Archive for the ‘Performing’ Category

5 Secrets to an Awesome Audition

Thursday, January 19th, 2012

American Idol‘s 11th season premiered last night, but according to ratings, it ended up with the biggest viewer drop in its decade-long history.  What do you think – has Idol finally passed its peak?  Or are you still as entertained by the audition favorites and busts as we are?

Whether you’re auditioning for American Idol or your school orchestra, a lot of factors tie into preparing for an audition, beyond just practicing your piece – we’re talking what you eat, what you wear, and what you think about beforehand.  Here, The Bulletproof Musician gives us 5 non-conventional things to consider when preparing for an audition:

1. Food
What are you going to eat the night before? The morning of? What are you going to drink? How much? If you are a regular coffee drinker, are you going to wean yourself off weeks ahead of your audition so you don’t get caffeine withdrawal headaches? Plan all of this out and test it in advance, so that it is part of a familiar routine come audition day.

Keep in mind that you may be out of town on audition day, and may not feel like dragging yourself around in a new neighborhood just to find breakfast. Be sure to practice being somewhat flexible and adaptable in your preparation.

2. Clothing
Practice performing in the clothes you plan on wearing, even down to the socks and shoes you plan on wearing (this impacts pianists more than other instrumentalists, but still).

Here, too, practice being somewhat flexible – if you’re flying to an audition, you never know when the airline might misplace your luggage and lose your lucky socks.

3. Instrument
Run a few mock auditions on different pianos, a sub-par set of timpani, or a string slightly out of tune. Don’t allow yourself to be thrown off, even if the instruments aren’t exactly to your liking.

4. Environment
Conduct your mock auditions in less than ideal environments. Try big rooms, small rooms, cold rooms, hot rooms and rooms with acoustics of various types.  If at all possible, scope out the room you will be auditioning in the day before. Walk around in it, play a few notes if you can, and take a mental snapshot of the space so that you can mentally rehearse having a great audition in that space.

5.  Sleep
Think of all the practicing you are doing, and combine this with the other daily responsibilities and demands that life and school place on you. What is the result? Physical, mental and emotional fatigue. In a study of Stanford University athletes, researchers found that increasing sleep led to greater alertness and vigor, faster reaction times, greater accuracy, speed, and explosive power.  Note that just a couple nights of good sleep won’t cut it. Since most of us are operating on what sleep researchers call a sleep debt, you’ll probably need at least several weeks of sleeping 9-10 hours a day in order to begin reaping the benefits.

Keep things in mind and you’ll be prepared for anything that may come up during your audition.  Readers, what other tips have helped you ace your auditions?  Head on over to our Facebook page and share them with the community!

 

 

Photo by eflon, licensed under Creative Commons Attribution 2.0 Generic.

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Common Musician Injuries and How to Avoid Them

Thursday, January 12th, 2012

The Red Hot Chili Peppers announced a slight setback to their upcoming U.S. tour yesterday – the kick-off gig, originally scheduled for January 20th in Florida, has been postponed until March due to frontman Anthony Kiedis’ recent surgery to remove a crushed sesamoid bone and correct a detached tendon in his foot.  Kiedis has been suffering from foot problems since 2007′s Stadium Arcadium tour, after he jumped off a bass drum and broke several bones in his foot.  The rescheduled calendar of shows can be viewed on the band’s website.

Even if you’re not jumping around on stage, musicians of all kinds are prone to injuries.  Especially if you’re a beginner, it’s important to know how to play your instrument properly in order to avoid injuring yourself over time.

In order to protect yourself, consider these important tips for musicians to prevent injuries:

Assess Your Instrument: Is your instrument the right size, shape, weight and height for you? Would an adjustable chair, footstool, strap or cushion make you more comfortable?

Know Your Body: Choose pieces that are reasonable for your body to play. If you have small fingers, playing repertoire that requires you to stretch beyond your finger span is a recipe for disaster. However, if you really want to learn a particular piece (or you need to learn it), make adjustments to make it easier to play. If you are a student, let your teacher know right away whether a piece or technical exercise is causing you pain.

Appraise Your Playing Technique: Is your body relaxed? Are your hands, arms, neck, head and core positioned to allow for fluid and comfortable playing or singing? Are you moving with the music? Are you using excess movements? Is your fingering logical and comfortable?  Videotaping yourself is a valuable method to assess your playing technique.

Evaluate Your Non-Musical Activities: Desk and computer work, sports, dancing, carrying heavy objects and hobbies can adversely affect your body.

Do Warm-Up Exercises and Stretches: Musicians are sometimes called “small muscle athletes.” Stretching exercises and gentle warm-ups result in increased range of motion, strength, coordination and flexibility.

Take Breaks: One’s muscles, ears and vocal chords need regular breaks to return to their relaxed state. Not doing so tricks the body into thinking that “tense” is the “relaxed state,” resulting in chronic pain and stress.

Engage in Active Sitting: Most musicians remain in a seated position for extended periods of time. Active seating helps ease chronic back pain, promotes correct posture and maintains general health.

Overall lesson here?  Music should be fun, not painful!  Take care of yourself to ensure many musical years to come.

What other precautionary advice has helped you?  Share your thoughts by leaving a comment on our Facebook page!

 



Image courtesy of http://www.rollingstone.com/music/artists/red-hot-chili-peppers.

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Drop a Beat Like Jay-Z: 7 Easy Steps

Monday, January 9th, 2012

The wait is finally over for celebrity gossip enthusiasts – Jay-Z and Beyonce are now proud parents of their first child together, Blue Ivy Carter.  And as any hip hop artist should, Jay-Z announced the birth by releasing “Glory,” a new track dedicated to his newborn baby girl.

While it may seem simple to put together a bunch of words without a melody, writing rap lyrics – when done right – is often more of an art form.  If you’re thinking of trying it out, check out these 7 great tips for writing your rhymes:

1. Get inspired. Pick a topic for your rap song that you have a unique perspective or understanding of to share with your audience. Without inspiration, your lyrics won’t have very much meaning.

2. Write a hook. If you were writing a term paper, you’d start with a thesis. But this is a rap song, so start with a hook. The hook should summarize the entire inspiration for the song.

3. Brainstorm. Start to make a list of every concept, unique perspective, or point you can think of related to your inspired topic. This will become the content of your song.

4. Write lyrics. Go through each of the points from your brainstorm list and express them in rhyme. Of course, this is where your skills as a lyricist will show through.

5. Pick a beat. If you don’t make beats yourself, search for a beat on YouTube or download from the internet. Pick a beat that invokes the emotion that inspired you to write your song.

6. Structure the song. Now that you have a good idea of the sound your completed song will have, arrange your rhyme into verses (16 bars apiece). You can start each verse with nearly any rhyme, but it’s a good practice to end with a rhyme that makes a point. This way your verse doesn’t seem to be left hanging. A popular song structure is: Intro, verse, chorus, verse, chorus, verse, middle 8 (breakdown), chorus, outro.

7. Rap and refine. Practice rapping your song on your chosen beat to work out the bugs and optimize your written verses. Cut out as many words as possible and then cut out some more. Remember, a rap song is not an English paper. Only use the words that are needed to make your point, nothing more. Don’t be afraid to add a pause or two, as this can help to enhance a certain point in the song.

What other tips have helped you?  Leave a comment on our Facebook page and share it with the TakeLessons community!

 


Image courtesy of wikipedia.org.

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4 Things You May Be Doing Wrong at Gigs

Tuesday, January 3rd, 2012

Cee Lo Green found himself amidst some controversy this week when he switched up the lyrics for John Lennon’s Imagine during a live New Year’s Eve performance.  Instead of singing “Nothing to kill or die for.  And no religion too,” the line was changed to “And all religion’s true.”  Needless to say, Lennon fans raced to the Internet to voice their less-than-pleased opinions on the matter.  Behold, the power of live TV.

Performing live certainly gives you and your band a kind of power.  All eyes are on you, and at that moment, you can make or break your career as a musician.  But there are also a few common-sense rules to follow to ensure many performances to come.  Here are a few tips for what NOT to do at a gig:

1. DON’T…Show Up Late

Promoters and venues ask you to arrive at a certain time for a good reason. They need that time to load you in and get soundcheck set up. They are asking you to be there at that time so they can give you everything you need to have a great show. They’re not doing it to inconvenience you, and they’re not doing it because they just like to stand around for hours before a show actually begins.

Don’t arbitrarily decide that you think load-in is too early or that you won’t really need all that time for soundcheck. When you don’t arrive on time, no one else can do their jobs. Plus, it means that the promoter and venue may be paying people to stand around and do nothing while they await your fashionably late arrival – something that is not going to endear you to them. When you come late, you send the whole operation into panic mode and make what should be a calm time of prepping for a good show a completely stressful few hours instead – and that could affect your set.

2. DON’T…Abuse the Guest List

Even if a promoter or venue loves your music, that doesn’t mean that they want to lose money on your show. It may seem to you like you should be able to bring anyone into your show you want for free, but the thing is, your guest list spots aren’t REALLY free – they may just feel that way to you. Somewhere, someone is giving up the ticket price of every person who walks through the door gratis. You should negotiate with the promoter or venue up front how many guest list places you’ll get – and then leave it at that. Don’t go out before the show, waltz around town, pick up an entourage and promise them all free entry to the show. What you’re really doing then is asking the promoter or venue to fund your friends’ nights out. How is that fair?

3. DON’T…Overstay (or Understay) Your Welcome

This one is especially important if you are not the headlining band – but even if you are, it is important to adhere as closely to any pre-determined set length as possible. These stage times are drawn up to make sure the whole night runs smoothly, from changeovers to giving the venue enough time after your show to get everyone out and clean up. If you’re one of the support bands, if you go over, you’re taking time away from the headliners – a big, big no-no. If you are the headliners, the time you’re asked to wrap things up may have something to do with noise ordinance laws, licensing laws and all sorts of other regulations – your failure to stick by the plan could have serious consequences for the venue.

4. DON’T…Be a Diva

For a live show to really work, it takes a team effort. The people working at the venue and the promoter don’t work FOR you – they’re working with you. Treat them as such. It’s perfectly OK to ask for things you need to make your show great, but your approach makes all the difference. Give them the respect you’d like to have from them, and when things go well, thank everyone for a job well done. Even if you played the worst show of your life and only five people paid in, your good attitude is goodwill in the bank that will help you get another shot at another show.

Want to put in your own two cents?  Stop by our Facebook page and leave a comment!

 

 

Image courtesy of http://studio21music.com/music/performances.html

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Your Guide to Setting SMART Musical Goals

Monday, January 2nd, 2012

You’ve reflected on your accomplishments and mistakes in the past year – now it’s time to think ahead and write down your resolutions and goals for the upcoming year.

Here at TakeLessons, we are strong believers in the power of goal-setting.  Just make sure they are S.M.A.R.T. goals: Specific, Measurable, Attainable, Realistic and Time-bound.  Establish some concrete criteria for measuring and you’ll be able to better evaluate if you met that goal.  For example, don’t just say “Practice more.”  How often do you want to practice?  How long should each practice session be?  Break each goal down into attainable chunks, get even more specific with the exact steps you’ll be taking, and write down a realistic timeline for completing each step.

If you’re still stuck, don’t worry.  Here are some great questions to get you thinking about your music goals:

- What do you want to get out of playing your instrument?
- If you could do anything you wanted with your instrument (and had the skills to pull it off), what would you do?
- What kind of places do you want to be performing at in 6 months? 3 years? 5 years?
- Do you want to travel around the world to perform? Or stay in your home town?
- To what specific places do you want to travel when you play?
- Do you want to perform your own original songs or cover songs written by other people?
- Do you want to be paid as a musician, or just do it for the enjoyment of playing?
- If you want to get paid to play, do you want to do this full-time or only part-time while you pursue something else?
- What size audiences do you want to be performing for in 6 months? 3 years? 5 years?
- What specific techniques do you want to be able to perform?
- By what date do you want to be able to perform them?
- What songs do you want to be able to play?
- What honors and awards do you want to receive?
- How do you want to share your skills and knowledge with younger, up-and-coming musicians?

What are you own music-related resolutions or goals?  Head on over to our Facebook page and share them with us!

 

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