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San Francisco, CA Percussion Lessons

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About Azuri M.

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Los Angeles, CA

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Drum Kit - - -

A variety of styles

About Azuri
Learning is one of my main pursuits. My name is Azuri and I have studied music for over a decade and have my degree in guitar performance from musicians institute. I've had the gift of studying many artistic crafts and spend my time today trying to further my own study, while sharing what I've learned with my students.

Art is one of the most important tools we have as a culture and contains in it a shared history, tradition and the keys to future ones. Whether it be through the primal qualities of music or the impulses of dance, the records of drawing or descriptions of writing, these are the tools for our expression. I have had the great fortune to study, in many different settings, a small piece of these traditions and sharing them is paramount in respect to receiving them. I love sharing knowledge and I hope to elevate yours as a st
udent.

Teaching Philosophy -

My teaching philosophy is built on well rounded communication, explanation and examples. So, that a student can truly understand and learn a topic, surrounded in a very humorous, light and supportive environment.
Along with being provided good information, a student learns better and feels more motivated to learn when there is a balance of positive support and confidence building accompanied by constructive criticism and examples/information that can help a student assess what ever walls they may be meeting in their musical growth.

I understand that all students/artists have different goals they wish to achieve. So it is very important to me to accommodate each individuals needs and wants to help them grow in the fields they wish too; However, In that I have played music for a long time, I understand there are certain things that a student may not have been exposed to yet; It is important that while focusing on a students artistic goals they respect and are open to the suggestion and guidance of their teacher.

I truly believe music has an amazing influence on the world and has the ability to change peoples way of thinking. Therefore, I try and keep an open awareness to all music, so that I can understand all different musical languages utilized to communicate to people, and I don't believe I will ever know them all. I hold it to attention to influence my students somewhat similarly so that they can shape the landscape of how we communicate musically in the future.

I also try and be very patient with my students. Knowing that when I feel rushed, it makes information more difficult to comprehend, remember and allocate. I love watching the gears run in my students head, so I try and provide information that pushes a student but is within their abilities.

HUMOR is very important. I like to break people out of their shell by telling a joke and hopefully getting one back, so they feel more comfortable and free. One of a Artists worst enemies are nerves. Keeping things light-hearted and maybe even a little small talk can be very helpful to a students development and growth on a topic. After all, Art is meant to be fun and we should enjoy every moment of it, in fact we should enjoy every moment in life period.

I understand music requires focus and discipline and I have certain expectation of a student to understand that and practice. You can't buy chops, you can't buy music theory etc. you can get help but eventually your the one who must understand it and play it.

I am here to help you. Based on what I know and what I have extensively studied, I will do all that I can to help you achieve your musical goals. I am here to answer your questions and help you grow. I love teaching because I love sharing knowledge; As long as your seek it, it is here for you. Otherwise, I'd still love to hear some jokes.

Education -

MUSIC
_Bachelors in Music - 2016 - Guitar Performance (Musicians Institute, CA)
_Associates in Music - 2011 - Guitar Performance (Musicians Institute, CA)
_Major in Music - (Academy for Visual and Performing Arts) - 2008
_Garden of Angels - 2003 - Performance Academy

DANCE
_Krump, Pop-n-Lock - 2012 - (Xtreme)
_Break Dancing - 2011 - (Fun.Krew)
_Traditional Brazilian Dance & Samba - 2014

MARTIAL ARTS
_Capoeira - Current - (Capoeira Batuque with Mestre Amen)
_Wing Tsun - 2013 - (Johnny from the Emin Boztepe School)

ART
_Graffiti - 2011 - (Fun.Krew)
_General Art - 2008 - (AVPA)
_Painting - 2003 - (Garden of Angels)

Much Love,
Azuri Zen M.

*** Lesson Details ***
I'm very disciplined but am also very light hearted. It's important for me to assess things seriously, so that one can understand a topic or piece of information.

I generate my lessons based on the individuals needs and therefore draw from various curriculums, sources and examples, such as : MI curriculum for ear training, Theory, Single string Technique, Reading, Rhythm guitar, Ted Greenes Chord Chemistry, Berklee Guitar Method, as well as The Real Book, other artist books(Eric Clapton, etc.) The Guitar Players Hand Book, Bach pieces and self developed curriculums, relative to the topic at hand and students personal goals, amongst many others.

-Beginning students within three months of consistent lessons should have the ability to solo and playing chords to songs that they are interested in and songs provided in the lesson along with a basic understanding of the major scale and its relationship to all of the diatonic music.

-intermediate students should have an elevated understanding of scale and chord patters along with the theory that explains modal relationships and use of these concepts.

-Advanced students should learn all of diatonic scale shapes and modes assuming they don't already know them in which case their specifically situation will be assessed

-Professional students I expect to have specific questions therefore where they grow should be largely subjective.

Overall, in a short amount of time on a scale of 1 - 10 I expect to in three months at-least elevate a students musical abilities one full point if not more.

*** Studio Equipment ***
Studio in home in private room with guitars, amps, piano, and seating.
Em's studio is family owned cafe with studio in finished basement with an office, recording equipment, and teaching space for acting and guitar.

*** Specialties ***
As a Musician I try and play as many styles and be proficient in as many as possible and therefore can play most. However, in the fields of blues, jazz, funk, flamenco and Latin I excel.
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Reviews
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Dylan September 19, 2017
· Graffiti · Online
Very patient and gave a nice introduction to the basics for my 9 year old.
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Juan G. April 4, 2016
· Singing · In home
Azuri is great, l recommend it to anybody. THANK YOU!!!
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Juan G. April 4, 2016
· Singing · In home
You not will be disappointment. He is very professional. My first lesson and l like the way he teach.thank you azuri.
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Azuri M.

Azuri M.

Online
(5)
starting at
$35 / 30-min

About Rob F.

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San Anselmo, CA
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About Rob
Rob (aka R.J.): Born in Detroit, Michigan, RJ studied r&b and jazz from Motown drummers and Funk Brothers Benny Benjamin and Uriel Jones. From the age of fifteen he played in rhythm & blues and jazz combos around Detroit. He then studied privately with Berklee School of Music drum maestro, Gene Stuart, mallet studies with Mark Johnson at Michigan State University and earned a Bachelors Degree from Michigan State. He moved to San Francisco where he studied North Indian percussion and tabla with Zakir Hussain, trap set with jazz recording artist George Marsh. He is a consummate producer, performer, recording artist and teacher. He plays and teaches all styles of rhythm including jazz, funk, blues, rock, latin, and world fusion. He teaches drumset, congas, djembe, tabla, cajon and hand percussion. In addition to teaching privately, RJ h
as directed special week-long drum and percussion focused ensemble productions at Drake High School and Marin Academy and was Music Director at Cascade Canyon (K-8) School for two years where he directed variety shows and produced scores for the drama department. In his teaching practice all ages are welcome and all levels including: beginners, intermediate students, advanced players, and professionals.

*** Lesson Details ***
My approach to drum lessons is simple. I want my students to be excited about every stage of the process. I want to be as productive as possible with each student and want the lessons to be fun and focused.
I want beginning students to learn the essentials of good posture, correct hand positions or grips (how to hold the sticks in matched and military grip), how to best use their hands and feet to get around the drumset and to then develop a solid foundation of applicable rudiments, rhythms and patterns. In fact,
I have master drumset rudiments that help facilitate fluid movement around the drums in all directions. My studio is equipped with a top level TAMA drumset with Zildjian cymbals, congas, timbales, hand percussion, piano, vibes, excellent recording and listening equipment and speakers.
I provide the necessary foundations of rudiments, rhythms, patterns and grooves. Then I show how to combine these essentials to the drumset. I combine these developments with essential reading studies so the student learns to read drum music and charts from the very beginning.
I find out what kind of music the student listens to and likes and then I will use some of the more familiar tracks by those artists to help the student apply each pattern stylistically into actual arrangements…like a guitar teacher would teach some scales and chords, then apply them to actual songs. That way the student will remember the different patterns and remained engaged in the process. It’s a “see, say and do” approach.
I have a saying that I use: “FREEDOM follows FUNCTION and function follows FORM.” First you learn the forms (rudiments, rhythms and patterns). Then, with practice, you become functional with the forms, rhythm patterns and combinations. Then you are free to use everything you learn as it relates to the music. Your are “free” to create and improvise both alone and with others.

Within six month my students will have a firm grasp of essential rudiments, rhythms, patterns, sticking, single and double bass drumset techniques and be reading charts for the drumset.
Later on, as part of the student’s development, I will introduce them to different styles of music including jazz, African, Afro-Cuban, Latin and Brazilian rhythms and patterns so that the student becomes a well-rounded player.

*** Studio Equipment ***
My Private Studio is on the first floor of my house: there is a six-piece professional series TAMA drumset and an assortment of K. and A. Zildjian cymbals, a piano, set of vibes, timbales, congas, bongos, djembe and a variety of hand percussion. There are additional chairs to sit on, Parents are welcome to sit in on lessons.

*** Travel Equipment ***
Five and six piece drum sets, hard cases, three congas with cases, bongos in a hard case, timbales in a hard case, trap case for stands, cymbal case and stick bag.

*** Specialties ***
Trapset all styles, African djembe and shekere, Latin congas and timbales, Indian tablas.
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Reviews
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Barbara S. October 29, 2013
· Drum ·
I Got Lucky

A year and a half ago I decided to try to learn how to play an instrument, and chose drums. Learning how to also read and write music for drumming was high on my list. I also needed this to be a fun adventure with no real public performance goals for the first couple of years. It needed to be a stress reducer from the demands of the day job. Finding and working with RJ has been a total kick in the pants. I couldn't ask for a better coach. He hasn't let me get stuck in any one form, I'm learning all of them. It's hard! But I couldn't imagine not drumming now. It's very exciting, and I look forward to learning more over the coming years.
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KatyV January 11, 2012
· ·
Rob Franco

You won't find a better teacher than Rob. He obviously knows music, both theory and application. He is concerned about proper technique, but also enjoyment and variety, which means that you get it all. I'm learning tons more than I thought I would.
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Rob F.

Rob F.

San Anselmo, CA 94960
(2)
starting at
$60 / 30-min

About Nicholas K.

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Merrillville, IN
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My mission, is to create a private and educational environment to students of all ages. One that enriches their senses to music, through reading, writing, ear training, performance and technique.

About Nicholas
Nick comes from a family of four generations of music in the GREEK/Balkan repertoire. He graduated from Columbia College of Chicago with a concentration in Music Composition in December of 2009. Currently teaching and performing professionally, Nick enjoys all styles of music, but has been declared as an "old soul" by many of his friends. He enjoys playing lots of Motown, funk, and jazz, but is proficient in Classical, Rock, and Blues as well. When not playing music (rarely), he is a Board member for the GivingBackPack Foundation which provides school supplies to underprivileged children. Nick's dedication to education is shown through his music and his personal volunteer hours, he feels his diverse background gives his students an advantage to a broader perspective of music and theory.

*** Lesson Details ***
I set an individual c
urriculum based on students needs, wants and aspirations. We will focus on proper technique, theory, musicianship and sightreading to become a better all around musician. After a few months of lessons, you will have the proper fundamentals to grow as a musician and discover the art of music.

*** Studio Equipment ***
All necessities on site.

*** Specialties ***
I am well versed in many styles, I have played professionally and teach, ALL forms of Rock, Jazz, Blues, World (ethnic musics), Pop, Acoustic, Folk, and most other styles.
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Reviews
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Katherine Carter January 24, 2016
· Trumpet · In studio
I hadn't played the trumpet in 30 years. My first lesson with Nicholas was like starting from scratch. He is very knowledgeable, polite, professional, and definitely patient. I feel that that homework Nicholas assigned was spot on. I'm playing better already after only two days. I would certainly recommend him to a friend.
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Justin G. August 25, 2015
· Piano · In studio
Nicholas really tailored the lessons to what I needed. They weren't cookie-cutter lessons, and I appreciated that. He answered all the questions I had, and helped me understand some concepts that I never would have gotten just learning online. I definitely recommend him as a teacher.
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Enoch B. July 14, 2015
· Guitar · In studio
Nicholas was very patient, took the time to write down information that was helpful (very helpful). Nicholas understood where I was in reference to me knowing nothing about the guitar and he is very knowledgeable with the music trade. He was very clear and kept things simple. I truly enjoy his instructions, can't wait for the next lesson.
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Nicholas K.

Nicholas K.

Online
(5)
starting at
$25 / 30-min

About Johnny C.

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Fort Lauderdale, FL
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HOW TO PLAY THE CONGA DRUM..this is what i teach..
This is my curriculum for my Latin Percussion course:

The study of the Conga drum, Bongos and Timbales

Cuban methods as taught in Cuba today which include: Also my methods developed over 25 years of teaching

Also my methods developed over 30 years of teaching
Sound development-utilizing the 5 parts of the hand Heel/Palm/Fulcrum/Inner knuckles/and Tips of fingers- balancing of the hands€¦
Hand exercises which include my S.T.O.M.P method-Slap Tone Open Muffle Palm
Rudimentary hand drumming and approaches on Conga drum
One conga drum, 2 conga drums, 3 conga drums 4 drums
Styles in Mambo, Rumba, Salsa, Son, Latin Jazz , Folkloric, R&B, Pop, Jazz and other styles
Counting and keeping time
Stick control for timbales
Baqueteo patterns -Cascara(shell)of the timbal and cowbell patterns in clave
Abanico- 7 stroke and 9 stroke rolls
Styles on timbales-Danzon, Son, Mambo, Rumba, Salsa, Cha Cha Cha, Bolero
Reading and ...

About Johnny
I have been performing for 53 years on the Conga drum and a teacher of How to play the Conga drum for over 30 years. I have performed with such notables as Carlos Santana, Johnny Lang., Orianthi, Sergio Mendes, Eddie Palmieri, Johnny Pacheco. and many many other Grammy winning artists. Lessons are conducted around your availability. Lessons can be an hour to an hour and a half long and you will have homework. you will need your own Conga drums. Learn from one of the best player/teachers in the world today

*** Lesson Details ***
Here is is my curriculum for my Conga drum course

The study of the Conga drum....

Cuban methods as taught in Cuba today, and also my methods developed over 30 years of teaching

Sound development-utilizing the 5 parts of the hand Heel/Palm/Fulcrum/Inner knuckles/and Tips of fingers
Hand exercises
which include my S.T.O.M.P method-Slap Tone Open Muffle Palm
Rudimentary hand drumming and approaches on Conga drum
One conga drum, 2 conga drums, 3 conga drums
Styles in Mambo, Rumba, Salsa, Son, Latin Jazz and Folkloric
Counting and keeping time
Stick control for timbales
Baqueteo patterns -Cascara(shell)of the timbal and cowbell patterns in clave
Abanico- 7 stroke and 9 stroke rolls
Styles on timbales-Danzon, Son, Mambo, Rumba, Salsa, Cha Cha Cha, Bolero
Reading and writing for Latin percussion
Latin Rhythm Theory
Ensemble performance
The Clave & pulse
6/8 Clave
Son Clave
Rumba Clave
The Clave today
Phrasing with the Clave
Variations on the Clave
Polyrhythms in Cuban Music

Cuban and Caribbean Rhythms taught are:

Bolero-5 variations
Caballo(Horse rhythm)-with variations
Danzon
Yambu
Guaguanco-6 variations
Rumba-with variations-columbia/abierto(open) 2Conga drums/one drum/New York street style rumba
Abakua-one drum pattern to 3 drum patterns
Plena(Puerto Rico)
Bomba
Bomba Sica
Bomba Yuba
Bambiche
Merengue(Domincan Republic)
Mozambique-old school/new school variations
Cumbia(Columbia)-with variations on one drum to 3 drums
Bembe(Afro) variations
Conga Comparsa(Carnival drumming) with variations
Changui
Calypso(Trinidad) one to 3 conga drums with variations
Bossa Nova(Brasil) with variations from one to 3 conga drums
Afro-Samba(Brasil)
Baion(Brasil)
Samba on 2 to 3 conga drums
Songo with 9 variations
Pilon on 3 congas
Iyesa with variations
6/8 basic one conga drum to 3 conga drums
Guarapachangeo with variations from 2 drums to 5
Ritmo Pa Ca
Dengue
Jala Jala
Tumbaos(basic rhythmic conga patterns for Latin Dance music) with many variations
Chaonda-
6/8 Bell patterns on conga drum with variations
Mongo Santamarias tumbaos and rhythmic approaches
Mongos Merengue
Mongos Afro Blue with variations

*** Studio Equipment ***
Congas/bongos/timbales/perc.

*** Travel Equipment ***
Congas/bongos/timbales/hand percussion

*** Specialties ***
I teach Latin percussion, conga drums, timbales, bongos and assorted African and Brazilian percussion as well.
I teach what is called the "Cuban" method of learning how to play as it is taught in Cuba today, along with my own developed methods. Yes I teach online. 
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Reviews
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John April 28, 2016
· Percussion · In studio
Great first visit with Johnny!
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Juan P. April 13, 2016
· Conga Drums · In studio
Experienced, patient and down to earth, I highly recommend Johnny Conga.
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Shawn L. September 1, 2015
· Conga Drums · In home
A wealth of knowledge and skill. Very glad I'm having classes with Johnny
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Johnny C.

Johnny C.

Online
(8)
starting at
$39.95 / 60-min

About Vir M.

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Emeryville, CA
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I have hand drums and have studied Congolese and African drumming. I love world music.

About Vir
I am a graduate of U.C. Berkeley.;I have been teaching and performing music for over 15 years. I have toured the United States and other countries playing many types of music. I play Guitar and Bass and Sing   I teach in a fun style that emphasizes the students creativity.  Styles range from Rock, Folk, Electronic, Jazz,  African, World, Hip Hop to Country.  I can give you the skills to go to the next level.  From 5-99 years old!

*** Lesson Details ***
A typical lesson would look like this:  Depending on your level we would first work on some new chords and/or a new scale and how to play them.  We "jam" a little to get the feel.  I have a really great way of teaching theory that will get you playing what you want.  The second half we usually focus on learning a song of your choice or working on an original of yours. I am very personable
and easygoing.

*** Studio Equipment ***
Have guitars and amps, basses and amps, drum set, microphones and recording equipment.

*** Travel Equipment ***
Have equipment

*** Specialties ***
Rock, World, Hip Hop, Folk, Electronica, Classical, Jazz
...
Reviews
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Karen T. March 31, 2016
· Acting · In studio
Although I only had 1 lesson with him so far, I can say he's a very good teacher and I had fun.
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caroline S. April 23, 2015
· Guitar · In home
Vir is a gifted teacher. He has taught my son guitar for more than a year. He meets my son where ever he's at in his practice, attention and interests with calm, skilled focus and intention . Vir's background as performing musician infuses his teaching with an enthusiasm and creativity of practicing his teaching. We are truly grateful for Vir.
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Alexander S. March 6, 2014
· Singing ·
A Guru

Vir is beyond your typical vocal coach. He was a huge help on things like pitch accuracy and phrasing, but more than anything, his focus on getting me to tap into and harness my inner power has already paid huge dividends in my recordings and performances. Further, Vir is an amazing person to know and his home-studio in Berkeley is magnificent!
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Vir M.

Vir M.

Emeryville, CA 94608
(3)
starting at
$35 / 30-min
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About Thomas W.

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Downingtown, PA

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I can help beginning students on percussion learn the basics.

About Thomas
Thomas J. W. is an active music teacher, composer, adjudicator, and clinician in the greater Philadelphia area. He has over fifteen years experience as a concert band director, marching band director, jazz improvisation instructor, choral director, private instructor, and marching drill writer. His directing career has included small rural band programs, small metro programs, large high-achieving suburban programs, and non-profit youth bands. In addition to his band compositions, he also has over forty unpublished vocal arrangements to his credit, most written for use with collegiate men's a cappella groups. Thomas taught over 600 online and local private music lessons in 2016.

Thomas has a Bachelor of Science degree in Music Education from The Pennsylvania State University. He holds a teaching certificate in the states of Pennsylvania
and New Jersey and has taught at the secondary level in both states. In addition to both instrumental and choral ensembles at Penn State, Thomas was a student leader in the Penn State Blue Band and a member of the brass section of the Cadets of Bergen County Drum and Bugle Corps in 1993 and 1994. He served as an Associate Director of the Warren Junior Military Band of Youngstown, Ohio from 1995 to 2005. He also served as a visual staff member for the renowned North Penn Marching Knights of Lansdale, PA for one season in 2004.

He is a current adjudicator with Drum Corps International and Cavalcade of Bands. He is a member of MENC, PMEA, NJMEA, ASCAP, CASA, Phi Mu Alpha Sinfonia, and the National Band Association. He appeared in the Marquis Who's Who Among American Educators in 2004 and 2005, an honor rarely bestowed upon teachers, as students who appear in the Who's Who Among American High School Students must nominate them. He currently is a music teacher at the Center for Performing and Fine Arts of the PA Leadership Charter School in West Chester, PA and resides in Downingtown, PA with his wife and two sons.

Thomas will happily work with students on the autism spectrum or students with ADD.

*** Lesson Details ***
My lessons are tailored to the needs and interests of each student. If a student is involved in school music ensembles, we will work with their lesson books from school in addition to material outside of the books, including SmartMusic, Noteflight, and teacher-created materials. We will focus on building proper tone production and individual technique - something that often is difficult to learn in a large ensemble setting.

I am capable of starting a beginner student on any band instrument including percussion, any classical string instrument (violin, viola, cello, string bass), and piano. I can begin a student on drum set and work with them through their first method book, but I would then recommend they find a specialized drum set teacher after a period of six to twelve months.

For advanced students, I work from selected conservatory etude books on developing advanced skills and can work with students on audition pieces for honors bands/orchestras or college auditions.

My lessons are a half-hour once a week, with the option of working for 45 minutes or 60 minutes.

*** Specialties ***
music, band, orchestra, flute, clarinet, oboe, bassoon, saxophone, trumpet, french horn, trombone, euphonium, tuba, violin, viola, cello, string bass, piano, Percussion
classical, jazz improvisation
...
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sarah S. October 1, 2017
· Flute · In home
Very pleased with the first lesson. Our daughter has rare special needs and he was terrific with her
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Risa S. July 5, 2017
· Clarinet · Online
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Jack June 22, 2017
· Trombone · In home
First lesson was a great success, Mr. West got straight to work and had my son sounding much better after only half an hour. Looking forward to my son gaining skill and confidence with Mr. West's guidance.
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Thomas W.

Thomas W.

Online
(28)
starting at
$30 / 30-min

About Cody A.

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San Mateo, CA
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I can work with the student with any or no experience to achieve their learning goals with any style preference.

About Cody
Hello, my name is Cody A. and I went to the Musician's Institute in Hollywood, California in 2006 but I've been playing drums since I was in 7th grade. I'm here to teach others the same way I've been taught from amazing instructors and mentors since they have been the reason my passion for a drum set began. I'm in a local San Mateo rock band called Swamphammer. We are on The Bone Radio and have participated in local competitions like that Bone Bash of 2013 and ended up being part of the finalists for such competitions. We recently won the Haight-Ashbury Street Fair competition to play in the fair of 2014 and loved every-bit of it. Lastly, I have a passion for metal drums. It's what I'm extremely good at and love. However, I can definitely tone it down to a basic drum skill that can be used for all types of drum play and make it fun and d
ynamic for each student according to their style and preference. Let's play drums!
...
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Cody A.

Cody A.

San Mateo, CA 94403
starting at
$30 / 30-min

About John F.

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San Francisco, CA
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Are you in school band in the percussion section? If you'd like to get up to speed on those instruments or if you are gearing up and wish to study to become a member of an orchestra, I can help you understand the process to reach a high degree of technical proficiency. I am well versed in including timpani, mallets, snare drum, cymbals and all instruments in the array of orchestral percussion.

About John
I play a wide variety of musical styles on drums and percussion and have a long history of performance art in live bands, theater and orchestra. I teach drum set, symphonic and marching percussion, electronics in drumming (sampling, loops, midi etc), and general rhythm lessons for beginners. I also enjoy helping students prepare for auditions, studio recording sessions, and live performance opportunities. There's alot to know about what to do and what not to do in these situations, especially if you want to look like a pro and have a positive experience.

I studied percussion performance at Washington State University while developing my set playing and enjoying my employment with the Washington Idaho Symphony as a classical percussionist. I play in rock, funk, pop, metal, EDM, hip-hop, industrial, honky-tonk, and jazz outfits with mult
iple appearances at SXSW, Sundance Film Festival, TieCon, and various festivals throughout the US.
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Reviews
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Anna November 16, 2016
· Drum · In studio
John is a fantastic teacher! I started with no experience at all and now after my fourth lesson I already feel comfortable with my grip, a metronome, sheet music, single stroke rolls, double stroke rolls, and several rock beats. Currently, I’m learning sixteenth note drum fills. He is patient, enthusiastic, fun, and extremely talented. I highly recommend him as a drum teacher (beginner or experienced). You will not regret it!
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John F.

John F.

San Francisco, CA 94115
(1)
starting at
$40 / 30-min

About Price S.

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Fair Lawn, NJ
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About Price
My name is Price S. I was born and raised in Charleston, SC and have been playing music, namely the drum set since the 4th grade. I have played in many many different settings, including orchestral and latin. I love all kinds of music, love teaching people the exciting art of drums. The reason I love it is because I really get to watch people have fun and get excited when they see they're improving.
I look forward to meeting all the different types of players and students on this site.
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Price S.

Price S.

Online
starting at
$40 / 30-min

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Average Cost of Percussion Lessons in San Francisco, CA

The average cost of 60-minute percussion lessons in San Francisco is $60. While the exact cost will vary depending on the teacher, type of lesson, and your location, you should expect to spend anywhere between $50 and $75 per hour.

30-min $30
 
$42 average
$60
45-min $40
 
$49 average
$55
60-min $50
 
$60 average
$75

For the best experience, we typically recommend 60-minute percussion lessons. However, students looking for a more affordable option may want to consider a shorter lesson length of 45 or 30 minutes. On average, 45-minute percussion lessons are 19% less expensive at $49, and 30-minute lessons cost 30% less at $42.

Curious how much percussion lessons cost in your area? Do a quick search to get local prices for the best percussion teachers near San Francisco.

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