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Bass Guitar, Guitar, Music Theory, Upright Bass
Although my attention has recently been focused on classical music and orchestral double bass playing, my diverse musical background has given me a great deal of experience in many styles. Beginning my studies on electric bass close to ten years ago, I discovered early on that I had a passion and a talent for learning music. Soon after, I decided to pick up the guitar so that I could broaden my understanding of my favorite music. Throughout my life, I have been interested in rock, pop, jazz, funk, and heavy metal. My first experience as a music teacher was in my senior year of high school. Before entering my sophomore year of college, I started teaching privately and have taken on students ever since.
In fall of 2012, I completed my Bachelor of Music in String Bass Performance from San Jose State University. My completed coursework included music theory, music history, and ear training. I have played with the orchestra for four years now, sitting principal bass for the latter of the two years. As an orchestral bass player, my experience includes playing as a substitute for the Monterey Symphony, Stockton Symphony, Modesto Symphony, and Symphony Silicon Valley. I sat associate principal in the second of my two seasons with the San Francisco Symphony Youth Orchestra. As an electric bassist, I performed with the Symphony Silicon Valley Summer Pops orchestra in 2011. Also, a rock band I performed and recorded with received a Hollywood Music Award for Best New Alternative Song in 2008. My musical experience is not only limited to these situations, so please feel free to inquire about what else I have done as a musician.
Currently, I am a sectional coach for the San Jose Chamber Youth Orchestra as well as the San Jose Youth Symphony. I also teach at Legato Music School and Tavan Music School. Working as an upright bass coach and guitar elective teacher at San Jose State's music camp, Summer In the City, motivated me to begin expanding my private studio. Discovering that teaching can provide just as much fulfillment as even the most rewarding performances inspired me to reach out to students of all ages who wish to learn music.
*** Lesson Details ***
Whether you're looking to play your favorite songs on guitar, learn to walk a bass line in your school's jazz band, develop your sight-reading, make the switch from electric to upright bass, or audition for a local youth orchestra, a good private teacher is necessary in order for results to be achieved. I believe that focusing on technical facility throughout a students development will lead to natural musicality.
Each student learns differently, so appropriately evaluating the needs of each student on an individual basis is the best way to properly teach. While structured study from an appropriate method book is essential to long term musical growth, to encourage the student I think it is best to allow the student freedom and flexibility if they have a passion for learning a particular piece or technique.
Beginning concepts such as reading sheet music, rhythms, phrasing, and intonation are abilities that build upon one another; one aspect of music that I love is that the skills are all cumulative. My primary goal is to constantly provide students with the necessary resources to build upon these cumulative skills not only during their lesson time, but when they go home to practice throughout the week.
*** Specialties ***
Although my specialty is classical upright bass, I also enjoy teaching popular music and Jazz.
Bass Guitar, Classical Guitar, Guitar, Music Performance, Music Theory, Songwriting
Branden is a highly successful graduate in music with a concentration in composition and jazz performance, completing his degree in only three years. He is a passionate performer as well as a dedicated teacher. He was awarded Cum laude for his great academic achievement. Branden is an accomplished songwriter, composer, musician, and teacher. Originally born in Chicago, Branden is now based in San Jose area, playing random events throughout the South Bay.
Branden has been hired to play local gigs as well as a contract to tour with a jazz band. His experience in teaching guitar for the last three years has ranged from teaching elementary school classes to private lessons. He has shared the stage with Steve Tavlione and Scott Henderson.
*** Lesson Details ***
From past experiences teaching students ranging from 7 to 14, Branden has developed many methods in accommodating the different learning styles of students. In general, there is a very casual atmosphere that stresses learning without the strict environment of a classroom. Beginners will be comfortably eased into learning, learning some music theory as well as fundamental musicianship skills along the way. More experienced players will be taught more advanced skills, while delving more into the understanding of the music they are playing.
Students will be encouraged to learn the music that they enjoy listening to, and collaborate with the instructor in developing lesson plans. It is important to bring out the most in the student by allowing the student to feel as involved in their learning as the instructor.
*** Studio Equipment ***
Multiple guitars, two amplifiers, pedalboard, comfortable private space.
*** Travel Equipment ***
I can provide an guitar amplifier and guitar, though I generally expect the student to provide his own guitar. I also expect students to purchase their own books, though I can provide certain sheet music and supplementary supplies if necessary.
*** Specialties ***
I can play a variety of styles, though my specialty lies in the field of jazz. While I may not be the most accomplished classical player, I am still quite proficient in classical guitar also. My biggest strength is combining classical technique with jazz songs and styles.
Classical Guitar, Flamenco Guitar, Guitar, Music Performance, Music Theory, Songwriting
Hristo is an impressionistic modern jazz guitarist and composer from Sofia, Bulgaria. Now residing in the San Francisco Bay Area, Hristo leads a variety of modern jazz formations, ranging from duets to quintets. Hristo has toured nationally and internationally, appearing at some of the most prestigious jazz clubs and festivals, and has also performed guitar clinics in Europe and Japan. He has written more than 270 original compositions, many articles on jazz improvisation, and a book on chordal theory and construction entitled Between the Voicings: A New Approach to Chord Building for Guitarists. The Hristo Quartet’s 2009 debut album, Song for Messambria (First Orbit Sounds Music) quickly received outstanding reviews by the international jazz community and was selected as one of the six best jazz albums of 2009 by E-JAZZ NEWS.
“His sophisticated and adventurous work is imbued with shimmering harmonies and lyrical improvisations.” – JAZZTIMES MAGAZINE
“His multihued compositions are like impressionistic sound paintings.” – JAZZIZ
“You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers.” – Improvijazzation Nation Magazine
“Hristo may be one of the best kept secrets in jazz today. He is the epitome of sonic gold.” – DIGITAL JAZZ NEWS
“Hristo plays as the cultural end result of his life experiences. Simply put, he plays more so from the heart than he does the head.” – Critical Jazz
“A richly textured album full of strong melodic and rhythmic ideas and with some superb playing throughout.” – THE JAZZ MANN (England)
As jazz critic Edward Blanco describes: “Heis the newest guitarist to enter the national jazz scene and does so with a stunner of a recording in Song for Messambria, one of the finest debut albums I've had the pleasure of appraising this year.”
The record presents a unique blend of ECM-style modern jazz, classical, and Brazilian tone textures, and showcases the completely unique and masterful interpretation of the jazz idiom by each one of its members. In late 2009, Hristo released his second studio album featuring Latin Grammy-nominated pianist Weber Iago. The Secrets of an Angel is an impressionistic landscape painted by the delightful and graceful conversation between the two instruments (guitar/piano).
As jazz critic Brad Walseth describes: “On the heels of his impressive debut recording, Song for Messambria, guitarist Hristo returns along with pianist Weber Iago for a wonderful guitar/piano duet recording - The Secrets of an Angel...while the gentle title track shimmers like a glistening iceberg on a cold sea. The delightful two-part ‘The Last Pirate” is a highlight - brilliantly showcasing the exciting romantic bend inherent in his music, while the nostalgic lullaby “Leka Nosht (Good Night)” recalls a faraway youth and rounds out this fine release.”
In 2010 Hristo wrote a large scale jazz work (The Perperikon Suite) especially to be premiered at the 53rd Monterey Jazz Festival. This 7 movements jazz suite is inspired by the ancient Thracian city of Perperikon (located on the territory of Bulgaria), and combines orchestral, classical, jazz, and fusion elements depicting the history and mystery of this enchanting place. The work marks Hristo third album and one of his most adventurous and sophisticated works up to date. For the recording of this project the Hristo Quartet was joined by virtuoso vibraphonist and multi-instrumentalist Christian Tamburr.
As jazz critic Dan Bilawsky describes: “Shimmering harmonies resonate throughout these modern jazz marvels, and the soloists work their way around and through this accessible and exciting music with equal measures of taste, technique and spirit. His pieces are peppered with signpost sonorities and ideas that often reappear throughout a given song, creating a sense of continuity and thematic steadiness that develops around individual soloists. While this group ably establishes its own aural identity, which threads its way through the whole album, each movement of the suite has different strengths and a unique sonic footprint. Brought to life as a tale of two cities, The Perperikon Suite ultimately occupies its own wondrous world within the confines of its jazz borders.”
As jazz critic Brent Black describes: “There is an incredible warmth to his playing, a fluidity of movement and direction held firmly in place by a stellar quintet that provides ample support for the lyrical imagery created on this release. Aside from the superior sound which almost smacks of a live in the studio recording, there is a true working band feel that he has been able to obtain. He displays an unparalleled versatility moving from the flash of “The Acropolis” to the more introspective “The Southern City” allowing for a wonderfully paced recording. The drumming of Joe DeRose creates a special dynamic tension on the tune “The Great Hall.” A release that ends far too soon. Wonderfully crafted, well paced and a sonic tapestry that stands up as well as any release for this past year.”
As jazz critic Bruce Lindsay describes: “The music, performed by a terrific quintet, is beautiful: it captures images not of a city in ruins but of a city full of life, of vibrant activity. The Perperikon Suite is an impressive creation. Each individual tune is beautifully crafted, but so, too, is the Suite as a whole. His response to the ancient city is remarkable in both its conception and its performance.”
As jazz critic Michael Bailey describes: “Many time motifs are used throughout this suite. Tick-tock ascending and descending figures pass as a thread through cloth, to hold this musical garment—a coat of many colors—together. He achieves this effect with no apparent effort or change in guitar tone or approach. Merely by affecting the time signatures, he makes his magic. The Perperikon Suite is soft-spoken and brainy music that exists out of the ordinary.”
As jazz critic Brad Walseth describes: “The new songs are the strongest he has written yet, and the addition of Tamburr serves to take the music to an even higher level. Hristo, meanwhile, continues to impress the listener with his addictive blend of jazz with touches of classical, Brazilian and Eastern European influences in both his playing and songwriting. In lieu of visiting the legendary site yourself, listeners are urged to take a musical journey to the ancient location as seen through the senses of Hristo and shared with you through his highly satisfying musical presentation.”
As jazz critic Ed Blanco describes: “Hristo and his inspirational quintet provide an all-new experience on The Perperikon Suite, a concept album that is accessible, creative and a pleasure to spin often.”
In 2012 Hristo embarked on yet another musical chapter of his life. Heartmony is the long awaited and highly anticipated follow up to the first duet recording by the guitarist and pianist Weber Iago (The Secrets of an Angel). As the title of the record will suggest, Heartmony explores a truly intimate, honest, and emotional conversation between the two instruments. The music, which transports you from impressionistic landscapes to folkloric tales and from melancholic memories to meditative trances, is simply the purest harmonious sounds he has put on tape up to date. Straight from the heart, healing energy that will embrace you long after you listen to it.
“An absolutely wonderful recording.” – JAZZTIMES
“If ever there were a marriage between classical music and jazz then this Heartmony is it. Hristo and Weber Iago have created a very special experience.” – Grady Harp (Amazon.com)
“Both on and off the bandstand, he is an artist who wears his emotions on his sleeve. His new “Heartmony,” a duo session with his frequent collaborator, Brazilian pianist Weber Iago, provides a master class in the way a chord or harmonic progression can evoke a flood of sensations.” – Andrew Gilbert (San Jose Mercury News)
“Guitarist Hristo and longtime collaborator, pianist Weber Iago, have created a work of sublime musicality with Heartmony. Exquisitely lyrical, although a bit too sweet, this opus brings together multiple musical influences into a coherent and cohesive, multilayered narrative, the momentum of which does not slack from the first few notes to the very last. He and Iago interweave long musical threads into a shimmering soundscape of serene beauty.” – Hrayr Attarian (All About Jazz)
As jazz critic Brent Black describes: “Heartmony is a sonic mosaic pieced together from heartfelt feelings and emotions carried through time and communicated in an incredibly heartwarming and emotional presentation that exemplifies the zen concept of less is more perhaps as well as any recording of the last decade. The musical sound of one hand clapping. His and Weber's music transcends the more traditional jazz idiom in much the same fashion that their recorded work here is that of a more cohesive unified voice with subtle shadings, lyrical swells and the textured nuances that creates music that is to be experienced. An incredibly beautiful artistic statement of personal experience.”
“Guitarist Hristo and pianist Weber Iago sounds like a perfect match in a musical heaven, if such things exist. What I’m saying here is that this is a duet album that sounds perfect, music made from the heart and soul. There’s warmth, there’s care, and there’s a human quality to this that no machine can replicate, and it is that Heartmony that makes this a powerful album worth listening to repeatedly.” – John Books
As jazz critic Dan Bilawsky describes: “The eleven originals are all musical offerings from the heart and soul, but this isn't a one-dimensional recital. Some songs are full of life and positive energy, while others have a sense of regret and nostalgia sewn into their being, but they're all painted in sharp, vivid colors, thanks to the skills of both artistic practitioners at play.”
“This set of guitar-piano duets is quietly emotional, always intriguing and quite original. His clear toned guitar blends in perfectly with Iago’s powerful piano and the two musicians often seem to think as one. Heartmony is quite thought provoking and well worthy of many close listens. Highly recommended.” – Scott Yanow
“Hristo and Iago play together with the assurance born of long and fruitful collaboration. They know each other well, and it shows in the skillful way they complement each other. They take a beautiful melody and run with it. They wring every bit of emotion out of it. There are passages in a composition like “Memories in Black and White,” nocturnal moments in “The Last Leaves which Fell in Fall,” that sound like they could have been written by a nineteenth century Polish Romantic. Then there are moments in the same songs where there are glints of French Impressionists.” – Jack Goodstein (blogcritics.com)
“Hristo is a gifted composer and master guitarist whose stylish approach to the music makes him a hidden wonder of the jazz world. Heartmony is an intelligent musical statement and gentle follow up to his previous works, a relaxing soulful musical experience sure to touch a piece of your heart.” – Ed Blanco (E-JAZZ NEWS)
In January 2013, Hristo released “Familiar Fields” – his 5th record as a leader (and his 2nd quartet recording). The music presented in this session clearly displays the multidimensional tonal evolution of the band and each one of its individual members. The addition of drummer extraordinaire Mike Shannon to the quartet establishes a portal to new sonic landscapes and emotions to be explored in this collection of 9 original pieces by the guitarist. The music, which takes the listener through the realms of impressionistic, classical, jazz, experimental, and new age, always retains the unique sonic footprint that has brought critical acclaim to the quartet all over the world.
“He paints a vivid pastoral landscape with epic sweep, often recalling the big-sky sound of Pat Metheny. Obviously, these musicians are more than comfortable with one another, as one delicate solo seamlessly segues into another.” – JAZZIZ
“Once again he has produced an immaculately crafted, often supremely beautiful album.” –
The Jazz Mann (England)
“If Pat Metheny and Larry Carlton are considered the kings of impressionistic jazz guitar, then certainly Hristo is a crown prince and ready to lead a palace coup. In fact, “Familiar Fields” easily stands equal to even their greatest albums. Part of the reason for that has to be credited to Hristo’s choice of musicians in the quartet. The musical affinity and effortless grace shines forth on this album like few recordings I have ever heard. They share a single heart and mind that bursts forth in illumination on every track. There is no weak moment or weak player on this album.” – Travis Rogers (JAZZTIMES)
“Over the past few years, Bulgarian-born, Bay Area-based guitarist and composer Hristo has consistently crafted music of great lyrical beauty. With his self-named quartet or quintet, or in duet with pianist and frequent collaborator Weber Iago, he has advanced a sound that manages to sound intimate and epic at the same time. He does so again on Familiar Fields (First Orbit Sounds), his latest recording with his quartet, which welcomes new member Mike Shannon on drums. As he has on previous recordings, He makes use of classical imagery and narratives in song titles such as “The Prophet’s Daughter,” “The Mask of Agamemnon” and “Wounded by a Poisoned Arrow,” the last of which is our selection. His instrumental voice bears echoes of the tonal warmth and big-sky sweep of Pat Metheny, as he and Iago, his beyond-simpatico musical compatriot, switch off on leads, riding the rolling hillocks of rhythm provided by Shannon and acoustic bassist Dan Robbins. Shannon proves an exceptional addition to the group, responding to and driving his companions in equal measure.” – JAZZIZ
As jazz critic Hrayr Attarian describes: “Bulgaria-born and San Francisco-based Hristo has established himself as a modern day troubadour. His enchanting and fantastical tunes have the feel of medieval ballads abundantly peppered with futuristic sounds. His sixth release, Familiar Fields, presents nine impressionistic originals that showcase his maturing compositional skills as well as the superlative, improvisational talents of his working quartet. With each album he oeuvre ripens and becomes more sophisticated without losing its delightfully spirited edge. Familiar Fields not only stands on its own merit as sublime music but also whets the appetite for what is yet to come.”
“Familiar Fields is a highly intelligent, thought-provoking Impressionistic escapade.” – Nicholas Mondello (All About Jazz)
“This release is a clear statement from an artist comfortable with who he is and where he is going. There are no absolute truths in music but instead there are shades of gray which he and his quartet fill in with the precision of a surgeon and the soul of a true artist. Never caught up in the academics of his works, he instead conducts a sonic exploration with the end result being a release that gives up something new with each subsequent spin. An ebb and flow unmatched, or perhaps unlike him, an ebb and flow that other artists simply can not match. As close to perfect as it gets!” – Brent Black (CriticalJazz.com)
“The Hristo Quartet, ladies and gentlemen, is in peak form. They have no competition: no other music in the jazz idiom is quite as satisfying.” – Grady Harp (Amazon.com)
“The musical bond between guitarist Hristo and pianist Weber Iago is as strong as that of Chick Corea and Gary Burton, with proof being their two sublime duet recordings, The Secrets of an Angel and Heartmony, as well as three small group sessions under his name. For the Familiar Fields quartet date with regular bassist Dan Robbins and new drummer Mike Shannon, chose nine gems to play from his vault of more than 270 original compositions. As usual, as one listens to his music, the words lyrical, impressionistic, spiritual, and passionate come to mind, and also his term "heartmony," which he defines as the simultaneous combination of feelings and emotions, especially when produced by experiences, memories, and stimulations pleasing to the heart, body, and soul." – Scott Albin (JAZZTIMES)
“The emotional essence of any Hristo recording can be seen before it’s heard via the distinctive oil paintings the guitarist creates for his CD jackets. his artwork for Familiar Fields is impressionistic, haunting and autumnal, the same qualities that characterize his latest collection of tunes. The foursome’s interplay is highly intricate, resulting in emotive tunes that wax and wane in intensity. Whether you call it post-bop or post-fusion, his brand of jazz is passionate and ethereal. He has developed into a formidable guitarist and intelligent composer, and since he’s only 32 years old, his best work may be yet to come.” – Ed Kopp (Jazziz)
“Within his tone and technique, it’s not difficult to hear the influences of Wes Montgomery, Pat Metheny and Lee Ritenour. He is adept at the full range of extended techniques but is most often described - justifiably - as an impressionist.” – Karl Ackermann (All About Jazz)
“Of the many attributes that Bulgarian (San Francisco based) guitarist Hristo possesses - refined technical abilities, warm tonality, and expressive soulfulness - his gift to convey beautiful stories through intricate composition is always at the heart of his appeal.” – Mark F. Turner
In October 2013, Hristo released his 6th album as a leader. "Rhodopa" is a beautifully crafted sonic pairing of the extremely emotional and lyrical Bulgarian folklore and the multidimensional and deeply textured world of modern jazz harmony. On his new music journey, the guitarist is joined by virtuoso Bulgarian clarinetist Liubomir Krastev. As jazz critic Dan Bilawsky describes: “Hristo and Liubomir Krastev cover everything from the mystical to the mournful and the grim to the gleeful on this absorbing duo date.”
“Hristo takes improvisational music to a third dimension of texture you can feel. Rhodopa is my selection for album of the year for 2013. Critically acclaimed guitar virtuoso Hristo started the year with the release of the highly regarded Familiar Fields. With Rhodopa, has now assumed his rightful place as a global virtuoso of unrivaled talent and ability. As artistically gifted as he is technically proficient, Hristo moves to the head of the pack with this stellar outing.” – Brent Black (CriticalJazz.com)
“Hristo boldly departs from the group setting and gives the audience even more of what they crave - soulful arrangements and virtuosity with heart. There is a beauty and an elegance that comes through on each and every one of Hristo's recordings. The music he composes, the arrangements he crafts, the musicians that he assembles together and the dignity and reverence of his musicianship speak of the heart of the man and his love of life.” – Travis Rogers (JAZZTIMES)
As jazz critic Hrayr Attarian describes: “The warm, poetic tunes are like fairy tales in verse. They are imbued with nostalgia, and shimmer with a variety of muted colors and sentiments. Krastev's softly undulating tones waver against his vibrating strings in a spiritual celebration of abstract beauty. This thematically unified work is a genre bending, elegant and satisfying opus and a new high for he who continues to excel himself on each fresh release.”
“Modern jazz guitarist, pianist and composer Hristo always refreshes the ear and the soul with his inordinately sensitive, mesmerizing, and beautiful approach to music. He is unique - and artist who explores every avenue of approach to both folk music and jazz and the result is an experience that simply no one else can match.” – Grady Harp (Amazon.com)
“With Rhodopa, guitarist/composer Hristo and clarinetist Liubomir Krastev meld musical minds, dive exuberantly into an array of earthy Bulgarian folk material and come up with four hands of beauty. The result is a panoply of aural color, emotion, and technical artistry.” – Nicholas Mondello (All About Jazz)
As jazz critic Ed Blanco describes: "Rhodopa is an instrumental serenade of Bulgarian folklore music interpreted by a world-class guitarist and clarinetist. Hristo and Liubomir Krastev deliver an enchanting and relaxing escape from reality with a fifty-three minute encounter of soul-reaching music."
"You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers. With Liubomir’s reeds, they form a cultural jazz experience that can’t be compared with anything else!" – Dick Metcalf (Improvijazzation Nation Magazine)
On top of leading his own quartet, quintet, duo projects, and co-leading the group SEVA, Hristo also co-writes and plays guitar with Joe De Rose and Amici - an energetic jazz/fusion formation lead by drummer Joe De Rose. Hristo has appeared on countless radio shows/programs all around the world.
Hristo has also performed in world-class jazz venues and festivals including Yoshi’s Jazz Club (Oakland, CA), Bach Dancing and Dynamite Society (Half Moon Bay, CA), Kuumbwa Jazz Center (Santa Cruz, CA), Anthology (San Diego, CA), Catalina Jazz Club (Hollywood, CA), The Jazz Corner (Hilton Head Island, SC), Heidi's Jazz Club (Cocoa Beach, FL), Alvas Showroom (San Pedro, CA), The Jazz Station (Eugene, OR), Egan's Ballard Jam House (Seattle, WA), Timucua White House (Orlando, FL), Ivories Jazz Club (Portland, OR), The Herbst Theater (San Francisco, CA), SOhO Jazz Club (Santa Barbara, CA), as well as major jazz festivals including the 53rd Monterey Jazz Festival (Monterey, CA), 2009/2010/2012/2013 AT&T San Jose Jazz Festival (San Jose, CA), 2010 and 2012 Redwood City “Jazz on Main” (Redwood City, CA), Okazaki Jazz Festival (Okazaki, Japan) and many more.
Hristo holds a B.A. in Music (Jazz Studies) from San Jose State University in San Jose, CA.
He has also studied in the prestigious Roland Music Academy in Caracas, Venezuela.
Students can benefit from Hristo's completely amazing knowledge on the instrument as well as music/harmony theory. He will work and design unique and specific goals tailored to each student's individual interests. His dedication and passion for teaching are first class!!!
*** Lesson Details ***
I design my lessons with the specific student goals in mind.
For Beginner students: we will start by exploring rhythm concepts and understanding how to read music. Learning the physics of the guitar and exploring the notes in the first few positions. Learning open position chords, and simple chords progressions, major and pentatonic scales,etc.
For Intermediate students: we will continue expanding our knowledge of the higher positions of the guitar, as well as develop better sight-reading skills. Bar cords and chord transposition, and music theory. Expanding our scalar vocabulary to modes, and minor scales. Learning arpeggios and classical etudes.
For Advance students: Close interval voicings, jazz improvisation, chord to scale relationships, and harmonic substitutions are some of the concepts we will cover. Learning solo guitar playing (chord melody), incorporating walking bass lines, transcription skill and arranging skills.
*** Studio Equipment ***
A specific music room with a few guitars, a keyboard, amps, and recording equipment and music stands
*** Travel Equipment ***
I provide my guitar and amp.
Students should provide their guitars and amps (if needed)
*** Specialties ***
I specialize in Jazz guitar, improvisation, harmonic studies and theory.
Chord melodies, building lines, phrasing, voice-leading, chordal improvisation, and re-harmonization/substitution.
Bass Guitar, Classical Guitar, Guitar, Music Performance, Music Recording, Music Theory, Songwriting
My name is Andrew, and I've been teaching guitar for nearly seven years. Since 2006 I've been working at the Summer Rock Camp in Palo Alto, and I've served as the music director for the School of Rock in Palo Alto. I've taught everything from private lessons to group lessons at the Los Angeles Children’s Hospital. From teaching so many students over such a long period of time, I've realized the power that music really has. Seeing my students progress has been one of the most fulfilling things in my life.
My teaching style has an emphasis on improvisation, rhythm, and playing with other people (among other things). I've been a rock and roller my whole life, and have played in countless bands, but am also highly trained in classical and jazz music. Jazz has always had a special place in my heart, and I love to play it among other styles.
One of the biggest things that I've noticed is that many musicians may be very well-trained classically, but lack all of the essential ingredients that make them viable to just pick up and play with. As well as learning the guitar, you'll be reading out of a drum book for rhythm exercises, sight-singing (when you get more advanced), and learning theory. Oh, and of course you'll be learning songs you love and jammin' out!
In addition to all of my real-world experience, I hold a Bachelor of Music degree from USC's Thornton School of Music in Studio/Jazz Guitar.
*** Lesson Details ***
I am a laid back guy, but that doesn't mean I won't make sure you get your practicing in! I believe that music should be fun and should be the best part of your day, but you need to learn a few things in order to really enjoy it. In other words, I don't want you to look at music as a chore, but I also want to make sure you get something of value from your lessons.
You can expect to be able to play your favorite songs and be able to go to a jam session and play with musicians you've never met before. The more you put in, the more you'll get out! I'll just be your guide.
*** Travel Equipment ***
*** Specialties ***
No matter where you are on your musical journey, learning your first few chords or developing your career as a professional musician, I will be able to help achieve your goals.
As a Studio/Jazz Guitar major at USC, I was exposed to a wide variety of music ranging from Jazz to Rock to Classical. I specialize in Rock/Jazz/Blues, but am also very well versed in solo/fingerstyle guitar. I have played endless amounts of solo-acoustic guitar gigs. In addition, I compose electronic music and combine this with my guitar playing.
Acoustic Guitar, Bass Guitar, Blues Guitar, Classical Guitar, Composition, Guitar, Music Performance, Music Theory, Songwriting, Ukulele
Thanks for checking out my page. I have been playing the guitar for over twenty years, and teaching guitar for the past 16. I began my musical journey began when I picked up one of my grandfather's mandolins at the age of three. Soon after, I discovered that my grandfather had a guitar in his garage. I felt naturally drawn to the guitar, as though my hands were meant to play. I taught myself until the age of twelve, when I inquired about formal lessons with a guitar teacher from my church by the name of James Garcia. I have played with a number of groups throughout the bay area, including legendary saxophonist Bob Mintzer. I hold a degree in music and have studied with teachers such as James Garcia, Rich Hawthorne, Mike McKenna, Doctor Paul Setziol, and Ron Dunn. My goal is to ensure that each student leaves every lesson a better guitar player. Whether you have been playing for a while but simply want to improve, or you are an absolute beginner I am the teacher
*** Lesson Details ***
I offer the highest quality acoustic & electric guitar lessons in the bay area, period. I am a fairly laid back individual, yet my lessons are academic in nature. My overall goal is to bring out the potential in every student.
Curriculum: -Introductory guitar packet (by me)
-Alfred's Basic Guitar Method Vol. 1, 2 & 3 (beginner to intermediate)
-Christopher Parkening Guitar Method Vol. 1 (beginner classical guitar)
-Harris Music Bridges Classical Guitar series (beginner to advanced)
-Blues You Can Use (intermediate)
-Jazzin The Blues (intermediate to advanced)
-Practical Theory for Guitar by Don Latarski (intermediate to advanced)
-The Real Book (intermediate to advanced)
“Ryan is both an excellent musician and an excellent educator. A few years ago, I was looking for a guitar teacher for my daughter. I’ve met many guitar teachers but Ryan certainly was the best. I would recommend Ryan to everyone but especially to those who are looking to get to a greater level of understanding music and significantly improving technique.”
"I met Ryan for the first time when I was an annoying little kid who wanted to learn how to play the guitar. Any normal person would have been fed up by the first week, but he managed to put up with me for nine or so years. In that time, I would like to say that I have become a pretty decent guitar player and overall well rounded musician. Even though I am not pursuing music as my career choice, it has been a great part of my life and has no-doubt helped my skills in other areas. Ryan really knows what he’s doing in terms of teaching and he loves to bring out the potential in people. He’s also a cool guy just to talk with sometimes. I would definitely recommend him!"
"Ryan is an excellent teacher and player. Being his student greatly improved my technique, introduced me to a lot of new genres I am still exploring today, and encouraged my creative growth as a musician. He also teaches theory and ear training, skills that are necessary for the serious musician, and skills that I still practice. Gaining a deeper understanding of music as both a science (music theory) and as an art (self expression and creativity) is much more important than just learning how to play the guitar. Ryan is one of the few teachers I know who teaches more than just playing the guitar. Now I am a fourth year undergraduate student enrolled in California Institute of the Arts' guitar program playing electric and classical guitar, along with a few other instruments. Ryan's teaching goes much deeper than just playing notes, and is what first inspired me to take music seriously."
*** Studio Equipment ***
Studio w/ amps, and seating for parents.
*** Specialties ***
Jazz, classical, blues, rock, progressive rock, reggae, folk, contemporary Christian,
and acoustic finger style.
I am a Jazz Guitarist / Composer / Arranger / and Band Leader and teacher who has been working in the greater San Francisco Bay area for the past 10 years. Originally from the East Coast and Chicago I arrived in California in 1992. I hold a Master's Degree in music from San Jose State University where I majored in Jazz guitar performance and composition / arranging. I have been passionately teaching guitar for the past 12 years to students of all ages. My goal is to teach you the music YOU want to learn while expanding your musical awareness. I am a patient and understanding teacher who will attempt to inspire students while pushing them to their playing potential. In addition to teaching I lead by example performing regularly in various Jazz ensembles. I have released a CD of original works entitled “Rivers Converge.”
*** Lesson Details ***
I have played and studied extensively the styles of Jazz, Rock, Blues, Classical,electric and acoustic guitar. I begin lessons by teaching students the fundamentals of the instrument and after a basic grasp of the guitar is developed I encourage students to learn songs / styles of their choice so that the musical experience is fun for them. In the first few months beginning students will learn the architecture of the guitar: string names & numbers, finger numbers, fret numbers, tablature, chord diagrams, basic time signatures, strum patterns, chord charts. I divide guitar playing into 3 major principles: Lead playing / improvisation, Chord playing / accompaniment, and Melody / note reading. Lessons will reflect the development of these principles. Scales and arpeggios and music theory lead to improvisation. Chord playing, chord progressions, open chords, bar chords, & power chords are used to play rhythm guitar in songs of the student’s choice. Melody playing is developed through learning to read music. For reading studies I utilize the Hal Leonard Guitar method for beginners and William Levitt’s Modern Method for guitar for more advanced students.
*** Studio Equipment ***
Converted room in garage w/ seating for parents.
*** Travel Equipment ***
students should have guitar, music stand and two armless chairs
*** Specialties ***
I specialize in Jazz, Blues, and Rock styles but am equipped to teach beginning classical guitar as well. I try to combine technique and music reading with the learning of songs that interest the student.
"Steven is very professional and extremely helpful. He always has a smile on and is serious about helping you phrase the music. I would highly recommend him to anyone."
"It's been really exciting so far! Jordan has been so helpful, so knowledgeable. I could not have found a better instructor and I'm getting better and better every day."
"My daughter's wedding was weeks away and I had never been able to dance a step. With Jenny's help, I came further than ever before in such short time in any subject."