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Feeling Weak? Piano Exercises for Finger Strength

Wednesday, April 11th, 2012

piano finger exercisesFor beginner pianists, and especially younger children or players with small hands, building up the dexterity of your hands and fingers can do wonders for your playing.  Just as singers need to warm up their most important muscle with vocal warm-ups, piano players need to take their fingers into consideration.

Here are 5 great exercises to improve your finger strength and dexterity, as originally published over at Piano and Synth Magazine:

1. Scales
The bane of every music student? Piano scales and arpeggios may be boring, but they work. Not only do they help to reinforce knowledge of the notes in each key signature, but they help develop finger strength and rhythm. Try playing major, minor and chromatic scales, and major and minor arpeggios, both single-handed and in unison in a variety of ways:
-legato (notes smooth)
-staccato (notes played shortly and sharply)
-regular rhythm
-alternative rhythm (for example: hold the first note of each octave for longer than the other six notes)
-alternative accents (for example: every third or fourth note)
-inverted (same start note, right hand plays ascending notes while left hand plays descending notes).

2. Stretches
-Play two notes of at least an octave apart, with thumb and fifth finger.
-Play a third note somewhere in between, with another finger.
-Jump staccato from the lower to the higher note and back.
-Hold thumb down on one note and play ascending staccato notes as far as possible with one of your fingers.

3. Work your weaker hand
Many pianists have one hand that is weaker than the other. Scales (see #1) will help, as will practicing parts usually played by your stronger hand.

4. Work your weaker fingers
Generally, the little (fifth) finger is weaker than the other fingers in the hand. Significantly differing finger strengths will make it difficult to maintain even playing.  To combat this, try the following:
-Practice playing scales with even volume across all fingers.
-Play two alternating notes with your weakest finger and a stronger finger. Maintain an even rhythm and volume.
-Play a run of three notes with your weakest finger and two stronger fingers. Again, maintain even rhythm and volume.

5. Key and Tempo
Try playing pieces or phrases of music you know well at different speeds and in different keys.
-Dexterity can be challenged at faster tempos.
-Steady rhythm can be challenged as tempos change.
-Different fingers can be stretched and strengthened as a piece of music is played in a new key.

If finger strength is something you need help with, run through these exercises right when you sit down to practice.  With repetition, you can train your muscles, just as a bodybuilder targets certain muscles.  Readers: what exercises have helped you improve your finger strength?  Leave a comment below, or stop by our Facebook page and join the discussion!

 

 

You might also like…
- How to Practice the Piano… Outside of the Studio
- 10 Ways to Spice Up Your Piano Scales
- Tips and Tricks: Memorizing Music Made Easy

 

Photo by Akash k.

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How to Practice the Piano… Outside of the Studio

Thursday, April 5th, 2012

Piano exercisesA few months ago we offered some handy tips for how to practice guitar when you don’t actually have your instrument with you – reviewing notes on the fretboard, studying the chords, or even simply developing your ears by picking out intervals in the music around you, for example.

Guitar players are lucky in that they play a very portable instrument. It’s relatively easy to carry around town or even bring on vacation with you.  But for piano players, impromptu practicing isn’t so easy.  If you’re out of town on Spring Break like many this week, you’re off the hook, right?

Think again.

Similar to practicing without a guitar, pianists can run through exercises without using a piano or keyboard. We came across a great article about this very concept on Tim Topham’s blog, another useful resource for musicians.  In his post, Topham runs through how he practiced while mid-flight, placing the music in front of him and studying it one bar at at time.  He describes his method as follows:

  1. Study the left hand with the score
  2. Close your eyes and picture playing each note clearly in your mind
  3. Play it a number of times in your mind and while moving hands on an imaginary keyboard
  4. Study the right hand with the score
  5. Close eyes and picture playing every note of the right hand melody, and repeat a few times as for the left hand
  6. Play hands together with eyes closed picturing the movement of the hands and the coordination of the fingers. It’s vital that you can picture playing every note for this to be a successful exercise.
  7. Check back to the score to ensure you’re playing it correctly and move onto the next bar.

Using these visualization techniques, you can train yourself to easily memorize pieces – a skill that will come in handy if you start competing  (many competitions require this) or if you are having trouble learning the intricacies of the song.  If you already know the notes and fingerings by heart, you can then turn your attention to the dynamics, articulations and different emotions of the music.

What other ways do you “practice” when you’re not near your instrument?  Click on over to our Facebook page and share your tips!  Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.

 

 

You might also like…
- 10 Ways to Spice Up Your Piano Scales
- Improving Sight Reading as a Beginner Musician
- All I Really Need to Know I Learned from Music Recitals

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10 Ways to Spice Up Your Piano Scales

Tuesday, March 27th, 2012

Piano notes“Do I really have to practice these scales?”

Yes, we know – running through scales may not be the most fun part of practicing.  Most beginner musicians would rather jump right into learning songs and duets.  But the truth is, spending time warming up with technical exercises such as scales will help you in the long run.

First, by learning scales (and the underlying keys and theory), you are learning the essential vocabulary of music.  And how can you read without understanding the language first?

Second, scales are a great technique builder for any musician, not just pianists.  Scales can help woodwind and brass players learn fingering combinations, recognize your instrument’s comfortable range (particularly when moving through octaves with chromatic scales), and help you with improvising.

The good news is that scales don’t have to be boring.  Why not spice things up, while you’re at it?  Try adding in different dynamics, patterns and articulations, for example.

We loved this list of ideas from LaDona’s Music Studio for breaking from the norm – although the list is specific to piano scales, a few of the ideas can be transposed to other instruments as well:

1. Accelerando/Ritardando – both ways. Add dynamics.

2. Accent unusual notes – for example, accent the 2nd of each group of four 16th notes.

3. Articulations – all staccato, or different slur/staccato combinations.

4. Chromatics – repeat the 2 white notes a few times, or try separating by a minor or major 3rd.

5. Clusters – play black-note groups in solid clusters.

6. Cross-rhythms – left hand in eighths for 2 octaves, right hand in triplets for 3 octaves – start one octave apart. Reverse, starting 2 octaves apart.

7. Dynamics – assign each hand a different level of sound.   Also, start left hand forte then diminuendo while right hand starts piano and crescendos. Meet in the middle.

8. Eyes Closed

9. Legatissimo – conscious overlapping.

10. Upside Down – start at the top and descend first.

What other ways do you make practicing scales more exciting?  Leave a comment below or head over to our Facebook page and share your tips with the community!

 

 

You might also like…
- Using Scales to Improve Your Vocal Range and More
- How to Use a Metronome for Efficient Practice
5 Excuses for Not Practicing – And How to Overcome Them

 

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Photo by Baruck.

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Improving Sight Reading as a Beginner Musician

Monday, March 5th, 2012

Sight readingWhen it comes to reading music quickly and effectively, your ability to sight read is fundamental.  Think about it like learning to read a book as a child.  It may have been difficult at first, but eventually, you learned how to quickly recognize letters, sounds and words.  Similarly, reading music is something that needs continual practice – especially when you also have dynamics and tempo changes to keep in mind!

Last week we discussed some advice for singers on interpreting music with things like enunciation, attitude and internalizing the lyrics.  But where do other instrumentalists fit in?  To get you started, you’ll always want to begin by scanning the piece of music and taking note of the key signature, time signature, tempo, melodic patterns and overall structure.  Look ahead for any complex rhythms or accidentals, so they don’t catch you off guard.  If this seems too overwhelming at first, don’t worry!  As an absolute beginner, simply sight reading the rhythm and notes is a great place to start.  Eventually, you’ll work your way up to recognizing the smaller details in the song.

As you go along, here are some great tips to keep in mind when you practice sight reading, courtesy of FluteTunes.com:

1. Keep a steady tempo.
Make sure that you are always counting, even when you have a rest. You must know where you are in the piece at any given time. While you can’t expect to play with 100% pitch accuracy, tempo and rhythm should be maintained at all costs. Notes can be sacrificed, but time cannot. While practicing, students often “woodshed” the notes first and then strive for correct rhythm. This can prove very harmful in the long run, because rhythmic accuracy should always take precedence over pitch. This is a great time to practice with a metronome.  

2. Making errors.
Right before you start playing, you should promise yourself that you are going to get to the end of the piece without ever stopping. People like sight-reading to be done without interruptions, even if it goes a little bit wrong in the middle. So if you make a mistake, just keep going, as if you were playing in an orchestra. Serious students tend to strive for perfection and feel dissatisfied if they cannot play a passage free from errors. For effective sight-reading, however, we must temporarily set aside our goal of perfection and accept the likelihood that errors will occur.

3. Breathing.
For wind and brass players, it’s easy to make errors while sight-reading just because you may run out of air in the middle of a phrase. Since you cannot plan breathing in advance, you must learn to spot phrase endings while playing them for the first time, and to breathe without breaking the musical continuity.

4. Stay concentrated.
Keep your eyes on the notation at all times. Never look away from the page. Keep your head and body still.

5. Relax!
Tense muscles make the music harder to play, so try to keep your fingers, hands, arms and body as relaxed as possible.

What other advice have you received that has helped you learn to sight read?  Share your own tips with the TakeLessons community by leaving a comment on our Facebook page! Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.

 

 

You might also like…

- 5 Secrets to an Awesome Audition
- Practice Makes Perfect, But Are You Doing it Right?
- Tips and Tricks: Memorization Made Easy

 

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Just Breathe: Breathing Techniques For ALL Instruments

Friday, December 2nd, 2011

Lady Gaga released her 13-minute “Marry The Night” video this week, resembling more of a short film than a typical music video.  But with Gaga – or the Mother Monster, as she calls herself – what else did you expect?  She continues to influence the music world today, one theatrical video at a time.  And along with her creativity, one thing is for certain: she’s got the golden pipes of a true star!

While you might think good breathing is only important for singers and for wind instruments, the truth is, it’s essential for everyone to master.  Proper breathing means you’re more relaxed, which helps with any performance, on any instrument.  Here are some great breathing exercises that will help musicians of all kinds, as published on the Music Made Easy blog:

For Singers:
If you are a singer, your whole body is your instrument, so in the following exercise, try to be aware of how your body feels in relation to your breathing.

- Focus on your posture and your breathing. Standing, make sure your feet are at shoulder-width distance apart and you maintain a relaxed and grounded posture, feeling the support of the floor.
- Place the palms of your hands just under your rib cage so that your fingers are just touching.  Focus on your natural breathing and notice how your fingers come slightly apart as you breathe in, and as you breathe out, they come together again.
- While doing this, mentally check your body for any tension and purposefully relax muscles in you neck, shoulders, arms, upper and lower body which may be tense.
- On your in-breath, through your nose, count that breath as ‘one’ and release it naturally through your mouth and adding a relaxed vocalization.  Be aware the whole time of the movement of your diaphragm as well as relaxing your body.  Try to exaggerate the ‘out’ movement of your stomach, so that the air flows deeper into your lungs.  Then let the air out, making sure all air is expelled.

For Piano Players:
- Place the five fingers of your right hand on any consecutive five white notes above middle C and press down all the notes at once.  Your left hand should be relaxed by your side or on your lap.
- Focus on your posture and your breathing, sitting on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet.  Relax your wrists and make sure they are in line with your hand and the tips of the fingers are resting on the notes as the weight of your arms help to press the notes down.  Fingers should be rounded and comfortable.
- Focus on your natural breathing.  Mentally check your body for any tension, purposefully relaxing any muscles in you neck, shoulders, arms, upper and lower body which may be tense.  Continue to do this throughout the exercise.
- When you take a natural breath in, lift up your 5th finger (while all other notes are held down) about a centimeter off the key and when you naturally breathe out, press the key down again. Repeat the exercise, this time with the 4th finger (this will be difficult at first).  Remember the 5th finger should be holding its note down now too. Repeat the exercise through 3rd, 2nd and 1st fingers and then do the same exercise over again but with your left hand, choosing notes below middle C and relaxing your right hand in your lap or by your side.

For Drummers and Percussionists:
Tension in the body and breathing are linked.  If you are able to focus on your breath, you will be able to purposefully relax your body.  It is important to be able to relax because tension can interrupt your ability to play when you are attempting new and more complex rhythms and/or soloing.

- Focus on your posture and your breathing.  Sit on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet, and the palms of your hands resting on your legs.   You can also stand, making sure your feet are at shoulder-width distance apart and you maintain a relaxed, yet grounded posture.
- Place the palms of your hands under your rib cage so that your fingers are just touching.  Focus on your natural breathing and notice how your fingers come slightly apart as you breathe in and as you breathe out they come together again. While doing this, mentally check your body for any tension and purposefully relax muscles in you neck, shoulders, arms, upper and lower body.
- Count your in-breath, through your nose as ‘one’ and release it naturally, being aware the whole time of relaxing your body and the movement of your diaphragm. As you breathe in, try to exaggerate the ‘out’ movement of your stomach, so that the air flows deeper into your lungs.

For Wind Instruments:
Developing good breathing technique is vital for playing a wind instrument because it dictates the way notes begin (intonation), the sound quality of the note (tone quality), how long you can hold notes (sustaining), how loud or soft the notes are (dynamics) and how you get from one note to another (flexibility).

- Focus on your posture and your breathing.  Sit on the edge of your seat with your feet flat and firmly on the floor, so that your weight is on your feet, and the palms of your hands resting on your legs.   You can also stand, making sure your feet are at shoulder-width distance apart and you maintain a relaxed, yet grounded posture.
- Focus upon your natural breathing.  While doing this, mentally check your body for tension and purposefully relax any muscles in you neck, shoulders, arms, upper and lower body, which may be tense.  Continue to do this throughout the exercise.
- Breathe in through your mouth for two counts and be full of air by the end of this count then breathe out through your mouth for four counts, being empty of air by the end of it.  When you breathe out make an ‘s’ sound with your mouth (like a snake).  Make sure you push all the air out.

Need help with breathing exercises?  Enlist the help of a music teacher for more personalized feedback.  Search for a teacher near you here. Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.

 

You might also like…
- Help Your Child Choose the Right Instrument
- 5 Common Mistakes of Beginner Guitarists
- Using Scales to Improve Your Vocal Range and More

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