Posts Tagged ‘Music Lessons’

How to Keep Your Kids Engaged in Music Lessons

Thursday, December 17th, 2009

PracticeMakesPerfectWhen booking new students for music lessons, we often hear, “How long will it take to see results?”  We tell our customers that it really depends on each student’s ability to learn and how much dedication and effort they choose to put into it. Meaning, if a student is enrolled in weekly lessons but fails to show up for lessons and/or practice regularly, they probably won’t see a drastic improvement. However, if they attend their scheduled lessons while continuing to practice and push themselves, they will be amazed at what they can accomplish.

When we explain this to parents, another concern usually arises – “How can I help encourage my child to practice and stay engaged in lessons?” The good news is that there are many ways parents can help keep their children excited about their lessons. We asked some of our talented TakeLessons music teachers to share how they encourage parents to get involved and got some really great feedback.  Check out this piece written by one of our Dallas guitar teachers, Jerry W. Jerry lists some interesting ideas for parents to make the musical learning process more enjoyable for their kids. Once the kids are engaged and practicing regularly, they are more likely to see their results faster!

Jerry writes:

Tips for Music Teachers: Young Guitar Students, Parents & Practice

Each year, I am approached by parents who request that I teach guitar lessons to their children.  I am always flattered that they would choose me to teach their child.  The child is usually enthusiastic as they begin their musical journey.  After about a month, the student’s attitude begins to shift from enthusiasm to the realization that they have undertaken a lifelong journey of learning.  Based on my experience, I have observed a number of ways parents can help keep their kids engaged in the process.

1. Stay informed about the lessons.  Parental involvement in the learning process is essential.  Students, oftentimes, get caught up in the details of the lesson that they are learning.  In this situation, they tend to lose sight of the long term goals.  Parents can lend a “big picture” perspective to the child.  Parental involvement can be anything from visiting with the teacher after each lesson to view the material that has been assigned to actually taking lessons with the student.  Taking lessons together is a great way for parent and child to foster a common interest.  Oftentimes, the parent can actually assist the student at home and can even practice together.

2.  The importance of the teacher’s attitude toward each student, and their progress, cannot be overstated.  The teacher must communicate with the parents each little “victory” in the learning process.  Honest communication to the parents of the areas which are going well, as well as areas which need improvement is very helpful in keeping the student engaged in the process.

3.  Parents, just like teachers, can develop creative ways to keep students practicing.  These strategies can include:  seeing that the student use play-a-long Cds, recording practice time, practicing with the student, and taking the student to performances of great artists.  Parental involvement in this way can be very effective in helping the student achieve both short term and long term goals.

Learning is, quite simply, not a “one size fits all” process.  A Harvard education professor once stated that “you cannot make some learn something.  You can only create circumstances under which they want to learn the subject.”  Therein lies the great challenge for any teacher.  Common sense parental involvement can go a long way toward creating such an environment.

-Jerry W.

TakeLessons Instructor Jerry W.


Reblog this post [with Zemanta]
  • Share/Bookmark

Looking to increase your brain power? Take music lessons!

Tuesday, November 17th, 2009

Music BrainIt is never a dull day here at TakeLessons. Our phones ring throughout day with people looking to get started with music lessons. Many of the inquiries are parents looking to get their children started with lessons – guitar lessons, piano lessons, singing lessons – even accordion lessons! The reasons they us give range from “my 4-year-old daughter has a voice like Beyoncé” to “my 17-year-old son needs to start focusing on something other than football.”

We hear it all. Well almost…

One thing we don’t really hear is, “I want to increase my child’s mental ability and therefore, I would like to get him/her set up with guitar lessons.”

With all of the articles published that show the importance of music on brain development, it’s actually amazing that we don’t hear this kind of request more often. Is it because people focus on the entertainment value of music while the developmental component is secondary?  Are they even aware of the added benefits of musical education? Does the parent that hopes her daughter becomes the next big pop star realize that while this may not occur, her daughter’s singing lessons are actually helping to enhance her small motor skills, auditory senses and ability to communicate?

Regardless of the reasons our students start taking music lessons, we are happy to have them on board and encourage them throughout their journey. With our S.T.A.R. Program™ and our Lesson Success Journals™, we keep our students motivated and excited to take their next lesson. If one of our students actually becomes the next big pop star, we will be their #1 fan; but we’ll be just as supportive when another aces their upcoming algebra or language test. We are proud of them not only for their musical accomplishments, but for whatever else they set out to do and achieve.

If you are interested in learning more about the effects of music on brain development, you should check out the article below titled “Music Lessons Boost Brain Powerfound on Fox News last week. You can also read the full article located here -  http://www.foxnews.com/story/0,2933,572551,00.html

__________________________________

Music Lessons Boost Brain Power

foxnews_story

Researchers found a correlation between early-childhood musical training and improvements to nonverbal reasoning, verbal ability and motor skills

WASHINGTON — For those who seriously practiced a musical instrument when they were young, the experience was more than just entertainment. Recent research shows a strong correlation between musical training for children and certain mental abilities.

The research was discussed at a session at a recent gathering of acoustics experts in Austin, Texas.

Laurel Trainor, director of the Institute for Music and the Mind at McMaster University in West Hamilton, Ontario, and colleagues compared preschool children who had taken music lessons with those who did not. Those with some training showed larger brain responses on a number of sound recognition tests given to the children. Her research indicated that musical training appears to modify the brain’s auditory cortex.

Can larger claims be made for the influence on the brain of musical training? Does training change thinking or cognition in general?

Trainor again says yes. Even a year or two of music training leads to enhanced levels of memory and attention when measured by the same type of tests that monitor electrical and magnetic impulses in the brain.

We therefore hypothesize that musical training (but not necessarily passive listening to music) affects attention and memory, which provides a mechanism whereby musical training might lead to better learning across a number of domains,” Trainor said.

Trainor suggested that the reason for this is that the motor and listening skills needed to play an instrument in concert with other people appears to heavily involve attention, memory and the ability to inhibit actions. Merely listening passively to music to Mozart — or any other composer — does not produce the same changes in attention and memory.

Harvard University researcher Gottfried Schlaug has also studied the cognitive effects of musical training. Schlaug and his colleagues found a correlation between early-childhood training in music and enhanced motor and auditory skills as well as improvements in verbal ability and nonverbal reasoning.

The scientists also discovered that different instruments appear to cause a varying modification within the brain. Changes in the brains of singers occur in slightly different locations than those seen for keyboard or string players.

The correlation between music training and language development is even more striking for dyslexic children.

“[The findings] suggest that a music intervention that strengthens the basic auditory music perception skills of children with dyslexia may also remediate some of their language deficits.” Schlaug said.

Schlaug reports that tone-deaf individuals often have a reduced or absent arcuate fasciculus, a fiber tract connecting the frontal and temporal lobes in the brain. Reduced or damaged arcuate fasciculus has been associated with various acquired language problems like aphasia and also dyslexia in children.

Still more evidence that formal music training strengthens auditory cortex responses came in a study performed by Antoine Shahin, now at Ohio State University in Columbus, Ohio. Shahin believes that musical training gives an individual the
acoustic responsiveness of a child some 2 – 3 years older. In talking about the affect of music on the brain, he said the studies do not necessarily show that musical training leads to enhanced IQ or creativity.

Shahin said that when a person listens to sounds over and over, especially for something as harmonic or meaningful as music and speech, the appropriate neurons get reinforced in responding preferentially to those sounds compared to other sounds. This neural behavior was examined in a study that looked at the degree of auditory cortex responsiveness to music and non-familiar sounds as a child ages.

Shahin’s main findings are that the changes triggered by listening to musical sound increases with age and the greatest increase occur between age 10 and 13. This most likely indicates this as being a sensitive period for music and speech acquisition.

Glenn Schellenberg from the University of Toronto directly addressed if musical ability makes a person smarter. Such assessments concerning children are always difficult because of the influence of other factors, such as parental income and education. Nevertheless, he found that passive listening to music seems to help a person perform certain cognitive tests, at least in the short run. Actual music lessons for kids, however, leads to a longer lasting cognitive success.

The effects of musical training on cognition for adults, Schellenberg said, are harder to pin down.

This article was provided by Inside Science News Service, which is supported by the American Institute of Physics, a not-for-profit publisher of scientific journals.

0_61_music_brains


Reblog this post [with Zemanta]
  • Share/Bookmark

Tips on How to Buy Your First Guitar

Tuesday, October 6th, 2009

Here at TakeLessons, we book guitar lessons daily.  Many times our students ask us what type of guitar they should buy for their lessons. While some of our teachers have guitars for the students to use in lessons, many still want to buy their own. One of our Rancho Cordova guitar teachers, Robert (Bob) C. sent us the following advice when selecting a guitar for a beginner guitar student.

Bob C. writes:

Starting music lessons is a wonderful idea and can improve a person’s life.  It has been shown that students who seriously study music develop structures in their brain that MRI studies demonstrate are used for Math and Physics concepts.  In fact, Einstein credits his conceptual creativity on learning the violin at age four.  As you learn, your brain grows musically and you’ll enjoy music much more.

When my students start lessons, I am more than willing to help them obtain a reasonably priced, easy-to-play instrument.  Unfortunately students often show up with a guitar-shaped toy. Parents say “If he/she likes it, we’ll get a better one.”  Well, it rarely works like that. They are generally impossible to play; they hurt your fingers and the sound is not optimal. It might discourage the student to think they can’t play guitar when really it’s just the instrument.

Legend
Image via Wikipedia

My recommended starter guitar:

A steel string guitar has 220 pounds of pressure, and usually has a narrow neck.  It is much easier for the student to start on a nylon string, usually called a classical guitar. Nylon strings are much easier to play and there is more space between the strings making it easier to play chords.

Many children want to learn electric guitar.  However, electrics are a much more expensive proposition. You have to pay for a guitar, electronics, cables and an amp.

You also want to look for a solid top. Why a solid top?  That’s your speaker.  As it is played, it will quickly open up and sound better and better.  Plywood tops will never get the same sound, so look for tops made of quality woods.

I also recommend buying a tuner. Tuning is a fairly difficult task, and learning to tune a guitar with a tuner makes it much easier to do. Tuning is tricky since it involves listening and getting used to adjusting the pitch.   Tuning takes practice and is not easy to do, but an out of tune guitar can really sound terrible. Be sure to purchase a tuner that will let you set which string you are on.

If you go to a store to buy a guitar, there are a few basic things you can check.

1:  If you put a straight edge from the neck, it should hit the bridge, ideally, at the bottom of the saddle.  If not, the angle is off, and the guitar is not one you should buy.  A yardstick or ruler is ideal for this.  If the angle is wrong, the only repair is a neck reset which can cost about $150 or more.

2:  If you push the guitar string down on the top and bottom fret the string should come close to hitting every string, with no more than a 1/8th of an inch.  If not, it will be warped and difficult to play.  Sometimes you can adjust the truss rod and straighten the neck.

3: Play every note on the guitar and make sure that all of them clear the next fret and don’t buzz.

4: It should be as easy to press down on the 12 fret as the first fret.  The notes are closer together up high on the fingerboard.

I recommend that you go to a store to purchase a guitar with someone that knows how to play, whether that is your teacher or someone that works there.

In summary, a playable guitar is a musical instrument, not a toy.   If you buy a toy it may be money wasted and lead to discouraging your child from really playing.  A good student guitar is not very expensive, usually between $100 to $200.   I personally try and keep a few that I sell at cost to students as I want my students to be successful and have a great time.  One last thing to note is that a good guitar will likely appreciate in value over time.   So a good, used, solid-top guitar that is well taken care of can actually be a better investment than the toy option.

And once you purchase your new guitar, remember to always wash your hands before playing.  The acids and dirt on your fingers may ruin the strings and even the guitar itself. Washing your hands will prolong the life of your new investment.

Bob C. TakeLessons Guitar Teacher

Bob C. TakeLessons Guitar Teacher

Reblog this post [with Zemanta]
  • Share/Bookmark

Celebrating 100 years of community music

Tuesday, September 8th, 2009

We found this inspiring article about the Community Music Center of Boston's Centennial performances. This organization epitomizes the notion of giving back to to community at large through the gift and power of music:

The music began in a pair of settlement houses in 1910. Within those institutions, the Community Music Center of Boston initially offered education and a sense of community to recent immigrants. Since 1971, the center has been housed at the Boston Center for the Arts in the South End, but its mission has remained consistent: to provide music instruction to urban students of varying ages and skill levels. They include some 5,500 students each week, many of them enabled by the $150,000-plus in scholarships given out annually.Community Music Center Students

The Community Music Center is marking its centennial with a series of 100 concerts, the first of which is next Friday at the Boston Arts Festival in the North End’s Christopher Columbus Park. The concerts will run through June 2011 and will range from solo recitals and orchestral performances to jazz and world music. According to David Lapin, the center’s executive director, virtually all of the concerts will be free, and more than half will take place in Boston schools. The Boston Public Library will also host an exhibition of Center memorabilia from January through April.

Lapin says that in its first years, the center focused on Eastern European immigrant children and the small African-American population that had migrated from the South.

“Obviously, we have a much fuller orbit to travel today,’’ he says. The school’s population now includes students from Southeast Asia, the Caribbean, and Latin America. In the 1980s it began working with people with AIDS; more recently it has been reaching out to children with autism and older adults with Alzheimer’s disease.

“What we’ve tried to do, in each decade, is not simply look to respond to demand that’s out there for music lessons, but to create demand where it might not otherwise exist,’’ says Lapin, who has led the center since 1983. “We’re not just waiting for people to come through the door; we’re trying to create new relationships in the community and nurture a demand for arts education generally.’’String Students

That’s why the concerts – which Lapin calls “a gift to the city’’ – will be as much about outreach as about public music-making. Many will feature students from schools with which the center has had long-running partnerships, but there will also be what Lapin calls “reasonably high-end performers’’ in the recital series and in special events.

“It reflects the twin goals of access and excellence in both education and programming more generally,’’ Lapin explains. “It’s part and parcel of what we do on a regular basis, but we’re trying to enhance the visibility of the music center and use [the concerts] as a way to not only celebrate the music center [but also] try to raise higher the banner of arts education throughout the city.’’

Some of the notable events include “Performathon,’’ the center’s annual daylong fund-raising concert, and a student composer venture with the new-music ensemble Dinosaur Annex. One set of performances seems particularly intriguing: the entire cycle of Beethoven symphonies in arrangements for solo piano, four-hand piano, and two pianos. That series – which opens with the first two symphonies on Dec. 10 – should provide an interesting counterpart to the Boston Symphony Orchestra’s performances of the symphonies.

Like other arts institutions, the center has been affected by the recent economic downturn. Lapin found that “the demand for arts education is relatively inelastic; people will still pay for education more than they might pay for tickets to a performance.’’ The largest decline has been in contributions: Lapin says that during the winter, “no one knew what was going on, and so basically, people stopped giving for a few months. And that was pretty scary, quite frankly.’’

Though the situation has since stabilized, Lapin is taking nothing for granted. “We’ll see,’’ he says. “Like everyone else, we have more than one set of fingers crossed.’’

We at TakeLessons avidly support music education for all and wish the very best for the Community Music Center and all organizations that facilitate in providing music education to children and adults alike.

Reblog this post [with Zemanta]
  • Share/Bookmark

How to be a smart professional musician

Wednesday, August 26th, 2009

Our mulit-talented New York teacher Jamison submitted an entry about how to be a "smart" professional musician and teacher. Here is his post:Jamie

I appreciate and value all of my students, but lately, some their parents have been a challenge. Interruptions, billing issues, and I am tempted to remind them that if I can schedule lessons for 30 kids, they should be able to schedule after-school activities for two or three. While this situation and the frustration associated with are specific to private lessons, and petty at that, there are a few lessons to take away from my struggles that apply to all musicians of all varieties.

More often than not, the career of a musician, or at least a successful yet one, is multi-faceted. Even if you are purely a performer or composer, scheduling and managing your time effectively is essential to success. I would employ some kind of system, or if you’re doing well enough, secretary/manager/assistant to manage business related issues. I know that I constantly struggle to keep track of my income, as it changes on a weekly basis.

Lastly, it is important to carry yourself professionally in every situation. You don’t have to be uptight (that’s not our way ☺), but timeliness, organization, and looking at least decent are good places to start. Jamie&Student Also, it’s been important for me to remind myself that different gigs, performing, teaching, and otherwise, will expect different standards of you. Some may even cling to negative musician stereotypes. In these cases, your own professionalism can dispel these misconceptions, further your career, and build reputation simultaneously. Some funny examples I’ve gathered from clients who’ve had bad experiences with teachers and performers, mostly of the rock and roll variety:

• Musicians use drugs
• Many also sell drugs
• Musicians philander
• Musicians are always late
• Musicians are uneducated
• Musicians are usually unkempt
• Drummers are the most promiscuous members of all rock bands
• Lead guitarists/singers are a close second
• Classical and jazz musicians are all pretentious
• Musicians are lazy
• Bass players are especially lazy
• Musicians are reckless
• Musicians are poor/frequent spenders
• All rock music comes directly from Satan

I think you get the picture. By being infinitely patient with your clients and maintaining a professional attitude at all times, you make yourself that much more competitive in our already competitive field, or in any field. This is all coming from a guitarist who has yet to own an iron.

Keep it real.


Jamie S
Guitar, Saxophone, Piano
Teacher, Composer, Performer

Reblog this post [with Zemanta]
  • Share/Bookmark