Porter Ranch, CA Speaking Voice Lessons

om and Footloose, and was also the Vocal and Musical Director for their production of Once Upon A Mattress. She was the Vocal Director for productions of Into The Woods and Urinetown at Hart High School in Newhall, California. She has also lent her talents to Benefit The Leukemia Foundation, Project AIDS L.A., and The Compton Battered Women’s Shelter, as featured performer, Vocal and Musical Director.

Kris has been a professional performer since the age of 10, beginning her career in the world of sacred music. She had the privilege of being a televised singer of sacred music, in the cathedrals of St. Patrick's and St. John the Divine in New York City. Kris' live performances have included all styles of music, including Jazz, Pop, Country, Bluegrass, Broadway, Classical, and Rock. She has had an extensive career as a jingle singer, arranger, songwriter, flautist and backup vocalist, as well as having had her own weekly broadcast jazz show. Kris has appeared in several musicals, on stage and in the orchestra pit. Musical Theatre credits include: Frau Blucher (Young Frankenstein); Mother Abbess (The Sound of Music); Mrs. Beauregarde/Grandma Josephine (Charlie and the Chocolate Factory); Philia (A Funny Thing Happened On the Way to the Forum). She has also sung in the Ensembles of several other productions. She led and performed with the popular local jazz ensemble The Treblemakers, with whom she recorded a CD, It’s Not About The Coffee. Other CD credits include The Wedding Collection (Arista Records), Land of The Diamond Sun, A Wolf At My Door, The Same Road Twice (all on Melonball Records), Last Night At Europa, A Class Act, and Like Fine Wine (Canadian American/Caprice International/The Orchard). Commercial jingle credits include Barbie, Clorox, American Airlines, Keebler Cookies, Thomas' English Muffins, and many others. Original compositions used by international television and radio.

Training: BM Jazz Studies, Indiana University, Bloomington, IN. IU studies include Vocal Training with Eileen Farrell and Tim Noble; Applied Flute with Harry Houdeshel; Jazz Studies with David Baker and Dominic Spera. Ongoing vocal studies with Douglas Susu-Mago, Chicago and Los Angeles.

*** Lesson Details ***
I am pretty easygoing, because I realize that students probably have a lot of homework, jobs, children to raise, etc. I believe that music should be enjoyable as well as educational! I also know that when a student practices, it heightens their enjoyment of music because it is far more fulfilling. I can guarantee that if you work with me as hard as I work with a student, you will feel excellent about your progress and ability! I have experience teaching people on the autism spectrum and those with Down Syndrome.

*** Studio Equipment ***
Casio Privia, 88 keys. CD player, music stands. Bluetooth speaker.

*** Travel Equipment ***
N/A.

*** Specialties ***
Whole voice, patient teaching of all ages and personalities, jazz, musical theatre, classical, pop. I teach all levels of flute and voice, and beginning to intermediate piano

Southern California, Thornton School of Music and I have a Bachelors degree from Northern Arizona University. I also completed a teaching internship at the California Lutheran University.

My style of teaching is tailor made for each student because everyone has different goals and needs. I focus on making singing fun and painless while setting a strong technical foundation. My goal for the student is to take away technical issues so they can be musically expressive and show the world who they are.

*** Lesson Details ***
I am a laid back teacher. My hope is that students will feel improvement in their lessons and it will motivate them to practice. In my opinion, the lessons should be fun, educational, and safe.

My curriculum is based on the needs of the student. In general, I always begin with breathing techniques. Breathing is the foundation of singing and so I tend to spend some time trying to show the student the most efficient and most effortless technique. Then I move on to what I have learned from my own voice teacher, and I will teach the students what are called "vocal function exercises." These are a series of gentle warm ups that teach the student a combination of breath pressure, resonance, and eliminating physical tensions within the neck, chest, and back. Then I move on to incorporating these ideas into repertoire. I like to decide repertoire with the student based on their preferences and their skill level. Generally I like to give the student one classical piece in a foreign language and one musical theater piece, but this is not set in stone.
I hope that after a few months the student will have an understanding of breathing, beginning vocal technique, and some repertoire we have been working on.

All of this said, ultimately I do not hold students to my own expectations. I want them to learn at their own pace and not feel they need to be at a certain point after a certain amount of time.

*** Studio Equipment ***
Living Room. Keyboard. Seating for parents. Cats.

*** Travel Equipment ***
I can provide sheet music and I expect the student to provide a keyboard or piano.

*** Specialties ***
I teach a method that is very simple and allows the student to express themselves musically and to have fun.

My expertise is Opera but I can teach all styles of singing.

classical technique provides a solid foundation for every singer. Within the first 3months my students will understand the basics of posture, breathing, tone placement, support, diction, and phrasing.

*** Travel Equipment ***
I have a keyboard, and some sheet music. I would prefer the student to have a piano, and sheet music

*** Specialties ***
I have a B.A. in Classical Voice, and have taken 1 semester of pop voice

rs of a founding member of Earth Wind & Fire & lead singer of group led by Marko Babineau (Aerosmith, G&R.) I've also sung & ministered with outreaches to try & comfort the homeless in Skid Row-downtown LA... and put on a special special presentation for my Grandmother in her nursing home before she went on to her eternal home...the most wonderful thing I've ever done.

I sing with the 3 Gospel choirs in North Hollywood- once informed that I had become president of my Men's Choir-arranging,directing-doing the deal-as learned from personal musical mentors, Anthony Janflone Sr. (the Nicola Tesla of Music) & Motown Songwriter writer/ director, Stafford Floyd.

I also perform as a solo artist while recording/ performing with various artists including Naomi Nektare, Jillisa Lynn, Tru Addiction, Rich Vacarro, Gary Allen, Kenny Freeman & Marko Babineau & more.

*** Lesson Details ***
To connect with, meet you halfway on the path with, teach & direct from a sound & experienced mind the shortest and most direct methods to unveiling one's musical dreams coupled with on-going personal support, guidance, empowerment training, accompaniment and honest advice.

*** Studio Equipment ***
1971 Lowry Theatre Organ, Vox Tone Lab amp, Fender bass, acoustic & electric guitars, various microphones and recording equipment.

*** Travel Equipment ***
Electric Guitar, Acoustic Guitar, Bass Guitar, Korg Micro Synth, Accessories

*** Specialties ***
Pop, Rock, R&B, Soul, Funk, Hip Hop, Music Theatre, Blues, Hard Rock, Gospel, Psychadelia, Acid Jazz, Metal, Country, Comedy, Free Jazz, Spoken Word

first two albums with composer Yves Vincent of San Diego, California in genre-stretching new-age/classical style.

After relocating to Tucson, Arizona, as music director for his church, he encouraged a variety of styles and genres to be used by the musicians and choirs of each of five weekend Masses.
Later, in Illinois, he directed another 60 voice parish choir that frequently performed with orchestras from Illinois State & Wesleyan Universities. His voice students in all these locations have been encouraged to explore and develop their own unique expression of their favorite music, while building on a solid foundation of technique, vocal strength and musicianship.

Now that Patrick has relocated one more time to Los Angeles, CA, he is working on a 3rd and 4th CD and once again accepting students. He enjoys the opportunity to expose young & older talent to the power and passion of classical music while also helping them create ways to make it new and exciting by reinterpreting it with their own favorite genres.

Lessons

Patrick's passion for teaching comes from his philosophy of music:
"Music is humanity's most evolved form of expression and communication. Music includes language, our physical senses, and our sense of meaning. With music, ordinary language is ultimately transcended. Words communicate from mind to mind; music communicates to the depth of the soul."

Patrick teaches and encourages young beginners as well as coaching and challenging seasoned professionals. He has even taught a hearing-impaired student to use physical sensation rather than sound to sing on pitch! He focuses on fundamentals of breath, technique and strength to help singers take care of their irreplaceable instrument. (Patrick's own vocal coach, Edward Kingins, continues to perform and move audiences in Detroit well in to his 70s!) Along with helping students build a strong foundation, he nurtures a love and commitment to music by working with students in the style and genre they enjoy most, from rock to pop, jazz or country.

Patrick also has unique insight into the entertainment industry, both in Los Angeles and across the country. Over the years, he has been associated with and close friends with musicians and actors such as John Denver and Richard Hatch as well as sought-after speakers Tom Crum and W Mitchell. Since locating to L.A., he has worked in independent movies with Damian Chapa and David Carradine as an actor and production assistant and coordinator. This experience, coupled with his own success on stage and as a recording artist helps him guide and advise serious young talent to maneuver the crazy environment of Hollywood and avoid the scams and pitfalls of the entertainment industry.

Subjects Taught

Singing, Acting (stage Presentation)

*** Lesson Details ***
Beginning Lesson Outline

My Basic lesson outline is to determine where we are starting with each student and custom make lessons designed to fit the needs for that student. We will also work on meditation and visualization techniques for performance. The idea is for you to feel the words and sing with passion or so your audience believes your song.

Unlike other instruments, your voice cannot be replaced if it is damaged. I take the time needed through each step of the process so your voice is strengthened and developed properly. It is up to the student to practice and apply what is learned and build a trained, strong instrument that will be useable for your whole life.

You will learn:

Proper breathing techniques and practice.
Properly warming up the voice.
Working on music theory (reading music, etc.)
Ear training and pitch.
Expression, phrasing and performing.
Applying techniques learned to music suitable for student's capabilities.
Learning to have fun and enjoy the music experience.
Confidence and self-esteem

Depending on student's progress, specific lesson components above will be emphasized so that the student's goals will be achieved.
My goal is to prepare you to the best of my ability for you to achieve your dreams.

*** Studio Equipment ***
Keyboard & Recording Studio

*** Travel Equipment ***
CDs, recorded lessons, vocalization practice material. Student should have a CD/tape player. Keyboard is helpful, but not required.

*** Specialties ***
Vocal: Classical, jazz

industry working with top tier performers such as Chaka Khan, The Black Eyed Peas, Montell Jordan and Babyface to name a few. Accompanying her is a staff of accomplished performers and teachers who have credits throughout the entertainment industry. At the WHAA, her performing arts academy, she offers a conservatory-level curriculum focusing on the fundamental skills of technique, composition, artistry and performance in music, dance, drama and visual arts.

*** Lesson Details ***
I am a very fun loving person and believe in creating a positive environment where students feel comfortable to be themselves. At the same time I am a stickler for details and do not allow laziness. I believe a balance of fun with excellence has allowed my students to excel far beyond their own expectations. Good results takes HARD WORK! Please do not come to lessons with the expectation to sing like Beyoncé or play piano at Carnegie Hall after 4 lessons. Mastering your voice and instrument takes equal parts of time, hard work, dedication and patience.

My teaching style is individually based.
For vocal clients, I asses their strengths and weaknesses and develop a plan to build up their weak areas while helping them find "their own voice". I focus on breathing, intonation and control which I believe are the foundation of great singing ability. I use a classical Italian based program along with pop, R&B, jazz, and rock. I have vocal coached in many languages including Spanish, Japanese and Chinese.

For piano clients I focus on strength, dexterity and precision in fingering. I also help students learn to feel the music and bring their personality and touch to each piece they are performing.

*** Studio Equipment ***
Tanisha currently teaches at her performing arts academy the White H Arts Academy. There are private instruction rooms and a lobby waiting area for parents and guests. Parents may also sit in the lesson room if desired. Private lesson rooms include a piano, speakers, and a music stand.

The White H Arts Academy also has two state of the art mirrored dance rooms with sound systems and wireless microphones for practicing stage performances or rehearsing for a big show.

*** Specialties ***
Vocals: beg to adv
Piano: beg to inter

Vocal genres are classical (opera), pop, R&B, gospel, rock, jazz, blues and musical theater. I studied voice at Berklee College of Music. Have also studied Seth Riggs SLS (Speech Level Singing) method independently, however, I am not certified. I also teach in languages other than English including Spanish, Japanese and Chinese.

Piano instruction levels I teach are basic to intermediary focusing on classical, and general accompaniment abilities.

ent based on their specific goals and intentions regarding their voice so that each lesson focuses on them and their unique needs. It is extremely important to her that students of all ages have a positive experience of music in their lives and she provides fun and encouraging performance opportunities for those students who wish to participate. Michelle’s goal is to recognize and support each student's potential, helping to give them confidence, direction and motivation on their unique musical journey.

*** Studio Equipment ***
Piano, music stand, microphone, mic stand, acoustic guitar, electric guitar, guitar and mic amplifier, recording equipment.

*** Travel Equipment ***
Portable Keyboard

*** Specialties ***
Musical theater, Jazz, Classical, Contemporary, R & B, Folk, Alternative, Contemporary Christian and Popular Music.

ut mimicking people through their daily lives. American clients will reconnect with their roots through the exploration.

a degree in acting. As an expert in performing arts, Denise looks forward to helping new students achieve their goals.

Her teaching style is personal and catered to you, making sure you feel confident to go for your dreams! Lessons will encourage you to step out of your comfort zone, but always in a nurturing safe environment. Work on YOUR goals and get one on one training made for YOU!