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I have been teaching piano for almost 20 years. I played piano and keyboards in a band for several years, and I have been playing piano and singing at church for over nine years. I can help you learn the proper technique and musical skills for any kind of playing in the future, with more advanced teaching for classical piano. I can also teach chord playing for students that want to quickly learn their favorite songs. I'll even help you learn how to sing along!
*** Lesson Details ***
I have a lot of fun at my lessons, but I emphasize the importance of practice. For beginning students, I like to use the Alfred's Basic Piano Library (that teaches piano playing and note reading), which I supplement with fun games, history projects and music journal topics to ensure my students get a well-rounded music education while enjoying what they are doing. I also host a yearly recital (which is also for online students) so my students will all get a chance to show off their skills! I create a custom curriculum for my more advanced students.
*** Equipment/Books ***
I will supply the curriculum for local students at their cost. I choose the curriculum for online students to order on the Internet. The student must have a suitable keyboard or piano.
French Horn, Music Performance, Music Theory, Piano, Songwriting
I have been teaching French Horn and piano privately for about six years, mainly in Lynnwood, WA. I have also coached horn players in local school bands during this time. There are many difficulties that students encounter when studying music, and I want to help you turn weaknesses into strengths, and help you find out where your greatest strengths (and interests) lie in music. I'll work with you to help you understand your own musical desires and goals, so that you can get the most out of your lessons. I am committed to understanding each of my students, and to sharing my love of music with each one of them. I teach French Horn, piano, music theory and composition as well as songwriting. Currently, I teach in the South Snohomish County and North King County areas.
I was eight years old when I started taking piano lessons in Tacoma, WA. When I was 12, I discovered that I had perfect pitch while playing church hymns with my dad. This ability has served me well on a number of occasions. I discontinued formal piano lessons when I started college, but I continued to play piano on a nearly daily basis from that point on, keeping my technical skills at a very advanced level. I played trumpet in school bands starting in the 5th grade, and switched to French Horn in the 8th grade. The appeal of the horn may have had something to do with its rich, warm sound, its intricacy and complexity, and the demands that it placed on me to play with a high degree of pitch accuracy. I loved the challenge of playing accurately on the horn then, and I still do. As a horn student, I have studied with Jacqueline Shannon, Kathy Farner, Kathy Colton, Lawrence Lowe, Elizabeth Ward and Jeff Snedeker. As a horn performer, I have played with community and regional professional orchestras in Central Washington, in the Tacoma Youth Symphony, and in numerous ensembles in college.
I have studied music at Tacoma Community College, Brigham Young University and Central Washington University. I received Bachelor of Arts in Music at Central Washington University. I plan on attending graduate school in the future, focusing on music composition and film composition, as well as French Horn and piano performance.
As a music composer, I have written works for many different ensembles, choral works, solo piano pieces, and works for solo instruments. I am drawn to rich harmonies and beautiful melodies, as well as interesting timbres and musical variety, in my own music and that of the music I listen to. I am easily able to visualize music in color, and I have a thorough understanding of how the elements of music combine together to affect emotions in listeners. This is one of the reasons that I am currently pursuing film and media composition.
As a student, teacher, performer and music composer, I know that there are countless musical topics that students are curious about. I feel that students should feel free to ask any question in the field of music, even if it may seem like a "dumb" question. I value the sincerity and passion for good music that so many students have. I will help you acquire the knowledge and skills that you need, so that you can see more clearly your own musical goals. Previous and current students I have, each have made improvements in their own playing and knowledge of music, some of whom have made vast improvements in their playing and knowledge of music.
As I have taught music privately for a little while now, and can reasonably compare how I teach with other instructors that I know well, I can say with certainty that there are at least a few areas of my teaching that are somewhat unique and highly beneficial for certain students, if not most students. I value ear training and using flashcards with beginner students quite a bit, and am fond of teaching not only the "nuts and bolts" of music, but also, how music "works", such that a student of mine can write their own music if they have the desire to do so. I also try to assign a wide variety of music for each student (which differs according to each student's musical interests, abilities, and areas of their playing that need to be improved), especially as they improve and approach the intermediate levels of playing. There are many reasons I do this, but for the student, it is very important that they do not feel particularly "bored" with the music they are playing. I also have found that students who have a more sensitive nature tend to be more comfortable with the way I teach, as I reserve higher, stricter expectations for more advanced, older students. I also try to always be as patient, kind, and considerate with every student as I can be. Lastly, I highly encourage questions and feedback at any time during a lesson, and I try to create an atmosphere where the student feels comfortable to do so.
I accept students from five years old on up, but I prefer horn students to be at least ten years old before starting lessons, unless they have noticeably greater abilities to focus for a certain period of time than other children their age.
Employment and Musical Experience:
Private Piano Instructor, Fall 2006-Spring 2007, January 2009-Present
Summer Camp Counselor: Lutheran Summer Music, Summer 2006
Third Horn: Mid-Columbia Symphony, February-May 2007
Second Horn: Washington East Opera, Barber of Seville, January 2006
Substitute Third Horn: Yakima Symphony, Winter 2006
Third/Fourth Horn: Wenatchee Symphony, Fall 2005
Substitute Horn: Leavenworth Summer Music Theater: Summer 2005
1st Horn: Shoreline Community Church, Christmas 2004
Principal Horn: Central Washington University Symphony, Chamber Orchestras
Principal Horn: Central Washington University Wind Ensemble
Finalist, Northwest Horn Workshop Mock Auditions, March 2005
Graduate, Pacific Northwest Film Scoring Program
Post-Baccalaureate Music Education Courses: Central Washington University, 2006-2007
Bachelor of Arts in Music: Central Washington University, Summer 2006
Associate of Arts and Sciences: Tacoma Community College, Fall 2002
Served 2 Year Mission for The Church of Jesus Christ of Latter-Day Saints
*** Lesson Details ***
I have always wanted people I interact with to be, as a general rule, comfortable and relaxed in any setting. This certainly applies to the students I teach. However, students can expect that musical improvement will only occur through daily practice and constant effort. That being said, I am more interested in helping students overcome any difficulties in this area through reviewing their own practice habits and motivations, rather than using harsh discipline. It is crucial that students see the connection between their own practicing and musical improvement. Once this occurs, they can take more responsibility for their own progress with that added awareness.
The material chosen for each student will vary considerably, depending on their current knowledge, experience and ability level, innate abilities, musical tastes and priorities. The progress that is made will, to a large extent, be determined by the student's practice habits and natural ability. However, over the course of a few months or so, students should see noticeable improvement in their own musical abilities, if they practice and pay attention during lessons.
*** Studio Equipment ***
Piano, music stand, computer/printer, metronome
*** Travel Equipment ***
-French Horn: pencil, mute, tuner/metronome, maintenance/cleaning supplies, some books depending on if it is a first lesson, etc. I bring my own horn, and expect the student to have their horn. I also expect them to have a music journal to use as a reference for practicing and keeping track of their progress. Occasionally, I will employ a recording device for the purpose of assessing personal teaching effectiveness, or for the student to evaluate their progress/record their practicing.
-Piano: Metronome, pencil, some books if it is a first lesson, music journal, possibly a recording device from time to time.
-Music Theory/Composition: Music paper, pencil, music journal.
*** Specialties ***
*Teachers marked as a Student Favorite have taught a minimum of 25 lessons and have received the highest feedback rating from students.No specific methods in particular, and I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse, etc. for French Horn.
Brazilian Samba, Broadway Singing, Cello, Guitar, Makeup, Music Performance, Music Theory, Opera Voice, Piano, Singing, Songwriting, Spanish
I have loved music as long as I can remember. I know its cliché to say so, but it's true! :)
For me, having parents of different ethnicity and siblings that were much older than me, I was heavily impacted by the wide variety of music to which my family members listened. The force of this crayon box of rhythms and sounds captivated and affected me so much that it is the key experience that I draw from in making my own music today.
I grew up in Fairbanks, Alaska (a small town in the center of the state) so my only option for entertainment and fun was getting involved in the arts! I started performing at a very young age as both a dancer and a musician. I studied classical ballet, modern dance, hip hop and street dance, and world dance traditions throughout my formative years, which helped me to gain rhythmical fluency. I started my formal music training when I began to play the cello. From then on, I was hooked on the sound and I immersed myself in music as much as I could; performing, competing, working in as many musical groups and productions as possible (as both a vocalist and cellist), and even teaching.
I moved to Seattle in 2003 to study opera at Cornish College of the arts, only to later change my major to Jazz, and then again to Latin music studies. Since graduating from Cornish in 2007, with my Bachelor of Music degree, I have been actively and diligently working in the local music scene; performing and recording with artists and groups of many different styles. Everything from various Latin genres, to Rock, to R&B/Soul, to Hip Hop, and Jazz. Through my music, I aim to reach out to people of all cultures. I also aim to teach my own students with the hope that they too can discover the same continuous love of music that I have grown to feel (and still am growing to feel) over the years. :)
*** Studio Equipment ***
88 key piano, (Yamaha keyboard), cello, various percussion instruments, guitars, library, computer, lessons are given in the living room.
*** Specialties ***
As far as voice goes, I teach all genres and styles but I personally specialize in the Latin genres. I teach all aspects of the music; rhythm, harmony, theory. I even teach performance; how to work with a band in real-time communication, song communication (or story telling as I like to call it), and developing ones own personal style. I believe that there is much more to singing than just vocal technique alone, so I believe in teaching musical fundamentals and functions so that my students will not only be considered vocalists, but competent musicians.
Clarinet, Flute, Music Performance, Music Theory, Piano, Saxophone, Songwriting
A native of the Pacific Northwest, saxophonist Kareem K is a performer, composer, and educator, who is in high demand for his talents both on and off the stage.
Growing up in the northwest with its vibrant music scene allowed Kareem the opportunity to study with, listen to and perform with world class jazz artists residing in the area. Artists such as Tracy Knoop, Jay Thomas, Don Lanphere, Bill Ramsay, Hadley Caliman, Julian Priester and many others had a large impact on Kareem early in his musical education. This direction and guidance continues to inspire and lead Kareem as he continues his lifelong passion undertaking a career as a professional musician.
Today, as a performing artist he spends most of his time leading his group for which he composes and arranges most of the music. The band is constantly on the move as a sought after performing group and spends most of its time performing in and around the Pacific Northwest. When not leading his own group Kareem can be seen and heard performing as a sideman with many other top notch musical acts and projects, most notably The Paperboys from Vancouver BC.
As an educator Kareem divides his time teaching jazz improvisation as an artist in residence at The Tacoma School of the Arts, directing the award winning student jazz ensemble at Pierce College, conducting masterclasses and workshops at schools around the Puget Sound area, and maintaining a full load of private students.
Kareem holds a Bachelors Degree of Music from Cornish College of the Arts in Seattle Washington which he attended after receiving a full scholarship.
Throughout his years of teaching Kareem has worked with students of all ages and abilities, from beginners just getting started, to advanced players who simply want new ideas and direction.
*** Lesson Details ***
Lessons are relaxed and are focused on what you would like to learn.
I usually begin with assessing where students are in their abilities and then come up with a lesson plan based on what they already know and what they would like to accomplish.
They can be geared towards a 5 year old with no musical training whatsoever, or to an advanced musician who wants to further develop their skills.
Topics that I cover in lessons throughout a typical day of teaching include: Instrument technique, sight reading skills ( note and rhythm recognition ), memorization skills, music theory, ear training, improvising, and composing.
After 3 to 6 months of lessons and regular practice a beginning student should have a good command of their instrument and a strong foundation of sight reading. At this point we normally will also have started some music theory as well. For students wanting to focus on jazz we will have already begun improvising as well.
*** Studio Equipment ***
5x10 room w/ piano and seating for parents
*** Specialties ***
*Teachers marked as a Student Favorite have taught a minimum of 25 lessons and have received the highest feedback rating from students.I focus on the basics of learning to read music and basic technique on the instruments that I teach. From there I proceed with theory, ear training, improvising, composition etc. It all depends on what the students want to learn. I am comfortable teaching classical music as well as jazz, rock, composition, and improvisation.
Broadway Singing, Piano, Singing, Trumpet
Experienced and highly qualified instrumental instructor.
University credentials from programs that remain amongst the best in music performance and education in the nation. These credentials are matched by 10 years of performance and teaching experience - New York and Seattle.
As an experienced soloist, orchestral and lead player, I have had the time to develop a deep physical connection to my instruments. This connection, gained after years of practice and performance, informs my approach to instruction. My goal is to impart technique and knowledge that assists the student to break through physical barriers and achieve maximum musical expression, no matter what the style.
*** Lesson Details ***
PIANO - As long as you love the sound the exercises will make sense. Great works - Beethoven to Ellington - Contemporary- Rock, R&B,etc...
TRUMPET - Any style, any score, any chart - learn to read - improvise across jazz chords - compose etudes.
VOICE - Male vocals - Classic Rock/Broadway, American Folk, specializing in the changing adolescent voice.
All curriculum is designed so that instrumental and vocal students have the opportunity to engage standard repertoire as well as modern and contemporary practice/method (Rock/Jazz/World music). Established curricula are driven towards individualized instruction encompassing interest, ability and personal expression.
*** Studio Equipment ***
open living room, two pianos, couches, chairs,
*** Specialties ***
PIANO: Bastien, Pace, Bartok (Mikrocosmos), Hannon, Brahms, Beethoven, Adult contemporary/Jazz
TRUMPET: All methods (Arban's, Clark, Rubank, Smith, Charlier, Bitsch etc...)
Music Performance, Music Theory, Piano
A native of West Seattle, Rian took his first piano lessons at the age of seven. His middle school music teacher recognized Rian’s musical talent and gave him his first public performance opportunity during the school’s annual musical. Rian would go on to play piano for the middle school productions for 3 more years. As Rian progressed into high school his talent increased as well. As a freshman in high school Rian successfully tried-out for the award winning JFK High School Jazz Band and soon took over as the primary pianist. While performing at a high school jazz band festival he was singularly awarded the “Best Rhythm Section” award, a prize usually given to a band’s entire rhythm section. Rian concluded his high school musical career with a trip to the Washington Music Educators Association Solo & Ensemble Competition (WMEA) after achieving a 1+ Superior rating for Solo Piano Performance.
Pursuing his passion for music, Rian attended Washington State University (WSU) and studied under the tutelage of Julliard alums Jeffrey and Karen Savage. During his time at WSU, he expanded his boundaries and became accomplished in his study of classical piano, earning gold medals in multiple years at Musicfest Northwest. In addition, Rian performed as a soloist with the Washington-Idaho Symphony as a winner in their Young Artist Competition. Prior to his senior year at WSU, Rian received the Presser Scholarship. The Presser scholarship is a nationally funded scholarship awarded by each University to only one student each year. The Presser Scholarship represents the highest level of academic achievement in the United States.
Following graduation from WSU in 2010, Rian began teaching piano and working as a freelance musician in Seattle. Rian joined the staff of the Ballard Academy of Music and Dance as a piano instructor in addition to working as an accompanist for several local churches, high schools and music schools.
Rian’s passion for playing, teaching, and learning about music has taken him throughout the Pacific Northwest and parts of the east coast of the United States. Besides his work as an accompanist and teacher, he also maintains an active presence in the Seattle music community, frequently volunteering at local events and serving as Secretary of the Seattle Music Teachers Association. As an educator, Rian understands the value of continued learning and has conducted independent study with Randy Halbersadt, jazz professor from Cornish College of the Arts, as well as studying classical technique privately under World-Renowned Pianist-Teacher Peter Mack.
Rian became a Licensed Simply Music Teacher in 2013.
"Steven is very professional and extremely helpful. He always has a smile on and is serious about helping you phrase the music. I would highly recommend him to anyone."
"It's been really exciting so far! Jordan has been so helpful, so knowledgeable. I could not have found a better instructor and I'm getting better and better every day."
"My daughter's wedding was weeks away and I had never been able to dance a step. With Jenny's help, I came further than ever before in such short time in any subject."