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7 Tips for Working as a Freelance Musician

Monday, February 27th, 2012

Last night’s 84th Annual Oscars paid tribute to the best of the best of the past year’s big screen efforts – and, of course, the music involved.  Out of the two music categories, The Artist won for Best Original Score, and Bret McKenzie’s “Man or Muppet” won for Best Original Song.

So what can the Oscars, more prominently known for recognizing great films, actors and directors, teach the modern day musician?  Lucky for you, as a musician there are several different paths to take.  Whether you see yourself on lead guitar, behind the scenes in the recording studio, as concertmaster in the Philharmonic Orchestra, or penning an Oscar-winning film score, a passion for music can take you to many different careers.

For most, freelance work is part of the journey at some point.  It’s a great way to establish a network, get your name out there and earn some extra cash.  If you’re just getting started, check out these great tips from Ultimate-Guitar.com about surviving as a freelance musician:

1. At least in the beginning, you will need a day job: This is the part that nobody likes, but you will most likely not be able to support yourself by playing music alone. The thing about the music business is that it really is all about who you know. It’s such a tight-knit, close community, and a lot of your credibility will come from people you know and recommendations from your peers and other clients. When you’re first starting out, you have none of that credit, and may not be called about very many gigs. You may have to solicit yourself to play for things, not the other way around.

2. Make yourself marketable: As odd as it sounds, you are a product that your clients have to buy. Just like an advertising campaign makes a certain product stick in the minds of consumers, you have to work to stick in the minds of your potential clients. And the best way to do that is not through crazy costumes and ridiculous stage antics. Make business cards (you can do this at home with Microsoft Office and other programs) and hand them out any time you have a gig. That way, your name will always be available when people ask for a guitarist. Make sure people know that you’re available and willing to play gigs. Be polite, be reliable and work hard.

3. Professionalism, professionalism, professionalism!: This may be the most important aspect that will help your career. Just like with any other job, you will not be hired again if you make the experience an unpleasant one for your employer, nor will you be recommended for any other job. But make it a happy, comfortable experience, and you have a shot at more gigs. Always be on time, always have everything you’ll need for that day of playing, and always have your parts learned. If for some reason there is a part you can’t play at the first rehearsal, make sure that it’s flawless by the next rehearsal. Take criticism, don’t ever lose your temper, and always be the kind of person that people want to work with.

4. Never, ever complain about the check: This isn’t the marketplace. You don’t get to haggle. What you get paid is what you get paid. If you don’t think it’s fair, then just don’t take gigs from that person anymore. Making a scene burns a bridge, and someday, you might need that bridge to get jobs. Of course, if somebody says they’re going to pay you a certain amount, and then the check comes and you get shorted or not paid at all, then you have every right to (politely) discuss the discrepancy – just be careful not to lose your temper.

5. Be versatile: You might love to play metal, but if you can play rock, country and jazz, too, you’ve got a much better shot at getting gigs.  The more things you can do, the more jobs you’re going to get. And never turn down a gig just because it isn’t your kind of style. When you’re making the big bucks, then you can be as picky as you want.

6. Be proactive: If you hear about a gig, pursue it. It is perfectly acceptable to call somebody and say “Hey, I heard you might need a musician on such and such a date. Well, my name is such and such, I’m very capable, and if you need somebody, here’s my number.” It can’t hurt, as long as you’re polite and professional.

7. Don’t give up: Even if you can’t make a full-time job out of being a musician, continue to take gigs and put yourself out there. You never know which gig could be the break you’ve been looking for!

What have you learned from your own experiences freelancing?  Leave a comment below and share your tips and expertise with the community! Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.

 

 

You might also like:

- 5 Things to Avoid for Aspiring Musicians
- How to Break into the Music Biz Without Even Playing a Note
- More Than Just Music: 7 Secrets of Successful Musicians

 

Photo by Universidad de Navarra.

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How to Use a Metronome for Efficient Practice

Friday, February 24th, 2012

metronomeThis Sunday, February 26th, marks what would have been the 80th birthday of Johnny Cash.  To commemorate, several projects and events are scheduled throughout the year to remember the country legend’s contribution to music.  A project to preserve Cash’s childhood home in Arkansas, for example, will officially begin on Sunday, and later this year a new Cash museum will open in Nashville.

His legend still lives on, and his raw talent is beneficial for any musician to study.  But what if you can’t exactly “Get Rhythm” like the American icon?  To improve your rhythm, timing and tempo, using a a metronome is indispensable.  Moreover, it can help you keep track of your progress.  Tackling a tricky section?  Turn on that metronome and you can really measure how much you progress each week.  It may seem boring, but practicing – slowly – with the aid of a metronome will sharpen your muscle memory and help you see results.

Here are more great tips from Brass Musician magazine about how to use a metronome while you practice:

Practice at a Tempo Out of your Comfort Zone
Good listening skills are something musicians strive for their whole careers. Adapting to others’ tempo is an important part of ear training. Playing faster or slower than you normally do will teach you to listen and adapt to what others are doing. In this case, it’s a machine you are adapting to, but these skills translate well to ensemble playing, and especially following section leaders.

Set the Metronome to NOT Play on Every Beat
Get bored quickly with metronome practice? This is an easy way to mix things up, and test that you are maintaining your tempo without having to rely on a machine to keep the beat.

Jazz musicians, try to practice with the beat on 2 and 4, which is where the hi-hats would be in a swing beat. Do this for your scales and etudes, not just when practicing a tune. Classical musicians can try the metronome only on beat 1. Practice the same thing over and over with the metronome on random beat settings to keep you on your toes.

Use the Metronome to Help you Gain Speed
Musicians can especially benefit from metronome use when doing tonguing and lip slurring exercises. Try to go through your normal etude books, one exercise or page at a time, gradually increasing the tempo. It takes some serious practice time, but the result is well worth the effort. Tech savvy musicians can keep a spreadsheet of the exercise and tempo as they go along.

Try A Different Metronome
Lastly, find a metronome that works well for you. There are countless free apps for cell phones, computers and other devices that give you great features and a variety of sounds to choose from. There are also many sites online that have free metronomes or drum loops at any tempo.

How do YOU practice with a metronome?  If you have helpful tips for the community, don’t be shy!  Stop by our Facebook page and leave a comment! Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.



 

Photo by A is for Angie.

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Fine-Tune the Way You Learn Music

Thursday, February 23rd, 2012

Earlier this week, in honor of Presidents Day, we mentioned a few of our nation’s past leaders who had musical chops – and now, President Obama caught the media’s attention after singing a verse from “Sweet Home Chicago” at a White House event to celebrate blues and Black History Month.  PBS will air the event on Monday, February 27th, but you can also check out a video of the performance here. Not bad for a spur of the moment spotlight!

As most musicians know, truly learning a piece of music requires more than just recognizing the notes and lyrics on the page.  As a singer, your job is to know the phrasing and structure of the song inside and out, and also communicate the emotions to the audience using your attitude, expressions and movements.  This may be easy for a well-versed singer, but if you’re a beginner still learning proper breathing and posture, it can seem a bit overwhelming.  Don’t worry – here’s a great list of the 6 steps to learning a song, as originally posted on Performance-High.net:

1) Learning lyrics, melody, phrasing and structure
This means just knowing “when to sing” and “what to sing” to get through the song start to finish successfully, even if you have to think about it.

2) Internalizing lyrics, melody, phrasing and structure
Know how it all goes without even thinking about it.

3) Fine-tuning:  pitch, when to take a breath, enunciation, etc.
Most songs offer some kind of new challenge.  Even when you know how it goes, depending on where you are as a singer you may still need to fine-tune pitch entrances, runs, fast passages, enunciation, or where to take a breath.

4) Interpretation
Dynamics.  Attitude.  Vocal texture.  Emotional expression.  What are you going to do to make this song interesting and expressive?

5) Performance
Does the song merit movement?  Interaction with band members?  Emphasis of hits or breaks?  Is there a solo where you’ll step back as lead singer and let the focus be elsewhere?

6) Ownership
After you’ve performed a song live for a certain amount of time, it finally “gels.”  You figure out how to sing all of it in your style, you get inside of it, you relax into it, it becomes “yours.”  That takes time, and also requires the previous steps.

What other tips can you think of that have helped you master a song?  Leave a comment below and share with the community! Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.


 

You might also like:

- A Quick Way to Improve Your Next Vocal Performance
- Can Yoga Help You Sing Better?
- Simple Steps for Perfect Pitch

 

Photo by Acererak.

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How to Bounce Back from a Bad Audition

Wednesday, February 22nd, 2012

Last night at the 2012 BRIT Awards, Coldplay earned the award for Best British Band, despite being under fire lately for their Grammy performance earlier this month.  What can musicians learn from that?  Being a performer takes guts. Music, like all art, can be very subjective – and these days, everyone is a critic.

Negative feedback, less-than-stellar performances, and rejection from auditions can hurt – for anyone!  But if there’s one thing to remember, it’s this: having a bad audition or performance does not make you a bad musician!  Mistakes are just as essential as successes.  As long as you’re learning from them, those mistakes will mold you along the way as you improve.

Still feeling the sting?  Check out these fantastic tips for dealing with critiques from Brass Musician Magazine:

1. Just Breathe.
In most situations, getting angry is not going to help. There’s nothing wrong with being upset at the situation — that’s healthy! But yelling, sulking, hitting the walls or taking your anger out on friends or strangers isn’t healthy. Take a deep breath or three. Take a step back. Understand that in all likelihood your career isn’t over, things could be worse, and you have a valuable — if painful — opportunity to grow as a musician.

2. Unwind.
If you’re still really ticked off, upset, or in shock about what happened, you need to find a way to relieve your stress in a healthy way. Do something that engages your body and your mind — try yoga, meditation, jogging, martial arts, or hiking.

3. Analyze The Problem.
Once you’re calm, try to look at the experience objectively without obsessing or beating yourself up. Go step-by-step and figure out where things went wrong. Did you get nervous and fail to breathe properly? Did you overwork yourself the day before? Did you spend too little or too much time on your warm-up? Were you under-prepared? Did you oversleep? Did you let a small mistake rattle you so much you continued to make bigger mistakes? Were you unprepared for the physical conditions of the recital or concert? Did you have equipment problems?

4. Look For Solutions.
Once you’ve figured out what went wrong, see if you can fix the problem. If you had problems with nerves, perhaps you can start putting on mini-performances for friends or peers to get used to playing with an audience, or develop a warm-up routine that involves some calming and focusing mental exercises. If you were rattled by a mistake, practice making mistakes! Have a friend bump your elbow or move your music while you’re playing and try to keep going. Practice playing in a wide variety of conditions — hot, cold, too dark, too bright, poor acoustics, audience practically in your lap — so when it comes up for real, you’ll be ready.

5. Let Go.
Eventually, you have to accept that the best you can do is the best you can do. At the end of the day, if you have done everything in your power to be successful, then you’ve done your part. You can’t control everything else. If you’ve cleaned and oiled and maintained your valves, but one sticks in the performance, it’s beyond your control. If you’re solidly prepared and play the audition the best you can, but someone else plays it a little better, that’s beyond your control. If you’ve done your very best, you’ve succeeded. Even if the outcome isn’t what you had hoped, the process you went through to be prepared will make you a better musician.

Readers, what do you think of these tips?  What has helped YOU bounce back from a bad audition or a negative critique? Leave a comment below! Like these posts?  Sign up to receive daily updates right to your inbox!  Click here to subscribe.

 


You might also like…

- What’s Causing Your Stage Fright?
- Oops!  How to Handle Your Biggest Music Flubs
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Stand Out From the Crowd: Improvising, Solos and More

Tuesday, February 21st, 2012

improvisationToday is Fat Tuesday, a day dedicated to celebrations, costumes, pancakes and, well, going a little bit crazy.  And just like Mardi Gras is all about standing out from the crowd, many musicians can get that same rush when they have the opportunity to solo – anything from an awesome riff on the lead guitar to a flashy improvised solo in your jazz band.  All eyes are on you, and it’s your chance to really express yourself as a musician  – not to mention show off a little!

Before you put on that metaphorical feather-adorned headpiece, as you could say, you’ll need to take a few steps to prepare.  Although it may seem like improvising is just about freedom and “feeling the moment,” there are specific things you need to know before trying your hand at it.  Here, Ultimate-guitar.com has some great tips for improvisation that are helpful for any instrument:

1. Be Fluent in your Scales
Since improvised solos are based heavily around scales, it is obviously a good idea to know your scales inside and out. The scales that you need to know are largely based on what style of music you’re improvising. But it is a good idea to know the basic major and minor scales, as well as the major and minor pentatonic, no matter what your genre is, as those four scales are universal in music.

When improvising, you shouldn’t have to be thinking about what note comes next. This is probably the main cause of “improvisation freeze-up,” or when instrumentalists don’t know their scales fluently enough, causing them to blank  in the middle of their solo.

2. Understand Scale Modes
This is kind of the same thing as being fluent in scales. It’s a good skill to understand scales modes and be able to utilize different modes in one solo.  Practice switching between modes, and find combinations that you like. Scale modes aren’t extremely crucial to improvising a good solo, but being able to utilize modes is what can separate the “good” soloists from the “great” soloists.

3. Know Your Key!
This one is probably the most obvious, and very little needs to be explained. You’d be surprised how many people just start ripping a solo in any key they choose! Also, be sure that if there is a key change, you know it’s coming.

4. Know your Genre and Mood
As far as genre goes, you should use a scale that is often used in that genre.  Examine solos by other artists of your genre to get an idea of what kind of scales are used (but don’t steal their solos!). Pay attention to the techniques used in that genre, as well. If you’re doing a heavy metal improvisation, feel free to throw some sweeps in. If you’re doing a blues solo, add some bends and double-stops. Just listening to music can help you improve in this category, as it will give you an idea of how “this genre” differs from “that genre” in playing.

You should also understand the mood that is set. If the band is playing a slow and sad accompaniment, you will probably match it with a minor scales. If the band is playing fast and joyously, you would probably match it with a major scale. It also helps if you put yourself in that mindset. Whatever mood it is, just get into it!

5. Don’t Think Too Hard!
Yes, when you are improvising a solo it is possible to think too hard. Another major cause of “improvisation freeze-up” is when the musician starts to think, “What note would sound the best next?” A main part of improvisation is just going for it. You need to realize you probably won’t have the most melodic solo, especially during your early attempts at improvisation. But if you know your scales well enough, you can guarantee yourself that you won’t go out of key, and you can just let your fingers do all the thinking. Be bold, and trust yourself! If you mess up, keep going!  If you stop when you mess up, it will just make your mistake a million times more obvious. 

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Photo by Loren Javier.

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