Belinda L.

General Info

• Certified Music Teacher

  Certified Music Teacher

  Our rigorous hiring process requires a completed application; an interview with our professional recruiting specialists; personal and professional reference checks; and annual criminal background checks for the duration of each teacher's employment with us.

  
• Background Check Complete

  Criminal Background Check

  In order to ensure the safety of our students, all teachers undergo a thorough criminal background check, which includes: Social Security number trace, multi-state criminal search and a nationwide sex offender registry search.

  
• Levels: Beginner to Advanced

• In-Home Lessons: No
• In-Studio Lessons: Yes
• Ages: 5 & up

Subjects Taught

Singing, Music Performance, Music Theory, Opera Voice, Theatrical Broadway Singing, Acting

Education

University of California, Irvine - Vocal Performance - September 2006 - August 2010 (Bachelor's degree received)
Peabody Conservatory - Vocal Performance - August 2010 - Present

Specialties

I specialize in classical singing- applicable to any style of singing!

Lesson Details

I believe in making sure the singer is comfortable and confident. The voice is an extremely personal instrument, and many insecurities can sprout from working through vocal technique. The environment you will be learning in is open and non-threatening, so that you're not afraid to make mistakes, because a singer needs a place to explore his or her voice. Singers are perfectionists, and we're constantly telling ourselves what we do wrong- we don't need someone else enforcing that negativity! ...

I concentrate on a classical vocal technique, with proper posture, efficient breathing, lack of facial and body tension, and healthy vocal production. This may apply to operatic or classical singing, as well as singing in musical theater. I believe that it is important to have a strong foundation of healthy technique no matter what style of singing. In classical voice lessons, we will be learning songs not only in English, but also Italian, German, and French. Classical voice lessons may not be for everyone, however, and we will learn repertoire that suits the interests of each student.

I emphasize a basic knowledge of music theory, because it's important for a singer to not only know how to sing, but to also understand the music he or she is singing. I will incorporate music theory into the lessons, starting with basics such as learning how to read notes.

I work well with children as well as adults, and have experience teaching all age-groups both in a classroom setting and in private one-on-one lessons. My teaching style and lesson focus will be different for each individual person, and I'm very flexible in adapting to each singer's needs and personality.

I am a very understanding teacher, and very patient, but I will push you to work to your potential! What you put into these lessons and your practicing is what you will get out of it. I am not strict, but I do expect dedication, passion, and respect. I am a very enthusiastic and energetic teacher, and lessons with me will be fun, productive, and encouraging!

If I sound like the right teacher for you, please arrange a trial lesson to see how well we work together!

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About

Soprano Belinda L. is quickly emerging as a sought-after performer both in opera and as a recitalist. Her performances have been described as “mesmerizing” and her crystal clear voice is full of a “beauty and sensitivity that makes her an immediate stand out.” Most recently, Belinda has appeared on the stage of Peabody Opera as Euridice in Gluck's Orfeo. Past roles include leads from Cosi fan tutte (2010), Die Zauberflöte (2010), Rigoletto (2010), Gilbert &Sullivan's Trial by Jury ... (2009), Lakme (2009), Le nozze di Figaro (2009), and Don Giovanni (2008). Equally in demand on the concert stage, Belinda has sung the soprano solos in Faure's Requiem and Handel's Messiah.

Prior to her studies at the Peabody Institute, Belinda attended the University of California, Irvine, studying voice under the tutelage of Dr. Darryl Taylor. During her undergraduate work, she received numerous honors and recognitions including The Bette and Steven Warner Scholarship, The Ann & Gordon Getty Foundation Music Scholarship, Artsbridge Scholarship, and UROP and SURP fellowships. As an advocate for teaching arts, Belinda worked with the Creative Connections outreach program at the Claire Trevor School of Arts, bringing music curricula to underfunded K-8 classrooms. Additionally, she was a founding member and leader of Clair de Lune A Cappella, an all treble-voice performing group at UCI.

A Los Angeles native, Belinda began her vocal studies at a young age, singing with San Marino's award-winning Chamber Choir and participating in musicals such as Bye Bye Birdie and Little Shop of Horrors. Her extensive vocal education includes training with the Intimate Opera Company, Songfest Young Artist Program, Barcelona Festival of Song, Hawaii Performing Arts Festival, The Amalfi Coast Music Festival and Institute, and, most recently, OperaWorks. Future engagements include the premiere of a new opera in May 2012 and performances in Germany this coming summer.

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