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The Loog Guitar Revolution: Guitar Lessons for Kids Will Never be the Same

Monday, May 23rd, 2011

loog_slider01As a music educator and performer, I’m always interested in learning about new products and tools that can help students succeed.  When I discovered the Loog Guitar, a 3-string interchangeable guitar designed with children in mind, I immediately took notice.

I was excited to find out more about the Loog because I took guitar lessons when I was 8 years old, and it proved to be easier said than done. The guitar was added to the list of instruments that were uncomfortable for my tiny hands (which I thought would grow eventually, but never did – to this day, I still struggle to reach the octave on the piano!).

I became discouraged and quit after about 6 months, and eventually took up the ukulele many years later – which has been much easier for me to maneuver but even now, the ¾ size guitar is problematic for me.

Many of our TakeLessons instructors prefer not to teach guitar to young children for this very reason.  Now, with the Loog Guitar in the picture, instead of teachers having to focus on finding alternate fingerings and keeping a frustrated student focused on the difficult task of mastering an adult-sized instrument, they can focus on teaching the child to make music!  And isn’t that really what it’s all about?

I was lucky enough to have the opportunity to interview Rafael Atijas, the creator of the Loog Guitar, who provided insight into how his concept came about and what the benefits will be for children who want to learn the guitar.

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When did you realize that there was a need for a guitar made especially for kids?

I saw my 6 year old niece trying to make music with one of those $30 guitars when I thought “There has to be a better way.” It was then that I realized that kids’ guitars are usually just cheap, scaled-downed replicas of classical guitars.  They are not really designed with kids’ needs, comfort or even safety in mind.

Where does your knowledge of guitars come from?

I studied guitar and was in different bands during high school and college (as was almost every other kid I knew). I was very much into rock music and at some point I just fell in love with guitars – especially vintage electric guitars.

What age group do you feel would benefit the most from the Loog Guitar?

Time will tell, but I think kids ages 6 to 9 will be the ones that will get the most out of the Loog Guitar, since this is the guitar that allows them to build chords without the need to form complicated shapes with their little hands.

Where did you get the idea to call it the “Loog?”

It is my subtle but very meaningful homage to Andrew Loog Oldham, the first manager and producer of The Rolling Stones. I always found him to be a fascinating character (I’m a rock nerd, as you can see) and back when I had a band, I had a chance to meet him and he was super kind to us.

What types of learning materials are you planning on coming out with to assist with the learning process?

We plan to include a manual on how to play with three strings, and we will also offer video tutorials on our website.

What does this product mean for kids who have an interest in learning guitar?

Kids will have a friendlier instrument that will stimulate them to make music and get creative with it. What I like about the Loog Guitar is that it works whether you already know how to play guitar or not. And that’s what I hope it means to kids who have an interest in learning guitar: a fun and easy way to play music.

Anything else you wish to add?

I am truly humbled by the response the Loog Guitar project got on Kickstarter (the website that helped raise the money to launch the product), and one of the things I like the most is that so many people from the education field have reached out to me and had very positive things to say about the Loog Guitar. I know TakeLessons.com reaches a lot of music teachers, so I want to use this opportunity to extend my thanks to all of them.

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There you have it, folks.  I’m personally thrilled that there is now a product out there that will make learning guitar simpler for young children.  For teachers, what have you experienced in teaching guitar to young children? Parents and students, what are some of the challenges that you’ve faced learning guitar yourself or watching your child learn guitar?  I’d love to hear your feedback, so please leave comments below if you feel so inclined!  Now if only I could travel back in time and learn to play guitar on the Loog, maybe I would have stuck with it! To learn more, visit www.loogguitar.com or check out the Loog Guitar in action below:

The Loog Guitar in Action from Loog Guitars on Vimeo.

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Monet Payne is the Community Manager for TakeLessons.com. She is dedicated to providing the latest on music education and technology to those who seek it. By night, Monet is a professional singing actress, starring in musicals, operas, and everything in between. Monet has her Bachelors in Music, with a concentration in Vocal Performance, and enjoys teaching voice, involving herself as Vocal Director in several productions. She proudly co-founded a non-profit organization for Voice Education and her next venture will be to start her own theater production company.

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Lessons With Jimi: Tips for Teaching a Piano Student with Alzheimer’s

Wednesday, May 18th, 2011

windy and jimiThe following story comes from piano teacher Windy C. in St. Petersburg, Florida. Last fall, Windy began the challenging journey of teaching piano lessons to a student with Alzheimer’s.  Below she shares some helpful tips she’s learned as a result of working with her student, Jimi. Thank you for sharing such an inspiring story, Windy!

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Last fall I began teaching a 90-year-old woman who has moderate stage Alzheimerʼs. Knowing this in advance, I thought I was up for the challenge; however, things changed when we sat down at the piano for our first lesson and she looked around the room with a confused look on her face and said, “Iʼm sorry, I have no idea what Iʼm doing here.”

I can honestly say I might have had some second thoughts at that point. I looked at her and calmly replied, “Well, Iʼm Windy and youʼre here to play the piano with me. So letʼs have some fun!” But in my head I was mildly freaking out and thinking “Oh my goodness, what the heck have I gotten myself into? How am I going to do this? I never learned how to teach someone with no short term memory in college!”

I came home after that lesson and scoured the internet and college text books for tips on teaching music to people with dementia – but I came up with nothing. What I am about to share is what I have learned through my experience with Ms. Jimi. I am not a doctor, nor am I an expert on how the brain functions, but I strongly feel that what I am about to share can help anyone working with people who struggle with early to moderate stage dementia or Alzheimerʼs.

Over the past year, Ms. Jimi and I have built a wonderful relationship and I look forward to her lessons more than all my others because I never know what to expect.  All the orthodox ways of lesson planning, goal setting, and progressing go out the window and our 30 minutes together are more like a session of music therapy. Here are five practical things that I have learned from teaching Ms. Jimi:

1. Give The Student The Opportunity To Reach Small Goals

Early on, I realized that Jimi was not going to progress as a typical student would. She could not remember from week to week what we had played the lesson before, so it was obvious that our lessons together needed to be taught in the moment, as an exercise time for her brain.  For 30 minutes, Jimi and I play through pieces that she enjoys and that challenge her, but do not frustrate her.

Ms. Jimi can play simple songs with both hands in C position, G position, and middle C position. We have about six songs in each position that we cycle through. Occasionally, I will add a new one. Usually I will help her through the song the first time. Then we will play it again, and she almost always improves the second time. I’ve noticed when Jimi can play through an entire song by herself, she feels very accomplished. However, she never remembers from week to week what we played during the previous lesson.

2. Use Teaching Aids

As I said, Ms. Jimi is 90, so her eyes struggle at times. Large note music, with the letter written inside the note head, helps her immensely. Sometimes I put stickers on the keys to label them just like I might do for a child when he or she is first learning a position. Having the keys labeled is one less thing she has to figure out, which allows her to play through the piece more fluently and enjoy the melody.  I have also found that staying in the same position for an entire lesson helps her to feel more successful. Switching positions between songs causes her to become confused, which then leads to frustration.

3. Know When To Take Breaks

Jimi loves chocolate. If I sense that she is having a rough day and not enjoying the music, we eat a chocolate together.   Sometimes I pull out books that I’ve brought along and ask her if I can play a song for her. She loves “Claire de Lune” and each time I play it, she reacts as if itʼs the first time I have played it for her. “Oh Wow! I love that song!” she will say, often teary eyed.

4. Know When To Keep Quiet

There are times when Ms. Jimi says “Donʼt touch my fingers this time!” or “Now let me do it and you donʼt talk!” I love her wit, her will and her determination. And I have definitely learned that it doesnʼt have to be perfect, but she needs to do it on her own. Sometimes I just need to sit back and let her play; if she stumbles, I try to let her figure it out unless Iʼm asked for help.

5. Be Flexible, Creative and Make it Fun

Iʼm always looking for ways to improve Jimi’s experience at piano lessons. Even though I know I could teach Jimi the same exact lesson every single week and she would probably never know – I WOULD KNOW. I mean, good grief, if I live to be 90, I hope that someone makes sure Iʼm still having fun!

One time her grown son came to town and brought her to her lesson. We worked on a simple waltz. She played it for him. Then I asked her if she wanted me to play it so that she could dance with her son. They floated around the room and it was a special moment. On another occasion, I showed her a YouTube video about a 100 year old woman who was a Holocaust survivor and still loved to play the piano every day. Jimi loved it!

Each music studentʼs needs are different. No two students are the same, and that’s what makes our job as music teachers exciting and ever-evolving! My challenge for other teachers is to take the time to experiment and think outside the box to help enrich the lives of their students, not only musically, but also emotionally and spiritually. Music reaches deep into the soul and can bring so much joy into the lives of others!

Enjoy the Journey,

Windy C.

Windy Cobourne

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Music Lessons for Mom! Celebrate Mother’s Day with a Music Lesson Gift Certificate

Wednesday, April 27th, 2011

Mothers DayAre you looking for a fun and unique Mother’s Day gift that will make this year’s celebration extra special? If the answer is yes, you’ve come to the right place! This year, celebrate mom’s special day by giving her an experience she’ll remember forever – the gift of music lessons with a TakeLessons gift certificate!

Whether your mom has previous musical experience or wants to try singing lessons or playing the piano for the first time, a TakeLessons gift certificate is a unique Mother’s Day gift that gives her the opportunity to learn some new skills and have a little fun too. TakeLessons gift certificates are valid for any type of music lessons that we offer, including singing lessons, guitar lessons, piano lessons and many more!

Gift certificates can be used for lessons with any of our TakeLessons Certified™ Instructors and never expire, so recipients can use them at their convenience. Certificates are available in any amount and can even be printed at home or sent to the recipient via email.

Simply give us a call at 877-231-8505 or visit our website to purchase your certificate today – it’s a gift any mom will appreciate!

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The Beginner Musician’s Mind: Four Tips for Successful Performances

Thursday, April 7th, 2011

The following post comes from TakeLessons teacher Jeremy R. in Hudson, Florida. Jeremy has been a professional performing musician for over 10 years and has taught hundreds of students during that time.  Below he shares some of his favorite tips for beginner musicians who are learning to perform.

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As a beginner musician, learning to perform a song is a challenging obstacle. After all, you spent countless hours learning modes and chord progressions and now you must take what you have learned and translate it into a successful performance.  Below I will share some methods that have worked for me.

Clear your head.  Each time I pick up the guitar, I go through the same mental exercise to prepare myself to play. I pick up the guitar, tune, and play a couple warm up exercises. It’s important that your warm up piece is something that you have to really concentrate on and think about to be able to play. It’s perfectly fine to play these pieces verbatim with little or no deviation. In fact, a piece that challenges your abilities that you have worked hard to master is a great candidate for a warm up piece. The point isn’t to play the piece to perfection; rather, the point is to get the other songs out of your mind and focus your thoughts on playing.

Phantom play.  If you have ever played at a large venue or in front of an important audience then you’ve undoubtedly had the issue of nerves clouding your head and distracting your focus. Before you play your song for anyone else, play it in your mind. Maybe even just finger your fret board quietly. Again, the point isn’t the perfection of the song – it’s the mechanics of your mind while you play.

Emotional focus.  You’ve tuned your guitar, played your warm up exercise and gone through the song in your head. Now you’ve got 4 minutes before you go on. I can’t tell you how many times I’ve heard a guitar player play the correct notes in the correct rhythms in the correct key but the performance is as flat as rice paper. I look for the emotion that is communicated by the song and then I think about things in my life that bring out the same emotion. A great example of this is “Crying” by Joe Satriani. This song is so sad it should come with a warning label saying it could cause depression. On the opposite end of the spectrum, the song “Baba O’ Riley” by The Who is an extremely upbeat and energetic piece.

Believe.  A great personal friend of mine is a phenomenal song writer and performer. You will often hear my band playing and recording his material for the public. He is an amazing talent but doesn’t share it with anyone. Don’t be afraid to get up and play. It doesn’t matter if you’re the next Celine Dion or William Hung – both have their place in music, and you do too!

-Jeremy R.

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TakeLessons Honors our March 2011 Teachers of the Week

Wednesday, March 30th, 2011

Each week we recognize a TakeLessons teacher on our Facebook page that has shown outstanding commitment and dedication to our program. If you missed any of our recent posts, take a minute to learn more about each one of the phenomenal teachers that we honored this month!

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Christina L. from Carrollton, TX

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Inspirational, professional and friendly are all words that have been used to describe Christina, who teaches piano & voice lessons in the Dallas area. Christina has been teaching with us for just over a year and has worked with 24 students in that short amount of time!  She grew up studying music & knows how to keep her students on track while also making their lessons productive and fun, which is why they love working with her!
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Mark H. from Osseo, MN

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Mark has been teaching music for over 20 years, and specializes in a variety of subjects including guitar, bass guitar, singing and acting.  He loves what he does and his passion and enthusiasm for his students and his music shines through in every conversation we have with him. In addition to teaching, he has done his fair share of performing and touring. He has even composed songs for many local bands and produced musical scores for local theatrical productions.
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Dorothea G. from Sherman Oaks, CA

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Dorothea has been teaching piano lessons with us for over a year. Her students love her because she is great at challenging them and encouraging them to keep setting goals.  In addition to teaching, Dorothea has experience composing and has even composed for movies! She is currently working with some of the other TakeLessons teachers in her area to create a TakeLessons recital down the road. If you get a chance, check out the amazing introduction video on her profile!

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Scott F. from Rutherford, NJ

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Scott has been teaching voice lessons with us since 2008 and comes with the highest recommendations from all of his students, who say he is patient, charming and talented. He helps them gain not only vocal skill, but self-confidence as well.  Here’s a quote from one of his students: “There is nothing worse than a teacher who’d rather show off the entire lesson than teach; thankfully Scott is nothing like that.  He is a very fun, energetic and uplifting teacher who, still after eight months, leaves me waiting for my next lesson with fervor.”  What a gift!

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Congratulations to all of our outstanding Teachers of the Week for the month of March!

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