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Acting, Bass Guitar, Guitar, Singing, Broadway Singing, Mandolin, Music Performance, Music Recording, Music Theory, Speaking Voice
First, some exciting news! I just became a part of takelessons online lesson program, and now I can teach students from anywhere in the country! But I digress...
Let's see, first and foremost I'm a music lover of the highest order. Whether it's jazz, rock, indie, classical, hip-hop or country, if it's good music, I love it.
I grew up obsessively listening to everything i could get my hands on, and began playing guitar at the age of 11. That was cut short, though, when the next year I almost lost my middle finger on my left hand in an ice skating incident. It took 5 years for me to regain the strength and motion, during which time I was forced to give up guitar playing altogether. I never lost my passion for music, though, and in my heart i never stopped dreaming about what it would be like to be a professional musician. When I went away to college, I studied political science, but I also brought an acoustic guitar with me, and soon I was spending every free minute I could spare playing that guitar. I didn’t begin seriously studying music, though, until I was almost 20 yrs old and in my 3rd year of college, and for years I was kicking myself for waiting so long. However, getting a bit of a late start motivated me to practice twice as hard, and now thirteen years later, I look at what happened as a total blessing. Having been deprived of playing music for so long, I truly appreciate and am thankful for every day that I get to make my living in music. It's something that I will never take for granted and it keeps me from ever getting bitter or jaded. As a teacher, my experiences have given me a unique perspective which allows me to really connect with my students. I vividly remember the difficulties and challenges I faced as a beginner, and that allows me to be proactive in helping my students avoid some of the pitfalls that I had to go through.
Singing, Broadway Singing, Music Theory, Opera Voice
I love to sing, and I love to teach. Private lessons are a great place for both. Whether you're already passionate about music, or just dipping your feet in the water, I can personalize lessons to meet your needs. For me, seeing a student grow as a musician is a reward in itself. But the biggest rewards should be yours: a stronger voice, a deeper understanding of music, a whole body involved in making music, an enjoyable effort, and a growing independence to handle musical and technical difficulties over time.
I am an experienced tenor vocalist, with over 11 years of private vocal study, a BA in music from Williams College, and further study in vocal pedagogy (how to teach voice) with a Longy professor. I sing currently with the Cantata Singers, Ashmont Boychoir, Labyrinth Choir, and Nightsong. I have taught voice on faculty at Camp Encore/Coda, music composition with Classroom Cantatas, a variety of subjects at Red Oak after school, and private voice lessons out of my home studio in Malden. I've studied piano, both classical and jazz, for a total of 15 years. I have studied a variety of musical topics at college, from theory and composition to singing and conducting, to music technology, recording and engineering. I've performed and directed in diverse styles ranging from early music to broadway musicals, jazz to classic rock.
Drum, Guitar, Piano, Music Performance, Music Theory, Percussion, Songwriting, Trumpet, French Horn, Trombone, Tuba
Danilo is a multi-instrumentalist originally from Long Island, New York and currently based out of Boston. He has been involved in many successful projects along the east coast. Danilo is a current member of Full Tang and Debo Band. He has also been a member of internationally acclaimed Afrobeat group The Superpowers and had toured extensively playing percussion with indie-rock band Rubblebucket.
Danilo has studied classical trumpet performance at the New England Conservatory of Music with members of the Boston Symphony Orchestra as well as percussion and drums with other esteemed faculty members (Rakalam Bob Moses, Jamey Haddad). In addition to his conservatory training, Danilo has studied traditional West African drumming at the Dagbe Cultural Center in Kopeyia, Ghana.
Danilo's performance opportunities have taken him from Boston's Jordan Hall to numerous locations in New York (Alice Tully Hall, Cornelia St. Cafe FONT music series), and more extensive tours to Toronto and back. His repertoire includes orchestral, church service, dance music, completely improvised music and original compositions.
Education has long been a passion for Danilo and he has been teaching private music lessons as well as instruction in the Boston public schools for years. In addition to his studio, which is comprised of primarily brass and percussion instrumentalists, he teaches general musicianship in areas such as improvisation, body awareness, composition, music theory, solfege, and music history. Danilo teaches all levels and ages 5 - 100+. His students value his patience and ability to find an inspiring path to discovery for each individual. Danilo has also shown himself to be very effective in the classroom setting, having given clinics to groups of students aged first grade to high school.
Danilo considers his success as a performer to be in a direct relationship with the success of his teaching and he aims to spread to the joy of music making and appreciation as wide as possible.
Bass Guitar, Guitar, Music Theory
I've been playing the guitar for twenty-six years now, and I've been working as a guitar teacher for the last twenty years. I've been making a living as a guitar teacher in the Boston area for fourteen years now, and I teach in two locations - Brighton and Dedham. Prior to that I also taught at Guitar Attention Center in Springfield, Ohio while I was in college, where I graduated with honors at Wright State University with a Bachelor's Degree in Mass Communications.
I've also played in a variety of original and cover bands, and have written a number of songs of my own. I'm working on recording these as instrumentals in my home studio.
I also play in a rock cover band called Element 78. We play out every weekend, and even on some Sundays. The singer and I have also started doing some acoustic shows on Sundays and Thursdays as well.
Bass Guitar, Drum, Classical Guitar, Music Performance, Music Theory, Saxophone, Songwriting
My experience as a musician spans over 25 years in study, performance, education, and recording. As a University of Lowell alum circa 1992, and performance graduate of Berklee College of Music, the advanced curricula catapulted my skills in order to expand my own abilities as a professional performer and educator, and share my knowledge and musical wisdom with many satisfied and concurrent students. Past and present professional performances and sessions include work with:
Blue Man Group / Iggy Pop band / Chuck Berry keyboardist Vic Lane / Count Basie Orchestra / Mass. Lions All-State Concert Band / B Street Blues (r)
Testimonial: "Chris, you really care about your students and it shows".
- Prof. D. Morris, Berklee College of Music
*Active Member of the American Federation of Musicians Local 300
*Active Member of the Massachusetts Music Teachers Association
*Active Member of the National Music Teachers Association
My passion is to see my students advance in their studies, and have fun learning as much as I have to share. The reward for me is a student's success, and that success is defined by you.
Accompaniment, Acoustic Guitar, Arrangment and Composition, Audio Engineering, Bass Guitar, Blues Guitar, Composition, Guitar, Violin, Classical Guitar, Mandolin, Music Recording, Music Theory, Songwriting, Ukulele
Robert's exemplary and diverse career all began when he was a very small boy. His magical, musical journey began with his Grandfather, Donald Mcullick, a country singer/guitarist, who spent the 1950's touring and performing with blockbuster artists such as Johnny Cash, Buddy Holly and Roy Orbison. Grandpa would take his young protégé out to the swing under the apple tree in the backyard and show him songs on an old acoustic guitar. He would later give that guitar to Robert. That guitar was the key to the music box of Robert's life. A life long dedicated to the art and craft of music.
Robert's high school years were very non-traditional. While most students spent time at football games and pep rallies, Robert spent his time performing in pit orchestras and composing for local theater companies. His extensive theater credits include work with the Hampton Playhouse, the Portsmouth Academy of Performing Arts, the Seacoast Reparatory Company and the Portland Stage Company. Robert was comfortable on both sides of the stage. He was an accomplished performer, composer and overall technical adviser even in his teens.
After graduating High School, Robert took on the daunting task of recording his first solo album "Obstacles Overhead". The album featured members of Capitol Records recording artists Thanks to Gravity and Pondering Judd. All of his hard work paid off and the album received airplay on many local radio stations.
The allure and glamor of the Rock and Roll life soon called, and Robert found himself fronting a heavy Metal power trio called Nine Shades of White. The group toured extensively throughout the east coast, and recorded two well received albums.
After taking time to record projects with Boston based singer Rick Skeehan and the world renowned Irish folk group the Makem Brothers, Robert joined a group called Two Much Trouble, and performed on their album "Frankenstein". The group earned a wild reputation with its heavily modified tour bus that spit flames and transformed into a mobile stage.
In the summer of 1997 Robert was enlisted as the lead guitarist for the premier seacoast rock group 202 The Band. For the next 5 years he rocked crowds every weekend all over the New England area. In 2002 the group released the album "En Route". Many of the songs featured on the album were either written or co-written by Robert.
Always anxious to take drastic "left turns" along his musical path, Robert accepted an invitation by the renown New York City based jazz guitarist Larry Simon to perform in two of his large scale new age, rock, jazz ensembles, Collective Consciousness and Infinite Soul. Each group sported, at times, over twenty members. This setting not only gave Robert the chance to tread on new musical ground, but it also gave him the chance to explore new instruments like mandolin and electric violin. Robert now plays an electric violin custom made for him by Mark Wood of the Trans-Siberian Orchestra.
Rock and Roll of course was never far from his heart, so of course he did just that. Robert next found himself playing second guitar for his close friend and virtuoso guitarist Dan Miller in the Dan Miller Band. This heavy metal juggernaut created enough of a rumble to make it into the final round of the Boston based Beantown Meltdown battle of the bands in 2004.
In 2005 Robert finally found the time to release his second solo album, "Dust Covered Man". Produced by Grammy nominated producer Mac Ritchey, it was a somewhat dark and introspective, acoustic based, singer songwriter album that featured flutist Cynthia Chatis and blues harmonica guru "Hatrack" Gallagher. Robert's version of Pink Floyd's "Blue Sky" had the distinction of being voted the 2nd best cover of a Pink Floyd song on iTunes, during 2005. Richie Havens, the internationally known folk singer, has also given his stamp of approval on Robert's version of "Darkness Darkness".
In the spring of 2007 Robert was given the immense honor of performing as a member of the world famous Irish soul band "The Commitments" on their 2007 U.S. tour, filling in for the bands ailing original guitarist Kenneth McCluskey.
2007 also saw the release of a series of Hypnotherapy CD's by therapist Sharon O'Connor that featured music written and recorded by Robert. He has also written music for independent films and television throughout the years.
In 2007 Robert also found time to reunite with some of his old 202 band mates in a short lived group called Stone Circle. While the band had to be put on hold for the time being, Robert looks forward to working with his old friends again someday.
In early 2008 Robert began studies with British classical guitar master Edward Flower, expanding his already diverse background even more. Later that year he was recruited to do transcriptions for Guy Davis, a popular performer in the modern blues world.
Early 2009 saw the launch of Robert’s newest endeavor, his own professional recording studio, dubbed “The Dragon’s Den”, nestled in the woods in tranquil Stratham NH. A place where Robert himself and others can find peace and craft their creative vision.
And the journey continues……..
"Steven is very professional and extremely helpful. He always has a smile on and is serious about helping you phrase the music. I would highly recommend him to anyone."
"It's been really exciting so far! Jordan has been so helpful, so knowledgeable. I could not have found a better instructor and I'm getting better and better every day."
"My daughter's wedding was weeks away and I had never been able to dance a step. With Jenny's help, I came further than ever before in such short time in any subject."