews
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Gina Weaver September 13, 2016
· ·
Mandy has been nothing but lovely to work with, Isabella Ruby has enjoyed her lessons and can't wait to sing more!
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Michael P. August 16, 2016
· Guitar · In studio
She was wonderful,knows what is needed to get things started.Felt very comfortable with her,can't wait for the next lesson.
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Elizabeth Kwiatkowski-Wrixon July 19, 2016
· Piano ·
Mandy is a great teacher! She is very patient and works with you at your own pace.
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Mandy B.

Mandy B.

San Leandro, CA 94579
(5)
starting at
$40 / 30-min

About Mark B.

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213893_265082_29530
Castro Valley, CA
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I love to teach music theory at all levels. Music Theory helps you understand many aspects of music, including why certain notes and chords sound good together, finding the right key to sing a song that is in your voice range, improvisation and soloing on your instrument, timing, rhythm, creating original melodies, thinking outside the box for composition, and many others.

About Mark
I have played on tour with several professional bands, playing rock, pop, blues, African, metal, and country. I now perform live in various bands and record original music as often as possible. My music has gotten airplay in many countries.

I started playing guitar at age 9, and recorded 2 singles in the LA area by age 14. I was a music major throughout High School and College. I also learned a lot by educating myself at the Brand Library in the Los Angeles Area, which specializes in the arts. I specialized in advanced music theory and improvisational techniques.

I have enjoyed teaching music lessons since 1978.

I custom tailor a lesson plan to fit your individual needs and goals! I can teach you songs you'd like to learn instantly when I hear them on your iPod, mobile phone, cassette or CD that you bring in. I ca
n explain musical theory and concepts many different ways to make sure you understand them. I am very friendly and patient.

Sometimes I might inject humor into the learning process to make it an enjoyable learning experience, and to help you remember the important things.
I love the satisfaction of seeing my students grow musically proficient and and seeing the JOY that it brings them. Many of my students have gone on to become professional. I am well-versed and well-equipped to teach many styles: Rock (including all sub-genres...Tribal Ambient Doom neo Punk, etc), Pop, Blues, Jazz, Alternative, Country, R& B, New Age, Ambient, Electronic, Metal (and a few plastics and wood as well).

*** Lesson Details ***
I will develop a personal lesson plan for each individual student. During your lessons, I might cover topics ranging from learning how to play, starting from the basics (if you are a beginner), to choosing music that will inspire you on your level, to improving your technique, ear-training, music reading (if that's what you'd like), reading and understanding tabs (if that's what you'd like), knowing what it is that makes certain chords and notes sound good together for writing your own music, as well as guitar maintenance and adjustments, getting a good tone, amplifier settings, effect pedals (settings & placing them in the most effective order), recording tips, and where to get a decent pizza.

*** Studio Equipment ***
Living Room or Studio, both very comfortable. Amplifiers, guitars, effects pedals, bass, ukulele, balalaika, drum set, PA system and recording equipment.

*** Travel Equipment ***
I provide guitar, bass, or ukulele and amplifier when necessary, teaching tools. The student provides their guitar and paperwork I give them.

*** Specialties ***
Teach note reading using Alfred's New Guitar course. Ear Training, Genres: Rock, Pop, Blues, Jazz, Alternative, Punk, Metal, Folk, Country, Hip Hop, Funk, R& B, New Age, Ambient.

I currently have 5 albums out under my name. My music is on a major new age compilation, and has been played on the radio in several countries, and several internet radio programs. I have played on other people's albums...some of which get major radio airplay in Europe.
...
Reviews
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Tommy A. October 17, 2017
· Harmonica · In home
Great experience.
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Paul M. October 16, 2016
· Bass Guitar · In studio
Hanging out like old times and had a Great lesson. Thanks Mark
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Michael P. July 6, 2016
· Guitar · In studio
Mark was an excellent teacher, made me very comfortable. We talk about music and set some goal,he keeps a chart to know what his teaching each student and he write it all out on paper and he writes that you can understand his writing .so very happy. Mike
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Mark B.

Mark B.

Castro Valley, CA 94546
(16)
starting at
$40 / 30-min

About Hristo V.

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San Jose, CA
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I design my lessons with the specific student goals in mind.

For Beginner students: we will start by exploring rhythm concepts and understanding how to read music. Learning the physics of the guitar and exploring the notes in the first few positions. Learning open position chords, and simple chords progressions, major and pentatonic scales,etc.

For Intermediate students: we will continue expanding our knowledge of the higher positions of the guitar, as well as develop better sight-reading skills. Bar cords and chord transposition, and music theory. Expanding our scalar vocabulary to modes, and minor scales. Learning arpeggios and classical etudes.

For Advance students: Close interval voicings, jazz improvisation, chord to scale relationships, and harmonic substitutions are some of the concepts we will cover. Learning solo guitar playing (chord melody), incorporating walking bass lines, transcription skill and arranging skills.

I specialize in Jazz guitar, improvisation,

About Hristo
Hristo is an impressionistic modern jazz guitarist and composer from Sofia, Bulgaria. Now residing in the San Francisco Bay Area, Hristo leads a variety of modern jazz formations, ranging from duets to quintets. Hristo has toured nationally and internationally, appearing at some of the most prestigious jazz clubs and festivals, and has also performed guitar clinics in Europe and Japan. He has written more than 270 original compositions, many articles on jazz improvisation, and a book on chordal theory and construction entitled Between the Voicings: A New Approach to Chord Building for Guitarists. The Hristo Quartet’s 2009 debut album, Song for Messambria (First Orbit Sounds Music) quickly received outstanding reviews by the international jazz community and was selected as one of the six best jazz albums of 2009 by E-JAZZ NEWS.
“His sophi
sticated and adventurous work is imbued with shimmering harmonies and lyrical improvisations.” – JAZZTIMES MAGAZINE
“His multihued compositions are like impressionistic sound paintings.” – JAZZIZ
“You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers.” – Improvijazzation Nation Magazine
“Hristo may be one of the best kept secrets in jazz today. He is the epitome of sonic gold.” – DIGITAL JAZZ NEWS
“Hristo plays as the cultural end result of his life experiences. Simply put, he plays more so from the heart than he does the head.” – Critical Jazz
“A richly textured album full of strong melodic and rhythmic ideas and with some superb playing throughout.” – THE JAZZ MANN (England)
As jazz critic Edward Blanco describes: “Heis the newest guitarist to enter the national jazz scene and does so with a stunner of a recording in Song for Messambria, one of the finest debut albums I've had the pleasure of appraising this year.”
The record presents a unique blend of ECM-style modern jazz, classical, and Brazilian tone textures, and showcases the completely unique and masterful interpretation of the jazz idiom by each one of its members. In late 2009, Hristo released his second studio album featuring Latin Grammy-nominated pianist Weber Iago. The Secrets of an Angel is an impressionistic landscape painted by the delightful and graceful conversation between the two instruments (guitar/piano).
As jazz critic Brad Walseth describes: “On the heels of his impressive debut recording, Song for Messambria, guitarist Hristo returns along with pianist Weber Iago for a wonderful guitar/piano duet recording - The Secrets of an Angel...while the gentle title track shimmers like a glistening iceberg on a cold sea. The delightful two-part ‘The Last Pirate” is a highlight - brilliantly showcasing the exciting romantic bend inherent in his music, while the nostalgic lullaby “Leka Nosht (Good Night)” recalls a faraway youth and rounds out this fine release.”
In 2010 Hristo wrote a large scale jazz work (The Perperikon Suite) especially to be premiered at the 53rd Monterey Jazz Festival. This 7 movements jazz suite is inspired by the ancient Thracian city of Perperikon (located on the territory of Bulgaria), and combines orchestral, classical, jazz, and fusion elements depicting the history and mystery of this enchanting place. The work marks Hristo third album and one of his most adventurous and sophisticated works up to date. For the recording of this project the Hristo Quartet was joined by virtuoso vibraphonist and multi-instrumentalist Christian Tamburr.
As jazz critic Dan Bilawsky describes: “Shimmering harmonies resonate throughout these modern jazz marvels, and the soloists work their way around and through this accessible and exciting music with equal measures of taste, technique and spirit. His pieces are peppered with signpost sonorities and ideas that often reappear throughout a given song, creating a sense of continuity and thematic steadiness that develops around individual soloists. While this group ably establishes its own aural identity, which threads its way through the whole album, each movement of the suite has different strengths and a unique sonic footprint. Brought to life as a tale of two cities, The Perperikon Suite ultimately occupies its own wondrous world within the confines of its jazz borders.”
As jazz critic Brent Black describes: “There is an incredible warmth to his playing, a fluidity of movement and direction held firmly in place by a stellar quintet that provides ample support for the lyrical imagery created on this release. Aside from the superior sound which almost smacks of a live in the studio recording, there is a true working band feel that he has been able to obtain. He displays an unparalleled versatility moving from the flash of “The Acropolis” to the more introspective “The Southern City” allowing for a wonderfully paced recording. The drumming of Joe DeRose creates a special dynamic tension on the tune “The Great Hall.” A release that ends far too soon. Wonderfully crafted, well paced and a sonic tapestry that stands up as well as any release for this past year.”
As jazz critic Bruce Lindsay describes: “The music, performed by a terrific quintet, is beautiful: it captures images not of a city in ruins but of a city full of life, of vibrant activity. The Perperikon Suite is an impressive creation. Each individual tune is beautifully crafted, but so, too, is the Suite as a whole. His response to the ancient city is remarkable in both its conception and its performance.”
As jazz critic Michael Bailey describes: “Many time motifs are used throughout this suite. Tick-tock ascending and descending figures pass as a thread through cloth, to hold this musical garment—a coat of many colors—together. He achieves this effect with no apparent effort or change in guitar tone or approach. Merely by affecting the time signatures, he makes his magic. The Perperikon Suite is soft-spoken and brainy music that exists out of the ordinary.”

As jazz critic Brad Walseth describes: “The new songs are the strongest he has written yet, and the addition of Tamburr serves to take the music to an even higher level. Hristo, meanwhile, continues to impress the listener with his addictive blend of jazz with touches of classical, Brazilian and Eastern European influences in both his playing and songwriting. In lieu of visiting the legendary site yourself, listeners are urged to take a musical journey to the ancient location as seen through the senses of Hristo and shared with you through his highly satisfying musical presentation.”
As jazz critic Ed Blanco describes: “Hristo and his inspirational quintet provide an all-new experience on The Perperikon Suite, a concept album that is accessible, creative and a pleasure to spin often.”
In 2012 Hristo embarked on yet another musical chapter of his life. Heartmony is the long awaited and highly anticipated follow up to the first duet recording by the guitarist and pianist Weber Iago (The Secrets of an Angel). As the title of the record will suggest, Heartmony explores a truly intimate, honest, and emotional conversation between the two instruments. The music, which transports you from impressionistic landscapes to folkloric tales and from melancholic memories to meditative trances, is simply the purest harmonious sounds he has put on tape up to date. Straight from the heart, healing energy that will embrace you long after you listen to it.
“An absolutely wonderful recording.” – JAZZTIMES
“If ever there were a marriage between classical music and jazz then this Heartmony is it. Hristo and Weber Iago have created a very special experience.” – Grady Harp (Amazon.com)
“Both on and off the bandstand, he is an artist who wears his emotions on his sleeve. His new “Heartmony,” a duo session with his frequent collaborator, Brazilian pianist Weber Iago, provides a master class in the way a chord or harmonic progression can evoke a flood of sensations.” – Andrew Gilbert (San Jose Mercury News)
“Guitarist Hristo and longtime collaborator, pianist Weber Iago, have created a work of sublime musicality with Heartmony. Exquisitely lyrical, although a bit too sweet, this opus brings together multiple musical influences into a coherent and cohesive, multilayered narrative, the momentum of which does not slack from the first few notes to the very last. He and Iago interweave long musical threads into a shimmering soundscape of serene beauty.” – Hrayr Attarian (All About Jazz)
As jazz critic Brent Black describes: “Heartmony is a sonic mosaic pieced together from heartfelt feelings and emotions carried through time and communicated in an incredibly heartwarming and emotional presentation that exemplifies the zen concept of less is more perhaps as well as any recording of the last decade. The musical sound of one hand clapping. His and Weber's music transcends the more traditional jazz idiom in much the same fashion that their recorded work here is that of a more cohesive unified voice with subtle shadings, lyrical swells and the textured nuances that creates music that is to be experienced. An incredibly beautiful artistic statement of personal experience.”
“Guitarist Hristo and pianist Weber Iago sounds like a perfect match in a musical heaven, if such things exist. What I’m saying here is that this is a duet album that sounds perfect, music made from the heart and soul. There’s warmth, there’s care, and there’s a human quality to this that no machine can replicate, and it is that Heartmony that makes this a powerful album worth listening to repeatedly.” – John Books
As jazz critic Dan Bilawsky describes: “The eleven originals are all musical offerings from the heart and soul, but this isn't a one-dimensional recital. Some songs are full of life and positive energy, while others have a sense of regret and nostalgia sewn into their being, but they're all painted in sharp, vivid colors, thanks to the skills of both artistic practitioners at play.”
“This set of guitar-piano duets is quietly emotional, always intriguing and quite original. His clear toned guitar blends in perfectly with Iago’s powerful piano and the two musicians often seem to think as one. Heartmony is quite thought provoking and well worthy of many close listens. Highly recommended.” – Scott Yanow
“Hristo and Iago play together with the assurance born of long and fruitful collaboration. They know each other well, and it shows in the skillful way they complement each other. They take a beautiful melody and run with it. They wring every bit of emotion out of it. There are passages in a composition like “Memories in Black and White,” nocturnal moments in “The Last Leaves which Fell in Fall,” that sound like they could have been written by a nineteenth century Polish Romantic. Then there are moments in the same songs where there are glints of French Impressionists.” – Jack Goodstein (blogcritics.com)
“Hristo is a gifted composer and master guitarist whose stylish approach to the music makes him a hidden wonder of the jazz world. Heartmony is an intelligent musical statement and gentle follow up to his previous works, a relaxing soulful musical experience sure to touch a piece of your heart.” – Ed Blanco (E-JAZZ NEWS)
In January 2013, Hristo released “Familiar Fields” – his 5th record as a leader (and his 2nd quartet recording). The music presented in this session clearly displays the multidimensional tonal evolution of the band and each one of its individual members. The addition of drummer extraordinaire Mike Shannon to the quartet establishes a portal to new sonic landscapes and emotions to be explored in this collection of 9 original pieces by the guitarist. The music, which takes the listener through the realms of impressionistic, classical, jazz, experimental, and new age, always retains the unique sonic footprint that has brought critical acclaim to the quartet all over the world.
“He  paints a vivid pastoral landscape with epic sweep, often recalling the big-sky sound of Pat Metheny. Obviously, these musicians are more than comfortable with one another, as one delicate solo seamlessly segues into another.” – JAZZIZ

“Once again he has produced an immaculately crafted, often supremely beautiful album.” –
The Jazz Mann (England)

“If Pat Metheny and Larry Carlton are considered the kings of impressionistic jazz guitar, then certainly Hristo is a crown prince and ready to lead a palace coup. In fact, “Familiar Fields” easily stands equal to even their greatest albums. Part of the reason for that has to be credited to Hristo’s choice of musicians in the quartet. The musical affinity and effortless grace shines forth on this album like few recordings I have ever heard. They share a single heart and mind that bursts forth in illumination on every track. There is no weak moment or weak player on this album.” – Travis Rogers (JAZZTIMES)
“Over the past few years, Bulgarian-born, Bay Area-based guitarist and composer Hristo has consistently crafted music of great lyrical beauty. With his self-named quartet or quintet, or in duet with pianist and frequent collaborator Weber Iago, he has advanced a sound that manages to sound intimate and epic at the same time. He does so again on Familiar Fields (First Orbit Sounds), his latest recording with his quartet, which welcomes new member Mike Shannon on drums. As he has on previous recordings, He makes use of classical imagery and narratives in song titles such as “The Prophet’s Daughter,” “The Mask of Agamemnon” and “Wounded by a Poisoned Arrow,” the last of which is our selection. His instrumental voice bears echoes of the tonal warmth and big-sky sweep of Pat Metheny, as he and Iago, his beyond-simpatico musical compatriot, switch off on leads, riding the rolling hillocks of rhythm provided by Shannon and acoustic bassist Dan Robbins. Shannon proves an exceptional addition to the group, responding to and driving his companions in equal measure.” – JAZZIZ
As jazz critic Hrayr Attarian describes: “Bulgaria-born and San Francisco-based Hristo has established himself as a modern day troubadour. His enchanting and fantastical tunes have the feel of medieval ballads abundantly peppered with futuristic sounds. His sixth release, Familiar Fields, presents nine impressionistic originals that showcase his maturing compositional skills as well as the superlative, improvisational talents of his working quartet. With each album he oeuvre ripens and becomes more sophisticated without losing its delightfully spirited edge. Familiar Fields not only stands on its own merit as sublime music but also whets the appetite for what is yet to come.”

“Familiar Fields is a highly intelligent, thought-provoking Impressionistic escapade.” – Nicholas Mondello (All About Jazz)

“This release is a clear statement from an artist comfortable with who he is and where he is going. There are no absolute truths in music but instead there are shades of gray which he and his quartet fill in with the precision of a surgeon and the soul of a true artist. Never caught up in the academics of his works, he instead conducts a sonic exploration with the end result being a release that gives up something new with each subsequent spin. An ebb and flow unmatched, or perhaps unlike him, an ebb and flow that other artists simply can not match. As close to perfect as it gets!” – Brent Black (CriticalJazz.com)

“The Hristo Quartet, ladies and gentlemen, is in peak form. They have no competition: no other music in the jazz idiom is quite as satisfying.” – Grady Harp (Amazon.com)
“The musical bond between guitarist Hristo and pianist Weber Iago is as strong as that of Chick Corea and Gary Burton, with proof being their two sublime duet recordings, The Secrets of an Angel and Heartmony, as well as three small group sessions under his name. For the Familiar Fields quartet date with regular bassist Dan Robbins and new drummer Mike Shannon, chose nine gems to play from his vault of more than 270 original compositions. As usual, as one listens to his music, the words lyrical, impressionistic, spiritual, and passionate come to mind, and also his term "heartmony," which he defines as the simultaneous combination of feelings and emotions, especially when produced by experiences, memories, and stimulations pleasing to the heart, body, and soul." – Scott Albin (JAZZTIMES)
“The emotional essence of any Hristo recording can be seen before it’s heard via the distinctive oil paintings the guitarist creates for his CD jackets. his artwork for Familiar Fields is impressionistic, haunting and autumnal, the same qualities that characterize his latest collection of tunes. The foursome’s interplay is highly intricate, resulting in emotive tunes that wax and wane in intensity. Whether you call it post-bop or post-fusion, his brand of jazz is passionate and ethereal. He has developed into a formidable guitarist and intelligent composer, and since he’s only 32 years old, his best work may be yet to come.” – Ed Kopp (Jazziz)
“Within his tone and technique, it’s not difficult to hear the influences of Wes Montgomery, Pat Metheny and Lee Ritenour. He is adept at the full range of extended techniques but is most often described - justifiably - as an impressionist.” – Karl Ackermann (All About Jazz)
“Of the many attributes that Bulgarian (San Francisco based) guitarist Hristo possesses - refined technical abilities, warm tonality, and expressive soulfulness - his gift to convey beautiful stories through intricate composition is always at the heart of his appeal.” – Mark F. Turner

In October 2013, Hristo released his 6th album as a leader. "Rhodopa" is a beautifully crafted sonic pairing of the extremely emotional and lyrical Bulgarian folklore and the multidimensional and deeply textured world of modern jazz harmony. On his new music journey, the guitarist is joined by virtuoso Bulgarian clarinetist Liubomir Krastev. As jazz critic Dan Bilawsky describes: “Hristo and Liubomir Krastev cover everything from the mystical to the mournful and the grim to the gleeful on this absorbing duo date.”

“Hristo takes improvisational music to a third dimension of texture you can feel. Rhodopa is my selection for album of the year for 2013. Critically acclaimed guitar virtuoso Hristo started the year with the release of the highly regarded Familiar Fields. With Rhodopa, has now assumed his rightful place as a global virtuoso of unrivaled talent and ability. As artistically gifted as he is technically proficient, Hristo moves to the head of the pack with this stellar outing.” – Brent Black (CriticalJazz.com)

“Hristo boldly departs from the group setting and gives the audience even more of what they crave - soulful arrangements and virtuosity with heart. There is a beauty and an elegance that comes through on each and every one of Hristo's recordings. The music he composes, the arrangements he crafts, the musicians that he assembles together and the dignity and reverence of his musicianship speak of the heart of the man and his love of life.” – Travis Rogers (JAZZTIMES)

As jazz critic Hrayr Attarian describes: “The warm, poetic tunes are like fairy tales in verse. They are imbued with nostalgia, and shimmer with a variety of muted colors and sentiments. Krastev's softly undulating tones waver against his vibrating strings in a spiritual celebration of abstract beauty. This thematically unified work is a genre bending, elegant and satisfying opus and a new high for he who continues to excel himself on each fresh release.”

“Modern jazz guitarist, pianist and composer Hristo always refreshes the ear and the soul with his inordinately sensitive, mesmerizing, and beautiful approach to music. He is unique - and artist who explores every avenue of approach to both folk music and jazz and the result is an experience that simply no one else can match.” – Grady Harp (Amazon.com)

“With Rhodopa, guitarist/composer Hristo and clarinetist Liubomir Krastev meld musical minds, dive exuberantly into an array of earthy Bulgarian folk material and come up with four hands of beauty. The result is a panoply of aural color, emotion, and technical artistry.” – Nicholas Mondello (All About Jazz)

As jazz critic Ed Blanco describes: "Rhodopa is an instrumental serenade of Bulgarian folklore music interpreted by a world-class guitarist and clarinetist. Hristo and Liubomir Krastev deliver an enchanting and relaxing escape from reality with a fifty-three minute encounter of soul-reaching music."

"You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers. With Liubomir’s reeds, they form a cultural jazz experience that can’t be compared with anything else!" – Dick Metcalf (Improvijazzation Nation Magazine)

On top of leading his own quartet, quintet, duo projects, and co-leading the group SEVA, Hristo also co-writes and plays guitar with Joe De Rose and Amici - an energetic jazz/fusion formation lead by drummer Joe De Rose. Hristo has appeared on countless radio shows/programs all around the world.

Hristo has also performed in world-class jazz venues and festivals including Yoshi’s Jazz Club (Oakland, CA), Bach Dancing and Dynamite Society (Half Moon Bay, CA), Kuumbwa Jazz Center (Santa Cruz, CA), Anthology (San Diego, CA), Catalina Jazz Club (Hollywood, CA), The Jazz Corner (Hilton Head Island, SC), Heidi's Jazz Club (Cocoa Beach, FL), Alvas Showroom (San Pedro, CA), The Jazz Station (Eugene, OR), Egan's Ballard Jam House (Seattle, WA), Timucua White House (Orlando, FL), Ivories Jazz Club (Portland, OR), The Herbst Theater (San Francisco, CA), SOhO Jazz Club (Santa Barbara, CA), as well as major jazz festivals including the 53rd Monterey Jazz Festival (Monterey, CA), 2009/2010/2012/2013 AT&T San Jose Jazz Festival (San Jose, CA), 2010 and 2012 Redwood City “Jazz on Main” (Redwood City, CA), Okazaki Jazz Festival (Okazaki, Japan) and many more.

Hristo holds a B.A. in Music (Jazz Studies) from San Jose State University in San Jose, CA.
He has also studied in the prestigious Roland Music Academy in Caracas, Venezuela.

Students can benefit from Hristo's completely amazing knowledge on the instrument as well as music/harmony theory. He will work and design unique and specific goals tailored to each student's individual interests. His dedication and passion for teaching are first class!!!

*** Lesson Details ***
I design my lessons with the specific student goals in mind.

For Beginner students: we will start by exploring rhythm concepts and understanding how to read music. Learning the physics of the guitar and exploring the notes in the first few positions. Learning open position chords, and simple chords progressions, major and pentatonic scales,etc.

For Intermediate students: we will continue expanding our knowledge of the higher positions of the guitar, as well as develop better sight-reading skills. Bar cords and chord transposition, and music theory. Expanding our scalar vocabulary to modes, and minor scales. Learning arpeggios and classical etudes.

For Advance students: Close interval voicings, jazz improvisation, chord to scale relationships, and harmonic substitutions are some of the concepts we will cover. Learning solo guitar playing (chord melody), incorporating walking bass lines, transcription skill and arranging skills.

*** Studio Equipment ***
A specific music room with a few guitars, a keyboard, amps, and recording equipment and music stands

*** Travel Equipment ***
I provide my guitar and amp.
Students should provide their guitars and amps (if needed)

*** Specialties ***
I specialize in Jazz guitar, improvisation, harmonic studies and theory.
Chord melodies, building lines, phrasing, voice-leading, chordal improvisation, and re-harmonization/substitution.
...
Reviews
Silhouette-80
Kim L. April 26, 2014
· Guitar ·
Outstanding Performer

Hristo is the most inspirational teacher I've every had the pleasure to learn from. He shares his talent in a way that I look forward to every lesson. His patience and positive reinforcement encourages me to keep practicing. He selects the appropriate music for my level and teaches all genres. Thank you for working with me every week. I hope I get to work with him for as long as I can until he becomes too famous to continue teaching us.
Silhouette-80
AllenH April 4, 2012
· ·
Great Instructor

I've been taking lessons from Hristo for a couple of months now. He is friendly, affable, and extremely patient. I enjoy our lessons, and have learned quite a bit in the short time we have been working together.
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JeanetteY March 7, 2012
· ·
wonderful instructor and very accomodating. We are appreciative of his talents!!
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Hristo V.

Hristo V.

San Jose, CA 95118
(9)
starting at
$65 / 30-min

About Peter D.

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Oakland, CA

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From scales, to key signatures, to rhythm, to chord progressions, to harmony, to melody, to arrangement.... I teach pretty much everything on every level of music theory! All levels welcome.

About Peter
Whether piano, voice, songwriting/composition, music theory or music production, I bring all that I have learned and developed as a musician to the lesson in the interest of the student’s growth.

Whether we work in classical, jazz, or pop, We focus on what will directly fit your individual goals. We can cover the full spectrum of technique, theory, ear training, sight-reading, and performance. What emerges over time is tailor-made program suited to your needs and goals.

A little bit about my background: I have studied with over 12 music professors, both in the classroom and individually for 6 years at Saddleback Community College in Orange County. I’ve studied a number of styles while composing for and performing in various small ensembles, including:  world music, classical, pop, jazz, and musical theatre. I continue teach, produ
ce and compose music for myself and other artists as well.

I look forward to getting to know you!
...
Reviews
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Susan December 8, 2017
· Piano · In home
My 10 year old son loves playing little riffs on the piano but really didn't want lessons for fear it would be too much like school. Peter has been awesome about tailoring the lessons so that my son can choose the Music he likes and move forward from his place of interest. Peter is a skilled and gifted pianist, and my son is totally inspired to keep playing and put in the work to improve.
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Leyla November 30, 2017
· Piano · In home
I have been working with Peter for a little over a year and although I'm moving away, I will be continuing my sessions with him over video. Over the past year, I've had the most incredible mentoring experience with Peter and would highly recommend him to students of all ages. I used to play piano as a kid and quit when I was in middle school, and Peter has helped me regain, maintain and build on my skills. He takes measures to keep me accountable in my practice and also nurtures and encourages me creatively -- his experience as a composer comes in handy and we have dope jam sessions. In addition to his musical teaching practice, Peter is also training in somatic and trauma healing modalities that infuse his work with students with care and attunement. I know some parents who work with him keep him around their kids as a life coach and buddy as well as a music teacher. He's the best and I will miss seeing him every week in person!
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Mary Butler November 30, 2017
· Piano · In home
Peter has taught my 11yr old son so much! The Focus is on the fundamentals but he is flexible and fun which support creative learning and keeps my son engaged! A great instructor that is very reasonably priced and it is convenient to have such a great teacher come to the house, many others we looked do not offer that kind of service.
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Peter D.

Peter D.

Oakland, CA 94609
(22)
starting at
$40 / 30-min
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About Astrid C.

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Martinez, CA

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About Astrid
Teaching is my passion. Over the last few years I have worked with some amazing students of all ages. My youngest student was 2 years old and my oldest student is in her 70's and I absolutley love that! I have experience working with children with learning difficulties and students who get frustrated really easily. I love helping students fall in love with music, like I did growing up with my music teachers and professors. I am passionate about music and passionate about my students learning and excelling in their craft. I enjoy working with all ages and all types of music abilities. As a teacher I really push my students to understand music itself and spend time going over theory, which is super important. I would love to help you or your child grow and learn in their music abilities and hope to hear from you soon!
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Rafael O. February 17, 2016
· Singing · In studio
Awesome instructional singing tutor, we'll keep in touch with her on my son's needs.
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Rafael O. February 17, 2016
· Singing · In studio
Awesome instructional singing tutor, we'll keep in touch with her on my son's needs.
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Rafael O. February 17, 2016
· Singing · In studio
Awesome instructional singing tutor, we'll ne in touch qith her on my aom's needs.
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Astrid C.

Astrid C.

Pinole, CA 94564
(9)
starting at
$30 / 30-min

About Winslow Y.

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San Francisco, CA

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Music theory is just the names and numbers we use to identify and organize musical sounds so that they sound good and happen at the right time, with great beats. It's way better than grunting and pointing when musicians communicate. I can teach theory the classical way, the Nashville way, or the juke joint way - whatever you need to understand musical materials so that you can use them to best advantage and communicate with your fellow musicians

About Winslow
My focus is on you - helping you achieve your goals with the harmonica, whatever they may be. Whatever inspires you to pick up the harmonica, whoever you want to emulate, whatever style grabs you, I bring the background, deep knowledge, and teaching experience to enrich your understanding and grow your skills and ability to express yourself musically.

I'm a harmonica specialist, known internationally as a player and teacher. I'm the author of the books Harmonica For Dummies and Blues Harmonica For Dummies. I can teach all styles, all levels of expertise and all types of harmonica.
...
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Andrew July 22, 2017
· Harmonica · Online
Great first lesson- Winslow is easy to talk to and very knowledgeable. He is very good at explaining and demonstrating technique in a clear way. Thanks again!
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Philip E. November 11, 2016
· Harmonica · Online
Winslow is very knowledgeable and an excellent teacher.
He's very passionate about the harmonica, which makes for a great learning experience. I look forward to future lessons.
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Bob S. August 5, 2016
· Harmonica · In studio
My first lesson went very well and was just as I had hoped.
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Winslow Y.

Winslow Y.

San Francisco, CA 94118
(8)
starting at
$30 / 30-min

About DeAnna H.

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Sunnyvale, CA

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I have a strong background in music theory. My doctoral dissertation was analytical in content. I love music theory - it is like doing puzzles! If you want to learn about theory in an exciting and fun way, I would love to help you!

About DeAnna
Hello! I have been teaching piano since 1982 when I finished my degree in piano performance. I also have a Doctorate in Piano Performance, and have an artist diploma from the Mozarteum Academy in Salzburg, Austria. However, I think what makes me special is that I combine a friendly approach to teaching with high standards. My students do well in competitive and non-competitive events. And, they have fun!
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Ian December 15, 2017
· Piano · In home
Deanna was great! Nice, patient, encouraging, and knowledgeable. I learned basic technique which already has me feeling more comfortable. I'm looking forward to progressing and confident I've made the right choice.
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Carlo July 15, 2017
· Piano · In home
Very good experience. DeHanna took her time to reach a comfortable start . Very good first lesson. Looking forward to more lessons
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Remi Adam A. H. March 4, 2017
· Piano · In studio
Remi my grandson enjoy his piano class very much. Especially when Remi got home he practice or continue the song he did with his teacher...like he appreciate himself because it sounds beautiful. We grandparents are very proud to here a lovely melody he played.
The instructor is very good and patient with Remi, she makes sure she gets through him in her own special way.
Very grateful,
Remi's grandparents.
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DeAnna H.

DeAnna H.

Sunnyvale, CA 94089
(12)
starting at
$75 / 45-min

About Anton S.

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Bellevue, WA
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I'm passionate about helping students overcome their musical hurdles, both professional and recreational.

I particularly enjoy working with musicians who have studied scales and chords but are frustrated in their efforts to use them to make great music.

Other areas of focus:
• Improvising over chord changes
• Internalizing advanced harmony
• Fluency in the many idioms of jazz, funk & blues
• Phrasing
• Saxophone technique
• Efficient practicing for a busy lifestyle

About Anton
An expert educator with a welcoming, positive outlook and an irresistible passion for music, Anton is a longtime faculty member of the California Jazz Conservatory. He's been Artist in Residence at Harvard University and The Brubeck Institute, and a clinician & featured soloist for countless university & high school jazz programs. Anton has headlined major jazz clubs across the US and Canada and has five critically acclaimed CDs as a leader.

"Anton is an exceptional player & inspirational teacher… and a lot of FUN! He is organized & prepared, and so well versed in so many aspects of jazz performance & education… What more could a student want?!"
— Susan Muscarella, Director, California Jazz Conservatory

"Anton's the perfect blend: a top-flight saxophonist, an inspired composer and a professional with a keen sense of the music indus
try. His teaching combines these gifts into a unique presentation with sophistication, clarity & personality; before you know it you've got the keys in your pocket!"
— Joe Gilman, Musical Director, Brubeck Institute
...
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Anton S.

Anton S.

Emeryville, CA 94608
starting at
$45 / 30-min

About Orlia A.

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Palo Alto, CA

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My teaching philosophy is that students learn best when they are having fun! All lessons are designed with each individual student's goals and interests in mind, so if an approach isn't working, we switch things up. With 12+ years of experience teaching students age 3 to adult through a variety of methods, I can find something that works for the casual learner and AP/college prep student alike.

Styles: Classical, Popular, Church/Religious

About Orlia
I am an experienced music instructor who has taught in Chicago, Austin, Orange County, and the Bay Area. I graduated with a Bachelor's in Music Education from Vanguard University. My earnest desire is to see each student succeed in meeting or surpassing their musical goals and expand their understanding of the world through music, the universal language. No two students learn in quite the same way, so I tailor each lesson by taking into account individual strengths, weaknesses, and interests to make learning fun!

Students will learn aspects of classical and popular music styles, basic music fundamentals, and songs/repertoire from around the world.

I look forward to sharing the joy of music with you!
...
Reviews
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Jennifer December 16, 2017
· Piano · In home
We loved having Ms. Orlia as our son's first piano teacher! As a boy with special needs (Autism and ADHD), we needed a teacher with patience, energy, experience, and a passion for music. Not only does Ms. Orlia have all of that, but she helped to instill a pride and love for music in our son as well. Her knowledge of piano theory and the inner workings of the piano itself really engaged our son, and he looked forward to lessons every week with Ms. Orlia! She tailored each lesson to his interests and questions, and met him on his level each week. Anyone would be lucky to have Ms. Orlia as their piano teacher!
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Yvette B. December 16, 2017
· Piano · In home
Orlia was great with both my 7 year old beginner and my 14 year old alternative rock enthusiast! She has a great amount of patience and has fun teaching at the same time. I highly recommend!
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Analecia December 15, 2017
· Piano · In home
Even my most stubborn child enjoyed lessons with Orlia; she could get him to laugh & perform while I could barely convince him to practice daily. She was patient, encouraging, and flexible/creative with curriculum. She formed a great connection with all three of my children. We were very sad when she moved away.
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Orlia A.

Orlia A.

Palo Alto, CA 94304
(4)
starting at
$30 / 30-min

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Average Cost of Music Theory Lessons in San Mateo, CA

The average cost of 60-minute music theory lessons in San Mateo is $80. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $80 and $80 per hour.

30-min $40
 
$40 average
$40
45-min $60
 
$60 average
$60
60-min $80
 
$80 average
$80

For the best experience, we typically recommend 60-minute music theory lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute music theory lessons are 25% less expensive at $60, and 30-minute lessons cost 50% less at $40.

Curious how much music theory lessons cost in your area? Do a quick search to get local prices for the best music theory teachers near San Mateo.

Music Theory Lesson Reviews from Students

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

6 Fun and Unique Ways to Learn Music Theory

6 Fun and Unique Ways to Learn Music Theory

Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform … Read More

6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help

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