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Composing Life Lessons from Music

Friday, September 2nd, 2011

The benefits of music are well-documented when it comes to instilling skills and confidence in young children – here, TakeLessons instructor Bryan B. explains how music can translate into career success for adults as well!

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Recently, I went on a two week trip to sunny Northridge, California, where I got to work with amazing artists and teachers to help develop my craft. What is my craft you say? Singing – more specifically, opera singing.

The program I took part in, OperaWorks, provided me with much more insight than I initially expected. Living in an age of doubt, I immediately felt like it might not have been worth my money. But after two weeks I was pleased to see that there were noticeable changes not only in my music, but also in my life.

Let’s take a closer look at how my training in music affected my life and my world:

Opera-ism #1: I am AWESOME. This was a technique I learned to help prepare myself for an audition. By giving myself a pep talk before walking through the door, I am able to walk in with confidence.

So how does this apply to my life? Well, aside from teaching, I have a normal day-to-day job in sales. And as part of that job, I have to provide people with a service or product. This can be really nerve-wracking because I hate sales people myself. I recently went to buy a car and the worst part about the whole experience was the salesman. I already knew I was going to buy a car, I had already researched the car that I wanted and he just seemed to get in the way. Because of experiences like these, I try to steer myself away from being a “pushy” sales guy.

When I applied my “I am AWESOME!” pep talk to my day-to-day job, I found that it was a lot easier for me to sell to people without being pushy or being pushed over. I was able to confidently talk about products, build relationships with my clients and actively listen and respond to their concerns. Essentially, being AWESOME allowed me to be myself when I was on the phone, and let my personality shine. What I learned from this is products don’t sell – people do.

Opera-ism #2: Music is not what’s written on the page, it is what the performers make of it. The intention of the composer was not that the performer sing the song exactly how it was written, in a robotic fashion, but to add expression and interpretation to it.

This came to light for me when I sang an operatic aria (Love Sounds the Alarm from Acis and Galatea), which is a love song.  Rather than expressing lovey-dovey emotions, this aria became a “war speech” in OperaWorks. I was inspiring a nation to defend itself against its enemies. The whole meaning of the song changed, but it was really effective.

The real life experience happened in learning my “pitch.”  You can always hear the sales pitch coming when you’re on the phone with a salesman.  Well, I realized it’s not about the words, it’s about the meaning. Upon returning, having already memorized the pitch, I started to implement the meaning of the words, and tie them back to the desires of my customers.

What I’ve learned as a performer has more than affected my life – it has changed me. I went into OperaWorks as an insecure performer and came out a confident man. The results speak for themselves. My performance at work has improved, and my personal life is much happier and free. This just goes to show that things shouldn’t be taken at face value. What you learn in school might actually apply to real life. Who knew?

 

-Bryan B.

TakeLessons Instructor

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Creating Unique Curriculum for Your Music Students

Tuesday, August 30th, 2011

Are you challenged with the task of finding interesting curriculum to keep your students motivated during their lessons?  TakeLessons guitar teacher Lisa T., who is based in the Chicago area, has some tips for fellow teachers who want to create an engaging and fun lesson experience for their students.

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If you’re looking for a unique approach to teaching your students and you don’t want to use store-bought materials, you always have the option of creating your own curriculum. The advantage of creating your own curriculum is having the freedom to enhance or modify what you are teaching as you go along. Once created, the curriculum can be used over and over again, tweaking where needed.

So how can you develop a good curriculum? The first thing you should do is define your objectives for your student. Once your objectives are clear, you can start thinking about how you will get there. Measuring your success through defined goals such as tests, practice charts and student feedback is also important.

When defining your objectives, ask yourself the following questions:

–What will the student accomplish during this lesson?
–To what specific level (i.e. 80% accuracy) will the student be able to perform a given task?
–How will the student show that they understood and learned the goals of your lesson?
–Are there any specific modifications that need to be made in order for your student to be successful?
–What tools (both formal and informal) can be used to assess the student’s progress?  These can include practice charts, motivational charts, skill builders and recitals.

These are just a few suggestions for successful lesson planning. Start with a clearly defined goal and track your progress along the way to ensure you achieve the desired results for both yourself and your student. Good luck!

-Lisa T.

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TakeLessons and Music 4 Miracles Team Up to Help Children with Cancer

Friday, June 24th, 2011

Recently, our student counselor Kathleen V. had the opportunity to speak with Kristi Huddleston, the founder and president of the non-profit organization Music 4 Miracles. Based in Florida, this inspiring organization is powered by Kristi’s passion to raise awareness and financial support for families of children diagnosed with cancer. The funds raised help provide education through the gift of music lessons.

Kristi’s journey began when she came into contact with a 9 year old battling cancer, and her heart was immediately inspired to do everything in her power to help that child’s family. Since then, Kristi has helped over 15 families and brought smiles to each of their faces through the gift of music. A musician and songwriter herself, Kristi wrote the song “Already an Angel,” which was inspired by the children she helps on a daily basis and brings about a message of hope through tumultuous times. The song can be purchased through the Music 4 Miracles website, and all proceeds are used toward helping more families and bringing music to children’s lives.

TakeLessons is happy to be able to help set up piano lessons for Bella, one of the Music 4 Miracles children, with our rock star teacher Karen J.  This coming July, we will also help set up another Music 4 Miracles child named Shiloh with in-home guitar lessons! Our thanks goes out to Kristi and the sponsors who make in-home music lessons possible for these children, while also offering hope and the gift of music education that can last a lifetime. To learn more about Music 4 Miracles and how you can become a sponsor, please visit www.music4miracles.org.

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Lessons With Jimi: Tips for Teaching a Piano Student with Alzheimer’s

Wednesday, May 18th, 2011

windy and jimiThe following story comes from piano teacher Windy C. in St. Petersburg, Florida. Last fall, Windy began the challenging journey of teaching piano lessons to a student with Alzheimer’s.  Below she shares some helpful tips she’s learned as a result of working with her student, Jimi. Thank you for sharing such an inspiring story, Windy!

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Last fall I began teaching a 90-year-old woman who has moderate stage Alzheimerʼs. Knowing this in advance, I thought I was up for the challenge; however, things changed when we sat down at the piano for our first lesson and she looked around the room with a confused look on her face and said, “Iʼm sorry, I have no idea what Iʼm doing here.”

I can honestly say I might have had some second thoughts at that point. I looked at her and calmly replied, “Well, Iʼm Windy and youʼre here to play the piano with me. So letʼs have some fun!” But in my head I was mildly freaking out and thinking “Oh my goodness, what the heck have I gotten myself into? How am I going to do this? I never learned how to teach someone with no short term memory in college!”

I came home after that lesson and scoured the internet and college text books for tips on teaching music to people with dementia – but I came up with nothing. What I am about to share is what I have learned through my experience with Ms. Jimi. I am not a doctor, nor am I an expert on how the brain functions, but I strongly feel that what I am about to share can help anyone working with people who struggle with early to moderate stage dementia or Alzheimerʼs.

Over the past year, Ms. Jimi and I have built a wonderful relationship and I look forward to her lessons more than all my others because I never know what to expect.  All the orthodox ways of lesson planning, goal setting, and progressing go out the window and our 30 minutes together are more like a session of music therapy. Here are five practical things that I have learned from teaching Ms. Jimi:

1. Give The Student The Opportunity To Reach Small Goals

Early on, I realized that Jimi was not going to progress as a typical student would. She could not remember from week to week what we had played the lesson before, so it was obvious that our lessons together needed to be taught in the moment, as an exercise time for her brain.  For 30 minutes, Jimi and I play through pieces that she enjoys and that challenge her, but do not frustrate her.

Ms. Jimi can play simple songs with both hands in C position, G position, and middle C position. We have about six songs in each position that we cycle through. Occasionally, I will add a new one. Usually I will help her through the song the first time. Then we will play it again, and she almost always improves the second time. I’ve noticed when Jimi can play through an entire song by herself, she feels very accomplished. However, she never remembers from week to week what we played during the previous lesson.

2. Use Teaching Aids

As I said, Ms. Jimi is 90, so her eyes struggle at times. Large note music, with the letter written inside the note head, helps her immensely. Sometimes I put stickers on the keys to label them just like I might do for a child when he or she is first learning a position. Having the keys labeled is one less thing she has to figure out, which allows her to play through the piece more fluently and enjoy the melody.  I have also found that staying in the same position for an entire lesson helps her to feel more successful. Switching positions between songs causes her to become confused, which then leads to frustration.

3. Know When To Take Breaks

Jimi loves chocolate. If I sense that she is having a rough day and not enjoying the music, we eat a chocolate together.   Sometimes I pull out books that I’ve brought along and ask her if I can play a song for her. She loves “Claire de Lune” and each time I play it, she reacts as if itʼs the first time I have played it for her. “Oh Wow! I love that song!” she will say, often teary eyed.

4. Know When To Keep Quiet

There are times when Ms. Jimi says “Donʼt touch my fingers this time!” or “Now let me do it and you donʼt talk!” I love her wit, her will and her determination. And I have definitely learned that it doesnʼt have to be perfect, but she needs to do it on her own. Sometimes I just need to sit back and let her play; if she stumbles, I try to let her figure it out unless Iʼm asked for help.

5. Be Flexible, Creative and Make it Fun

Iʼm always looking for ways to improve Jimi’s experience at piano lessons. Even though I know I could teach Jimi the same exact lesson every single week and she would probably never know – I WOULD KNOW. I mean, good grief, if I live to be 90, I hope that someone makes sure Iʼm still having fun!

One time her grown son came to town and brought her to her lesson. We worked on a simple waltz. She played it for him. Then I asked her if she wanted me to play it so that she could dance with her son. They floated around the room and it was a special moment. On another occasion, I showed her a YouTube video about a 100 year old woman who was a Holocaust survivor and still loved to play the piano every day. Jimi loved it!

Each music studentʼs needs are different. No two students are the same, and that’s what makes our job as music teachers exciting and ever-evolving! My challenge for other teachers is to take the time to experiment and think outside the box to help enrich the lives of their students, not only musically, but also emotionally and spiritually. Music reaches deep into the soul and can bring so much joy into the lives of others!

Enjoy the Journey,

Windy C.

Windy Cobourne

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TakeLessons Rocks with NAMM at Recent AARP Event

Thursday, October 14th, 2010

Earlier this month, our TakeLessons piano teacher Dee L. from Kissimmee, FL had the opportunity to work with our partner NAMM and perform at the AARP conference in Orlando, Florida. Dee was selected to accompany the AARP Voices Choir composed of conference attendees who performed “Don’t Stop Believin’” and “California Dreamin’” at the conference’s closing session.

This year marks the first time NAMM has coordinated this type of performance. The choir of 40 attendees was assembled and rehearsed on-site, before opening for celebrity guests Whoopi Goldberg, Larry King and 6,000 fellow attendees. According to NAMM, the performance was extremely successful in illustrating the message that anyone can get involved in making music, regardless of talent or experience.

Check out a few pictures from their performance below!

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Dee setting up for the performance

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The choir performing to Dee’s accompaniment

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Thank you Dee for being such an outstanding representative for TakeLessons!

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