Hello! I'm Justin, a classically trained Baritone with an emphasis in opera and art song. I have earned my Bachelor’s degree in Vocal Performance from the University of Wisconsin- Stevens Point, and my Master of Music degree in Vocal Performance from the University of Minnesota. In Stevens Point I sang the roles of Papageno in The Magic Flute, Marcello in La Boheme, Judge Turpin in Sweeney Todd, and Marco in Gianni Schicchi. As part of the University of Minnesota Opera Theater I have covered Ford in Falstaff, and performed Demetrius in A Midsummer Night’s Dream. My recital appearances most recently include Robert Schumann’s Liederkreis Op. 24, Modest Mussorgsky’s Songs and Dances of Death, and multiple performances of Franz Schubert’s Die Winterreise in both Minnesota and Wisconsin. I have been a Studio Artist for the critically acclaimed Mill City Summer Opera for two consecutive seasons. My responsibilities as an SA include covering roles, singing in the chorus, participation in an opera scenes program, and leading a series of Opera Enrichment classes at the Lundstrum Center for Performing Arts. I am a member of the Minnesota Opera Chorus, this being my first season with the company. I am the Bass Section Leader at Central Presbyterian Church in St. Paul, MN.
Alongside my passion for singing, I am an avid composer. I have completed a wide variety of pieces, from full orchestral works to string quartets, from 12-part choral pieces to art songs. Notable compositions include: Joys and Woes, a song cycle for Soprano; Charlotte, a song cycle for Soprano; Canticle No.1 for SATB chorus, which was marked for consideration at the UW-Stevens Point Choral Composition Competition; and the in-progress work for ensemble and voice titled “Sketches”.
I have been teaching voice for 5 years now, and have taught students ages 7-70, so I know first hand that it is never too early or too late to start singing! I have prepared students for auditions, recitals, and for just plain fun. I teach with confidence so you can sing with confidence, and I have found that it works wonders.
*** Lesson Details ***
I have been teaching private voice for five years, and have been successful in teaching a variety of students and musical styles. Though my singing background is predominantly classical, I use that training to nurture healthy, strong, and organic voices. I do this by teaching both the fundamentals of singing technique (breathing, support, resonance, anatomy), and the art of musicianship, which is essential to every style of singing. I approach my personal understanding of the voice from the angle of knowing it as an instrument, as opposed to a source of sound that can easily be taken for granted. This allows for an even mix of understanding the voice organically, and understanding how the different parts of the instrument can be manipulated. No two voices are the same, and likewise, no two students are the same. Because of this, I do not teach a pre-structured technique, but rather take the time with each student to understand their instrument and craft a technique that will work most healthily and efficiently for them.
*** Studio Equipment ***
Piano, access to a large quantity of classical and pop sheet music, spacious studio space, performance space, the occasional puppy, tea, music stands, and a cool fish.
*** Specialties ***
I am a trained classical baritone, and have experience in the musical theater genre as well. I teach all genres according to the Italian school of singing, which focuses on breathing and the minimization of stress while singing. As I say: classical training is only the approach, the style is up to the singer. I have been successful in teaching all types of genres through this approach. I am also an avid composer and songwriter, and regularly teach theory in my lessons.