Posts Tagged ‘Guitar’

Don’t Just Play Along – Be Your Own Guitar Hero!

Thursday, July 22nd, 2010
Photo of the guitar controller for the PlaySst...
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One of our talented guitar teachers, Jeff S. from New Jersey, sent us the following article with some ideas that helped one of his students practice guitar more effectively. Read on for Jeff’s tips on how to be your own Guitar Hero!

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I came up with the idea for this article in an effort to help one of my intermediate guitar students break out of a rut.  This particular student, a big fan of Eric Clapton and Carlos Santana, would frequently put on classic songs by those artists and just jam along with them.  I can also recall doing the same thing during my first few years of playing guitar, but I stopped once I learned the chord changes and tinkered around with some lead guitar fills because I realized that I didn’t get much out of practicing this way.

There’s a very logical reason that this tends to happen.  The solo is already impeccably played and virtually all of the best and most obvious places to play fills in these recordings have perfectly placed riffs and licks.  So you’re left with a very limited canvas to work with.  On top of that, each time you listen to these often-virtuosic lead guitar solos and licks, all you’re really doing is further cementing your idol’s seminal lead guitar work in your head.  Now how can you be adventurous (or even hear yourself think, let alone play) in that setting?  With this conundrum to overcome, I set out to find the antidote for my student and for you.

Rather than subjecting yourself to this very limiting makeshift jam session, I would suggest seeking out fully produced rhythm tracks (aka “jam tracks”) in whatever style you prefer or want to improve in. Many are offered online, either for free or at pretty reasonable prices; however, the quality of the musicianship and recordings can drastically vary, so listen before buying.  In case you’ve never encountered these types of tracks, they are fully produced rhythm section replications of famous songs or styles without the lead guitar parts.  {Note: they make these types of tracks without other instruments as well, so be sure of what you’re buying!}  One site I thought had good quality jam tracks is datamusic.org, and my student thought so too; he purchased a wide variety of tracks from them and is quite happy.

When you work with tracks like these, they offer you a wide-open expanse in which to develop your improvising and lead guitar playing.  After you get comfortable playing along with these types of recordings, I would suggest “flying in” the rhythm track (i.e. drag the tracks into Garageband or whatever recording platform you use) and record several tracks of you playing lead guitar along with it.  Concentrate initially on developing a complete guitar solo first before recording “fills” or other embellishments and “window dressing.”  After you get a take of a solo you feel pretty good about, you should then analyze the results and determine what passages or licks could be stronger or played with more precision and confidence.  “Punch in” (i.e. re-play and re-record) parts as needed, but it’s a good idea to leave your previous takes intact until you’ve got replacement tracks you feel certain are better.

If you don’t like or can’t afford these “music minus one” rhythm track recordings, another option is to lay down your own rhythm tracks (without lead guitar).  This is a great way to go because you can make all decisions concerning key, tempo and style, rather than be stuck with what the rhythm track companies offer.  With the user-friendly editing tools in virtually all recording platforms, you don’t even need to record 5 minutes of a song.  You can often get away with recording 1-2 minutes of a song or pattern and then copy and paste it together to create a longer track. If you do decide to record your own tracks, you shouldn’t burden yourself to create perfect takes on each instrument. As long as you play to a click track and stay with it, you should emerge with a track that’s going to suit your purpose.

If you feel your lead guitar results are not satisfying your inner critic, then I would suggest creating one memorable and well played lick at a time and connecting them until you forage a complete solo.  Keep a firm grip on what’s most important; develop your own style, create your own licks and have fun!

-Jeff S.

Jeff S

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TakeLessons Rock Star Teacher of the Week: Matthew P.

Monday, April 26th, 2010

Matthew P.Our latest Rock Star Teacher of the Week has only been teaching with TakeLessons since January, but he’s already making a big impact with his students.  Meet Matthew P., who teaches several subjects including drums, guitar, and singing in the Los Angeles area.  Matthew specializes in pop and rock performance, and works with students who want to learn how to express themselves in a live environment, as well as aspiring songwriters and composers who are learning to write their own music.

Matthew’s enthusiasm for music is infectious, and his students certainly agree; they say he is “easy to work with” and “gives great feedback.”  In addition to teaching, Matthew is an award-winning composer and songwriter with many film and television credits, including the new Starz series “Gravity” which premiered on Friday, April 23.  Awesome job, Matthew!

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Black Friday 2009: 40% off Music Lessons for One Day Only!

Wednesday, November 25th, 2009

Black Friday IconWe did it. We jumped on the Black Friday bandwagon. But why wouldn’t we? On a day where people are looking to find deals and start their holiday shopping, why not give them an amazing offer that they can’t refuse??

So…for the first time EVER, we are offering new students 40% off on your first month of voice or music lessons* when you purchase your lessons on Friday, November 27, 2009.

If you were thinking about getting started with music lessons or singing lessons, now is your chance. If lessons are not your thing, lesson packages make fun and unique holiday gifts for family members and friends. We have never offered a deal this great – and it’s for ONE DAY ONLY. You will not be able to get this deal at anywhere else.

We know that signing up for lessons is a big step. You are committing to something new and must find time in your schedule and room in your budget to get started. It’s a very involved decision and we definitely recognize that. But, that is also why we are really excited to offer our 40% off Black Friday sale to all new customers. With savings like these, you don’t really have an excuse to not pick up that guitar, tune up that piano or flip on the karaoke machine and get started with lessons.

You only have one day to take advantage of this offer. So once the tryptophan-induced sleepiness  from your Thanksgiving Turkey dinner wears off, pick up the phone and give us a call at 877-231-8505 on Friday to book your lessons. We will be looking forward to your call!

Nov Calendar

*For more information, click here or visit http://takelessons.com/black-friday-music-lessons. Customers must call in and mention the Black Friday 2009 offer to receive the discount. The offer is not currently available for online booking.

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Tips on How to Buy Your First Guitar

Tuesday, October 6th, 2009

Here at TakeLessons, we book guitar lessons daily.  Many times our students ask us what type of guitar they should buy for their lessons. While some of our teachers have guitars for the students to use in lessons, many still want to buy their own. One of our Rancho Cordova guitar teachers, Robert (Bob) C. sent us the following advice when selecting a guitar for a beginner guitar student.

Bob C. writes:

Starting music lessons is a wonderful idea and can improve a person’s life.  It has been shown that students who seriously study music develop structures in their brain that MRI studies demonstrate are used for Math and Physics concepts.  In fact, Einstein credits his conceptual creativity on learning the violin at age four.  As you learn, your brain grows musically and you’ll enjoy music much more.

When my students start lessons, I am more than willing to help them obtain a reasonably priced, easy-to-play instrument.  Unfortunately students often show up with a guitar-shaped toy. Parents say “If he/she likes it, we’ll get a better one.”  Well, it rarely works like that. They are generally impossible to play; they hurt your fingers and the sound is not optimal. It might discourage the student to think they can’t play guitar when really it’s just the instrument.

Legend
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My recommended starter guitar:

A steel string guitar has 220 pounds of pressure, and usually has a narrow neck.  It is much easier for the student to start on a nylon string, usually called a classical guitar. Nylon strings are much easier to play and there is more space between the strings making it easier to play chords.

Many children want to learn electric guitar.  However, electrics are a much more expensive proposition. You have to pay for a guitar, electronics, cables and an amp.

You also want to look for a solid top. Why a solid top?  That’s your speaker.  As it is played, it will quickly open up and sound better and better.  Plywood tops will never get the same sound, so look for tops made of quality woods.

I also recommend buying a tuner. Tuning is a fairly difficult task, and learning to tune a guitar with a tuner makes it much easier to do. Tuning is tricky since it involves listening and getting used to adjusting the pitch.   Tuning takes practice and is not easy to do, but an out of tune guitar can really sound terrible. Be sure to purchase a tuner that will let you set which string you are on.

If you go to a store to buy a guitar, there are a few basic things you can check.

1:  If you put a straight edge from the neck, it should hit the bridge, ideally, at the bottom of the saddle.  If not, the angle is off, and the guitar is not one you should buy.  A yardstick or ruler is ideal for this.  If the angle is wrong, the only repair is a neck reset which can cost about $150 or more.

2:  If you push the guitar string down on the top and bottom fret the string should come close to hitting every string, with no more than a 1/8th of an inch.  If not, it will be warped and difficult to play.  Sometimes you can adjust the truss rod and straighten the neck.

3: Play every note on the guitar and make sure that all of them clear the next fret and don’t buzz.

4: It should be as easy to press down on the 12 fret as the first fret.  The notes are closer together up high on the fingerboard.

I recommend that you go to a store to purchase a guitar with someone that knows how to play, whether that is your teacher or someone that works there.

In summary, a playable guitar is a musical instrument, not a toy.   If you buy a toy it may be money wasted and lead to discouraging your child from really playing.  A good student guitar is not very expensive, usually between $100 to $200.   I personally try and keep a few that I sell at cost to students as I want my students to be successful and have a great time.  One last thing to note is that a good guitar will likely appreciate in value over time.   So a good, used, solid-top guitar that is well taken care of can actually be a better investment than the toy option.

And once you purchase your new guitar, remember to always wash your hands before playing.  The acids and dirt on your fingers may ruin the strings and even the guitar itself. Washing your hands will prolong the life of your new investment.

Bob C. TakeLessons Guitar Teacher

Bob C. TakeLessons Guitar Teacher

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So You Wanna Learn to Play Guitar (pt.XX)

Thursday, September 24th, 2009

Kirk Hammett

Here is the latest entry from our excellent San Diego guitar teacher Jason M


So how do you play a Washburn acoustic?  One of the least asked questions I get is that of knowing your tone.  I don't play a Washburn acoustic but I think that it's important to note the tonal qualities of the guitar you own.  The sound that comes out of your axe will shape and define your unique voice to the point that it will eventually become "you". 

I use an ESP KH2 "Skully" Kirk Hammett signature model guitar with dual EMG 81 pickups.  It has 24 frets, an original floyd rose locking tremelo set up with a Jackson reverse dinky headstock and a body that looks like an MII Deluxe.  The neck is a little bit wider than your average electric guitar and has an almost "classical" feel to it when you grip it.  Rather than an old "file down the fret" cliche that allows for optimal shredding, my guitar has jumbo "rounded" frets which if pressed down hard enough can actually make a string bending sound.  The floating bridge takes some getting used to and if you haven't used one before you can actually make the guitar sound out of tune by leaning on it too hard with your right hand palm mute.  It has a 3 way switch which unlike a strat and more like a Les Paul you can "cut" the sound immediatly and make a really nice Morello sounding percussive "on off" sound. 

I also use a Line 6 upgraded AXSYS212 ampliphier with a floorboard that carries both a volume and a wah pedal.  The Line 6 was the first digital amp to master the art of "tube tone" back in the mid-nineties.  I don't think I've ever thought of it as a solid-state amp to be honest.  With 32 presets and 32 user presets with 4 channels each, the options are pretty infinite.  This model can not only replicate the greatest artists of all time but holds

Jason M

countless configurations of individual amp models/effect pedals/cabinet sizes/ and even offers a "noise gate" that you can open or close at will. 

Now that's not my only rig.  I also play a Zakk Wylde custom Epiphone "Les Paul" with 22 frets that I've tricked out with his custom ".60" string set up.  Getting used to a set of strings of that caliber requires a huge change in the amount of hand strength that you need.  It's also got a set of dual EMG pickups and the ability to "cut" the sound out immediately when you toggle between the rhythm and treble pickups (having one volume all the way down of course) like the KH2.

I play that one through a Scott Ian signature Randall ampliphier that has an EQ option of being able to shave your eyebrows off under the right amount of pressure.  It's got a much more pure clean tone than the Line 6 and ultimately I think the distortion channel is superior as well, but it lacks in the pedal effect options.  I like this amp because it has an L and R input in the back that I can hook my CD player or digital studio into and use as a monitor while I'm training. 

As the amp and the guitar make up your unique sound I have a digital studio that completly changes all that.  I record with a Boss BR-532 digital 4-track that has it's own effects that just don't match up to the tones that I can get live.  So technically I have a "recorded" voice and "live" voice.  There are a lot of subtle things that you have to pay attention to in the studio like thinking about "loop effects" and pre-post effects that you can alter during a mastering. 

I bring these things up because as you continue playing you may start to realize that you can't sound like Dragonforce on an acoustic.  Black Sabbath unplugged only works for "Planet Caravan"… and maybe some of their Dio stuff.  If you want to develop your own tone I believe it's important to understand how to control those factors. 

Breakdown your own rig and let me know if you have any questions that might help create your ideal sound.

Until next time, enjoy your tone!

Jason M

Jason M

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