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A Santa-Approved Voice Exercise

Friday, December 23rd, 2011

Gifts?  Check.  Eggnog?  Check.  If you’ve completed your to-do list, it’s time to sit back and take a deep breath.  You’ve made it – Christmas is just around the corner, and it’s time to celebrate (and relax!) with family and friends.  From all of us here at TakeLessons, we hope you’re enjoying the holiday season and making the most of it!

One of our favorite parts of the season is all of the holiday music, and sharing that gift of music with others.  And of course – if you’re heading out caroling this weekend, make sure to warm up your voice, as with any practice session or performance.  Here’s a simple voice exercise sure to get you on Santa’s “Nice” list, courtesy of Performancehigh.net:

You have probably heard many times that singing is all about breath support and airflow.
And you may think you’re singing with good breath support and airflow.  But if you’re getting tension in your neck and are unable to sing past a certain ceiling without “flipping” into the next higher register, you probably still have some work to do with breath.  Let’s get down to the basics for a moment.

Put your hand on your belly.
Spread your fingers wide so that you cover as much vertical area as possible.

Now, say “Ho! Ho! Ho!” in a percussive way.
Don’t worry about hitting any particular pitch.  Just focus on feeling your stomach muscles actually act, and expel air with each syllable.  Your throat is simply a passage the air goes through.  Let the air pass through without trying to “grip” it or control it with your throat muscles.

Your belly should go in, not out, with each syllable.
This is completely natural for some people, but not for everyone.  Just check to make sure.  (If you’re pushing your belly out with each syllable, how in the world are you pushing air up and out through your throat as well? Think about it…)

Once you are doing “Ho! Ho! Ho!” correctly, then do a variation:  ”Ho! Ho! Hooooo…”
Hold out that last syllable for a second or two, making sure that you are still supporting your breath from your belly and not moving the compression and effort up into your throat just because you are now “singing” a sustained note.

How did the voice exercise go for you?   What other tips would you add?  Leave a comment below!

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You might also like…
- Using Scales to Improve Your Vocal Range and More
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- Fine-Tune the Way You Learn Music

 

Image courtesy of http://www.singingsantaclaus.com/

Just Breathe: Breathing Techniques For ALL Instruments

Friday, December 2nd, 2011

Lady Gaga released her 13-minute “Marry The Night” video this week, resembling more of a short film than a typical music video.  But with Gaga – or the Mother Monster, as she calls herself – what else did you expect?  She continues to influence the music world today, one theatrical video at a time.  And along with her creativity, one thing is for certain: she’s got the golden pipes of a true star!

While you might think good breathing is only important for singers and for wind instruments, the truth is, it’s essential for everyone to master.  Proper breathing means you’re more relaxed, which helps with any performance, on any instrument.  Here are some great breathing exercises that will help musicians of all kinds, as published on the Music Made Easy blog:

For Singers:
If you are a singer, your whole body is your instrument, so in the following exercise, try to be aware of how your body feels in relation to your breathing.

- Focus on your posture and your breathing. Standing, make sure your feet are at shoulder-width distance apart and you maintain a relaxed and grounded posture, feeling the support of the floor.
- Place the palms of your hands just under your rib cage so that your fingers are just touching.  Focus on your natural breathing and notice how your fingers come slightly apart as you breathe in, and as you breathe out, they come together again.
- While doing this, mentally check your body for any tension and purposefully relax muscles in you neck, shoulders, arms, upper and lower body which may be tense.
- On your in-breath, through your nose, count that breath as ‘one’ and release it naturally through your mouth and adding a relaxed vocalization.  Be aware the whole time of the movement of your diaphragm as well as relaxing your body.  Try to exaggerate the ‘out’ movement of your stomach, so that the air flows deeper into your lungs.  Then let the air out, making sure all air is expelled.

For Piano Players:
- Place the five fingers of your right hand on any consecutive five white notes above middle C and press down all the notes at once.  Your left hand should be relaxed by your side or on your lap.
- Focus on your posture and your breathing, sitting on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet.  Relax your wrists and make sure they are in line with your hand and the tips of the fingers are resting on the notes as the weight of your arms help to press the notes down.  Fingers should be rounded and comfortable.
- Focus on your natural breathing.  Mentally check your body for any tension, purposefully relaxing any muscles in you neck, shoulders, arms, upper and lower body which may be tense.  Continue to do this throughout the exercise.
- When you take a natural breath in, lift up your 5th finger (while all other notes are held down) about a centimeter off the key and when you naturally breathe out, press the key down again. Repeat the exercise, this time with the 4th finger (this will be difficult at first).  Remember the 5th finger should be holding its note down now too. Repeat the exercise through 3rd, 2nd and 1st fingers and then do the same exercise over again but with your left hand, choosing notes below middle C and relaxing your right hand in your lap or by your side.

For Drummers and Percussionists:
Tension in the body and breathing are linked.  If you are able to focus on your breath, you will be able to purposefully relax your body.  It is important to be able to relax because tension can interrupt your ability to play when you are attempting new and more complex rhythms and/or soloing.

- Focus on your posture and your breathing.  Sit on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet, and the palms of your hands resting on your legs.   You can also stand, making sure your feet are at shoulder-width distance apart and you maintain a relaxed, yet grounded posture.
- Place the palms of your hands under your rib cage so that your fingers are just touching.  Focus on your natural breathing and notice how your fingers come slightly apart as you breathe in and as you breathe out they come together again. While doing this, mentally check your body for any tension and purposefully relax muscles in you neck, shoulders, arms, upper and lower body.
- Count your in-breath, through your nose as ‘one’ and release it naturally, being aware the whole time of relaxing your body and the movement of your diaphragm. As you breathe in, try to exaggerate the ‘out’ movement of your stomach, so that the air flows deeper into your lungs.

For Wind Instruments:
Developing good breathing technique is vital for playing a wind instrument because it dictates the way notes begin (intonation), the sound quality of the note (tone quality), how long you can hold notes (sustaining), how loud or soft the notes are (dynamics) and how you get from one note to another (flexibility).

- Focus on your posture and your breathing.  Sit on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet, and the palms of your hands resting on your legs.   You can also stand, making sure your feet are at shoulder-width distance apart and you maintain a relaxed, yet grounded posture.
- Focus upon your natural breathing.  While doing this, mentally check your body for tension and purposefully relax any muscles in you neck, shoulders, arms, upper and lower body, which may be tense.  Continue to do this throughout the exercise.
- Breathe in through your mouth for two counts and be full of air by the end of this count then breathe out through your mouth for four counts, being empty of air by the end of it.  When you breathe out make an ‘s’ sound with your mouth (like a snake).  Make sure you push all the air out.

Need help with breathing exercises?  Enlist the help of a music teacher for more personalized feedback.  Search for a teacher near you here. Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.

 

You might also like…
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Singers: How to Warm Up Your Vocal Cords

Tuesday, June 9th, 2009

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Ancient civilizations discovered powerful truths about vocalizing and singing that are relevant to modern students of voice and song.

We all go through our daily lives speaking, humming, and singing some of the time without realizing the effects of things we do half-consciously.  Or maybe we just suspect it!  Well here are some facts!!

By focusing on singing, speaking, or chanting the vowels (A,E,I,O,U) we release a myriad of emotions in an uplifting and healing manner.

Chanting or singing mantras are based on vowel-combinations that when chanted in a particular way produce a vibrating effect on our entire system, our nerves, glands, and the brain.  Here are some vowel sounds to use for warmup drills.  Singers, performers of all kinds, and instrumentalists may benefit from using these simple exercises.

A (pronounced “Ah”)  Induces a state of calm, peace, serenity.  Resonates at the toop of the thorax and esophagus (upper chest). The vibrations have a healing effect on the heart.  A(pronounced as in “glass”) resonates in the upper part of the lungs.

E(pronounced “eh”)
  Develops self-confidence. It resonates in the neck, throat, vocal chords, teeth, and thyroid glands.

I (pronounced “ee”) is the vowel of laughter.  It resonates in the bridge of the nose and crown of the head, affecting the brain and organs of the skull.

O (pronounced as in “home”) Turns inward and gives the sensation of seriousness, completion, and perfection.  It vibrates in the lower part of the lung, heart, and stomach.

OU (pronounced “oo”) has a similar sensation to O, but sweeter.
It vibrates in the lower abdomen, affecting the kidneys and stomach.

Simple warmup exercises that help you get emotionally clear and refreshed:

  • Balancing the Whole Body:  A   E  I (pronounced ahh-ee)  O  OU
  • For the ears: ENN
  • For the nose and sinuses:  MA
  • For the head and jaw:  YA  YOU   YAI
  • For the stomach:  HUH  HUH  HUH

Vowels are to be sounded with the full energy of a deep breath.  For example, when using I (pronounced ah-eee), inhale first, and then without exhaling, sound a strong and piercing EEEEE, parting your mouth as in a smile.  Keep at the same pitch. Keep sounding as you exhale but do not use up all your air. Rest and repeat the exercise 3 to 4 times. Soon you will notice a definite vibrating effect in your head which is pleasant.  This activity helps to clear the brain, eyes, nose, and ears.  This is a good morning exercise!!

Richard
Richard is a voice, guitar and piano instructor in Berkeley, CA.

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