Carmichael, CA Speaking Voice Lessons
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Popular Speaking Voice Teachers near Carmichael, CA
Check out some of our most popular teachers near Carmichael, CA including Sacramento, Elk Grove, Roseville, Fair Oaks and West Sacramento.
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About Marsha K.
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I've worked with stroke victims to retain their ability to communicate; actors to better their ability to speak clearly and many singers. I can also assist with voice over work and reading ability.
About Marsha
The Recital was fabulous- thanks for all your work.
Goals: Since I am also a Life Coach, we really focus on how to accomplish our hopes and desires. We begin by weekly, then monthly and even a yearly goal.
Each week we also focus on something in my STUDENT PAL - mnemonic. Another is TECHNIQUE. Technique is the ability to have proper position, wrist-lifts and finger curve as well as Theoretic knowledge and application.
I started giving out lickable gold stars, you know, the old-fashioned kind? They are for those students who mark their lesson sheet and come prepared... They really seem to enjoy that, and I adore the nostalgia!
It is a great week when students are nearly all prepared and ready for their lessons. This makes both Coach and student more effective and the time together more enjoyable.
Perhaps you are reading
Goals: Since I am also a Life Coach, we really focus on how to accomplish our hopes and desires. We begin by weekly, then monthly and even a yearly goal.
Each week we also focus on something in my STUDENT PAL - mnemonic. Another is TECHNIQUE. Technique is the ability to have proper position, wrist-lifts and finger curve as well as Theoretic knowledge and application.
I started giving out lickable gold stars, you know, the old-fashioned kind? They are for those students who mark their lesson sheet and come prepared... They really seem to enjoy that, and I adore the nostalgia!
It is a great week when students are nearly all prepared and ready for their lessons. This makes both Coach and student more effective and the time together more enjoyable.
Perhaps you are reading
this with both a little excitement and a little concern. Finding the right person for your or your student can be intimidating. A short introduction follows so that you know a little about me and my philosophy which can assist you make an informed decision. If we are a good fit, lessons and learning progress more joyfully.
I have been teaching music, performing music and enjoying music since I was a tiny three-year old. My first piano lessons were at age seven. I have since taught the students of former students! How fun is that?
Music has blessed my life in countless ways and given me opportunities I'd never dreamed of. Teaching at the Young Artists Conservatory of Music; Singing in Carnegie Hall, Performing across Europe and teaching the best students for over 25 years has been a delight.
I believe strongly that those who spend their time and resources for musical education are some of the brightest and most intelligent people around. Each of my students have their own individual goals and reasons for taking music lessons, which we revisit monthly. I believe that my role is to be a support and tool for them/you to accomplish the goals set, working with music that delights and educates.
You want the best teacher, who offers information, example, practice and performance opportunities and then gets out of the way of the student's own "voice" (whether playing or singing) so that they can be free to create their own style.
*** Lesson Details ***
In our lessons, we work with a predictable schedule of balance. We have weekly exercises to make strong fingers and or voices, and technique and theory practice to hone skills that will improve our performances, whether they are for others or for our own benefit. Each student of piano can learn how to create and write their own music in time, choose their own pieces to work on, and have a say in their classical and performance goals.
We have a program of advancement, so you and your loved ones can visually see your progress and measure your skills, complete with awards and trophies.
What you learn, has everything to do with your commitment. Practice doesn't make perfect, Practice makes permanent. Only perfect practice makes perfect.
Learning the piano ought to be a JOY. I believe in playing the piano, not 'practicing' it. Enjoy what you do, and you'll do it longer and with celebration instead of duty.
*** Studio Equipment ***
Piano - upright; CD player; Music stands; Dozens of music books and lesson materials; flash cards; computer and music writing program; mic and mirror, syllabus.
*** Travel Equipment ***
No travel.
*** Specialties ***
Over the years I have dabbled in most methods, but finally come to use my own syllabus and musicianship. I can easily adapt to your favourite if that is your desire. I specialize in a total music education, not merely in learning notes. It is like looking in a mirror and only seeing eyes and skin. Music has many facets and we discover all of them.
I have been teaching music, performing music and enjoying music since I was a tiny three-year old. My first piano lessons were at age seven. I have since taught the students of former students! How fun is that?
Music has blessed my life in countless ways and given me opportunities I'd never dreamed of. Teaching at the Young Artists Conservatory of Music; Singing in Carnegie Hall, Performing across Europe and teaching the best students for over 25 years has been a delight.
I believe strongly that those who spend their time and resources for musical education are some of the brightest and most intelligent people around. Each of my students have their own individual goals and reasons for taking music lessons, which we revisit monthly. I believe that my role is to be a support and tool for them/you to accomplish the goals set, working with music that delights and educates.
You want the best teacher, who offers information, example, practice and performance opportunities and then gets out of the way of the student's own "voice" (whether playing or singing) so that they can be free to create their own style.
*** Lesson Details ***
In our lessons, we work with a predictable schedule of balance. We have weekly exercises to make strong fingers and or voices, and technique and theory practice to hone skills that will improve our performances, whether they are for others or for our own benefit. Each student of piano can learn how to create and write their own music in time, choose their own pieces to work on, and have a say in their classical and performance goals.
We have a program of advancement, so you and your loved ones can visually see your progress and measure your skills, complete with awards and trophies.
What you learn, has everything to do with your commitment. Practice doesn't make perfect, Practice makes permanent. Only perfect practice makes perfect.
Learning the piano ought to be a JOY. I believe in playing the piano, not 'practicing' it. Enjoy what you do, and you'll do it longer and with celebration instead of duty.
*** Studio Equipment ***
Piano - upright; CD player; Music stands; Dozens of music books and lesson materials; flash cards; computer and music writing program; mic and mirror, syllabus.
*** Travel Equipment ***
No travel.
*** Specialties ***
Over the years I have dabbled in most methods, but finally come to use my own syllabus and musicianship. I can easily adapt to your favourite if that is your desire. I specialize in a total music education, not merely in learning notes. It is like looking in a mirror and only seeing eyes and skin. Music has many facets and we discover all of them.
...
Reviews
· Piano · In studio
· Singing · In home
· Piano · In home
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Marsha K.
Roseville, CA 95747
starting at
$32
/ 30-min
About Danielle L.
Close
Teach public speakers, ministers and actors (tresses) how to utilize their diaphragm in speaking and projecting.
About Danielle
I have been taking the world by surprise since the age of 4. I began studying at Queens College at 6 years old and was a recital pianist by the age of 12. I was a consumer of music, from the Music Theory lessons on Saturdays, piano lessons on Thursdays and voice lessons on Saturday afternoons, my life was filled with music.
It is to no one's surprise that I completed my first demo at the age of 13 and was performing for Queens Colleges audiences at 14. I went on the rank high in the NYSSMA series in both piano and voice. I also went on to study music in college and began touring with gospel troupes nationally. Since then I has done many workshops, Master Classes, tour dates, theatre shows etc. Too many to date. I am a sought after teacher for voice, piano and broadway singing. I train public speakers, actors and teachers as well.
G
It is to no one's surprise that I completed my first demo at the age of 13 and was performing for Queens Colleges audiences at 14. I went on the rank high in the NYSSMA series in both piano and voice. I also went on to study music in college and began touring with gospel troupes nationally. Since then I has done many workshops, Master Classes, tour dates, theatre shows etc. Too many to date. I am a sought after teacher for voice, piano and broadway singing. I train public speakers, actors and teachers as well.
G
et your slot NOW! I will take your musicianship and skill to the next level! But you have to be ready!
*** Lesson Details ***
Here are some details about the lessons:
1. Please come with a notebook and pen
2. Each lesson consists of vocal exercises, breathing exercises, goal setting, artist development etc
3. After 3 moths CONSISTENTLY with me, you will be transformed
*** Studio Equipment ***
Music studio in home with seating for parents.
*** Travel Equipment ***
Black and white notebook
25 Italian songs and arias
Alfred's Piano Book 1
*** Specialties ***
The foundation of all my teaching stems from my background in opera.
*** Lesson Details ***
Here are some details about the lessons:
1. Please come with a notebook and pen
2. Each lesson consists of vocal exercises, breathing exercises, goal setting, artist development etc
3. After 3 moths CONSISTENTLY with me, you will be transformed
*** Studio Equipment ***
Music studio in home with seating for parents.
*** Travel Equipment ***
Black and white notebook
25 Italian songs and arias
Alfred's Piano Book 1
*** Specialties ***
The foundation of all my teaching stems from my background in opera.
...
Reviews
· Singing · In studio
· Piano · In studio
· Singing · Online
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Danielle L.
Online
starting at
$30
/ 30-min
About Barry M.
Close
About Barry
Hello! A little about me... I have a Bachelors Degree in Music, 15 years of performing experience, and 10 years of teaching experience. I would love to share what I've learned to help you find your authentic sound. I try to approach each student individually vs treating everyone the same, catering to learning styles and willingness to learn. I hope to see you soon!
*** Lesson Details ***
I think everyone is born with the capacity to sing, with their own unique voice. I think often times we "get in our own way" and hold ourselves back from truly realizing our potential. I would love to help find your true voice so that you can do anything you want, whether it's singing in the shower or in front of thousands of adoring fans at Carnegie Hall!
*** Studio Equipment ***
Practice rooms with upright pianos.
*** Travel Equipment ***
If t
*** Lesson Details ***
I think everyone is born with the capacity to sing, with their own unique voice. I think often times we "get in our own way" and hold ourselves back from truly realizing our potential. I would love to help find your true voice so that you can do anything you want, whether it's singing in the shower or in front of thousands of adoring fans at Carnegie Hall!
*** Studio Equipment ***
Practice rooms with upright pianos.
*** Travel Equipment ***
If t
here is no piano, we can work from the mp3 player or a cd player and make it work!
*** Specialties ***
I specialize in Jazz voice, improvisation (scatting) and Broadway singing. I am also trained in Acting.
*** Specialties ***
I specialize in Jazz voice, improvisation (scatting) and Broadway singing. I am also trained in Acting.
...
Reviews
· Broadway Singing · In studio
· Singing · In studio
· Broadway Singing · In studio
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Barry M.
Online
starting at
$30
/ 30-min
About Glenn W.
Close
There are secrets to unlocking a speaking voice that has command, gains attention and makes a lasting impression on a listener. We will unpack these secrets and concepts, and begin immediately improving your ability, thereby increasing your confidence as a speaker. Whether you seek to improve your speaking skills in large public forums, or, maintain the attention of a listener in a one-on-one situation, I guarantee that you will leave our FIRST session with enlightened knowledge and practical application.
About Glenn
I have been active in the entertainment industry since the age of 12, when I gave my first professional performance. Prior to that I was already being introduced to music with years of guitar, and then vocal instruction. I do not remember a time of my life when I was not singing somewhere; in the house, in the yard, in the classroom. That is perhaps why I identify so well with the young people who gather so much enjoyment from "just singing" at every opportunity. I studied professionally for over 10 years with renown soprano and voice teacher Sylvia Jensen, who was instrumental in the enhancement of my vocal knowledge and technique. She is now the Director of Education for the Miss Ohio pageants of the Miss America competitions, elevating many young ladies to the national spotlight. At age 14, I auditioned for, and was added to cast of a
network television variety program, "The Gene Carroll Show", that was a television institution for over 30 years in the Midwest. I was a featured performer on that program for over 7 years, all the while perfecting the art of "playing to a camera." This experience was invaluable, and the knowledge I gathered is now included in my curriculum. I also began performing a solo act in the nightclub circuit at the age of 15, performing up and down the "north coast" from Cleveland, OH, (my home), to Erie. PA. At a very young age, I learned the difficult art of choosing musical material and pacing a show; also adapting to performing under a myriad of conditions with a vast array of musical accompaniment. After graduating college with a degree in Business Administration and Marketing, I assembled my own band, and took to the road. That experience eventually brought the act to Las Vegas in 1982. Over the years my show has been a staple in major casino cabarets in Las Vegas, and all over Nevada. Since my first engagement at The Landmark Hotel in the early 1980's, I have literally been up and down the famed Las Vegas Strip many times over. The Desert Inn, The Dunes, The Stardust, The Maxim, The Tropicana, New York New York, Mandalay Bay, MGM, Bally's, The Flamingo, The Imperial Palace, The Four Queens, The Golden Nugget, The Fremont, The Venetian, The Palazzo, and a three year engagement at The Riviera. My show is truly comprised of musical variety; classics, show tunes, jazz, rock, blues, r&b, country. Even a presentation of "Music of the Night" from Phantom of the Opera, that I perform in full costume. It is this ability to successfully deliver an extensive repertoire that I am enthusiastic about passing along to the next generation of entertainers.
I have been truly blessed in my career to have experienced so many highlights; too many to document. From winning an understudy roll in the Broadway Musical "Platinum" starring Hollywood actress Alexis Smith, to performing our National Anthem at events ranging from Major League Baseball to ESPN Boxing to receptions for major dignitaries, to recording 7 albums and a full-length video, to being asked to perform for Mr. Frank Sinatra at the Frank Sinatra Celebrity Golf Tournament, I have lived a full life on stage, learning and absorbing every bit of knowledge gathered along the way.
Now it is my desire to escalate my status as an educator to a more "one on one" experience; availing myself the opportunity to pass along that wealth of knowledge to individual students who aspire to enjoy the entertainment profession as I have, providing them with the skills needed to successfully compete. Or, should it be their choice not to pursue entertainment as a vocation, to gain a working understanding of all facets of their instrument so as to gain a better appreciation of music. Whatever the goal of the student, I feel that I am equipped to provide them with the tools needed to achieve that goal.
*** Lesson Details ***
Content of Sessions
Generally, the first 10-15 minutes of each lesson will be focused on vocal warm up and exercise. (For guitar students, we will review the previous
week's assignment). For Vocal Students, it is understood that the voice mechanism is made up of muscles, and as an athlete prepares for a sporting event, a singer must prepare to vocalize. It is at this time in our lesson when the student will develop good habits of voice maintenance, which will serve them well throughout their careers. The proper care and preservation of the vocal unit cannot be stressed enough, especially for pubescent and pre-pubescent students. Vocal chords in a developmental stage are most susceptible to damage, and because they are particularly sensitive, they must be handled with care. Our warm up regimen is designed to strengthen as well as preserve the singing voice.
I am not an advocate of getting too involved and "bogged down" in the technical aspects of singing, especially with the young students, and
especially early in our program. This is not to say that breath control, tonality, pitch, etc. are not vital to good singing, because these workings are ESSENTIAL, and their application will certainly be incorporated into our studies. Some instructors, on occasion, have a tendency to lose sight of the fact that much to do with singing happens "naturally", and too much focus on the "technical" can actually be inhibiting. This can alter a beautiful, natural tone into one that is unnatural and contrived.
I adhere to the philosophy that above all else, SINGERS WANT TO SING SONGS, and musicians-in-training want to play music. That is our focus, and all of our training is conceived with that objective in mind. All the technical knowledge and coaching serves no purpose without practical application. It is my belief that the most significant progress occurs when a vocalist is singing a song.
Nearly every element of instruction can be utilized in the performance of one song. This is why the majority of our session time will be spent "in song". For the very young student, we will concentrate our efforts with the students choices of favorite and familiar songs. The older students will undoubtedly have favorite songs, styles and artists. Special attention will be paid to the genre most enjoyed by the student, but diversity will be emphasized as well, and a variety of genres will be unpacked and explored. I believe that whatever a student's musical goals and aspirations, it is in their best interest to gain knowledge and insight in all facets of music, singing, and performance.
The most vital pre-requisite for any student is their enthusiasm. My ambition will be to harness that enthusiasm and channel it productively through stimulating instruction. Our sessions will be informative and educational, but always predicated upon "having fun with music".
I am proud to feature a curriculum that emphasizes the entertainment aspect of singing as well as the technical; created to benefit all ages and experience levels, from beginner to seasoned professional. After just weeks of my "Triple Threat Training" a student will begin to see astounding results: vocally, musically, and in the art of performance. I am excited to share my knowledge with you. Let's get started!
*** Studio Equipment ***
My studio is equipped with a full vocal sound system with microphones that I utilize to teach the valuable art of mic technique. Young students enjoy using the mics and hearing themselves sing and perform. Since our lessons are predicated on enjoying the art of singing, this opportunity has proven invaluable. For the advanced performer, studying all aspects of amplification and what a singer should know about their stage sound is a part of our educational curriculum. My studio is furnished with the equipment that is essential to mastering that knowledge.
Since the practical aspect of my course is based on singing songs, I provide all the latest technology required to allow my students the opportunity to sing the songs of their choosing, with and without the lead vocal tracks. I feel that when students are singing their favorite songs, it offers me the greatest teaching opportunities. I make certain the every musical genre can be represented, and feel I have the knowledge and ability to guide the student is whatever their musical tastes. My studio is also equipped with piano (for vocal exercises), and guitars, which gives me opportunity to accompany my students when the musical moment is appropriate. Be assured that all the technology I need to fulfill the educational needs of my students is but a step away!!
I have been truly blessed in my career to have experienced so many highlights; too many to document. From winning an understudy roll in the Broadway Musical "Platinum" starring Hollywood actress Alexis Smith, to performing our National Anthem at events ranging from Major League Baseball to ESPN Boxing to receptions for major dignitaries, to recording 7 albums and a full-length video, to being asked to perform for Mr. Frank Sinatra at the Frank Sinatra Celebrity Golf Tournament, I have lived a full life on stage, learning and absorbing every bit of knowledge gathered along the way.
Now it is my desire to escalate my status as an educator to a more "one on one" experience; availing myself the opportunity to pass along that wealth of knowledge to individual students who aspire to enjoy the entertainment profession as I have, providing them with the skills needed to successfully compete. Or, should it be their choice not to pursue entertainment as a vocation, to gain a working understanding of all facets of their instrument so as to gain a better appreciation of music. Whatever the goal of the student, I feel that I am equipped to provide them with the tools needed to achieve that goal.
*** Lesson Details ***
Content of Sessions
Generally, the first 10-15 minutes of each lesson will be focused on vocal warm up and exercise. (For guitar students, we will review the previous
week's assignment). For Vocal Students, it is understood that the voice mechanism is made up of muscles, and as an athlete prepares for a sporting event, a singer must prepare to vocalize. It is at this time in our lesson when the student will develop good habits of voice maintenance, which will serve them well throughout their careers. The proper care and preservation of the vocal unit cannot be stressed enough, especially for pubescent and pre-pubescent students. Vocal chords in a developmental stage are most susceptible to damage, and because they are particularly sensitive, they must be handled with care. Our warm up regimen is designed to strengthen as well as preserve the singing voice.
I am not an advocate of getting too involved and "bogged down" in the technical aspects of singing, especially with the young students, and
especially early in our program. This is not to say that breath control, tonality, pitch, etc. are not vital to good singing, because these workings are ESSENTIAL, and their application will certainly be incorporated into our studies. Some instructors, on occasion, have a tendency to lose sight of the fact that much to do with singing happens "naturally", and too much focus on the "technical" can actually be inhibiting. This can alter a beautiful, natural tone into one that is unnatural and contrived.
I adhere to the philosophy that above all else, SINGERS WANT TO SING SONGS, and musicians-in-training want to play music. That is our focus, and all of our training is conceived with that objective in mind. All the technical knowledge and coaching serves no purpose without practical application. It is my belief that the most significant progress occurs when a vocalist is singing a song.
Nearly every element of instruction can be utilized in the performance of one song. This is why the majority of our session time will be spent "in song". For the very young student, we will concentrate our efforts with the students choices of favorite and familiar songs. The older students will undoubtedly have favorite songs, styles and artists. Special attention will be paid to the genre most enjoyed by the student, but diversity will be emphasized as well, and a variety of genres will be unpacked and explored. I believe that whatever a student's musical goals and aspirations, it is in their best interest to gain knowledge and insight in all facets of music, singing, and performance.
The most vital pre-requisite for any student is their enthusiasm. My ambition will be to harness that enthusiasm and channel it productively through stimulating instruction. Our sessions will be informative and educational, but always predicated upon "having fun with music".
I am proud to feature a curriculum that emphasizes the entertainment aspect of singing as well as the technical; created to benefit all ages and experience levels, from beginner to seasoned professional. After just weeks of my "Triple Threat Training" a student will begin to see astounding results: vocally, musically, and in the art of performance. I am excited to share my knowledge with you. Let's get started!
*** Studio Equipment ***
My studio is equipped with a full vocal sound system with microphones that I utilize to teach the valuable art of mic technique. Young students enjoy using the mics and hearing themselves sing and perform. Since our lessons are predicated on enjoying the art of singing, this opportunity has proven invaluable. For the advanced performer, studying all aspects of amplification and what a singer should know about their stage sound is a part of our educational curriculum. My studio is furnished with the equipment that is essential to mastering that knowledge.
Since the practical aspect of my course is based on singing songs, I provide all the latest technology required to allow my students the opportunity to sing the songs of their choosing, with and without the lead vocal tracks. I feel that when students are singing their favorite songs, it offers me the greatest teaching opportunities. I make certain the every musical genre can be represented, and feel I have the knowledge and ability to guide the student is whatever their musical tastes. My studio is also equipped with piano (for vocal exercises), and guitars, which gives me opportunity to accompany my students when the musical moment is appropriate. Be assured that all the technology I need to fulfill the educational needs of my students is but a step away!!
...
Reviews
· Audition Prep · In studio
· Acting · In studio
· Singing · In studio
View Details
View Profile
Glenn W.
Online
starting at
$35
/ 30-min
About Mary P.
Close
I teach the techniques of vocal support and projection as developed by Kristen Linklater and have experience instructing both actors and business executives.
About Mary
Mary is a Tony nominated writer, actress, and teacher whose Broadway credits include Martha Jefferson in "1776" and Grace Farrell in "Annie". She was a starring soloist In Leonard Bernstein's "Mass" at the Kennedy Center and the Metropolitan Opera and toured as featured vocal with Michel LeGand in concerts including Carnegie Hall. Off Broadway credits include her own musical, "Cradle Song". She studied voice with the great Sue Seton and later with opera star and tenor coach at the Metropolitan Opera, Felix Knight. She teaches a combination of both their legendary techniques. As an actor, she studied acting with Sanford Meisner in NYC, the Rheinhardt Seminar in Vienna, Austria and has been teaching and directing beginning, intermediate and professionsl singers and actors for over fifteen years. Former students have appeared on "Thirt
y Rock", Gilmore Girls", "Law and Order" and others. Her goal in working with her students is not only to teach healthy vocal technique, but in keeping with her theatre background, her strong belief that "Every song is a scene or monoglogue" leads her to make sure the student know what they are singing or speaking about, and can do so with a clarity of emotion and dramatic intent.
She has a BA in theatre/voice from the University of Kansas where she serves on the Advisory Board For the Department of Theatre and Film and has an MFA from the Graduate Musical Theatre Writing Program at NYU Tisch School of the Arts where she is a guest lecturer. She is a member of AEA, SAG/AFTRA, AGMA and The Dramatists Guild.
"Mary is able to reach not only those students who are already excited about theater but inspire those who have no previous knowledge of it. To watch these young men and women become more and more accomplished is a marvelous thing. She inspired them all."...Mark St. Germain, Obie winning playwright.
*** Lesson Details ***
In a one hour lesson, we will spend twenty five minutes on vocal exercises designed to teach support and placement. Having performed leads on and Off Broadway, I know that without good technique you can't do eight shows a week, do back to back sets in a nightclub or cabaret or tour as a pop or rock singer. The second half of the lesson is spent on songs. As an acting as well as vocal coach, I focus on dramatics as well as musical interpretation. A singer must be connected to the words as well as the music. I hope to teach you to love singing as much as I do.
*** Studio Equipment ***
casio keyboard, speakers, desk, extensive library of scripts and sheet music, internet
*** Specialties ***
pop and musical theatre singing
college and theatre auditions/monologues and song performance
She has a BA in theatre/voice from the University of Kansas where she serves on the Advisory Board For the Department of Theatre and Film and has an MFA from the Graduate Musical Theatre Writing Program at NYU Tisch School of the Arts where she is a guest lecturer. She is a member of AEA, SAG/AFTRA, AGMA and The Dramatists Guild.
"Mary is able to reach not only those students who are already excited about theater but inspire those who have no previous knowledge of it. To watch these young men and women become more and more accomplished is a marvelous thing. She inspired them all."...Mark St. Germain, Obie winning playwright.
*** Lesson Details ***
In a one hour lesson, we will spend twenty five minutes on vocal exercises designed to teach support and placement. Having performed leads on and Off Broadway, I know that without good technique you can't do eight shows a week, do back to back sets in a nightclub or cabaret or tour as a pop or rock singer. The second half of the lesson is spent on songs. As an acting as well as vocal coach, I focus on dramatics as well as musical interpretation. A singer must be connected to the words as well as the music. I hope to teach you to love singing as much as I do.
*** Studio Equipment ***
casio keyboard, speakers, desk, extensive library of scripts and sheet music, internet
*** Specialties ***
pop and musical theatre singing
college and theatre auditions/monologues and song performance
...
Reviews
· Singing · In studio
Initially and as the student moves along, Mary assesses talent and abilities and then continues to periodically reassess the learning in a manner that never ceases to amaze me. I have been working with Mary for six months and found her evaluations of my strengths and what I need to work on to be spot on every time.
What I esteem most is Mary's technical acumen, the techniques she learned from her teachers and mentors and her experience as a performer. Her keen ear and eye immediately pick out every nuance being sung that needs work. She answers questions about where "to go" in throat, mouth, tongue, torso, etc., demonstrating how to correctly produce the sounds, tones, and supported breathing in question. Voice teachers, of course, are supposed to do this. Mary does this superbly.
If you are seeking a teacher who knows her technique, especially in musical theater, I highly recommend Mary.
· Acting · In studio
In my opinion, our session last night wasn't productive. My opinion is, you weren't really interested in teaching me. Out of the 60 minute session. I only did about 3 to 5 minutes of exercises. You spent 55 minutes talking about your past and present students, professional actors you know, show business, acting techniques and your accomplishments. You did talk about about the script that i would read and the emotion behind it, but that lead into more about your students and professional actors you know. it took you 30 minutes in your office to find that script, (which should have been done a head of time) then we went downstairs and another 25 minutes of talking before i could read it to you.
Towards the end when i finally spoke up about so much time being passed and nothing being done. You said you needed to see my personality so you can know where to start with me. That made no sense to me, how are you seeing my personality if you are the one mostly talking about your accomplishments and who you know and what you've done?
Why not pick a point and start there and see what my weak and strong points are? You also asked me the same questions you asked me on the phone, have you ever taken lessons before, why do you want to act, what do you do for work which to me just consumed more time.
What i found surprising and discouraging was when you asked me why would I take acting classes up here when there are some of the best acting schools in the world just an hour away in New York City? I wish you had said that to me over the phone before our meeting, I would reconsider taking lessons from you and just spend the extra money and go down to the city. If i were an instructor i would be grateful for anyone who sacrificed their time and money to come see me, and never ask why they chose me when there is better not that far away. With that said I have decided to cancel my remaining lessons with you please do not bill me any further.
Jason
PS Telling a person of color that they are a weird fit as a real estate agent in Croton N.Y, and would be a better fit in Brooklyn N.Y was discriminatory and offensive to me.
· Acting · Online
View Details
View Profile
Mary P.
Online
starting at
$50
/ 45-min
View More
View Previous
About Kim C.
Close
An accomplished voice over actress, Kim's voice over skills are internationally recognized and acclaimed: Kennedy Space Center, The Limited, Inc., Publix and Media One are some of her many projects. "You can't do better than the legendary voice-actress Kim C. - she can do anything," says Rick Raddatz, founder of Instant Audio, Audio Generator, TEDxCU, Xiosoft, BizPad,. Pilots and astronauts know her as the original 'Bitching Betty,' the first voice to be digitized for voice recognition and vocal prompts. She is a very successful Voice-Over Coach and Voice Over Artist Mentor and has many private students.
About Kim
Kim C. enjoys a busy career as a working professional actress/writer/director voice over artist in theatre, broadcast, industrial, educational, film, radio and TV commercials, e-learning and web site development. She received an Emmy nomination in 2010 for her voice over characterizations and production in 'Echoes from the Holocaust." In addition to her own career, Kim mentors voice over artists, coaches actors and teaches Master Classes privately for Pivot Planet and Betterfly.
Her podcast project Kim C's Florida Footpaths is a critically acclaimed media-rich trails and tales adventure of Natural Florida which was created through an Individual Artist Grant by the State of Florida Arts and Culture Division of Cultural Affairs.
An accomplished voice over actress, Kim's voice over skills are internationally recognized and acclaime
Her podcast project Kim C's Florida Footpaths is a critically acclaimed media-rich trails and tales adventure of Natural Florida which was created through an Individual Artist Grant by the State of Florida Arts and Culture Division of Cultural Affairs.
An accomplished voice over actress, Kim's voice over skills are internationally recognized and acclaime
d: Kennedy Space Center, The Limited, Inc., Publix and Media One are some of her many projects. "You can't do better than the legendary voice-actress Kim C. - she can do anything," says Rick Raddatz, founder of Instant Audio, Audio Generator, TEDxCU, Xiosoft, BizPad, Pilots and astronauts know her as the original 'Bitching Betty,' the first voice to be digitized for voice recognition and vocal prompts. She is a very successful Voice-Over Coach and Voice Over Artist Mentor and has many private students.
On camera, Kim has been a spokeswoman for clients including AT&T, IBM and DuPont, as well as being a featured on-camera principal commercial performer for OsCal, Nutrasweet, USF&G Insurance and many fine Fortune 500 companies. In film and television she was featured with Richard Harris (The Ravagers), Burt Reynolds (Stroker Ace) and James MacArthur (Superboy) and played Lurleen in Life's a Drag (When You're a Man in a Dress), Claire in Drowning, and Susan in the short film, The Couch.
Her professional stage credits span over an impressive thirty-five years, starring in world and regional premieres, classic revivals and active in new play development. In 1979 she pioneered a regional theatre Twickenham Repertory Company in Alabama under a CETA grant. The company is now celebrating its 34th season as Theatre Huntsville.
Kim recently played Greer in 7 Homeless Mammoths Wander New England and Vivian Bearing, PhD. in her 5th production of Wit, this time at the Palladium Theatre for American Stage. Other recent roles include Mag in The Beauty Queen of Leenane for Banyan Theatre and Prime Minister Golda Meir to standing ovations in the Atlanta premiere and FST Sarasota productions of the 22 character, one-woman show Golda's Balcony. She starred in two productions of Parallel Lives, The Kathy and Mo Show playing 16 comic characters, as well as directing a production and showcased her classical drama chops as Mrs. Alving in Henrik Ibsen's Ghosts. Her latest theatre directing project, Three Tall Women by Edward Albee for the Players, played to sold out houses and standing ovations.
Kim trained in London and graduated Phi Beta Kappa, Summa Cum Laude from Catholic University's famed Speech and Drama Dept. She is a member of Actor's Equity Association (1983) and SAG/AFTRA (1976).
Kim is proud to be a working, professional actor - 'an athlete of the heart.' She is married to America's premier cat painter, artist Drew Strouble aka CatmanDrew of "Must Love Cats" Animal Planet fame.
*** Lesson Details ***
Depending upon where you are in the process, each lesson is individually personalized to your acting and voice acting needs.
*** Studio Equipment ***
4 mac computers
Shure ksm32 sl mic
Studio Projects c1mic
AKG Solidtube mic
ATG/Sony headphones
Tannoy Studio Monitors
iPad
Manhasset Music Stands
*** Specialties ***
Voice Over, Audio Books, Commercials, Narrations
Acting On Camera, Theatre Acting, Shakespearean Acting,
On camera, Kim has been a spokeswoman for clients including AT&T, IBM and DuPont, as well as being a featured on-camera principal commercial performer for OsCal, Nutrasweet, USF&G Insurance and many fine Fortune 500 companies. In film and television she was featured with Richard Harris (The Ravagers), Burt Reynolds (Stroker Ace) and James MacArthur (Superboy) and played Lurleen in Life's a Drag (When You're a Man in a Dress), Claire in Drowning, and Susan in the short film, The Couch.
Her professional stage credits span over an impressive thirty-five years, starring in world and regional premieres, classic revivals and active in new play development. In 1979 she pioneered a regional theatre Twickenham Repertory Company in Alabama under a CETA grant. The company is now celebrating its 34th season as Theatre Huntsville.
Kim recently played Greer in 7 Homeless Mammoths Wander New England and Vivian Bearing, PhD. in her 5th production of Wit, this time at the Palladium Theatre for American Stage. Other recent roles include Mag in The Beauty Queen of Leenane for Banyan Theatre and Prime Minister Golda Meir to standing ovations in the Atlanta premiere and FST Sarasota productions of the 22 character, one-woman show Golda's Balcony. She starred in two productions of Parallel Lives, The Kathy and Mo Show playing 16 comic characters, as well as directing a production and showcased her classical drama chops as Mrs. Alving in Henrik Ibsen's Ghosts. Her latest theatre directing project, Three Tall Women by Edward Albee for the Players, played to sold out houses and standing ovations.
Kim trained in London and graduated Phi Beta Kappa, Summa Cum Laude from Catholic University's famed Speech and Drama Dept. She is a member of Actor's Equity Association (1983) and SAG/AFTRA (1976).
Kim is proud to be a working, professional actor - 'an athlete of the heart.' She is married to America's premier cat painter, artist Drew Strouble aka CatmanDrew of "Must Love Cats" Animal Planet fame.
*** Lesson Details ***
Depending upon where you are in the process, each lesson is individually personalized to your acting and voice acting needs.
*** Studio Equipment ***
4 mac computers
Shure ksm32 sl mic
Studio Projects c1mic
AKG Solidtube mic
ATG/Sony headphones
Tannoy Studio Monitors
iPad
Manhasset Music Stands
*** Specialties ***
Voice Over, Audio Books, Commercials, Narrations
Acting On Camera, Theatre Acting, Shakespearean Acting,
...
Reviews
· Acting · In studio
· Film Acting · Online
· Film Acting · Online
I have been in financial business for many years. Recently, I took a project and need to adapt quickly to play a role in a film within very short time period. I am very lucky to find Kim:
(1) She is well prepared for each lesson. She understood clearly about my objectives;
(2) She gives me lots of valuable tips to improve my acting skills;
(3) She is very quick to grasp the film writer and director's intention for the role;
(4) She pays great attention to every detail of the script to help me to maximize my potential in the role;
(5) She goes above and beyond: she reviews my recording and gives me great feedback after the lesson; she went through multiple scripts within very short time period on her own time;
(6) She is extremely fun to work with;
I just finished my second lesson with Kim. She is not only a great acting coach, but a great actor! She is definitely a go to person in my future film venture!!!
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Kim C.
Online
starting at
$45
/ 30-min
About Keith G.
Close
Speaking in pubic or on stage demands a solid, resonant and natural voice. Learn how to develop your speaking voice with bel canto technique. This course can be especially helpful for teachers and actors!
About Keith
Voice and Piano Lessons with Keith Anthony Gray
VOICE LESSONS
Offering classical voice lessons for students all ages. I teach bel canto "Beautiful Singing" (Italian classical) voice technique for beginners. This is the fundamental technique to develop proper voice health, pitch, natural tone, strength, range, quality and breath control.
PIANO LESSONS
Offering classical piano lessons for students all ages. Piano lessons focus on basic music theory, scales and exercises. Step-by- step method emphasizes correct playing habits and note reading through interval recognition.
EDUCATION AND EXPERIENCE
Sacramento City College, Sacramento, CA - Music Performance, Theater Arts Acting & Dance Emphasis
Sung at Carnegie Hall, State Capital and World Cup Sacramento International House Show
Music & Theater Skills
Privately
VOICE LESSONS
Offering classical voice lessons for students all ages. I teach bel canto "Beautiful Singing" (Italian classical) voice technique for beginners. This is the fundamental technique to develop proper voice health, pitch, natural tone, strength, range, quality and breath control.
PIANO LESSONS
Offering classical piano lessons for students all ages. Piano lessons focus on basic music theory, scales and exercises. Step-by- step method emphasizes correct playing habits and note reading through interval recognition.
EDUCATION AND EXPERIENCE
Sacramento City College, Sacramento, CA - Music Performance, Theater Arts Acting & Dance Emphasis
Sung at Carnegie Hall, State Capital and World Cup Sacramento International House Show
Music & Theater Skills
Privately
studied voice from Jacqueline Victorino 2012-Present
Vocal/Performing Arts Instructor for Capital Innovations Academy 2016-Present
Vocal Instructor for The Silver Orange (Teen Center) 2017-Present
Extensive educational and professional background in music performance (voice, piano, upright bass, guitar, bass guitar), production (pro audio, recording, live sound engineer, producer), songwriting, and composing.
Classes and performances in musical theater, choir, theater movement, advanced acting theory and techniques, stagecraft, dance and choreography.
Vocal/Performing Arts Instructor for Capital Innovations Academy 2016-Present
Vocal Instructor for The Silver Orange (Teen Center) 2017-Present
Extensive educational and professional background in music performance (voice, piano, upright bass, guitar, bass guitar), production (pro audio, recording, live sound engineer, producer), songwriting, and composing.
Classes and performances in musical theater, choir, theater movement, advanced acting theory and techniques, stagecraft, dance and choreography.
...
Reviews
· Guitar · In studio
· Guitar · In studio
Very talented, patient , respectful and willing to work around my schedule..my daughter Loved going to take guitar lessons with him... I truly recommend him and wish him the best..
· ·
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Keith G.
Sacramento, CA 95815
starting at
$15
/ 30-min
About Carolyn M.
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Born and raised on Long Island, Carolyn began working professionally at 8 years old and has since appeared on stage, in national commercials, recorded voiceovers, and booked principal roles in both film and television. She earned her Bachelor of Fine Arts in 2011 from the Boston Conservatory, where she majored in musical theatre with an emphasis in directing. Her voice currently be heard nationally on the radio in “Pepsi” ads, as well as the new “Don’t Text and Drive” public service announcements. Carolyn most recently narrated 52 episodes for the children's cartoon "Zula Patrol" on PBS.
About Carolyn
Born and raised on Long Island, Carolyn began working professionally at 8 years old and has since appeared on stage, in national commercials, recorded voiceovers, and booked principal roles in both film and television. She earned her Bachelor of Fine Arts in 2011 from the Boston Conservatory, where she majored in musical theater with an emphasis in directing. In her spare time, Carolyn has always loved working with people who have a passion for the arts. Whether it’s in a classroom, at a dance studio, or sitting at the piano, Carolyn has worn the many hats of acting coach, voice teacher, dance instructor, music theory tutor, piano teacher, and college audition coach to name a few. Getting cast in Broadway shows, winning first place in national dance competitions, receiving perfect scores on vocal/piano NYSSMA solos, and being accepted to
some of the most competitive college programs in the nation are just a few of her clients’ many accomplishments.
...
Reviews
· Audition Prep · In studio
· Voice Acting · In home
· Voice Acting · Online
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Carolyn M.
Online
starting at
$100
/ 60-min
About Alyssa C.
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Skill taught include, but are not limited to: vocal health, vocal pitch, how to warm up and cool down the voice, diction, and execution of speech.
About Alyssa
Alyssa, soprano, performs regularly in the Boston area, most recently in "La Femme Boheme" with MetroWest Opera and Anna Reich in "Die lustigen Weiber von Windsor" with the Boston Conservatory Opera. She has upcoming performances at Boston Conservatory as well as private concert events. Alyssa has been performing since June of 2003.
Students have most recently performed as:
Mrs. Banks in "Mary Poppins"
Leading Player in "Pippin"
She has a Bachelor's degree in Vocal Performance from Northern Arizona University (2016) and is pursuing her Master of Music degree in Opera Performance at the Boston Conservatory at Berklee (2018). Skills taught include: vocal technique, repertoire, musicianship, sight reading, audition preparation, role preparation, and an emphasis in an overall healthy style of vocalization in any genre. Alyssa teaches
Students have most recently performed as:
Mrs. Banks in "Mary Poppins"
Leading Player in "Pippin"
She has a Bachelor's degree in Vocal Performance from Northern Arizona University (2016) and is pursuing her Master of Music degree in Opera Performance at the Boston Conservatory at Berklee (2018). Skills taught include: vocal technique, repertoire, musicianship, sight reading, audition preparation, role preparation, and an emphasis in an overall healthy style of vocalization in any genre. Alyssa teaches
mainly musical theatre and classical repertoire.
...
Reviews
· Singing · In studio
· Singing · In studio
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Alyssa C.
Online
starting at
$45
/ 30-min
About Jake O.
Close
Students can expect to walk away with Alexander and Linklater voice technique basics, voiceover reel help and structure, accents/dialects, comfortable with projecting the voice, emotional connection to the voice, and how to pursue voiceover work. If a more experienced student, I'm capable of working more in-depth and can cater to your needs.
***Equipment Supplied***
Speakers, Worksheets, Alexander Professionals, Quotes from Linklater and Alexander books.
About Jake
What drives me to wake up every day, is to supply actors with a safe space to grow and learn trusted actor tools and resources. I want to foster, the lessons I've been taught and learned, and help the actor change their path and careers. I love meeting new artists, collaborating, and getting results.
I'm a producer/actor/director who combines that with my passion of being a life-coach. I attended the high ranking, UNCSA, Royal Shakespeare Company, UCB, and have private coached for 5+ years.
I know the juggling that happens with the life of an actor and have the experience and ability to help you navigate it. During my private coaching, I've had successes such as: Master of None, Hawaii 5-0, Off-Broadway Plays, Julliard, DePaul, and more. My private coaching has helped clients book roles, extend their network, find longevity and purpo
I'm a producer/actor/director who combines that with my passion of being a life-coach. I attended the high ranking, UNCSA, Royal Shakespeare Company, UCB, and have private coached for 5+ years.
I know the juggling that happens with the life of an actor and have the experience and ability to help you navigate it. During my private coaching, I've had successes such as: Master of None, Hawaii 5-0, Off-Broadway Plays, Julliard, DePaul, and more. My private coaching has helped clients book roles, extend their network, find longevity and purpo
se in the acting pursuit and life.
I have extensive experience and teaching exp. in: Shakespeare, Monologues, EPA's, Self-taping, Improvisation, Auditioning, Winning the room, Meisner, College auditions, Stanislavsky, and more.
Notable Students
Gus Halper: Truth and Lies: Menedez Brothers, The Goat, Ricki and the Flash
Sarah Viccellio: Master of None, The Carrie Diaries, Law & Order: SVU
Michael Labbadia: The Attic Theater Co.
Alex Gagne: Keen Company, Bridge Production Group, MugBug Prod.
Reagan Elizabeth: Stephanie Klapper Casting
Joshua Morgan
Michael Calciano
Owen Laheen
Ellie Barone
Gabe Arant
I hope to meet you soon!
*Online sessions are also available*
I have extensive experience and teaching exp. in: Shakespeare, Monologues, EPA's, Self-taping, Improvisation, Auditioning, Winning the room, Meisner, College auditions, Stanislavsky, and more.
Notable Students
Gus Halper: Truth and Lies: Menedez Brothers, The Goat, Ricki and the Flash
Sarah Viccellio: Master of None, The Carrie Diaries, Law & Order: SVU
Michael Labbadia: The Attic Theater Co.
Alex Gagne: Keen Company, Bridge Production Group, MugBug Prod.
Reagan Elizabeth: Stephanie Klapper Casting
Joshua Morgan
Michael Calciano
Owen Laheen
Ellie Barone
Gabe Arant
I hope to meet you soon!
*Online sessions are also available*
...
Reviews
· Speaking Voice · Online
· Acting · Online
· Film and TV Acting · In home
View Details
View Profile
Jake O.
Online
starting at
$40
/ 30-min
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