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Your Guide to Getting Through Tough Piano Passages

Wednesday, May 23rd, 2012

Kid practicing pianoDoes this sound familiar?  You sit down to practice the piano, sheet music placed in front of you. This is it.  You’re going to dominate this song.  You rest your fingers gently on the keys, and then begin playing.

Everything is going great!  And then suddenly, like black clouds rushing into a sunny sky, the measure is filled with never-ending runs of sixteenth notes and accidentals galore.  And just like that – your fingers freeze.  You think, “Wait, where was I again?”

This “start and stop” habit is something that many pianists face, even if the piece is something you’ve played before.  While you’re not always going to be playing a song perfectly, that dreaded pause when you hit a tough passage can be pretty unnerving.

So how do you combat this?  It’s combination of patience, sight reading strategies and practice.  Read on for a few great tips from Music Star Studios:

Tip 1 – Look ahead!
This is a big part of what separates the OK sight readers from the great ones. Keeping your eyes focused on the note you are playing next, instead of the note you are playing at the moment takes a lot of effort at first, but gets easier over time. By focusing on the note you are about to play while playing the note or measure before it, you are much more likely to figure it out with enough time to play it without stopping to think about it. This will help in keeping good rhythm and staying in tempo.

Tip 2 – Practice Phrases Alone!
For most pianists, pauses happen at the beginning of measures and beginning of lines. A good way to fix this is by practicing only the two measures before and after where you are pausing. For instance, if you are playing a song and find yourself stopping to think about the beginning of line 2, practice starting with the last measure of line 1, and only play through the end of the 1st measure on line 2. By doing this several times you will get more comfortable with changing lines and won’t have to pause when playing the whole piece.

Tip 3 – Slow Down!
Those two words say it all. Don’t start a song too fast, only to have to pause each time you reach a new part, or slow down as the song goes on. When you find the hardest part of a song and play it correctly at a slow tempo, practice the few measures around that part at that tempo before speeding up. This will set you up to successfully play a song without pausing because you will be comfortable with the speed when you get to the part that was hard to play, and the song will sound smooth. You will have the confidence to speed up the tempo gradually with each time through, and not have to stop or slow down for the “hard” parts.

How do YOU avoid the “start and stop” habit when practicing the piano?  We want to hear your tips!  Stop by our Facebook page (don’t forget to “Like” us!) and leave a comment.

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You might also like…
- Feeling Weak? Piano Exercises for Finger Strength
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- Tips and Tricks: Memorizing Music Made Easy

Photo by Victor Bezrukov.

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Videos We Love: How NOT to Practice

Wednesday, May 16th, 2012

We’ve all been there: you sit down at the piano and somehow, your mind goes into overdrive. Did I feed the cat this morning?  I need to remember to get milk at the store. I wonder if tickets are sold out for that show this weekend. I wonder if my piano teacher will be able to tell if I don’t practice just this once…

Suddenly, the idea of doing anything sounds much better than running through piano scales and exercises.  “I’m not feeling… inspired,” you might say, or maybe one of these other excuses.

Well, the character in this animation short we came across can definitely relate.

Sound familiar?  If you can relate, head on over to our Facebook page (don’t forget to “Like” us!) and share your thoughts: When you’re struggling to practice, what do you do to get the focus back?  How do you quiet your mind when all it’s doing is racing with stuff not related to the piano piece in front of you?

Want more expert tips and advice? Sign up to receive email updates for piano, guitar and more!

 

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- Stop Stressing: 3 Remedies for Musical Frustration
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Even More Expert Strategies for Sight Reading Practice

Wednesday, May 9th, 2012

Sight reading sheet musicA good musician knows that performing a piece is not just about recognizing black and white notes on the page and hitting the appropriate keys – expressing the emotions through dynamics and phrasing is where the fun really begins!  And if you’re learning a new piece, a few key details can give you a look into what the composer had in mind.

A few months back we published an article about beginner sight reading that struck a chord (yes, pun intended) for many of our readers, and this article takes it one step further.  Sight reading as a technique can make a world of difference as you progress in your music lessons, especially if you’re preparing for auditions, as many require a sight reading portion.

We love this article from PianoCareer.com, exploring some of those key details to keep in mind, whether you’re playing the piano, violin or any other instrument.  Here are the first four things to consider:

1. The genre. First of all, analyze the genre: it’s obvious that an Etude has a different meaning than a Nocturne, a Ballade, a Prelude or a Barcarole. Study the history of each musical genre – this way you’ll learn a LOT about the meaning of the pieces written in that particular genre. For example, when you’ll play a Minuet you’ll be aware of its gracious dancing character; when you’ll play a Toccata – you’ll want to create a sparkling, dynamic character; an Impromptu will immediately make you think about a free improvisation; and so on!

2. The tempo and character indications. Take a look at the indication at the beginning of the piece. Many composers, besides writing the tempo (Largo, Adagio, Moderato, Andante, Allegro, Presto, etc.) also indicate the main character – for example giocoso, cantabile, dolce, grave, maestoso, lamentoso, etc. These indications are immediately ‘shifting’ our focus to the needed feeling and atmosphere!

3. The style of the composer. Even if two pieces have the same title or genre – they may still have entirely different characters – being written in different epochs, by different composers. For example, let’s compare a Prelude by Bach with a Prelude by Chopin, or a Prelude by Rachmaninoff with a Prelude by Debussy! Yes, the genre is the same – but the character is inevitably different, being a reflection of the composer’s unique approach (and also of the style of the epoch).

4. The time signature. Time signatures are extremely suggestive when it comes to the character and meaning of the music. A 3/4 time signature (or 3/8, 6/8, 9/8) is usually indicating a dancing character; 2/4, 4/4, 2/2 suggests a more ‘balanced’ structure. There are also unusual time signatures like 7/8, 1/4, 5/8 – usually being inspired from folk music – which again tells us a lot about the meaning of the piece!

Continue reading Ilinca’s article here.

Readers, what do you think? What helps you when you’re sight reading a new piece? Leave a comment below, or head over to our Facebook page and share your thoughts!

Learn more insider advice for musicians -  sign up for email updates here!

 

 

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Photo by DaGoaty.

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5 Signs It’s Time for Private Piano Lessons

Wednesday, May 2nd, 2012

Yamaha pianoThere are so many music resources online nowadays, especially for piano! Say, for example, you’re dying to learn how to play fun.’s “We Are Young” . Look up the tune on YouTube, and it might not take you long to learn the chords just by studying a player’s hands in a video.

But if you really want to get ahead in your piano playing, you’ll need the expertise of a piano teacher and the accountability of private lessons.  You can spend hours at your piano practicing on your own, but you’ll be missing out on one crucial element: feedback. Even if you’re just learning to play for fun, the extra attention from a private teacher can do wonders for your playing.

Here are some examples of common mistakes that beginners might not recognize, but that can be fixed with the help of a private teacher:

1. Wrong sitting position: too much torso swinging, curved back, raised shoulders, wrong stool height, wrong feet position, etc.
Correct body posture, and also where your piano bench is placed and where you’re sitting on it, can have a dramatic effect on your playing.  Correcting any bad posture habits can also reduce the risk of injuries or stress.

2. Wrong hand position: collapsing knuckles, collapsing finger phalanxes, wrong high position of the wrist, etc.
The placement of your hands, wrists, arms and elbows is also important.  If playing with unnecessary tension becomes a habit, your teacher can help you by pointing out when it happens.

3. Unnecessary finger movements: over lifting of fingers. Unnecessary arm, hand, wrist and elbow movements.
As you master correct posture and positioning, you’ll also want to steer clear of unnecessary movements.  Proper piano playing requires coordination of everything combined.

4. Fingers are not strong and firm, but soft, weak and hollow.
As you play more often, you’ll need to strengthen your fingers, especially as you move onto more difficult pieces.  See also: Piano Exercises for Finger Strength.

5. Music doesn’t flow from pianist’s heart and soul as it usually does in singing, but simply comes to running fingers over necessary keys on the keyboard.
Most beginner pianists are just focused on getting the notes right. As you progress, you can begin working on more advanced techniques such as dynamics and articulations, where you can really showcase your passion and emotions.

(See other common mistakes and continue reading the article at Pianowell.com.)

Once you’ve mastered the basics, you’ll have established the right foundation to then move into things like theory, form, phrasing, and other musical aspects that online videos have trouble getting across. Yes, it’s a lot to learn and lot to think about.  But with the help of a great teacher, you’ll have fun in the process and you’ll reach your goals in no time!

Readers: Have you found that private lessons have helped your piano player?  Stop by our Facebook page and let us know! Like these posts?  Sign up to receive updates right to your inbox!  Click here to subscribe.

 

 

You might also like…
- How to Practice the Piano… Outside of the Studio
- 5 Excuses for Not Practicing – And How to Overcome Them
- How to Tune Into the Perfect Music Teacher for You

Photo by geraldbrazell.

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Beyond the Piano Tie: 5 Absurdly Cool Pianos

Wednesday, April 25th, 2012

If you’ll be in Los Angeles between now and May 3rd, keep your eyes open for the latest public art installation – 30 pianos, designed and decorated by local artists and community organizations, with one simple instruction: “Play Me, I’m Yours”!  The art celebrates conductor and pianist Jeffrey Kahane’s 15th anniversary as music director for the Los Angeles Chamber Orchestra.

Similar Street Pianos have been featured in several US cities over the past 5 years, including Birmingham in 2008, New York in 2010 and Austin in 2011. Check out their official website to download a map of the piano locations and find out more information.  You can also upload your own photos, videos and stories to be featured on the website.  Just a look through their library shows just how creative artists can get with a seemingly simple piano.

We’ve shared photos of crazy guitar designs here before, but what about pianos?  Here are a 5 absurdly cool piano designs that caught our eye:

 

Chichi, Rocking Piano1. Chichi, the “Rocking Piano”:
This piano really rocks – back and forth, that is.  UK designer Sarah Davenport crafted this idea around a standard baby grand from the 1900s and literally rocks the player as a way of strengthening the relationship between the pianist and the piano.

 

 

Burning piano2. Burning Piano:
Ok, not really a piano design, but a unique performance nonetheless.  In 2008, Japanese pianist Yosuke Yamashita donned a fireproof suit to play a piece as the piano enveloped in flames.  Believe it or not, it was actually the second time he performed the stunt.

 

 

Piano table3. Piano Table:
Would you love to have a piano in your home, but the space is too limiting?  Georg Bohle’s Piano Table design works double-duty – just don’t get any crumbs between the keys!  The electric keyboard is made out of oak wood and is completely hidden when the lid is down.  All yours for the retail price of $6,000.

 

Hydra Piano4.  Hydra Piano:
This other-worldly design by Macedonian designer Apostol Tnokovski was reportedly inspired by a Lady Gaga performance.  The concept is also heavily influenced by Hydra, the mythological 7-headed sea monster, hence the name.

 

Schimmel Pegasus5. Schimmel Pegasus:
Italian designer Luigi Colani takes us to another dimension with this unique look. The Pegasus offers an ergonomic keyboard, over 200 strings, and 7 1/4 octaves. Its curved soundboard also results in a highly-efficient resonance system.  Reportedly Lenny Kravitz and Prince each own one of these pianos.

 

 

Readers, what do you think?  Leave your comments below, or join the discussion on Facebook! Like these posts?  Sign up to receive updates right to your inbox!  Click here to subscribe.



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