Excel at Music by Acting Like a Child

Music lessons for adultsMany of our students here at TakeLessons.com are older, hoping to fulfill a life goal they may have had for some time.  It’s never too late to start learning an instrument, but it can definitely be a bit scary.  Don’t let that stop you, though! The secret to success depends a lot on your attitude. You’re at a stage in life where you can just play for fun, so why not make the most of it?  By taking on some childlike traits, mastering the instrument of your choice can be a piece of cake.  The Lone Guitarist Blog has some great insight into these traits – here are a few “rules” to follow:

Rule #1: Forget about the master plan
Children don’t have a grand plan in their heads, no roadmap with sub-goals and an ultimate goal — not consciously anyway. Adults have a tendency to plan things, map things out over time, consciously allocate time each day to practice, etc. Children don’t do this. They are a lot more pragmatic and as-it-happens with learning new things.

Children live in the moment, and they don’t worry about the future. They take things in one step at a time. This is a very important thing as it basically prevents you from becoming overwhelmed.  If you ignore the bigger picture and ignore what you’ll be doing a week, a month or a year from now, you can focus on what is important to you today.

Rule #2: Very focused, short learning bursts
In the absence of a master plan, it comes down to being able to spot a missing piece in your existing knowledge and then focus your entire concentration on getting it right. When a child is presented with something new, say a single word, they will focus their entire energy on it: first by listening to it, then either trying to pronounce it, or remembering the word and what it is associated with. Children will focus their whole attention on this one word, but only for several seconds, and then move on when they feel they have absorbed the new piece of information or it has simply become boring.

As a musician, you can adopt this approach into your own routine. When you learn something new, and you have trouble with a small part of it — maybe a bar or two in length, maximum — devote all your energy on improving this part. Try to get it exactly perfect, repeatedly. Do this until you feel satisfied that you have improved, and then move on.

Rule #3: Don’t be afraid to make mistakes, or to look foolish
Children do things that they will be embarrassed about later on as adults. In fact, they do this all the time. You probably have a lot of these painful memories that you’d rather not talk about. Somehow, when you’re a kid, you don’t really mind or think about it all that much. And as a kid, you get away with these kind of things.  Therein lies the power, though, because it allows you to really experiment with things when you’re young.

Adults are expected to behave “properly.”  But if you want to improve, go ahead and do that whacky thing that you’ve been too scared to do. If you do get a weird look, just laugh it off, but above all, don’t be scared to look foolish!

So there you have it – taking music lessons as an adult doesn’t have to be scary!  Sometimes, you just have to go for it.  

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Stuck in a Musical Rut? Here’s How to Get Out

CoachellaLeave it to Coachella to put together such a diverse, mind-blowing line-up – now if only we could afford the $285 weekend pass!  Headliners for this year’s annual music festival include Radiohead and Snoop Dogg, but we’re also excited about The Shins, Feist, Florence + the Machine, and the newly-reunited At the Drive-In – among many others!

For anyone who has attended a music festival of this magnitude, you know just how awesome it can feel to be surrounded by thousands of other music fans like yourself.  And besides seeing the top performers in the music world, checking out the up-and-comers is a great way to expand your tastes, also.  No matter what kind of musician you are – professional, beginner, or just a fan – sometimes discovering new acts is all it takes to break out of a musical rut.

Still stuck?  Sometimes it happens.  For more ideas, check out this list from Joe Walker at defdigits.com for making your way out of the dreaded musical rut:

1. Compose. The best way to make yourself feel productive is to produce! Make yourself some deadlines and create musical ideas often, whether they’re 2-measure licks or 2-hour symphonies.
2. Start a journal or blog. Even if you’re working on some mundane finger exercise, you’ll probably have some thoughts about it. Keeping a practice journal is a great way to track your progress and keep your current goals visible in the future.
3. Learn more songs. If you’re worried that your abilities aren’t improving, forget about it for a while and spend some time expanding your repertoire. Keep a list of all the songs you know, and add all the easy ones you can.
4. Practice in a new setting. Move to a different room. Go outside. Take your instrument on a trip.
5. Listen to something different. Try an internet music service like Last.fm or Spotify, click through the genres until you find some sub-sub-genre you’ve never heard of, and just listen for a few hours.
6. For guitarists, switch to lefty/righty. Some of the guitar’s greatest masters unlocked their music by flipping a right-handed guitar over to be played left-handed. It’s awkward, but you might discover something new.
7. Take a break. If you’ve been practicing constantly, try stopping for a while. You might come back like a slingshot.
8. Take up a new instrument. Simple enough!
9. Join a band. This is the best musical kick in the pants you can ever give yourself. You must uphold a commitment not only to your audience to perform well, but also to your bandmates to prepare for rehearsals and behave like a professional musician.
10. Go to a jam session. There is less commitment involved, but it gets you in front of listeners and meeting other musicians.

What other ways have you gotten out of a musical rut?  Tell us your own solutions by leaving a comment below!

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4 Things You May Be Doing Wrong at Gigs

Cee Lo Green found himself amidst some controversy this week when he switched up the lyrics for John Lennon’s Imagine during a live New Year’s Eve performance.  Instead of singing “Nothing to kill or die for.  And no religion too,” the line was changed to “And all religion’s true.”  Needless to say, Lennon fans raced to the Internet to voice their less-than-pleased opinions on the matter.  Behold, the power of live TV.

Performing live certainly gives you and your band a kind of power.  All eyes are on you, and at that moment, you can make or break your career as a musician.  But there are also a few common-sense rules to follow to ensure many performances to come.  Here are a few tips for what NOT to do at a gig:

1. DON’T…Show Up Late

Promoters and venues ask you to arrive at a certain time for a good reason. They need that time to load you in and get soundcheck set up. They are asking you to be there at that time so they can give you everything you need to have a great show. They’re not doing it to inconvenience you, and they’re not doing it because they just like to stand around for hours before a show actually begins.

Don’t arbitrarily decide that you think load-in is too early or that you won’t really need all that time for soundcheck. When you don’t arrive on time, no one else can do their jobs. Plus, it means that the promoter and venue may be paying people to stand around and do nothing while they await your fashionably late arrival – something that is not going to endear you to them. When you come late, you send the whole operation into panic mode and make what should be a calm time of prepping for a good show a completely stressful few hours instead – and that could affect your set.

2. DON’T…Abuse the Guest List

Even if a promoter or venue loves your music, that doesn’t mean that they want to lose money on your show. It may seem to you like you should be able to bring anyone into your show you want for free, but the thing is, your guest list spots aren’t REALLY free – they may just feel that way to you. Somewhere, someone is giving up the ticket price of every person who walks through the door gratis. You should negotiate with the promoter or venue up front how many guest list places you’ll get – and then leave it at that. Don’t go out before the show, waltz around town, pick up an entourage and promise them all free entry to the show. What you’re really doing then is asking the promoter or venue to fund your friends’ nights out. How is that fair?

3. DON’T…Overstay (or Understay) Your Welcome

This one is especially important if you are not the headlining band – but even if you are, it is important to adhere as closely to any pre-determined set length as possible. These stage times are drawn up to make sure the whole night runs smoothly, from changeovers to giving the venue enough time after your show to get everyone out and clean up. If you’re one of the support bands, if you go over, you’re taking time away from the headliners – a big, big no-no. If you are the headliners, the time you’re asked to wrap things up may have something to do with noise ordinance laws, licensing laws and all sorts of other regulations – your failure to stick by the plan could have serious consequences for the venue.

4. DON’T…Be a Diva

For a live show to really work, it takes a team effort. The people working at the venue and the promoter don’t work FOR you – they’re working with you. Treat them as such. It’s perfectly OK to ask for things you need to make your show great, but your approach makes all the difference. Give them the respect you’d like to have from them, and when things go well, thank everyone for a job well done. Even if you played the worst show of your life and only five people paid in, your good attitude is goodwill in the bank that will help you get another shot at another show.

Want to put in your own two cents?  Leave a comment below!

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Your Guide to Setting SMART Music Goals

You’ve reflected on your accomplishments and mistakes in the past year – now it’s time to think ahead and write down your resolutions and goals for the upcoming year.

Here at TakeLessons, we are strong believers in the power of goal-setting.  Just make sure they are S.M.A.R.T. goals: Specific, Measurable, Attainable, Realistic and Time-bound.  Establish some concrete criteria for measuring and you’ll be able to better evaluate if you met that goal.  For example, don’t just say “Practice more.”  How often do you want to practice?  How long should each practice session be?  Break each goal down into attainable chunks, get even more specific with the exact steps you’ll be taking, and write down a realistic timeline for completing each step.

If you’re still stuck, don’t worry.  Here are some great questions to get you thinking about your music goals:

– What do you want to get out of playing your instrument?
– If you could do anything you wanted with your instrument (and had the skills to pull it off), what would you do?
– What kind of places do you want to be performing at in 6 months? 3 years? 5 years?
– Do you want to travel around the world to perform? Or stay in your home town?
– To what specific places do you want to travel when you play?
– Do you want to perform your own original songs or cover songs written by other people?
– Do you want to be paid as a musician, or just do it for the enjoyment of playing?
– If you want to get paid to play, do you want to do this full-time or only part-time while you pursue something else?
– What size audiences do you want to be performing for in 6 months? 3 years? 5 years?
– What specific techniques do you want to be able to perform?
– By what date do you want to be able to perform them?
– What songs do you want to be able to play?
– What honors and awards do you want to receive?
– How do you want to share your skills and knowledge with younger, up-and-coming musicians?

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The Ins and Outs of Recording a Demo

Record musicIn a big boom for the music industry, Adele has surpassed the 5 million sales mark this week, the first artist to hit that record in one year since 2004.  The feat is great for the industry, which as a whole has been struggling the past few years.  According to Reuters, album sales have been decreasing an average of 8 percent each year since 2000, with a jump to 13 percent between 2009 and 2010.   As more fans turn to digital music, it will be interesting to see how this affects album sales in the future.

If recording an album is on your bucket list – or if you’re hoping to make it big in the industry – it’s time to stop making excuses!  If you don’t have the funds for a studio session, there are tons of recording programs available to help you become a pro in your own home.  And once you have that demo, the sky’s the limit.  Send it out to record labels, sell it at any open mics or gigs you go to, and don’t underestimate the power of word of mouth.

Here’s a great list we found to keep your to-do list in check as you prepare for recording a demo:

1. Pick your recording venue. Are you going to book a studio? Are you going to record at home using your computer? Make sure whichever venue you choose is equipped with everything you need, and if you’re recording at home, make sure you understand the acoustical quirks of the room.

2. Choose your recording method. There are two basic choices available to you:  Recording live – that is, all instruments and vocals being recorded in one take – produces a raw, rough sound.  Or multi-track recording – each instrument being recorded independently on its own track- gives cleaner and more polished sound.  The right one for you depends on the music you are making. Hardcore punk? Go live. Radio friendly pop? Go multi-track.

3. Set up. For the drums, each individual drum should be miked, and the cymbals should each have two mics. The bass and guitar should each go through a DI. If you have a double guitar part, or to get a really clean sound, the guitarist can have a mic plus be hooked up to an amp in separate room, to prevent bleed of the amp sound into the mic.

4. Record. Time to do the actual recording. Don’t get caught up in the details and don’t record for hours on end. A demo should be short, sweet, and to the point.

5. Mix your recording.
Remember that labels don’t expect a demo to be perfect.  If you’re recording at home on a computer, and mixing is easy enough, don’t feel pressured to execute a perfect mix. A rough mix is fine.  If you’re recording in a studio, the engineer or producer can mix your recording for you.

6. Master your recording. (This step is completely optional.) Mastering involves a final EQ process and also adds a bit of compression. Keep in mind that people who master recordings have styles all their own; no two people will master the same recording in the same way. If you decide to get your recording mastered, make sure you get an unmastered copy as well, in case you don’t like the finished product.

Looking for music recording lessons?  Search for a teacher nearby here!

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5 Tips for Making Sure Your Band Doesn’t Suck

Today Paul McCartney announced his upcoming album, set for release on February 7th, featuring cover songs he deemed as key influences for his and John Lennon’s songwriting, as well as two new songs.  The album will come as an answer to the topic that Beatles fans have often analyzed, even four decades after the band’s break-up: what exactly inspired the guys?

Of course, despite their fame and fortune, the Beatles’ career wasn’t always smooth sailing.  But if you’re considering starting a band, it’s usually best to avoid the drama.  Here, check out advice from Ultimate-Guitar.com on starting and maintaining a band:


Know your place
Are you a lead guitarist full of great solos? That’s beautiful, just don’t start spamming solos where they don’t belong. Are you a rhythm guitarist? Good, then keep rhythm and don’t start doing whacky stuff. The same goes for everybody: know what you’re supposed to do, when you’re supposed to do it, and then do what you have to at the right time. A lot of people forget this.

Criticize each other
Don’t be afraid to point out mistakes, no matter how small. Chances are that whoever makes a mistake doesn’t even realize they do, until it gets pointed out. And be as blunt about it as you can. If someone can’t take the criticism, get rid of him/her. It sounds harsh, but it’s necessary. Nobody likes getting rid of a band member, but sometimes you just have to. If it doesn’t work, it doesn’t work. Your band members are great people and good friends, if you’ve done things right so far, but sometimes they just don’t fit with your band.

Learn to compensate for mistakes
One important point when playing live is learning what to do when somebody makes a mistake. This is something you have to feel as a band, simply because you can’t go over every possible mistake during rehearsal. But something you shouldn’t do is try to catch up when you miss a beat, e.g. play the notes you should have played, only at the wrong time, to arrive back at where you are supposed to be at some point. Play something else, or play nothing at all and let your band handle it. A general rule is that if it sounds good, it’s not a big deal. The exception is a solo; these are usually really hard to pick up once you’ve made a mistake, and you can’t just stop playing. Usually, the only options you have are to accept that you messed up and just keep playing, or to signal the band to skip the solo in some way.

Listen to your audience
This can’t be stressed enough. Listen to all the feedback you get, negative or positive, and if they have a valid point, do something with it. Your audience listens to your music in an entirely different way than you do, so listen to what they have to say. You may feel you messed up, but chances are nobody even noticed. Or maybe you feel like you made no mistakes, but somebody noticed something after all.

Make a good setlist
This is more important than you might think. A setlist can make or break a performance. You need to make sure every song you play belongs in your setlist, and you need to put the songs in the right order. All this depends on the kind of music you play and what you’re going for as a band. Do you want to just start with a bang and get the audience going immediately? Start with a high-tempo song with a fast solo. Or maybe you want to get the audience going slowly, ease them into your performance? Then start with a nice, slow ballad. It’s all a matter of feeling things, trying things, and listening to what your audience said about past performances. Do what feels right, and think of what you would like to hear if you were in the audience.

More often than not, it’s not only about how talented you are – if you don’t have a good rapport and friendship with your band members, it can end up a disaster.  Do you agree?  Let us know!  Leave a comment below.

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Discover Lady Gaga’s Get-Rich Secrets

Lady Gaga may have a “Bad Romance,” but it’s no secret she also has a exceptional bank account.  Forbes recently named her the top-earning female in the music industry, leading the list with earnings of over $90 million in the past year in album sales, touring and endorsements.  Sure beats being a starving musician, right?

Fortunately, you don’t have to sell out to be successful – here are 5 tips that will help you get on your way to making money as a musician, courtesy of Keith Hatschek at Artists House Music:

Rule #1: Always Bring Your “A” Game

Making the decision to spend your life as a professional musician is a big commitment. Once you’ve made that decision, you need to focus on bringing your “A” game to every interaction that impacts your music studies, performances, networking and other points of contact with what we loosely call the music industry.

Never put a half-hearted effort into anything musical. First, the competition to get work and keep working is fierce in every city and town in the world. Second, since so much of the music industry is based on personal relationships and reputations, if word gets out that you gave a weak effort at a gig or rehearsal, chances are you may not be getting a call back in the future.

Rule #2: Get Out of Your Practice Room

Isn’t practicing supposed to be the road to musical success, more gigs and maybe even superstardom? Well, no, it’s not.  Actually, your musical chops, whether you are a shred guitarist or a composer of madrigals, is only one part of your overall career skill set. Not to say that playing, singing, of composing extremely well is not absolutely essential. It is.  But there are thousands of talented guitarists who can play every lick by whoever the hot guitarist of the month is but seldom play a gig. Why?

They spend their lives studying music, perfecting their skills, however they are unfortunately violating one of the most important rules of music career building. You must develop connections to people and institutions (think clubs, radio stations, booking agents, other bands, etc.) that are like-minded and can help you.  Ask around your local music store or music school about meeting up with some people who are interested in similar types of music, careers, etc. Find a club that hires bands like yours to play, go to a show, get the phone number of the booker and get your promo kit into their hands.

Rule #3: Nurture Your Network

All of us have a network of friends, family, and most of us have various professional connections. This is your current network. To fast track your career you need to continually work to expand your network, adding persons who can help you grow your career and you need to keep in touch with your network.

Start today by making a list of everyone who you would consider supporting your music career goals and ambitions. Then, set a goal of adding a few people each month to your network, as well as giving support and aid to the members of your network.

Rule #4: Get a Music Industry Day Gig

This is counterintuitive to many talented young artists. Why should I get a day gig when I could/should be practicing my brains out, much less a music industry day gig?  Aside from keeping home and hearth together, using your love, knowledge and passion for music to help a music industry company meet some of their goals is a fantastic way to expand your network, and learn more about an area of the industry that you will be involved in when your career takes off.

For example, a rock musician may learn quite a bit about record distribution or radio airplay by working at a well-managed record store or a radio station that features the types of music you perform.  An aspiring opera singer can learn a tremendous amount about how opera companies or other non-profit arts organizations are managed by working for an opera, theater company or orchestra.  An aspiring jazz drummer may forge many useful connections by teaching beginning drummers at a well-managed music store, opening up the opportunities to meet drum manufacturers, clinicians and other drum and percussion professionals.

Remember, flipping burgers is not likely to help your career onto the fast track we all want to be on!

Rule #5: Keep Your Sense of Humor

Did anyone tell you the music industry is a pretty crazy way to make a living? One minute your life can be filled with the rapture of a musical triumph, and the next day you’ll be wallowing in agonizing doubt because you didn’t get a call back for a crucial audition.  In order to cope with the stress and struggle of a career in music it is absolutely essential that you maintain a sense of humor, as well as a few non-musical outlets to allow you to keep on an even keel.

Take charge of your career and good things will start to happen.  Really!

Any additional tips you’d like to share?  How do you keep your sanity if the money isn’t rolling in?  Let us know – leave a comment and join the discussion!

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5 Things To AVOID For Aspiring Musicians

If you’re an aspiring musician, you’ve most likely researched all of the great advice to reaching your goals – build a strong network, and of course, practice! – but what are some things you should avoid?  While those are great “Do’s”, we found some great “Don’ts” on Audio-Sounds.com and thought it was important enough to pass along.  Check out just a few things to avoid here:

1. Stress. Yes, stress! Stress causes fatigue and fatigue is a no-no for a musician because it can affect your voice.  It can block your mind and hinder you from being creative.  Lastly, you can’t function very well under stress, and this means you can’t produce or process things normally.

2. Procrastinating. This is very important – a musician is all about inspiration, and procrastinating is not a very good habit to have when you suddenly get inspired.  When that creativity hits, get to work!

3. Not setting goals. Goals are what motivate people and drive them to wherever or whatever they want to achieve. By not setting goals you are asking for a career suicide.

4. Not doing anything to become known. If you are an indie or underground musician, you should start working on getting your name out there – every famous musician was unknown at one point!  Applying for gigs is one good way of promoting yourself.

5. Giving up. No matter how many trials and errors or how many unsuccessful song you have made, if you are a true musician, you will never give up.  Instead, you will strive to create a name for yourself and a genre of your own.

Readers, what do you think?  What other things are YOU avoiding along your musical path?

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Just Breathe: Breathing Techniques For ALL Instruments

Lady Gaga released her 13-minute “Marry The Night” video this week, resembling more of a short film than a typical music video.  But with Gaga – or the Mother Monster, as she calls herself – what else did you expect?  She continues to influence the music world today, one theatrical video at a time.  And along with her creativity, one thing is for certain: she’s got the golden pipes of a true star!

While you might think good breathing is only important for singers and for wind instruments, the truth is, it’s essential for everyone to master.  Proper breathing means you’re more relaxed, which helps with any performance, on any instrument.  Here are some great breathing exercises that will help musicians of all kinds, as published on the Music Made Easy blog:

For Singers:
If you are a singer, your whole body is your instrument, so in the following exercise, try to be aware of how your body feels in relation to your breathing.

– Focus on your posture and your breathing. Standing, make sure your feet are at shoulder-width distance apart and you maintain a relaxed and grounded posture, feeling the support of the floor.
– Place the palms of your hands just under your rib cage so that your fingers are just touching.  Focus on your natural breathing and notice how your fingers come slightly apart as you breathe in, and as you breathe out, they come together again.
– While doing this, mentally check your body for any tension and purposefully relax muscles in you neck, shoulders, arms, upper and lower body which may be tense.
– On your in-breath, through your nose, count that breath as ‘one’ and release it naturally through your mouth and adding a relaxed vocalization.  Be aware the whole time of the movement of your diaphragm as well as relaxing your body.  Try to exaggerate the ‘out’ movement of your stomach, so that the air flows deeper into your lungs.  Then let the air out, making sure all air is expelled.

For Piano Players:
– Place the five fingers of your right hand on any consecutive five white notes above middle C and press down all the notes at once.  Your left hand should be relaxed by your side or on your lap.
– Focus on your posture and your breathing, sitting on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet.  Relax your wrists and make sure they are in line with your hand and the tips of the fingers are resting on the notes as the weight of your arms help to press the notes down.  Fingers should be rounded and comfortable.
– Focus on your natural breathing.  Mentally check your body for any tension, purposefully relaxing any muscles in you neck, shoulders, arms, upper and lower body which may be tense.  Continue to do this throughout the exercise.
– When you take a natural breath in, lift up your 5th finger (while all other notes are held down) about a centimeter off the key and when you naturally breathe out, press the key down again. Repeat the exercise, this time with the 4th finger (this will be difficult at first).  Remember the 5th finger should be holding its note down now too. Repeat the exercise through 3rd, 2nd and 1st fingers and then do the same exercise over again but with your left hand, choosing notes below middle C and relaxing your right hand in your lap or by your side.

For Drummers and Percussionists:
Tension in the body and breathing are linked.  If you are able to focus on your breath, you will be able to purposefully relax your body.  It is important to be able to relax because tension can interrupt your ability to play when you are attempting new and more complex rhythms and/or soloing.

– Focus on your posture and your breathing.  Sit on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet, and the palms of your hands resting on your legs.   You can also stand, making sure your feet are at shoulder-width distance apart and you maintain a relaxed, yet grounded posture.
– Place the palms of your hands under your rib cage so that your fingers are just touching.  Focus on your natural breathing and notice how your fingers come slightly apart as you breathe in and as you breathe out they come together again. While doing this, mentally check your body for any tension and purposefully relax muscles in you neck, shoulders, arms, upper and lower body.
– Count your in-breath, through your nose as ‘one’ and release it naturally, being aware the whole time of relaxing your body and the movement of your diaphragm. As you breathe in, try to exaggerate the ‘out’ movement of your stomach, so that the air flows deeper into your lungs.

For Wind Instruments:
Developing good breathing technique is vital for playing a wind instrument because it dictates the way notes begin (intonation), the sound quality of the note (tone quality), how long you can hold notes (sustaining), how loud or soft the notes are (dynamics) and how you get from one note to another (flexibility).

– Focus on your posture and your breathing.  Sit on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet, and the palms of your hands resting on your legs.   You can also stand, making sure your feet are at shoulder-width distance apart and you maintain a relaxed, yet grounded posture.
– Focus upon your natural breathing.  While doing this, mentally check your body for tension and purposefully relax any muscles in you neck, shoulders, arms, upper and lower body, which may be tense.  Continue to do this throughout the exercise.
– Breathe in through your mouth for two counts and be full of air by the end of this count then breathe out through your mouth for four counts, being empty of air by the end of it.  When you breathe out make an ‘s’ sound with your mouth (like a snake).  Make sure you push all the air out.

Need help with breathing exercises?  Enlist the help of a music teacher for more personalized feedback.  Search for a teacher near you here. Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.

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Find Out the Secrets of the Top Music Bloggers

Do you have a music blog, or aspire to start one? Whether you’re hoping to get into music journalism or if you simply want to publish concert & album reviews for your friends, blogging is a great way to sound off on all things music.

But if you want to become the next hot music blogger, you’ll need to get ahead of the pack.  Just being a music fan isn’t enough these days, so check out these industry secrets (courtesy of Mashable.com) to get you on your way…

1. “Hot For Teacher”

Yes, it seems like a rather obvious tip, but to write about music, you need to know about music –- and not just the vinyl in your own record collection. Andrew Phillips, former editor in chief of MOG, advises: “Listen to an inconceivable amount of music, especially if you don’t like it. There’s a huge difference between being a music fan and a music advocate…. The most effective bloggers (and writers) are the ones drawing from a genuinely deep well of knowledge.”

And don’t limit the fact-finding mission to sitting in your room like a tragically hip, headphoned Boo Radley –- go to shows. Go to “good” shows, bad shows, basement shows, loft shows, shows where the only people in the audience are you and the bartender. You never know who’s going to be the next big thing; as Nicole Wasilewicz, senior music editor of FREEwilliamsburg.com, says, “As knowledgeable as you may feel about music, there’s always someone out there that’s smarter than you and has more time on their hands. It’s a constant game of catch-up. Also, pay special attention to opening bands.”

2. “Can’t Buy Me Love”

So you’re all studied up and ready to write. The only question is: To what illustrious publication should you lend your vast and impressive skills? Well, if you’re skint on experience, chances are that unless you’re that kid from Almost Famous, it’s going to be a while before pubs are going to be beating down your door.

And with that, we bring you perhaps the most disdainful piece of advice out there: Write for free.  You can’t get ahead without clips, and sometimes the payment you receive for said clips is experience and a foothold in the industry.  Jason Diamond, editor in chief of Jewcy.com and founding editor of Vol. 1 Brooklyn, says: “If you’re offered to write a low or non-paying piece by a website that is influential, has a lot of traffic, or you just totally respect, take it.”

Now, that’s not to say you should keep writing, sans cash, indefinitely. But doing some writing for a website you really dig can get you exposure and, subsequently, the momentum you need to launch yourself toward a legit gig.

3. “Here I Go Again (On My Own)”

Still, if you don’t want to submit to the wily ways of “the man” (i.e. someone else’s blog), might we suggest you start your own? Really, there’s no excuse in this day and age for an aspiring blogger to not be in possession of his or her very own URL.

Furthermore, once you have your own blog in place, you can either try to leverage it into its own, money-making entity by selling ads, etc., or you use it as a kind of portfolio. You can also form link exchanges with other blogs –- just shoot the editor an e-mail –- which will help you build connections in the space, or join a blog aggregator, like MOG.  However you use it, it’s as essential for any up-and-coming music blogger to have a domain as it is for him or her to have ears.

Whatever your goals may be with your music blog, make sure to have fun with it!  Write about what you love and let your personality shine.  What’s your favorite music blog to read?  Do any of you own there have your own blog?  Leave a comment below! Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.


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