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Moreno Valley, CA Flamenco Guitar Lessons

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Popular Flamenco Guitar Teachers near Moreno Valley, CA

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About Chris S.

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Temecula, CA
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About Chris
Hi there! My name is Chris and I've been playing music my entire life and I believe that with the right attitude and environment anyone can achieve musical greatness!

I was born into a musical family and have studied classical piano since I was 4 years old! I am very well versed in music theory and proper technique, with an emphasis on avoiding player's injuries, as well as a great knowledge of classical Pieces for any skill level.

Alas!

As a young teenager I grew rebellious and learned how to play the electric guitar and have since sought teachers outside my family to learn modern styles and 5 other instruments!! I have also worked toward a music degree and have made music the center of my life.

Classical music is not everyone's passion but a good practice routine, attitude and environment is always a good thing to ha
ve as these things are important regardless of your favorite music.

*** Lesson Details ***
Lessons are held with a fun and relaxed attitude. Learning music should always be enjoyable and a good attitude and love for music is cultured and encouraged.

Lessons are structured just like a practice session should be. We will begin with a warm-up exercise designed to acquaint you with the proper technique to meet your personal musical goals. the next activities are highly personalized, but is usually something like reading music or a music theory game. These activities are things that are good for you but may not be your favorite part of learning music. They will, however, go a long way toward your better understanding of how your favorite music is structured.

Examples could be learning about 12 bar blues, common strum patterns (for guitar), scales, sight-reading, or music analysis.

We will spend the rest of class learning and practicing an activity of your choice. This is usually a song but can be anything you wish to improve upon. this is usually a long-term goal of yours. *I've always wanted to learn......*

By structuring our lessons the same as how you will practice, and by keeping good notes, it will be easy for you to take on practice at home and achieve all of your musical goals!

*** Travel Equipment ***
Students should have their own guitar/piano/keyboard etc. Guitar/violin students should also have a music stand and tuner to keep at home. I will bring picks, spare tuner, music, and handouts.

*** Specialties ***
I primarily specialize in classical piano in styles such as Muzio Clementi and Frederic Chopin. I also play Bach and various Spanish classical guitar pieces. I have also extensively studied electric guitar in Blues such ZZ Top, Metal such as Metallica, and rock such as Led Zeppelin. I have also studied Irish and Celtic folk music for instruments such as Mandolin and Violin.
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Carole J. July 26, 2017
· Ukulele · In studio
Obviously very talented guitar play- but I prefer a teacher who knows traditional Hawaiian Ukelele. He left me with a lot to practice which is great - but I would prefer a teacher who knows the Uke better.
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Emi R. June 15, 2017
· Ukulele · In studio
My daughter Lilli has been taking lessons from Chris for almost a year now and he is an amazing teacher. There are times when Lilli isn't paying attention or not responding to Chris and he has amazing patience with her. I couldn't have found a better Ukulele teacher anywhere else.
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Tina W. May 9, 2017
· Cello · In studio
Special thanks to a wonderful and talented teacher, Chris, on National Teacher's day!!
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Chris S.

Chris S.

Temecula, CA 92592
(13)
starting at
$27.50 / 30-min

About Omar G.

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Riverside, CA

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I've been teaching music for 15 yrs on guitar, piano, bass, cello and bass. My students have ranged from from 5yrs to 75yrs of age. I have seen many student go on to join orchestras, bands, broadway shows or simply continued their education to a university or college. Being able to read music profeciently has given me the opportunity to teach off many method books but like to use Alfred Method, Mel Bay and Frederick Noad Method books. I teach many styles ranging from classical, jazz & blues, rock, contemporary and pop. I do stress and recommend all my students to learn how to read music and usually by our second or third lesson they will playing simple songs. I am here to help you make music!

About OMAR
Knowing that you are looking for a instructor to teach you music puts a smile on my face. You see, music has been a part of my life since the age of 3. Some of my first memories are of me accompanying my father at home with his rehearsals or just singing together to have fun as a family. I believe music is a gift that unites people together bringing out our deepest emotions that words cannot express. At the age of 5 I received an organ and from that point on I embarked on a long life journey to indulge and learn more about music. In elementary, junior high and high school I was involved in any subject dealing with music. I joined school choirs, orchestras, bands, marching bands, jazz bands, musicals you name it. While enjoying all school music activities I was selected to join in honor county and state orchestras and choirs. In junior h
igh and high school I was selected to play for the Junior Pacific Symphony Orchestra, received scholarships to music summer camps, and was selected musician of the year. In college my quest continued with the Orange Coast College Orchestra, Praise Symphony Orchestra, Vanguard University Orchestra as well as guitar ensembles and college choir groups. I've also taken private lessons from Dr. Art David (Julliard graduate) in stand up bass as well as David Black (Pacific Symphony Orchestra) and classical guitar with Richard Glenn and David Murray. I've been teaching now for 15 years in guitar, classical guitar, bass guitar, stand up bass, cello, piano and voice ranging from 5 yr old to 65 yr old. My styles of music range from classical, jazz, rock, blues and contemporary. At this point I'm enjoying playing and singing in my church choir and worship team as well as teaching my two kids the joys of music. I hope you truly enjoy the joy of learning music whether it be through me or another teacher.

*** Lesson Details ***
As a teacher I require all students to set time aside to practice. For without it, it is only wasting your time, your money and my time. I don't expect a total dedication to it but I do want to see some effort put into it. A little practice can go a long way and the more you do it, the faster you will progress and the more you will enjoy it. We will first start off with what you want out of music and the level you are at and go from there. Student can bring their own music either thru tabs, music sheet or just by ear but one thing I do expect is a student to learn how to read music notation. We will go thru the regular warm up exercises, material practiced during the week and any new music for the following week. Correct techniques in how to hold your instrument or voice procedures will be addressed. Music theory will also be part of the lesson as well as ear training. At the end of either 3 to 6 months you will have learned the basics of music and will be playing songs for you or someone else to enjoy. I will make it a total relaxing and enjoyable atmosphere but some dedication has to put on the students' part.

*** Studio Equipment ***
Dedicated music room, guitar both classical and electric, piano, cello, upright bass and electric bass guitar

*** Travel Equipment ***
I provide my own instrument. I can also provide music stand, small amplifier if needed and music material for the first few lesson until student provides for him/her self. Student must have own instrument.

*** Specialties ***
My way of teaching would have to be that they must learn how to read music while learning how to play an instrument.
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Reviews
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Sergio July 15, 2017
· Singing · In studio
Very helpful. Most of all very calm and patient.
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Bill W. April 14, 2017
· Singing · In home
Omar is helping me with what I wanted to do. That makes him the best.
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Bill March 31, 2017
· Singing · In studio
I thought the lesson went well, I have never taken lessons before therefore have nothing to compare to. I felt I got what I had expected out of the first lesson. Looking foreword to the next.
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Omar G.

Omar G.

Riverside, CA 92503
(23)
starting at
$30 / 30-min

About Ken P.

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Anaheim, CA
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Learn basic flamenco strumming techniques and styles.

About Ken
I've been playing music my whole life, but it was as a high school student when I was asked to teach the school's guitar class that I became a teacher. Since that time I've gone on to earn several awards, played in many different types of projects, and earned a Master's degree. You might have heard my music before too if you've ever listened to a podcast, TV commercials, Indy films, or played any video games. My most successful student thus far however, would have to be Jacob Tilley from the rock band Young the Giant.

Not everybody wants to be a rock star though, and there are many aspects to the world of music. During the course of my musical adventure I've played with orchestras, been in rock, bluegrass, reggae, pop and blues bands, classical ensembles and more. I have also had the opportunity to play for celebrities and diploma
ts. Basically I've done a little of everything and I believe that it is this diversity of experiences that makes me a better teacher. Having worked in so many settings gives me a broad understanding that I use to help you reach whatever goals you might have.

I have also become adept at writing, recording and producing music, studying under Frank Wright of the legendary rock band Chicago. If you have an interest in creating and/or recording music I can definitely help you get there! Check out my chill/downtempo instrumental album 'Night Music'.

*** Lesson Details ***
I can teach you about playing several different instruments, how to write, how to record your own music, and how to get your music career off the ground! As a youth, I was largely self-taught so my inspiration was always to have fun. I never had to deal with the 'homework' style of practicing so I've naturally incorporated that approach to my lessons. My goal is to keep you (the student) inspired and having fun. When that happens you will become good at your instrument and feel as though you 'played' your way to success! As your teacher I will also provide almost all of the materials for free and show you great free apps to help you along with your learning and keep costs to a minimum! I know we will have fun together while you learn and I look forward to meeting you!

*** Studio Equipment ***
Guitars, piano/keyboard, drums, bass, banjo, mandolin, ukulele and a ProTools recording studio.

*** Travel Equipment ***
I provide the learning materials but I expect the student to have their own instrument, be that a guitar, drum set, etc.

*** Specialties ***
Commercial music is definitely my specialty, but I am also capable of doing various styles such as classical, bluegrass, traditional/folk. Just focus on what you want to learn and I can teach it to you.
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Reviews
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Jeff March 5, 2017
· Bass Guitar · In home
Ken is a great instructor. Easy to talk to. Provides excellent instruction. Perfect for a beginner.
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Jim July 31, 2016
· Ukulele · In studio
Ken makes learning fun. He's very encouraging. I can't wait for my second lesson.
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James July 17, 2016
· Bass Guitar · Online
Had a great first bass lesson with Ken. Looking forward to further lessons with him and getting to the next level.
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Ken P.

Ken P.

Anaheim, CA 92808
(11)
starting at
$25 / 30-min

About Lucian W.

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224773_445799_43673
Miami, FL

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- care of the fingernails
- repertoire
- right hand exercises with the free stroke and rest stroke
- scale studies
- 3, 4, and 5 stroke rasquedo

About Lucian
Lucian W is an alumnus of Berklee College of Music in Boston and former faculty member of the Hartford Conservatory. His vocal studies have been with Jacqueline Jarrett and David Baker in Connecticut, Jane Ellison at Loyola University in Montreal, noted operatic tenor Carmine Gagliardi in New York City, and Gina Moretta (whose students have included Gloria Estefan and Jon Secada) in Miami. He studied privately with world famous jazz guitarists George Benson and Chuck Wayne and has had a full time performing career of several decades as a guitarist, pianist, vocalist, bassist, arranger and orchestra leader.
Lucian believes that by sharing his enjoyment of making music with his students, he can give them confidence in other areas. That is because, in order to make music, they must go through a process of physical discovery through pr
actice. They are then empowered by experiencing the connections between inspiration, work, and pleasure.
He performs, as a solo entertainer, an unusually wide ranging repertoire because of his versatility on guitar, piano, and vocals. Being an accomplished arranger with a vast library of charts also allows him to lead a ten piece orchestra as competently as a trio or quartet. He has performed extensively in New York, Chicago, Cape Cod, and Florida.

*** Lesson Details ***
I always try to make lessons as comfortable and enjoyable as possible yet challenging enough to maintain interest. I build lessons around the student's individual interests (specific songs or styles) so that he or she can learn the technical fundamentals in a relevant context.
My own curriculum is supplemented by the following:
Guitar: Hal Leonard Guitar Method, Aaron Shearer Classical Guitar Method
Piano: Alfred's Basic Piano Course , John W. Schaum Piano Course
Voice: Jeffrey Allen's Secrets of Singing, Nicola Vaccai Practical Method

*** Studio Equipment ***
Hardman baby grand acoustic piano
OptimusMD1600 electronic keyboard
Crate TX50D guitar amplifer

*** Specialties ***
- Singing lesson time is generally divided 50/50 between voice building and repertoire. I accompany vocalists on both piano and guitar, teaching the melody notes as they are sung along with the piano. Then, once the melody is learned, I often switch to the guitar with just chordal backing. The acoustic guitar is also softer than the piano and lets the singer hear their own voice better. For voice building, I use my own concepts plus approaches of famous voice teachers like Jeffrey Allen, Seth Riggs, and Anthony Frissel.
- I am very experienced performing all styles of guitar and can cater to the student's specific area of interest, whether it be rock, folk, classical, or jazz.
- With piano, I work on fundamentals of reading and technique. Learning basic harmony and chord construction starting with triads (3 note chords), the student can soon read single stave lead sheets (a form of music notation widely utilized by professional musicians) as well as the grand staff. This approach trains the ear and makes learning how to play popular songs much easier.
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Reviews
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Aron July 10, 2017
· Classical Guitar · In studio
very methodical, had a good approach! we enjoyed learning with him
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Nelson May 27, 2017
· Acoustic Guitar · In studio
Lucian has a life time of experience as a practing musician, and also has been teaching for many years. I've had other guitar teachers, but Lucian​ is great at explanation and practical instruction. He's not just teaching you how to strum chords, but also about music theory.

He has the patience, and demeanor that is perfect for teaching. No easy task. I've seen other students of all ages here as well.

Great teacher
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Marty May 26, 2017
· Guitar · Online
Lucian is a great musician and after my first lesson I am comfortable knowing he is an excellent teacher. I look forward to taking my guitar playing to the next level. Thanks Lucian!
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Lucian W.

Lucian W.

Online
(30)
starting at
$30 / 30-min

About Marc M.

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Livonia, MI

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rasgueado is the quick down/up percussive strumming you'll hear in flamboyant guitar music

About Marc
I teach all styles of guitar, as I have been in many different types of music situations: Soloist (Classical) Ensemble (Classical and Jazz) Lead and Rhythm (Various Rock and Roll bands) Songwriting and Recording. I am a people person that learned the guitar from many different sources. Most of my learning came from watching others and communicating with others. I like to learn about the people I am teaching so that I can better understand their needs as a musician. My education came as a practical necessity in order to get better as a teacher and performer, as well as make a living doing it. But, by no means do I preach the need to be "educated" but only to be a working, practical musician. I will surely go over the need to read music once the need becomes evident, enlighten you as to why it may be important to understand certain aspect
s of music as opposed to just "picking and grinning", IE learning only "By Ear." I do specialize in music theory, and have many students taking lessons simply for this excellent foundation for songwriting also.

I am a classically trained guitarist that performs both as a soloist and for ensemble in a wide variety of styles. I graduated in 1996 from Schoolcraft College with an Associates degree in Music performance, and then, studying under the tutelage of Brian Roberts went on to receive my Bachelor's degree in Guitar Performance with a secondary in Jazz from Wayne State University in 2004. While at Wayne State and along the way I've performed and participated in several masterclasses with renowned artists: William Kanengiser, John Holmquest, Philip Candelaria, Jason Vieaux, Scott Tennant, and Antigoni Goni. I have also completed the teacher requirements for books 1-a and 1-b for the Suzuki Guitar Institute.

Many of my classical guitar and electric guitar students have went on to study further at the collegiate level, some achieving scholarships. My most recent students are current Berklee school of music graduates now in a band called "Flight of Fire", recently opened for Bonjovi this past summer and are getting air time on local radio stations... well on their way to living the dream! …the bulk of my students become full time professional musicians.

*** Lesson Details ***
I am an extremely patient person who has been teaching for over 20 years. I am laid back so there will be no pressure. With my electric and steel string guitar students, I host a special "Jam Session" 2 - 3 times a year to which will be one of your goals to participate in. This includes playing with a drummer, bassist, singer and another guitar player (usually me) and having it recorded. This should serve as your motivation to practice. This really eliminates the need for me to pull out a "yardstick" and "smack" your hands over the knuckles when not practicing your scales as many old traditional teachers may have done!

At your first lesson I will talk with you and give you examples of music that is played with a Flat-Pick, or music that uses the Finger-Style technique. This will be an important process as it will dictate which direction you will go in as a musician and especially during our lessons.

For the most part, playing with a Flat-Pick is generally used with the electric guitar and with most mainstream styles of music like "Rock and Roll", "Blues", "Rock-a-Billy" "Funk", and playing with the Finger-Style technique is used in styles like "Classical" and "Folk." After a while, I will introduce you to the other style of playing as well, as most great guitar players use both techniques in their playing...musicians (guitarists) such as: “Jimmy Page“, “Brian Setzer”, “Stevie Ray Vaughan”, “Joe Satriani”, “Lindsey Buckingham”, “Paul McCartney”, “John Mayer”, and many, many more.

To make learning the guitar Fun, I make sure to incorporate your main interest(s) first. Whether it be learning your new favorite song(s), learning how to write a song, or just learning some basics that you can use for when sitting around the campfire. This will be intertwined with which style you choose to start with: Flat-Pick or Finger-Style.

Pending on the level that you are starting at, (beginner, intermediate, advanced) I will include tidbits of music theory that will be used in a consistent manner. These will usually be progressive, pending on your level. For example, the songs you learn will be written out in an easy to understand chart that will have the fundamental aspects of theory (IE, chords, key, and rhythm pattern) that all musicians should understand.

With Children learning with a Flat-Pick, I encourage the use of a basic guitar instruction book.
Level One (beginners) :

"Hal Leonard Guitar Method Book One" by Will Schmid.

I will also use as a substitute for Level One:
"Alfred's Basic Guitar Method" by Alfred's Publishing Co.

More advanced players who can read music already (and graduates from book one) I prefer;
"Hal Leonard Guitar Method Book Two"

With Adults, I will ask if learning to read music interests you. It is a vital part of a practicing musician, but sometimes your needs may require a more one dimensional approach as time may be of essence. Again, I learned by ear and educated myself later...so I understand the person who wants to hold off on reading right away.

Students who want to learn the Classical (Finger-Style) approach will be encouraged to purchase a beginners book that I use written by one of my first instructors/mentor. It is a very intuitive book that covers the technique in great detail yet is very easy to understand (along with my help.) I will provide means of acquiring this book at your first lesson.

Students who want to learn the Folk (Finger-Style) approach will usually start in the above book, unless your an adult who just wants to learn some basics.

At your first lesson I will also provide you with documentation that goes more in depth about the various styles of guitar as the above info is scaled down.

*** Studio Equipment ***
-Amps

-Guitars (Electric, Acoustic, Classical, Bass)

- PA (loud speakers so you can Turn it Up! When playing along)

-Band in a Box (to play along with real prerecorded instruments seamlessly interleaved into a band type setting with almost unlimited genre choices...very impressive technology)

- Pro Tools (recording gear for all needs)

- Guitar Pro and Finale (to transpose music into sheet music)

-Skype (for out of town interactivity. Can do lessons via Skype)

-Basement with plenty of seating for parents, and or observers.

*** Specialties ***
I specialize in Classical Guitar, Electric Guitar, and Acoustic Guitar; Improvisation, Songwriting, Backup Vocals, Fretboard Harmony, Music Theory, Performance, and Recording.
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Reviews
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Annette August 21, 2017
· Classical Guitar · In studio
Marc is a great classical guitar teacher. He makes learning fun and easy. I highly recommend him.
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Matthew G. August 9, 2017
· Guitar · In home
Friendly, motivating, honest and awesome guy.
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Juanyea K. May 21, 2017
· Guitar · In studio
Mark was very patient, professional as well as being knowledgeable about the guitar. I was impressed with the way he presented the information of his learning technique. Marc knows music by notes as well as play by ear. I would recommend him to for anyone of all levels of experience that want to learn or enhance their level of guitar.
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Marc M.

Marc M.

Online
(33)
starting at
$22 / 30-min
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About Albino M.

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Cambridge, MA

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Solid knowledge from 18 years of playing guitar and I Graduated From Berklee College Of music as one of the first African Scholars.

About Albino
Albino was born in Maputo, the capital of Mozambique, a country in southern Africa known for its rich musical and cultural heritage. Fueled by the resourcefulness and determination that have always characterized Mozambicans, he built his first guitar at 16 from a 5-liter can of oil, scrap wood, and strings made out of electrical cords.

Drawn to the sounds of neighborhood street musicians in Maputo, Albino began to play in a number of local bands. As with his home-made guitar, Albino wanted to combine styles and incorporate diverse elements in his music. For his talents to grow, he knew he needed experience new places, cultures, and sounds.

While studying music education and Performance at Universidade Eduardo Mondlane in Mozambique, he heard about the Berklee School of Music in Boston, USA, where he could expand his musical horizons
. Soon after, he was one of the first students to receive a full scholarship to Berklee through the African Scholars program. In 2009, he settled in Boston, Massachusetts.

At Berklee, he was exposed to a variety of influences, but wanted to go deeper into the roots of jazz and expand his knowledge of music. He auditioned and was selected to participate in the Berklee Global Jazz Institute, which is directed by Danilo Perez and the residency teachers, including Joe Lovano John Patitucci, and Terri Lyne Carrington. The Institute emphasizes an artist's original vision in jazz, and has helped Albino find his own unique voice in the art form.

Albino still felt the absence of his own Mozambican traditions in his music. With the help of his mentors, Richard Bona and Lionel Loueke, two of the most prominent African musicians in the United States of America today, he began to bridge that gap.

Today, Albino's music succeeds in combining many disparate parts into an organic whole. It incorporates his musical experiences from Mozambique, the U.S., and many other places around the world, combining rhythmic patterns and musical concepts to create a unique Moz-Jazz sound. He will always continue to combine and capture the energies of different musical traditions to create a unified and original musical style.

Albino's original composition “Mozambique Dance” was recorded by Jazz Revelation Records, a student-run record label at the Berklee College of Music, for the 8th annual album released in 2011. He also recorded “Awusiwana,” his own composition, for the Berklee 2012 summer album. His debut album, also called Mozambique Dance, is to be released in Spring 2013.

Albino is an active musician, and has performed in several countries including Mozambique, Zimbabwe, South Africa, Italy, the U.S., and Mexico. He has also produced and recorded various projects in Mozambique and in the United States. In 2012, he will graduate from Berklee College with a degree in Music Production & Engineering and Performance, and a minor in Acoustics and Electronics.

*** Lesson Details ***
My teaching method dependent on the type of student. All my students will be treated with care and commitment to help them archive the their goals in the lessons.
We will be using book method as a way to follow a clear direction.
Learn songs, chords, scales, phrase, theory and more material that is needed for better musical foundation.

I am open to what the student wants to achieve over short and long terms.

*** Studio Equipment ***
Desk top and Laptop Mac Computers
Protools, Logic Pro, reason
Focusrite 56 Liquide, Focusrite Dual Mono Mic pre
BBe Maximizer
Bricasti, M7, sterreo reverb

*** Travel Equipment ***
Guitar
Guitar Amp
Mic
Laptop
Mbox

*** Specialties ***
Guitar
Bass Guitar
Voice
Ukelele
Song writing
Production
Audio Recording
Mixing
Mastering
...
Reviews
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Gina September 7, 2017
· Singing · In studio
Albino is a supportive instructor. He definitely wants to help mold his students into the best performers they can be. Very excited to continue working with him!
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Michael M. August 30, 2017
· Guitar · In home
Very patient and knowledgeable. Great mix of feedback and praise
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Caleb July 10, 2017
· Singing · Online
canceled on the day of my first lesson... didn't reply to emails.
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Albino M.

Albino M.

Online
(10)
starting at
$30 / 30-min

About Billy N.

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Brooklyn, NY
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I don't consider myself a Flamenco Guitarist but I'm schooled for over 5 years in the techniques and styles. I love the music and as an excellent teacher I have an excellent method from my own guitar master that will get you going on your way. If you stay with Flamenco to a certain level, I'll try to help you find a teacher that would really specialize in advanced playing

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
...
Reviews
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

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starting at
$60 / 45-min

About Thomas C.

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Tallahassee, FL
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As I classically trained guitarist, there is a lot of technical crossover.

About Thomas
I am a classical guitarist who recently graduated from the Peabody Conservatory of Johns Hopkins University in Baltimore, MD as a student of Ray Chester. I began my studies at Peabody with a classical and jazz guitar double major with a computer music composition minor. I have performed in masterclasses with Manuel Barrueco, Sharon Isbin, Andrew York, Lorenzo Micheli, Matteo Mela, Gohar Vardanyan, Adam Holzman, Marcin Dylla, Matt Palmer, Pablo Sainz Villegas, Thibaut Garcia, and others.

In 2014 and 2015, I was selected to perform in the Peabody Conservatory's "Thursday Noon Recital Series", where I performed "Impromptus" by Richard Rodney Bennett, and "Sonata III" by Manuel Ponce. In 2015, I commissioned and presented the world premiere of the guitar duo piece entitled "Sol Negro" by composer Peter Dayton.

For summer 2015, I was
granted a merit scholarship to Le Domaine Forget International Music Festival, where I studied with Bruce Holzman. I was a finalist and top prize winner in the 2015 ASU guitar competition. During my last year of study at Peabody, I also studied privately with Matt Palmer, who authored "The Virtuoso Guitarist: A New Approach to Fast Scales."

In 2016, I was granted a scholarship to study at the Aspen Music Festival under Sharon Isbin. I am now pursuing my masters degree under full scholarship at the Florida State University College of Music, where I am also a graduate teaching assistant to Bruce Holzman.

I play and teach classical, jazz, rock, acoustic, and have extensive knowledge of theory, ear training, and guitar technique/pedagogy/fretboard harmony.

Here is an article of mine!

http://takelessons.com/blog/learning-classical-guitar-right-hand-technique
...
Reviews
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Michael January 27, 2017
· Music Performance · In studio
Tom is a great teacher. I have been studying with him at FSU for a for a few months, and he has greatly improved my strength of sound. He has also helped me work on my musical expression.
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Josh January 26, 2017
· Classical Guitar · In studio
Tom is a very good instructor. He is very patient and will work with you on whatever you need. He will find the weak spots in your playing and bring them to your attention. He also never hesitates to compliment you if you deserve it. Tom is also very good at helping you achieve a high level of musical expression. Overall Tom is a great teacher.
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Cole January 18, 2017
· Classical Guitar · In studio
Definitely knows what he is doing in terms of playing and instructing. He gives constructive criticism and tips necessary to improve your playing each lesson.
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Thomas C.

Thomas C.

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(7)
starting at
$30 / 30-min

About Antonio G.

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Provo, UT
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LESSONS:

Learn the proper flamenco style for the Spanish guitar as well as classical posture and technique.

About Antonio
SPANISH GUITAR: Flamenco & Classical

Check out my artist bio at:

http://jaredgl14.wixsite.com/antoniogarcia/biography
...
Reviews
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Cierra Herring September 4, 2016
· Music Performance · In studio
Love Antonio's Spanish guitar, he is the only flamenco guitarist I have seen perform in the area! He makes his guitar sing:)
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Daniel Oliveira September 1, 2016
· Music Performance · In studio
Had the opportunity of listening to Antonio at the Latino Festival in Provo. Brilliant technique and wonderful refreshing music, one of a kind in Utah
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Vania September 1, 2016
· Guitar · In studio
Antonio is a great teacher! He is very patience and is always willing to help me improve my guitar skills. He has great passion for music and of course for the guitar. I'm very glad I was able to find Antonio because I have learned guitar concepts in English and Spanish!
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Antonio G.

Antonio G.

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starting at
$25 / 30-min

About Gabriel B.

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Long Beach, CA
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I have a PhD in music composition and theory, and place special emphasis on comprehending and assimilating the fundamentals of music in my lessons. I use an integrated approach that covers guitar technique, ear-training, harmony, theory, music history as well as composition and improvisation to encourage the development of well-rounded musicians.

About Gabriel
Hey, I'm Gabriel! I've been playing guitar for over 20 years, and have a PhD in music composition. I write crazy modern experimental music for classical ensembles, but also enjoy playing blues, rock and flamenco guitar.
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Gabriel B.

Gabriel B.

Online
starting at
$34 / 30-min

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