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How to buy the first guitar for a student

Sunday, August 23rd, 2009

Guitar Strings

Here is a compelling article about how to choose a guitar from our Rancho Cordova teacher Bob C, who has a Masters in Music from Columbia University.

Starting musical lessons is a wonderful idea and can improve a person’s life.  It has been shown that students that seriously study music develop structures in their brain that MRI studies demonstrate are used for Math and Physics concepts.   In fact, Einstein credits his conceptual creativity on learning the violin at aged four.  As you learn, your brain grows musically and you’ll enjoy music much more.

To start lessons, as the teacher I am more than willing to help obtain a  reasonably priced, easy to play instrument.  Unfortunately students often show up with a guitar shaped toy.

The Toy:

Many parents show up or I find someone bought them a guitar at Wall Mart or similar guitar shaped toy.

The parents say, “If he/she likes it, we’ll get a better one.”   Well, it never works like that.
No one likes to play a piece of junk.  They are generally impossible to play; they hurt your fingers and sound terrible.   If they do everything perfect, which is almost impossible, it will still sound terrible.

The student won’t want to play the guitar.  End of lessons.   It is a sure path for failure.
Worse, it will discourage the student and think they can’t play guitar.     

The Recommended Starter Guitar:

A steel string guitar has 220 pounds of pressure, and usually has a narrow neck.  It is much easier for the student to start on a nylon string, usually called a classical guitar.
Nylon strings are much easier to play and there is more space between the strings making it easier to play chords.    It just is easier. 

Many children want to learn electric guitar.  At some point, when the student has progressed, that’s fine.  However electrics are a much more expensive proposition. You have to pay for a guitar, electronics, cables and an amp.       When a student is ready for an electric they can play and feel how well they play.    

If you prefer to go to a store, I’ll help work with a local store selecting an instrument.  You will pay more at a store, but they will be there if you need repairs or adjustments.

There are a number of excellent Chinese makers and but these people will only export a number at once.   While most Chinese guitars are junk, but there are a few shops that make excellent instruments for the money.  I used to import basses, and I can import very high quality supplier of guitars at low costs.  

Why a solid top?  That’s your speaker.  The more it is played, it will quickly open up and sound better and better.  Plywood tops will never get the beautiful sound.  But the top must be made of good woods and toned correctly.

Please buy a tuner.  Tuning is a fairly difficult task, and learning to tune a guitar with a tuner makes it much easier.   Tuning is tricky since it involves listening, getting used to adjusting the pitch.   Tuning takes practice.  And out of tune guitar really sounds terrible.
Get a tuner that will let you set which string you are on.  Some will play the sound of the note.  Even pros use tuners.  Regardless, I’ll teach you how to tune your guitar.

If you go to a store to buy a guitar, there are a few basic things you can check. 

1:  If you put a straight edge from the neck, it should hit the bridge, ideally, at the bottom of the saddle.  If not, the angle is off, and the guitar will be useless.  A yardstick or ruler is ideal for this.  If the angle is wrong,   the only repair is a neck reset which costs about $150 or more.

2:  If you push the guitar string down on the top and bottom fret the string should come close to hitting every string, with no more than a 1/8th of an inch.  If not it will be warped, and difficult to play.  Sometimes we can adjust the truss rod and straighten the neck.

3: Play every note on the guitar and make sure than all of them clear the next fret and don’t buzz.

4: It should be as easy to press down on the 12 fret as the first fret.  The notes are closer together up high on the fingerboard.  Once again, it is likely the guitar teacher will be able to help get a guitar. 

I think it is foolish to go to a store without someone that knows how to play guitar.  Each instrument that comes off the factory floor is unique.  You will pay much more.

In summary, a playable guitar is a musical instrument, not a toy.   If you buy a toy it will simply be money wasted and discourage your child.  A good student guitar is not very expensive, usually between $100 to $200.   I try and keep a few that I sell at cost to students.  I want my students to be successful and have a great time.  I will be glad to check out family instruments.   A string bass is well over a thousand dollars for even a playable plywood instrument.

And, a good guitar will likely appreciate in value over time.   So you see a good used solid top guitar, well taken care of is actually the better investment than the toy.

Even rock players do most of their personal practice on acoustic instruments.

Many children want to learn electric guitar.  At some point, when the student has progressed, that’s fine.  However they are a much more expensive proposition.   You have to pay for a guitar, electronics, and an amp.  Just think, the cost of pickups alone can easily exceed $100.   The cost for a playable instrument is much more expensive and a cheap one sounds terrible.    When a student is ready for an electric they can play and feel how well they play.     Only buy a guitar when you can get a good quality instrument and amp.

Finally, always wash your hands before playing the guitar.  The acids and dirt on your fingers will ruin the strings and even the guitar. Never let anyone play the guitar without washing their hands.

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(Why Do) You Wanna Learn To Play Guitar (pt.XVII)

Thursday, August 13th, 2009

Kurt Cobain

I got asked the question the other day about music that got me to think about the beliefs that I have about music and the future of the music I'll be making with the amount of knowledge that I have. 

"Where do you see your music taking you?"

This brings up numerous other questions and almost intrudes on the philosophy I have of music that I've kept personal for a long time.  Why do I play music?  Is it to start a band and become famous?  Is it to be on T.V.?  Do I wanna play huge concert venues to 1000's of fans?  Do I wanna set my guitar on fire and climactically smash all my gear?  Yeah, of course… and no at the same time…. but either way why does any of that reinforce what I've done and what I continue to do?  I've been teaching people and sharing my music with others since day one.  I've known for a long time (for me) that music was a long term deal.  Ya know, Kurt Cobain died the same time I was getting into music and the whole MTV image was something you were supposed to shy away from.  Darrell of Pantera passed a couple years ago. I've used my music as an outlet for frustration/expression with the same general hypocracies that most people have, and it always seemed to "cure" me.  To me, being able to hold a riff or hit a solo has always empowered me with a "this is what you're supposed to be doing" feeling.  So, where do I see my music taking me?

It's a really tough one to answer.  I can answer all the 20 questions that put my priorities in check when it comes to music and my habits are completely dedicated.  I don't think my outlook on music has changed much since I started.  I still crave the same things, maybe even more so now that I've had my doors opened up.  I still want the band… still desire a gig, and ultimately the goal should be to hit the largest audience possible with your best foot forward.  But haven't I already done that?  Didn't I write the songs/form the band/play the festivals/ record the cd's/ make the t-shirts/ book the bands/ network with the like minds already?  I'm thankful for everything, did I miss something?  Why do I still want more?

Because this is what I choose to do and this is the life I've created for myself. The pros outway the cons.  I see the endless possiblities of music and I've still got a long way to go before I'm done.  I hope to continue to inspire others to do the same and expand others minds to see how powerful music can really be.  It may very well be the way that I seek other friendships and relationships out of the deal rather than just end all be all on some stage in the middle of Eupope for example.  There's still a plan, and the plan is the answer to the end.  It's the big picture that hopefully continues to be asked, "Where do you see your music taking you?"

Thanks,

Jason Jason M

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United Breaks Guitars, and we support Dave Carroll and the band

Friday, July 10th, 2009

TakeLessons would like to share the YouTube video of "United Breaks Guitars," musician Dave Carroll's musical assertion that a United Airlines baggage handler damaged his Taylor Guitar tossing it around at Chicago O'Hare.

In his song, Carroll says another passenger saw Carroll's guitar being tossed by a United employee. When the airplane arrived in Nebraska, Carroll discovered that the guitar had been broken.

United declined to do anything for Carroll, but that was before his song became a YouTube hit, with nearly 600,000 hits by this afternoon after posting it this past Monday, July 6th.

Now, Julie Johnsson of the Chicago Tribune reports, United may be singing a different tune:

"This struck a chord with us," said Robin Urbanski, spokeswoman for Chicago-based United. "We are in conversation with one another to make what happened right."

We transcribed the lyrics to "United Breaks Guitars," by Dave Carroll and his fellow band members, Sons of Maxwell:

I flew United Airlines
On my way to Nebraska
The plane departed Halifax
Connecting in Chicago’s O’Hare.

While on the ground the passenger
Said from the seat behind me,
“My God, they’re throwing guitars out there!”

The Band and I exchanged a look
Best described as terror,
At the action on the tarmac
And knowing whose projectiles
These would be.

So before I left Chicago,
I alerted three employees,
Who showed complete indifference towards me.

United, United,
You broke my Taylor Guitar.
United, United,
Some big help you are.

You broke it, you should fix it.
You’re liable, just admit it.
I should have flown with someone else
Or gone by car,
Cuz United Breaks Guitars.

When we landed in Nebraska,
I confirmed what I’d suspected:
My Taylor’d been the victim
Of a vicious act of malice at O’Hare.

And so began a year-long saga
Of pass the buck, “Don’t ask me,”
And “I’m sorry sir, your claim can go nowhere.”

So to all the Airline’s people
From New York to New Delhi,
Including kind Miss Irlweg
Who says the final word from them is “No.”

I’ve heard all your excuses
And I’ve chased your wild gooses,
And this attitude of yours I say must go.

United, United,
You broke my Taylor Guitar.
United, United,
Some big help you are.

You broke it, you should fix it.
You’re liable, just admit it.
I should have flown with someone else
Or gone by car,
Cuz United Breaks Guitars.

Well I won’t say that I’ll never fly
With you again cuz maybe
To save the world I probably would
But that won’t likely happen.

And if it did, I wouldn’t bring my luggage,
Cuz you’d just got and break it
Into a thousand pieces
Just like you broke my heart.
When United breaks guitars.

United, United,
You broke my Taylor Guitar.
United, United,
Some big help you are.

You broke it, you should fix it.
You’re liable, just admit it.
I should have flown with someone else
Or gone by car,
Cuz United Breaks Guitars.

Yeah, United breaks guitars.
Yeah, United breaks guitars. – Sons of Maxwell

Here's the short version of the story from Carroll's Web site, davecarrollmusic.com:

In the spring of 2008, Sons of Maxwell were traveling to
Nebraska for a one-week tour and my Taylor guitar was witnessed being
thrown by United Airlines baggage handlers in Chicago. I discovered
later that the $3500 guitar was severely damaged. They didn't deny the
experience occurred but for nine months the various people I
communicated with put the responsibility for dealing with the damage on
everyone other than themselves and finally said they would do nothing
to compensate me for my loss. So I promised the last person to finally
say "no" to compensation (Ms. Irlweg) that I would write and produce
three songs about my experience with United Airlines and make videos
for each to be viewed online by anyone in the world. United: Song 1 is
the first of those songs. United: Song 2 has been written and video
production is underway. United: Song 3 is coming. I promise.

We at TakeLessons find this behavior by United unacceptable and wanted to respond to Dave's video in our own way. Here is our response as Steven takes a stand:

We support you, Dave!

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So You Wanna Learn How to Play Guitar (pt.XII)

Tuesday, July 7th, 2009

Alright,

I've been getting a lot of requests from people taking guitar lessons for ways to think outside of a box pattern and how to be able to solo with speed and accuracy.  Personally, I like to do both of these and would love to help everyone out by sharing a couple techniques I use. 

The Burn (right arm):

One of the first things I'd like to bring up is to STOP thinking notes/tab/intervals for just a minute.  These are fundamentally important but not for what we're going to try and accomplish with this excercise.  Now, I want you to begin by alternate picking in a "loco" fashion for 60 seconds at a time palm muting an open "E" on the 6th string until your forearm starts to tense.  This is going to help with articulation so that when you try the next excercise your pick doesn't get caught up on the strings.  If you're having picking issues, look at how you're holding the pick.  Are you gripping it tight enough?  Are you holding it on the inside part?  Don't wuss out on this one, hit the strings like you want to go through them just don't get stuck.

The Burn (left arm):

So now you can take that same "loco" style of picking and incorporate your left hand fingering.  First and my personal favorite is a pinkie, ring, first back roll that you can take anywhere on the neck.  I used it on my track "Follow the Revolution" before the breakdown into the solo if you want an example of this.  It's simple, alternate pick with the right hand and build up speed using the previously mentioned rhythm excercise.  Notice I didn't state one note, interval, or tab pattern… I could but thats not the point.  After a few times through this your soloing should improve, you'll have better rhythm chops, and you'll understand how to "chug" a lot faster!

The Major/minor 3rd shred:

446px-Cliffburtonfree I continually find myself using this one as you can take it all over the neck and it makes an amazing sound.  Think of an open note pedal tone on the E or A for example.  Now imagine a major 3rd position.  Ok, look at the top 2 notes of a G or C chord if you wanna know what that looks like.  Now start either open E, G, and then B on the 5th string or open A, C and E on the D string.  Repeat those until you feel like you're playing the intro to Cliff Burton's "Anesthesia (Pulling Teeth)" off Metallica's 1983's Kill 'Em All album.  For the minor 3rd we'll switch to the b3rd instead.  Now play either the open E, A and then C on the A string or open A, D and then F on the 4th string.  Continue that open E or A pedal throughout and impress yourself finding all the major and minor tones around the fretboard.

Until next time!

See ya,

Jason

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Q&A with Jason – How to Read a Guitar Poster

Tuesday, June 23rd, 2009

Q&A:

Q: Hey Jason, I am learning to play guitar, and got a guitar poster with all the guitar chords I need to learn but I'm not quite sure how to read it.  Could you explain to me the letters at the bottom (C, G, C, Eb, G) and what is the "X" at the top of the letters in the circles.  The chord is a C minor.  I would bring in my poster but I taped it to the wall without thinking of bringing it in.  Joe Bennett San Diego, CA

A: Absolutely man, a lot of the riffs we run through are so metal that we don't actually have time to run through the music theory or background behind what we are playing and sometimes it has nothing to do with theory anyway. When starting guitar lessons in your city, it's important to learn some of the theory. The chord we are looking at is a C minor and a minor chord is simply a major chord with a b3rd.  So lets look at it like this major chord spelling first: C will be our root note or 1, D = 2, E will be our 3, F = 4, and G will be our 5.  (CEG, or 135)  135 is the formula to make all major chords, so now looking at the minor chord with the b3rd we have the same thing with a Eb instead. 

A summary of common guitar chords in six-string formatImage via Wikipedia

The "X" represents a string that will NOT be played in the chord progression (that means don't play the low E in this case).  The rest of the notes underneath the chord chart are the notes of the C minor chord in each position the black dots are notated.  First finger C, ring finger G, pinkie C, middle finger Eb, and first finger lands back on the G down on the high E.

Got it?  Alright…next move, take that same chord and learn how to sweep pick with it.

Rock,

Jason

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