Peoria, AZ Flute Lessons

nic Orchestra and Choir, as well as productions of "Cats", "Phantom of the Opera", Sesame Street, and touring all over Australia, U.S.A. and Israel. I have also been a part of the worship teams at Hillsong Church and C3 Church Australia.

I studied at the Sydney Conservatorium of Music, and also received my Licentiate Diploma from the Trinity College of London (L.T.C.L.) in French Horn (Teaching) and Licentiate Diploma from the Trinity College of London (L.T.C.L.) in Piano (Performance). So my experience not only comes from an inspiring teacher, but also from hundreds of performances on stages across the world working with the finest of musicians, singers, conductors and worship leaders.

I love music, and more so, love imparting it to others.

*** Lesson Details ***
Students come away from their lessons inspired and excited about their ability to accomplish their dreams. Whether it is to play 'Phantom of the Opera' or an Adele song, Debussy's Claire De Lune or Jingle Bells, I show them how to do it and help them get there. I am very thorough, taking no short cuts, but making it fun to learn an instrument. You will be amazed at what you are playing in three to six months!

*** Specialties ***
Classical, Jazz, Rock, Contemporary Christian

ights.

Shannon has been a faculty member at various colleges, is currently Adjunct Professor of Music at Brazosport College, and also has an active private studio, Leigh Studios. She is the College Music Society South-Central Regional President; and is an Advisory Board member for the Houston Flute Club.

Shannon received her Masters of Music degree in Performance from the University of Minnesota-Twin Cities. She also studied at the University of Missouri-Kansas City, and received her B.A. degree in Performance, and B.S. degree in Music-Business from Winona State University, and has studied with world-renowned instructors.

Shannon has received grants for her work, from the Minnesota State Arts Board, American Federation of Musicians, Rome Festival Orchestra, and the Winona Music Guild, and was the 1997 recipient of the Vivian Menees Nelson Music Award.

Shannon is also a sponsored triathlete and trainer/coach/race director, and gives workshops on the importance of healthy living, nutrition and exercise for musicians. She is a board member for The Lake Charles Triathletes. And she is a strong advocate for music, health, and triathlon. Sponsors: Maggie Martinez-LMT, Eating for Performance, Bikesport, DeSoto Sport, Gu Performance Energy, Rudy Project, Amit Jethva-DDS, Leigh Enterprises.

*** Lesson Details ***
I am pretty easy going. I want you to feel comfortable and at ease, but we do need to focus and can have fun doing it. :)
I utilize various methods for each instrument, which is determined by the students learning style and ability; needs, so this can change as time goes on (not sticking to one particular publishers materials). I have done (and continue to do) extensive research into materials available for each instrument I teach, and supplement with my own, to utilize the best out there for "YOU" for the best possible progress. While ensuring an extremely well-rounded musical education, so you can progress at the best possible rate. Since each student's potential is different, each will progress differently. This is also determined by your dedication to daily practice (the more you practice, the quicker you will progress & the more accomplished you will become). This is a 'Team Effort'; I give the guidance and tools. You practice, utilize learn these tools, and off we go! The sky is the limit!

*** Specialties ***
Classical, jazz
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FITNESS: Shannon has been athletic most of her life. She is a Certified Personal Trainer, Specialist in Exercise Therapy, and running / multisport (swim/bike/run) coach for 15 years.

She is a sponsored athlete, and qualified for 2018 Aquathlon World Championships in Denmark, representing Team USA, and has placed in her age group at numerous events.

She applies her years of teaching experience to helping you reach your physical and nutritional goals, to be the healthiest you can be. She's not for quick fixes/results. It's all about a transformational lifestyle change. Enjoy the journey! It's well worth it! (see info above).

the Musica Nova Orchestra, where he plays clarinet and bass clarinets.
In addition to Clarinet, Dr. M. has performed on Recorder, Flute and Saxophone, both as a theatre musician and an ensemble member. He has performed with such artists as Ray Charles, Jamie Foxx, Doc Sevrensen, Lew Rawls, Wynona Judd and others in various groups and venues in Arizona and New York.
Anthony has recorded on the Summit, Con Brio, and Blue Butterfly record labels. He was featured on a Trimark Pictures Release playing the clarinet, bass clarinet and contrabass clarinet for the movie, “Warlock the Armagedon.”Currently, he is on the faculty of the Rosie’s House, A Music Academy for Children. Anthony holds degrees from Queens College of the City University of New York, the Manhattan School of Music, and a Doctor of Musical Arts from Arizona State University.

*** Lesson Details ***
All my lessons are centered on where the student is in his/hers musical development. I will in the first few lessons, assess the student's level and then proceed to recommend a course of study. I am process driven and always try to have my students understand my method so I do try to explain all my reasoning regarding the course of study I prescribe. Every student is different so I approach each individual with total respect for their unique ability and talent.

*** Studio Equipment ***
In addition to the standard music stands, metronome, tuners and music, I have digital recording equipment for student's audition recordings. I have helped college bound students get into serious music programs like Northwestern University, Arizona State University and the University of Arizona. For students ages 8 years to 9, I recommend the recorder as a introductory woodwind before Flute, Clarinet or Saxophone.

*** Specialties ***
I am a certified Orff Teacher so I use process centered approach even in private lessons.

cally. I've been told by students that they have learned more from me in 2 lessons then they have working with prior teachers for years.

I earned my BM in Vocal Performance from the distinguished Eastman School of Music. I have earned the Bravo!Scholar and Howard Hanson award as well as first place in the Schubert Club vocal competition. I continue my studies with acclaimed Mezzo-soprano Gail Dubinbaum in Phoenix and I am a member of National Association of Teachers of Singing (NATS).

I've sung all over the united states as well as in Germany and Italy. I performed the role of Frasquita in Phoenix Opera's production of Carmen as well as La Fata Azzurra in "La Bella Dormente nel Bosco" and as Sister Constance in "Dialogues des Carmelites" of which I was acclaimed by reviewers to have "revealed a luminous voice, and sang with ease and spontaneity." I have been a soloist with the St Paul Chamber Orchestra as well as with the Eastman Collegium. This past December I was a featured soloist with the Phoenix Symphony and returned to the Phoenix Opera to perform The Queen of the Night in The Magic Flute as well as worked with the Ohio Light Opera performing the lead roles of Hannah Glawari in "The Merry Widow" and Madame Pompadour in "Madame Pompadour."

I'm equally comfortable with musical theater and have played leading roles in many productions including Marian in "The Music Man," Laurie in Oklahoma, Margy in "State Fair," Rapunzel in "Into the Woods," and Mrs. Gardiner in the premier production of "Pride and Prejudice."

My students have advanced in the Classical Singer National Competition, Arizona Fiesta Chorus Competition, Hot Pipes Competition, and have been accepted to and attended summer programs at distinguished music schools including Westminster College and Eastman School of Music. They also perform with local theaters including Copperstar Theater, Moezart Productions, EVCT and more.

*** Lesson Details ***
Every vocal student will have different talents and struggles and will be at different levels so, I structure my lessons for the individual. However, with every student I focus on teaching correct breathing and healthy vocal use to enhance the natural beauty of the voice.

Overall I have a laid back, humorous personality. I work to help the student achieve their goals whether its to be able to sing better in the shower or to become a professional musician. I offer 2 recitals per year to perform at and often form duets/trio's out of my students. I also offer studio classes for my singers who desire to have more performing experience with immediate encouraging feedback and for my more advanced singers I offer Master classes with guest artists to perform at and attend.

*** Studio Equipment ***
Music room w/ piano, books, mirror, and seating for parents. Parents can observe if the student is comfortable with that but, I do not allow parents to comment on the student's singing of performance during the lesson.

*** Travel Equipment ***
If they are a voice student they will need a piano, and they will need to purchase their own music and if possible purchase a recording device to record lessons and technique exercises. If they are a flute student, they will need to provide the music, and the instrument. If they are a piano student, obviously they would need a piano and would provide their own music based on my suggestion.

*** Specialties ***
I specialize in Opera, Operetta, Broadway, and jazz. I also teach pop, rock and country. On the piano and flute I teach classical and contemporary. I do not teach jazz piano or flute.

nity Flute Choir, teaches classes at the Arizona Flute Society's annual Summer Camp, and has an active private studio called the Colorful Clef Studio, with members ages 9-60+. She is on the board of the Arizona Flute Society, and is a member of the National Flute Association and the National Association for Music Education.

feeds the other, is an ongoing process that requires a deepening awareness for the teaching artist of what their teaching brings to their art and what their art teaches them about learning.”

I am devoted and dedicated to helping find each of my students strengths, weaknesses and style of learning. Once I have identified these traits, I am able to develop lessons and repertoire that helps each students become the most efficient learner and best musician they can be.

I pride myself in creating a fun and safe learning environment in which I establish a firm musical foundation for my students. Lessons include: scales, etudes, articulation, dynamic and sight reading exercises, standard saxophone repertoire, recording and analyzing performances, saxophone/music history lessons, and exploration of the sounds, genres and artists of the saxophone.

Simultaneously, my students cultivate many other skills while learning how to play saxophone. Students enhance their fine motor skills and ability to memorize, students increase their overall self-confidence and become self-sufficient and creative problem solvers. I am passionate about educating and empowering my students and I enjoy connecting with a wide array of musicians of all ages, playing levels and backgrounds.

Feel free to contact me to inquire about lessons, I hope to hear from you soon!

Stephanie

ass.

I have taught private lessons for about 13 years. These have mostly been clarinet lessons because that is my primary instrument, but in the last three years, I've expanded what I can teach. At one time, I was teaching several high school students music composition, music theory, and ear training to prepare for college entrance as music composition majors. One of them did get into the Juilliard school and was actually placed in advanced classes because of the theory and ear training work I did with him. I've also taught one of my flute students for years, starting her at an early age first on recorder, switching to fife, and then on to flute. I currently teach several students from 4 yrs old-adult various levels flute, clarinet, and piano.

I have been a music theory/ear training TA at ASU for four years. I can definitely prepare anyone for college level music academics. Most high school band programs do not prepare students for the academic side of music study in college.

LESSONS I TEACH:
Clarinet: All ages (starting 4th/5th grade) and levels
Flute: All ages (starting 3rd/4th grade with fife), beginner to high school level
Piano: All ages (starting at age 4-5) and levels
Recorder: All ages (starting 2nd grade) and levels
Trumpet: All ages (starting 5th grade) beginning only
French Horn: All ages (starting 5th grade) beginning only
Music Theory/Ear Training: recommended for HS students looking for intensive music study in college
Music Composition: recommended for HS students or adults who want to write music, or pursue music composition in college

WHY I TEACH MUSIC:
I love music, and I enjoy passing my passion and knowledge on to others. Watching a student, grow, explore, and enjoy music is a great reward. Music gave me a voice to express myself, and a creative outlet, and I want others to have the same opportunity. I also enjoy the social interaction with students.

WHY YOU SHOULD TAKE LESSONS:
I have a lot to offer students (check out my specialties). A school music teacher or band director doesn't have the time to give one-on-one attention. Nor do they have the chance to go deeper into music with students. I will help you find music that you like at your level, and I will also teach you how to practice and correct bad habits.

MY STUDIO:
I teach in the music room of my house, which is clean and cozy. If you are a parent, my couch in the living room is a comfortable place to wait during the lesson, or you may sit outside on the porch (weather permitting). I live in a quiet suburban neighborhood in Tempe.

LESSON DETAILS:
I am a firm believer in the humanistic approach to learning. I want to teach you what you want to learn, the way you learn best, doing activities that keep you engaged and add growth as a musician. Come to me with your questions, curiosities, and requests for what you want to learn ("How do I play two notes at the same time on the clarinet?" "What is this key for?" "I really want to play Sleigh Ride"). Please bring in any musical goals you may have for yourself. I incorporate meaningful scales and exercises that apply to the music that you are working on (they are not chosen at random). Conducting, ear training, music theory, and music composition are all incorporated into lessons over time (depending on the student's interest). I am aware of the state standards (they are my instinct anyway), but I ultimately analyze your interests and abilities and follow your lead, acting as your guide along the way. My teaching and activities are age appropriate.

If you are interested in music composition lessons, I give advice on your work, give ideas to continue your music, educate you on instrument capabilities, help with orchestration, open your ears to music by others, teach theory/counterpoint/form, give you advice on how to get your music performed, help you use Sibelius software, and help prepare a college portfolio if you are pursuing music composition in college.

STUDIO EQUIPMENT:
~3 pianos (new grand, upright, and digital keyboard)
~2 different toy pianos (Schoenhut and J. Chein)
~iMac computer with Sibelius 6 (for writing music)
~Music for Little Mozarts starter pack with the cute puppets and music board (for young beginners on piano)
~Music stand, clarinet stand

~SPECIALTIES~
TEACHING TO CHILDREN AT YOUNG AGES:
If your child is showing interest in music at an early age, I can start as early as age 4 on piano. I use the "Music for Little Mozarts" series that come with cute little puppets, and the storybook lesson style is perfect. I also have 2 nice toy pianos that can be incorporated into the lesson. If your child wants to play a wind instrument at an early age, I start them on recorder at about age 7. I can then switch them over to fife (a smaller simpler flute) in a year or so, and then to flute -or- they can go from recorder to clarinet at about 4th or 5th grade.

INCORPORATING CONDUCTING TECHNIQUES:
If taking lessons on a wind instrument, I teach conducting patterns and techniques so the student learns how to follow a conductor and what it means to lead musicians visually without speaking. Musicians rely a fair amount on body language to communicate while playing together. I've also found that incorporating conducting makes lessons fun, and it improves the student's sense of rhythm and control.

INCORPORATING MUSIC THEORY/EAR TRAINING:
Music is more than just breathing and moving fingers up and down. Great musicians understand music and have good listening skills. Knowing how music works (music theory) actually helps students recognize patterns and learn music faster (or spend less time practicing). Ear training helps with intonation and playing music with others (you'll sound better and notice more detail in music!). I do activities that are age and ability appropriate; most young students love listening games with their instrument.

INCORPORATING MUSIC COMPOSITION:
For variety, I teach students how to use Sibelius (using my computer) to write music for their instrument. This encourages creativity, an awareness of how music works, and helps them learn technology. Plus, they get the pleasure of writing their own music and playing it! I print the music, and it looks like real published music!

SHEET MUSIC:
I love thrift shopping, and I collect lots of music for my students. Music can be expensive, so I try to save you the time and money if possible. I only get used music in good condition.

ning. Our method is a complete system for learning the piano that includes books, CDs, rewards, teaching materials, musical story books and video tutorials accessible online. When you Join us, you will become part of a creative and dynamic studio! You will learn how to see the connections present in music and to transfer all that knowledge to other aspects of your lives. I hope to meet you soon to start a very exciting musical learning journey!