Posts Tagged ‘Practice Tips & How To’s…’

Creating Unique Curriculum for Your Music Students

Tuesday, August 30th, 2011

Are you challenged with the task of finding interesting curriculum to keep your students motivated during their lessons?  TakeLessons guitar teacher Lisa T., who is based in the Chicago area, has some tips for fellow teachers who want to create an engaging and fun lesson experience for their students.

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If you’re looking for a unique approach to teaching your students and you don’t want to use store-bought materials, you always have the option of creating your own curriculum. The advantage of creating your own curriculum is having the freedom to enhance or modify what you are teaching as you go along. Once created, the curriculum can be used over and over again, tweaking where needed.

So how can you develop a good curriculum? The first thing you should do is define your objectives for your student. Once your objectives are clear, you can start thinking about how you will get there. Measuring your success through defined goals such as tests, practice charts and student feedback is also important.

When defining your objectives, ask yourself the following questions:

–What will the student accomplish during this lesson?
–To what specific level (i.e. 80% accuracy) will the student be able to perform a given task?
–How will the student show that they understood and learned the goals of your lesson?
–Are there any specific modifications that need to be made in order for your student to be successful?
–What tools (both formal and informal) can be used to assess the student’s progress?  These can include practice charts, motivational charts, skill builders and recitals.

These are just a few suggestions for successful lesson planning. Start with a clearly defined goal and track your progress along the way to ensure you achieve the desired results for both yourself and your student. Good luck!

-Lisa T.

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Motivating Tips for Young Music Students

Tuesday, January 4th, 2011

Joy's student Ellie pratices the pianoOur Los Angeles teacher Joy A. has several years of experience working with young music students, and recently sent us this article to share some of her favorite tips. Enjoy!

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Let’s face it – learning to play music is hard, and we all have days when we want to quit. I’ll admit that when I was a kid, I quit my music lessons more than once. As music teachers, it’s our job to help our students continue to love music, even when they feel discouraged and want to give up.  Here are some tips I’ve learned over the years to help students stay encouraged with music.

1. Ditch the Lesson Book. Some kids love the structure lesson books provide, while other kids loathe the dreaded books.  As educators, it is our job to figure out what works best for each student.  I’ve always had the philosophy that if a lesson book is making a student dread music class, it’s time to find a different approach.  Some kids love to play Disney songs, others love Taylor Swift, and some of my students even play Miles Davis.  As a teacher, I am constantly working to find the best possible material for each student so they can grow as musicians.

2. Play Pots and Pans not Piano! Yes, you heard me – pots and pans and other household items make great instruments!  Ever tried to play a bunch of syncopated beats on a frying pan?   It’s hard, but it’s also incredibly fun!  One of my most promising students came in saying she was having a “pain-o” day.  Instead of forcing her to drag her way through the prepared lesson, we collected pots and pans from my kitchen, and played percussion ensemble for the entire lesson.  Sure my neighbors were less than thrilled, but it was just what she needed to feel like music was fun again. She later even used some of the rhythms we played around with to compose a piece on the piano!

3. Encourage Students to Write Music. Some students are great at reading notes off the page, others are great improvisers, and some love to compose and write their own songs. Encouraging creativity and individuality is a great way to keep a student loving music!  I like to help students record their songs and create CD’s to give out as gifts. They love it!

4. Put on a Show. Everyone needs a goal!  Even though recitals can be a little nerve racking, I’ve always been amazed at how happy and motivated students are when they come in the week after the performance! Many of my students ask when they get to do the next recital. Last year, several students came in incredibly excited and inspired to learn pieces they had heard other students perform.

Best of luck with your lessons in the new year!

- Joy A.

Joy A

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Starting Music Lessons Later in Life

Thursday, August 12th, 2010

guitar students

For adults with hectic schedules and limited free time, learning to play an instrument at this stage in their lives may seem like a pipe dream.  Sure, it would be fun to fulfill that childhood dream of learning to play the piano or jam on the guitar, but other priorities such as work or family commitments often prevent many adults from leaping into music lessons with the same enthusiasm they might have felt at a younger age.

But if you have the passion and desire to play music, it’s never too late to get started with lessons; in fact, there are many positive benefits for adults who take music lessons, including the following:

–Music lessons help with job skills such as creative thinking, collaboration, social aptitude, expressive communication, and confidence.
–Music lessons provide a creative outlet that balances work life, family life, and personal time.
–Music lessons can help lower stress.
–Music lessons provide a way to be involved with others that share similar interests.
–Music lessons help seniors stay active, vibrant, and mentally sharp.

For adult students who are just beginning their musical journey, the process of learning to sing or play an instrument can certainly be daunting.  Here are a few tips to keep in mind:

Keep expectations realistic. Regardless of whether or not you have ever played an instrument before, there will be a learning curve.  Don’t expect to play like a pro straight away; instead, set realistic goals of milestones you’d like to achieve in the next week, month, and so on.  Track your progress and make the necessary adjustments to ensure you are on track to meeting your goals.

Trust your teacher. Your teacher is there to help you reach your goals.  More than likely, this person is a professional with many years of experience – take advantage of the fact that you are working with someone who is an expert at playing their instrument, and ask for their advice.  In turn, your teacher should take the time to learn about you as a student, identifying your strengths and weaknesses and then tailoring each lesson to your needs.

Success takes time. We’ve all heard the phrase “practice makes perfect,” and if you want to master your instrument, you need to practice.  This time commitment can be a deterrent for those with busy schedules, but you can still learn an instrument even if you don’t have much time to practice – just expect the process to take longer and your progress to be slower.  As long as you stay focused and motivated, you will be able to achieve your goals.

TakeLessons offers music lessons for adults and students of all ages.

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Don’t Just Play Along – Be Your Own Guitar Hero!

Thursday, July 22nd, 2010
Photo of the guitar controller for the PlaySst...
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One of our talented guitar teachers, Jeff S. from New Jersey, sent us the following article with some ideas that helped one of his students practice guitar more effectively. Read on for Jeff’s tips on how to be your own Guitar Hero!

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I came up with the idea for this article in an effort to help one of my intermediate guitar students break out of a rut.  This particular student, a big fan of Eric Clapton and Carlos Santana, would frequently put on classic songs by those artists and just jam along with them.  I can also recall doing the same thing during my first few years of playing guitar, but I stopped once I learned the chord changes and tinkered around with some lead guitar fills because I realized that I didn’t get much out of practicing this way.

There’s a very logical reason that this tends to happen.  The solo is already impeccably played and virtually all of the best and most obvious places to play fills in these recordings have perfectly placed riffs and licks.  So you’re left with a very limited canvas to work with.  On top of that, each time you listen to these often-virtuosic lead guitar solos and licks, all you’re really doing is further cementing your idol’s seminal lead guitar work in your head.  Now how can you be adventurous (or even hear yourself think, let alone play) in that setting?  With this conundrum to overcome, I set out to find the antidote for my student and for you.

Rather than subjecting yourself to this very limiting makeshift jam session, I would suggest seeking out fully produced rhythm tracks (aka “jam tracks”) in whatever style you prefer or want to improve in. Many are offered online, either for free or at pretty reasonable prices; however, the quality of the musicianship and recordings can drastically vary, so listen before buying.  In case you’ve never encountered these types of tracks, they are fully produced rhythm section replications of famous songs or styles without the lead guitar parts.  {Note: they make these types of tracks without other instruments as well, so be sure of what you’re buying!}  One site I thought had good quality jam tracks is datamusic.org, and my student thought so too; he purchased a wide variety of tracks from them and is quite happy.

When you work with tracks like these, they offer you a wide-open expanse in which to develop your improvising and lead guitar playing.  After you get comfortable playing along with these types of recordings, I would suggest “flying in” the rhythm track (i.e. drag the tracks into Garageband or whatever recording platform you use) and record several tracks of you playing lead guitar along with it.  Concentrate initially on developing a complete guitar solo first before recording “fills” or other embellishments and “window dressing.”  After you get a take of a solo you feel pretty good about, you should then analyze the results and determine what passages or licks could be stronger or played with more precision and confidence.  “Punch in” (i.e. re-play and re-record) parts as needed, but it’s a good idea to leave your previous takes intact until you’ve got replacement tracks you feel certain are better.

If you don’t like or can’t afford these “music minus one” rhythm track recordings, another option is to lay down your own rhythm tracks (without lead guitar).  This is a great way to go because you can make all decisions concerning key, tempo and style, rather than be stuck with what the rhythm track companies offer.  With the user-friendly editing tools in virtually all recording platforms, you don’t even need to record 5 minutes of a song.  You can often get away with recording 1-2 minutes of a song or pattern and then copy and paste it together to create a longer track. If you do decide to record your own tracks, you shouldn’t burden yourself to create perfect takes on each instrument. As long as you play to a click track and stay with it, you should emerge with a track that’s going to suit your purpose.

If you feel your lead guitar results are not satisfying your inner critic, then I would suggest creating one memorable and well played lick at a time and connecting them until you forage a complete solo.  Keep a firm grip on what’s most important; develop your own style, create your own licks and have fun!

-Jeff S.

Jeff S

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Making Music Fun: Practice Tips for Young Children

Tuesday, July 13th, 2010

pianoWhile there are certainly many benefits to music lessons for children, getting them to practice their instruments isn’t always the easiest task.   Samantha D., one of our Rock Star teachers who frequently works with young children,  sent us the following list of her best tips and tricks for encouraging children to practice.

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— In my experience, the responsibility of practicing relies strongly on the parents until the child is in middle school. Before then, children do not have the capacity to send themselves to their instrument to study for a set period of time. Most young children, if excited and confident, will sit down and play their instrument but will tend to “noodle,” not focusing on what was taught in the previous lesson. Parents must encourage and direct their children to spend time practicing and oversee what they are practicing with gentle reminders. If pushed too hard and forced to practice, the child will no longer see music as fun, but rather as a chore to add to the list.

– Have the parents sit down with their child and look at the family schedule.  Involving the child when scheduling practice time will go a long way and help them feel like they are part of the decision. Keep in mind that practicing in smaller increments throughout the day is much easier on small children than forcing them to sit still for one hour.

– I find that setting a timer does not always work with kids; they will end up not practicing what they should for a majority of the time because they are just waiting for the buzzer to go off. Instead, I suggest that the parents have them play the song a set number of times during each practice session. It is a fine balance that parents will struggle with, but pays great rewards in the end.

– It is mostly the teacher’s job to create the desire for the child to practice. Music should be fun and rewarding -  not a chore. So if the child is eager to improve and eager to impress their teacher, practice time will naturally happen. Teachers should create an environment that feels safe to the student and promotes confidence.

Rewards are an excellent way to encourage practicing.  However, there is a fine line between reward and a bribe. A bribe is used to persuade the child to do something they really don’t want to do, while a reward is used to encourage good behavior.  Stickers have always been the prize of choice, but I go one or two steps farther. I use a regular sticker when we have finished a song, but if the child has worked extra hard on a more difficult song, I have ‘special’ stickers that I give out.  I also set goals with each of my students; when they reach a goal that we have set early on and check regularly, they may choose a prize from a basket of items from the Dollar Store.  They know that if they do not put in the time to not even bother asking for a sticker, let alone a prize.

– My last incentive that I am just starting to incorporate is a points chart.  Let the children race each other to see who can accumulate the most points by the end of the semester. Points are awarded for good behavior, listening, sight reading and theory, as well as practice times. I encourage the parents to also have an incentive chart at home so the child can keep track separately from me and have an extra reward.  Most parents are happy to do so, as they want to see their child succeed just as much as I do!

– As a teacher, it is my job to keep my students excited about every step forward, no matter how small. Concerts are another way to create a sense of accomplishment. Kids LOVE to perform for their peers and are not put off because another student played the same song or they are not at the same level as another student.  Another idea I am working on incorporating is “Day of the Week” concerts favored by Suzuki method teachers. During one week every month or semester, students from each day’s lessons will play for each other.  Then they are constantly working toward a performance, rather than waiting 6 months in between concerts.

– The best thing you can do for a young child is to encourage them every step of the way. They will put all of their effort in to playing their best for you if they know that you truly care and will always support them no matter what.

-Samantha D.

Samantha D

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