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Guitar, Piano, Singing, Classical Guitar, Flamenco Guitar, Music Performance, Music Theory, Oboe
I am a music educator, classically trained with an advanced performance degree. As a soloist and collaborative musician, I have performed professionally in ensembles, bands and orchestras both here and abroad. With a high degree of knowledge and proficiency, I teach proper technique and practice strategies, music notation, theory, rhythm and phrasing, while adapting teaching approaches to match the needs of each student. I share a love of music with my students and it gives me great pride to hear each student develop their own musical voice.
Bass Guitar, Guitar, Classical Guitar, Flamenco Guitar, Music Performance, Music Recording, Music Theory, Songwriting
New York city based guitarist and composer Juan C. immigrated to Miami, Florida at age 21.
His work speaks a unique language that blends elements from his early musical experiences in Colombia, as a member of various folk, rock (metal ) ensembles, and his studies in East Asian music fuelled by travels and interaction with musicians and artists in China and Japan.
Juan’s music has been performed throughout South America, the United States and Asia. Although Juan cannot return to his native Colombia, his string duet, “Famous Librarians” (commissioned by Olivia de Prato and Victor Lowrie, was premiered at the Medellín Conservatory of Music.) His piece for electric bass and keyboard, “Glue Pain Ghost,” a collaboration with video artist, Jane Hsu, was invited to a world premiere at the GEISAI Art festival in Tokyo, and the Art Basel festival in Miami.
Juan holds a Master of Music from the Manhattan School of Music, where he studied under the tutelage of Susan Botti in composition, and electronic music with Joel Chadabe. He also holds a Bachelor of Music degree from Miami Dade College, where he studied jazz guitar with Tom Lippincott, and the University of Florida, where he studied composition with Susan Epstein.
Bass Guitar, Drum, Guitar, Piano, Singing, Classical Guitar, Flamenco Guitar, Mandolin, Music Performance, Music Theory, Songwriting, Ukulele, Banjo
A native of Seattle, Washington, Braden came to NYC a decade ago to get his BFA in Music from New School University, and to study with some of the greatest musicians in the world, then quickly became a regular on NYC’s many different music scenes, from jazz to rock and everything inbetween. Braden performs regularly with Double Down, Betty Reds, his own project, The Alternatives, and plays mandolin and guitar for the popular Off-Broadway musical Italian Bred. He’s worked with Vincent Pastore (The Sopranos), Steve Holley (Wings), Daniel Glass (Royal Crown Revue, Brian Setzer), Charlie Lagond (Buddy Rich, Jackson Five, Kid Creole and the Coconuts), and Harry Whitaker (Roberta Flack, Roy Ayers), just to name a few. He is also an in-demand freelance guitarist and singer, and doubles on mandolin, ukulele, banjo, and bass, and is a highly experienced private teacher.
About Guitar/Music Lessons with Braden (in his own words):
Whether you’re looking to start from scratch, want to enrich your child’s life through the study of music, or you’re already an experienced player with a desire to break on through to the next level, you’ve found the perfect guitar teacher right here.
I teach guitar, piano, bass, mandolin, banjo, ukulele, songwriting, voice (particularly singing and playing at the same time), music theory, sight reading, ear training, and more. At children’s guitar lessons I stress fundamentals such as note reading, basic rhythms/chords, and simple melodies. With older and more advanced guitar students, my lessons are more flexible, tailored to the student’s musical interests.
For some, it’s just learning your favorite songs. Or learning to play/write original music. Others may want to learn how to improvise epic rock solos, improve their knowledge of chord voicings on the guitar, or swing with some of the jazz greats. All of this is within your grasp.
I’ve taken guitar lessons with some of greats of the jazz/rock/classical world, including Jack Wilkins (Ray Charles, Mel Torme, Sammy Davis Jr, Chet Baker, Sarah Vaughan, Tony Bennett), Vic Juris ( Don Patterson, Wild Bill Davis, Jimmy Smith, Mel Torme), Michael Nicolella (Seattle Symphony, Charanga Danzon, Ensemble Sospeso, Seattle Guitar Trio, Northwest Symphony Orchestra), Jonathan Kreisberg (Dr. Lonnie Smith, Lenny White, Jane Monheit), Larry Coryell (The Eleventh House, Gary Burton, John McLaughlin, Paco De Lucia), just to name a few – and I’d be honored to pass down what I’ve learned from them.
Slots are filling up, so contact me now and let's get started!
Guitar, Classical Guitar, Flamenco Guitar, Music Theory, Songwriting
Jason received his Bachelor of Music from UMKC Music Conservatory and went on to receive his Masters Degree in Music Performance at the Rudi E Scheidt School of Music where he studied with Lily Afshar. Jason has won several competitions including the "Brownsville Guitar Ensemble Competition" and has performed at various festivals including the Piccolo Spoleto festival in Charleston, South Carolina. He currently received an Artist Diploma from SUNY Purchase with Frederic Hand. Jason is passionate about teaching guitar to all ages. He has received Suzuki guitar training at the Frank Longay Conservatory of Guitar and is qualified to teach the method to children as young as three years old and older.
Jason is equally as proficient in Rock/Metal as he is in Classical and World music styles. He has studied rock music at various institutes such as the "National Guitar Workshop" in New Milford Connecticut.
Jason has been teaching guitar for over ten years.
Bass Guitar, Drum, Guitar, Piano, Violin, Cello, Clarinet, Classical Guitar, Flamenco Guitar, Flute, Mandolin, Music Performance, Music Theory, Oboe, Saxophone, Songwriting, Trumpet, Ukulele, Accordion, Fiddle, Harmonica, Trombone, Tuba, Upright Bass, Viola
I am a multi-instrumentalist who has taught for 41 years. I have had both Zakke Wilde and Dave Sabo of Skid Row in lessons, as well as countless music school scholarship students. Many of my students have embarked on performing careers as well as teaching at the school and college level. The lessons are laid back, friendly and above all- helpful. We will study and work on the music of your choice,but, with a slight twist from the traditional, that I incorporate not just playing the song, but to get you the student ready to be able to work out the songs harmony, theory, notation and phrasing on your own. I feel this must be done in order to get a student to be able to perform with others. Lessons should always be about instructing a student to know and utilize every musical concept so that they will be able to perform with others.
Guitar, Classical Guitar, Flamenco Guitar, Music Performance, Music Theory, Songwriting
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South of Brazil, receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.
From Coda Magazine August 2012: by Seton Hawkins
Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy Newman has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiŕo, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.
A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH
Reviews of my Book on Alfred Brazil: Guitar Atlas, I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!
This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.
"Steven is very professional and extremely helpful. He always has a smile on and is serious about helping you phrase the music. I would highly recommend him to anyone."
"It's been really exciting so far! Jordan has been so helpful, so knowledgeable. I could not have found a better instructor and I'm getting better and better every day."
"My daughter's wedding was weeks away and I had never been able to dance a step. With Jenny's help, I came further than ever before in such short time in any subject."